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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9B7204C it is the complementary color #5648DF4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9B7204C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9B7204C shade: #AEB71B4C, #BFC92E4C, #D0DB414C, #E1ED544C and #F2FF674C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9B7204C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9B7204C shade: #A9B7204C, #98A50D4C, #8793004C, #7681004C and #656F004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9B7204C shade: #A8B620, #B69C20, #B67320, #B64B20 and #B62220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9B7204C shade: #A8B620, #80B620, #57B620, #2FB620 and #20B63A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9B7204C shade matches the following richer shades: #A8B620 and #B6C70F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9B7204C shade: #A8B620, #9AA531, #8C9343, #7E8254 and #707165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9B7204C shade: #B67320, #B69B20, #AAB620, #82B620 and #5AB620

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9B7204C shade: #677014, #88931A, #A8B620, #C8D927 and #D1DF4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9B7204C shade: #A9B720, #20B64B and #8720B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9B7204C shade: #A9B720, #20AAB6 and #B620AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9B7204C shade: #A9B720, #20B64B, #2D20B6 and #B6208C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9B7204C shade: #A9B720, #20B678, #2D20B6 and #B6205F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 25 / 8

HEX #A9B7204C

RGBA 169 183 32 0.3

HSLA 65.56, 0.7%, 0.42%, 0.3

LABA 71.15, -22.26, 67.26, 0.3

 

Complementary color

CMYK 18 / 20 / 0 / 4

HEX #5648DF4C

RGBA 86 72 223 0.3

HSLA 245.56, 0.7%, 0.58%, 0.3

LABA 41.12, 48.55, -75.02, 0.3

 

CMYK 1 / 0 / 26 / 8

HEX #AEB71B4C

RGBA 174 183 27 0.3

HSLA 63.46, 0.74%, 0.41%, 0.3

LABA 71.52, -20.26, 68.9, 0.3

 

CMYK 1 / 0 / 23 / 6

HEX #BFC92E4C

RGBA 191 201 46 0.3

HSLA 63.87, 0.63%, 0.48%, 0.3

LABA 77.9, -21.32, 70, 0.3

 

CMYK 2 / 0 / 21 / 4

HEX #D0DB414C

RGBA 208 219 65 0.3

HSLA 64.29, 0.68%, 0.56%, 0.3

LABA 84.2, -22.19, 70.19, 0.3

 

CMYK 2 / 0 / 19 / 2

HEX #E1ED544C

RGBA 225 237 84 0.3

HSLA 64.71, 0.81%, 0.63%, 0.3

LABA 90.42, -22.91, 69.84, 0.3

 

CMYK 2 / 0 / 18 / 0

HEX #F2FF674C

RGBA 242 255 103 0.3

HSLA 65.13, 1%, 0.7%, 0.3

LABA 96.56, -23.51, 69.17, 0.3

 

CMYK 2 / 0 / 25 / 8

HEX #A9B7204C

RGBA 169 183 32 0.3

HSLA 65.56, 0.7%, 0.42%, 0.3

LABA 71.15, -22.26, 67.26, 0.3

 

CMYK 2 / 0 / 28 / 11

HEX #98A50D4C

RGBA 152 165 13 0.3

HSLA 65.13, 0.85%, 0.35%, 0.3

LABA 64.66, -21.11, 65.25, 0.3

 

CMYK 2 / 0 / 30 / 13

HEX #8793004C

RGBA 135 147 0 0.3

HSLA 64.9, 1%, 0.29%, 0.3

LABA 58.05, -19.71, 61.5, 0.3

 

CMYK 3 / 0 / 30 / 15

HEX #7681004C

RGBA 118 129 0 0.3

HSLA 65.12, 1%, 0.25%, 0.3

LABA 51.33, -18.08, 55.9, 0.3

 

CMYK 3 / 0 / 30 / 17

HEX #656F004C

RGBA 101 111 0 0.3

HSLA 65.41, 1%, 0.22%, 0.3

LABA 44.43, -16.42, 50.16, 0.3

 

CMYK 8 / 0 / 82 / 29

HEX #A8B620

RGB 168 182 32

HSL 65.6, 0.7%, 0.42%

LAB 70.79, -22.19, 66.92

 

CMYK 0 / 14 / 82 / 29

HEX #B69C20

RGB 182 156 32

HSL 49.6, 0.7%, 0.42%

LAB 64.82, -2.58, 62.25

 

CMYK 0 / 37 / 82 / 29

HEX #B67320

RGB 182 115 32

HSL 33.2, 0.7%, 0.42%

LAB 54.36, 19.99, 53.09

 

CMYK 0 / 59 / 82 / 29

HEX #B64B20

RGB 182 75 32

HSL 17.2, 0.7%, 0.42%

LAB 45.75, 41.17, 45.29

 

CMYK 0 / 81 / 82 / 29

HEX #B62220

RGB 182 34 32

HSL 0.8, 0.7%, 0.42%

LAB 39.9, 57.04, 39.8

 

CMYK 8 / 0 / 82 / 29

HEX #A8B620

RGB 168 182 32

HSL 65.6, 0.7%, 0.42%

LAB 70.79, -22.19, 66.92

 

CMYK 30 / 0 / 82 / 29

HEX #80B620

RGB 128 182 32

HSL 81.6, 0.7%, 0.42%

LAB 68.13, -38.51, 63.56

 

CMYK 52 / 0 / 82 / 29

HEX #57B620

RGB 87 182 32

HSL 98, 0.7%, 0.42%

LAB 66.2, -52.44, 61.1

 

CMYK 74 / 0 / 82 / 29

HEX #2FB620

RGB 47 182 32

HSL 114, 0.7%, 0.42%

LAB 65.09, -61.55, 59.68

 

CMYK 82 / 0 / 68 / 29

HEX #20B63A

RGB 32 182 58

HSL 130.4, 0.7%, 0.42%

LAB 65.02, -61.62, 50.59

 

CMYK 8 / 0 / 82 / 29

HEX #A8B620

RGB 168 182 32

HSL 65.6, 0.7%, 0.42%

LAB 70.79, -22.19, 66.92

 

CMYK 9 / 0 / 92 / 22

HEX #B6C70F

RGB 182 199 15

HSL 65.54, 0.86%, 0.42%

LAB 76.57, -24.95, 75.27

 

CMYK 8 / 0 / 82 / 29

HEX #A8B620

RGB 168 182 32

HSL 65.6, 0.7%, 0.42%

LAB 70.79, -22.19, 66.92

 

CMYK 7 / 0 / 70 / 35

HEX #9AA531

RGB 154 165 49

HSL 65.69, 0.54%, 0.42%

LAB 64.96, -18.94, 55.73

 

CMYK 5 / 0 / 54 / 42

HEX #8C9343

RGB 140 147 67

HSL 65.25, 0.37%, 0.42%

LAB 58.83, -14.35, 40.88

 

CMYK 3 / 0 / 35 / 49

HEX #7E8254

RGB 126 130 84

HSL 65.22, 0.21%, 0.42%

LAB 52.99, -9.27, 24.44

 

CMYK 1 / 0 / 11 / 56

HEX #707165

RGB 112 113 101

HSL 65, 0.06%, 0.42%

LAB 47.23, -2.72, 6.53

 

CMYK 0 / 37 / 82 / 29

HEX #B67320

RGB 182 115 32

HSL 33.2, 0.7%, 0.42%

LAB 54.36, 19.99, 53.09

 

CMYK 0 / 15 / 82 / 29

HEX #B69B20

RGB 182 155 32

HSL 49.2, 0.7%, 0.42%

LAB 64.56, -2.05, 62.02

 

CMYK 7 / 0 / 82 / 29

HEX #AAB620

RGB 170 182 32

HSL 64.8, 0.7%, 0.42%

LAB 70.94, -21.34, 67.11

 

CMYK 29 / 0 / 82 / 29

HEX #82B620

RGB 130 182 32

HSL 80.8, 0.7%, 0.42%

LAB 68.25, -37.74, 63.71

 

CMYK 51 / 0 / 82 / 29

HEX #5AB620

RGB 90 182 32

HSL 96.8, 0.7%, 0.42%

LAB 66.32, -51.56, 61.25

 

CMYK 8 / 0 / 82 / 56

HEX #677014

RGB 103 112 20

HSL 65.87, 0.7%, 0.26%

LAB 44.97, -15.42, 45.69

 

CMYK 7 / 0 / 82 / 42

HEX #88931A

RGB 136 147 26

HSL 65.45, 0.7%, 0.34%

LAB 58.2, -18.66, 56.63

 

CMYK 8 / 0 / 82 / 29

HEX #A8B620

RGB 168 182 32

HSL 65.6, 0.7%, 0.42%

LAB 70.79, -22.19, 66.92

 

CMYK 8 / 0 / 82 / 15

HEX #C8D927

RGB 200 217 39

HSL 65.73, 0.7%, 0.5%

LAB 82.94, -25.55, 76.56

 

CMYK 6 / 0 / 67 / 13

HEX #D1DF4A

RGB 209 223 74

HSL 65.64, 0.7%, 0.58%

LAB 85.42, -23.23, 68.15

 

CMYK 8 / 0 / 83 / 28

HEX #A9B720

RGB 169 183 32

HSL 65.56, 0.7%, 0.42%

LAB 71.15, -22.26, 67.26

 

CMYK 82 / 0 / 59 / 29

HEX #20B64B

RGB 32 182 75

HSL 137.2, 0.7%, 0.42%

LAB 65.18, -59.65, 43.3

 

CMYK 26 / 82 / 0 / 29

HEX #8720B6

RGB 135 32 182

HSL 281.2, 0.7%, 0.42%

LAB 37.04, 63.47, -57.63

 

CMYK 8 / 0 / 83 / 28

HEX #A9B720

RGB 169 183 32

HSL 65.56, 0.7%, 0.42%

LAB 71.15, -22.26, 67.26

 

CMYK 82 / 7 / 0 / 29

HEX #20AAB6

RGB 32 170 182

HSL 184.8, 0.7%, 0.42%

LAB 63.7, -30.1, -16.14

 

CMYK 0 / 82 / 7 / 29

HEX #B620AA

RGB 182 32 170

HSL 304.8, 0.7%, 0.42%

LAB 44.06, 70.06, -38.83

 

CMYK 8 / 0 / 83 / 28

HEX #A9B720

RGB 169 183 32

HSL 65.56, 0.7%, 0.42%

LAB 71.15, -22.26, 67.26

 

CMYK 82 / 0 / 59 / 29

HEX #20B64B

RGB 32 182 75

HSL 137.2, 0.7%, 0.42%

LAB 65.18, -59.65, 43.3

 

CMYK 75 / 82 / 0 / 29

HEX #2D20B6

RGB 45 32 182

HSL 245.2, 0.7%, 0.42%

LAB 26.64, 52.56, -75.1

 

CMYK 0 / 82 / 23 / 29

HEX #B6208C

RGB 182 32 140

HSL 316.8, 0.7%, 0.42%

LAB 42.57, 65.94, -23.1

 

CMYK 8 / 0 / 83 / 28

HEX #A9B720

RGB 169 183 32

HSL 65.56, 0.7%, 0.42%

LAB 71.15, -22.26, 67.26

 

CMYK 82 / 0 / 34 / 29

HEX #20B678

RGB 32 182 120

HSL 155.2, 0.7%, 0.42%

LAB 65.84, -51.87, 21.21

 

CMYK 75 / 82 / 0 / 29

HEX #2D20B6

RGB 45 32 182

HSL 245.2, 0.7%, 0.42%

LAB 26.64, 52.56, -75.1

 

CMYK 0 / 82 / 48 / 29

HEX #B6205F

RGB 182 32 95

HSL 334.8, 0.7%, 0.42%

LAB 40.9, 61.13, 2.35

 

Description

Color code: HEX #A9B7204C | qconv.com Color code: HEX #A9B7204C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 183 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 183 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 25 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 25% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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