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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9A41D it is the complementary color #565BE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9A41D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9A41D shade: #AEA418, #BFB62B, #D0C83E, #E1DA51 and #F2EC64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9A41D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9A41D shade: #A9A41D, #98920A, #878000, #766E00 and #655C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9A41D shade: #AAA51C, #AA7E1C, #AA581C, #AA321C and #AA1C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9A41D shade: #AAA51C, #89AA1C, #62AA1C, #3CAA1C and #1CAA22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9A41D shade matches the following richer shades: #AAA51C and #BAB30C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9A41D shade: #AAA51C, #99962C, #89873D, #79784D and #69695D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9A41D shade: #AA571C, #AA7D1C, #AAA21C, #8BAA1C and #65AA1C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9A41D shade: #636010, #868216, #AAA51C, #CDC722 and #DDD83B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9A41D shade: #A9A41D, #1CAA32 and #6A1CAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9A41D shade: #A9A41D, #1CAAA2 and #A21CAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9A41D shade: #A9A41D, #1CAA32, #1C23AA and #AA1C94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9A41D shade: #A9A41D, #1CAA5C, #1C23AA and #AA1C6A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 83 / 34

HEX #A9A41D

RGB 169 164 29

HSL 57.86, 0.71%, 0.39%

LAB 65.81, -12.72, 63.45

 

Complementary color

CMYK 62 / 60 / 0 / 11

HEX #565BE2

RGB 86 91 226

HSL 237.86, 0.71%, 0.61%

LAB 45.57, 38.36, -69.46

 

CMYK 0 / 6 / 86 / 32

HEX #AEA418

RGB 174 164 24

HSL 56, 0.76%, 0.39%

LAB 66.23, -10.63, 65.2

 

CMYK 0 / 5 / 77 / 25

HEX #BFB62B

RGB 191 182 43

HSL 56.35, 0.63%, 0.46%

LAB 72.7, -11.89, 66.2

 

CMYK 0 / 4 / 70 / 18

HEX #D0C83E

RGB 208 200 62

HSL 56.71, 0.61%, 0.53%

LAB 79.08, -12.94, 66.26

 

CMYK 0 / 3 / 64 / 12

HEX #E1DA51

RGB 225 218 81

HSL 57.08, 0.71%, 0.6%

LAB 85.37, -13.82, 65.77

 

CMYK 0 / 2 / 59 / 5

HEX #F2EC64

RGB 242 236 100

HSL 57.46, 0.85%, 0.67%

LAB 91.59, -14.56, 64.98

 

CMYK 0 / 3 / 83 / 34

HEX #A9A41D

RGB 169 164 29

HSL 57.86, 0.71%, 0.39%

LAB 65.81, -12.72, 63.45

 

CMYK 0 / 4 / 93 / 40

HEX #98920A

RGB 152 146 10

HSL 57.46, 0.88%, 0.32%

LAB 59.21, -11.33, 61.45

 

CMYK 0 / 5 / 100 / 47

HEX #878000

RGB 135 128 0

HSL 56.89, 1%, 0.26%

LAB 52.5, -9.66, 57.42

 

CMYK 0 / 7 / 100 / 54

HEX #766E00

RGB 118 110 0

HSL 55.93, 1%, 0.23%

LAB 45.64, -7.76, 51.73

 

CMYK 0 / 9 / 100 / 60

HEX #655C00

RGB 101 92 0

HSL 54.65, 1%, 0.2%

LAB 38.59, -5.77, 45.89

 

CMYK 0 / 3 / 84 / 33

HEX #AAA51C

RGB 170 165 28

HSL 57.89, 0.72%, 0.39%

LAB 66.17, -12.82, 64.05

 

CMYK 0 / 26 / 84 / 33

HEX #AA7E1C

RGB 170 126 28

HSL 41.41, 0.72%, 0.39%

LAB 55.64, 8.34, 55.05

 

CMYK 0 / 48 / 84 / 33

HEX #AA581C

RGB 170 88 28

HSL 25.35, 0.72%, 0.39%

LAB 46.46, 29.55, 46.99

 

CMYK 0 / 71 / 84 / 33

HEX #AA321C

RGB 170 50 28

HSL 9.3, 0.72%, 0.39%

LAB 39.43, 47.82, 40.61

 

CMYK 0 / 84 / 84 / 33

HEX #AA1C1C

RGB 170 28 28

HSL 0, 0.72%, 0.39%

LAB 36.86, 55, 38.2

 

CMYK 0 / 3 / 84 / 33

HEX #AAA51C

RGB 170 165 28

HSL 57.89, 0.72%, 0.39%

LAB 66.17, -12.82, 64.05

 

CMYK 19 / 0 / 84 / 33

HEX #89AA1C

RGB 137 170 28

HSL 73.94, 0.72%, 0.39%

LAB 65.08, -29.56, 62.12

 

CMYK 42 / 0 / 84 / 33

HEX #62AA1C

RGB 98 170 28

HSL 90.42, 0.72%, 0.39%

LAB 62.87, -44.45, 59.32

 

CMYK 65 / 0 / 84 / 33

HEX #3CAA1C

RGB 60 170 28

HSL 106.48, 0.72%, 0.39%

LAB 61.48, -55.32, 57.55

 

CMYK 84 / 0 / 80 / 33

HEX #1CAA22

RGB 28 170 34

HSL 122.54, 0.72%, 0.39%

LAB 60.88, -60.33, 55.06

 

CMYK 0 / 3 / 84 / 33

HEX #AAA51C

RGB 170 165 28

HSL 57.89, 0.72%, 0.39%

LAB 66.17, -12.82, 64.05

 

CMYK 0 / 4 / 94 / 27

HEX #BAB30C

RGB 186 179 12

HSL 57.59, 0.88%, 0.39%

LAB 71.35, -13.31, 71.77

 

CMYK 0 / 3 / 84 / 33

HEX #AAA51C

RGB 170 165 28

HSL 57.89, 0.72%, 0.39%

LAB 66.17, -12.82, 64.05

 

CMYK 0 / 2 / 71 / 40

HEX #99962C

RGB 153 150 44

HSL 58.35, 0.55%, 0.39%

LAB 60.58, -11.87, 53.29

 

CMYK 0 / 1 / 55 / 46

HEX #89873D

RGB 137 135 61

HSL 58.42, 0.38%, 0.39%

LAB 55.06, -9.76, 39.42

 

CMYK 0 / 1 / 36 / 53

HEX #79784D

RGB 121 120 77

HSL 58.64, 0.22%, 0.39%

LAB 49.54, -6.75, 23.79

 

CMYK 0 / 0 / 11 / 59

HEX #69695D

RGB 105 105 93

HSL 60, 0.06%, 0.39%

LAB 44.08, -2.34, 6.75

 

CMYK 0 / 49 / 84 / 33

HEX #AA571C

RGB 170 87 28

HSL 24.93, 0.72%, 0.39%

LAB 46.24, 30.09, 46.8

 

CMYK 0 / 26 / 84 / 33

HEX #AA7D1C

RGB 170 125 28

HSL 40.99, 0.72%, 0.39%

LAB 55.38, 8.9, 54.83

 

CMYK 0 / 5 / 84 / 33

HEX #AAA21C

RGB 170 162 28

HSL 56.62, 0.72%, 0.39%

LAB 65.33, -11.26, 63.34

 

CMYK 18 / 0 / 84 / 33

HEX #8BAA1C

RGB 139 170 28

HSL 73.1, 0.72%, 0.39%

LAB 65.22, -28.73, 62.29

 

CMYK 41 / 0 / 84 / 33

HEX #65AA1C

RGB 101 170 28

HSL 89.15, 0.72%, 0.39%

LAB 63.01, -43.41, 59.5

 

CMYK 0 / 3 / 84 / 61

HEX #636010

RGB 99 96 16

HSL 57.83, 0.72%, 0.23%

LAB 39.67, -8.57, 42.12

 

CMYK 0 / 3 / 84 / 47

HEX #868216

RGB 134 130 22

HSL 57.86, 0.72%, 0.31%

LAB 53.05, -10.71, 53.22

 

CMYK 0 / 3 / 84 / 33

HEX #AAA51C

RGB 170 165 28

HSL 57.89, 0.72%, 0.39%

LAB 66.17, -12.82, 64.05

 

CMYK 0 / 3 / 83 / 20

HEX #CDC722

RGB 205 199 34

HSL 57.89, 0.72%, 0.47%

LAB 78.43, -14.77, 74.08

 

CMYK 0 / 2 / 73 / 13

HEX #DDD83B

RGB 221 216 59

HSL 58.15, 0.7%, 0.55%

LAB 84.38, -15.6, 72.76

 

CMYK 0 / 3 / 83 / 34

HEX #A9A41D

RGB 169 164 29

HSL 57.86, 0.71%, 0.39%

LAB 65.81, -12.72, 63.45

 

CMYK 84 / 0 / 71 / 33

HEX #1CAA32

RGB 28 170 50

HSL 129.3, 0.72%, 0.39%

LAB 60.98, -59.06, 49.5

 

CMYK 38 / 84 / 0 / 33

HEX #6A1CAA

RGB 106 28 170

HSL 272.96, 0.72%, 0.39%

LAB 31.34, 57.56, -59.96

 

CMYK 0 / 3 / 83 / 34

HEX #A9A41D

RGB 169 164 29

HSL 57.86, 0.71%, 0.39%

LAB 65.81, -12.72, 63.45

 

CMYK 84 / 0 / 5 / 33

HEX #1CAAA2

RGB 28 170 162

HSL 176.62, 0.72%, 0.39%

LAB 63.02, -36.52, -5.99

 

CMYK 5 / 84 / 0 / 33

HEX #A21CAA

RGB 162 28 170

HSL 296.62, 0.72%, 0.39%

LAB 40.27, 67.09, -45.07

 

CMYK 0 / 3 / 83 / 34

HEX #A9A41D

RGB 169 164 29

HSL 57.86, 0.71%, 0.39%

LAB 65.81, -12.72, 63.45

 

CMYK 84 / 0 / 71 / 33

HEX #1CAA32

RGB 28 170 50

HSL 129.3, 0.72%, 0.39%

LAB 60.98, -59.06, 49.5

 

CMYK 84 / 79 / 0 / 33

HEX #1C23AA

RGB 28 35 170

HSL 237.04, 0.72%, 0.39%

LAB 24.8, 46.28, -71

 

CMYK 0 / 84 / 13 / 33

HEX #AA1C94

RGB 170 28 148

HSL 309.3, 0.72%, 0.39%

LAB 40.43, 65.31, -31.47

 

CMYK 0 / 3 / 83 / 34

HEX #A9A41D

RGB 169 164 29

HSL 57.86, 0.71%, 0.39%

LAB 65.81, -12.72, 63.45

 

CMYK 84 / 0 / 46 / 33

HEX #1CAA5C

RGB 28 170 92

HSL 147.04, 0.72%, 0.39%

LAB 61.45, -53.33, 30.28

 

CMYK 84 / 79 / 0 / 33

HEX #1C23AA

RGB 28 35 170

HSL 237.04, 0.72%, 0.39%

LAB 24.8, 46.28, -71

 

CMYK 0 / 84 / 38 / 33

HEX #AA1C6A

RGB 170 28 106

HSL 327.04, 0.72%, 0.39%

LAB 38.58, 60.11, -8.29

 

Description

Color code: HEX #A9A41D | qconv.com Color code: HEX #A9A41D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 164 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 164 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 83 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 83% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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