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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A98DF1 it is the complementary color #56720E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A98DF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A98DF1 shade: #AE8DEC, #BF9FFF, #D0B1FF, #E1C3FF and #F2D5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A98DF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A98DF1 shade: #A98DF1, #987BDE, #8769CB, #7657B8 and #6545A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A98DF1 shade: #A98EF1, #C48EF1, #DF8EF1, #F18EE8 and #F18ECD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A98DF1 shade: #A98EF1, #8F8EF1 and #8E8EF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A98DF1 shade matches the following richer shades: #A98EF1 and #A583FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A98DF1 shade: #A98EF1, #AE98E7, #B2A2DC, #B7ACD2 and #BCB7C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A98DF1 shade: #8EA8F1, #8E8EF1, #A88EF1, #C38EF1 and #DD8EF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A98DF1 shade: #7244E8, #8E69EC, #A98EF1, #C5B2F6 and #E1D7FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A98DF1 shade: #A98DF1, #F18EC3 and #9BF18E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A98DF1 shade: #A98DF1, #F1A88E and #8EF1A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A98DF1 shade: #A98DF1, #F18EC3, #D6F18E and #8EF1BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A98DF1 shade: #A98DF1, #F18EA5, #D6F18E and #8EF1DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 41 / 0 / 5

HEX #A98DF1

RGB 169 141 241

HSL 256.8, 0.78%, 0.75%

LAB 64.83, 31.71, -46.61

 

Complementary color

CMYK 25 / 0 / 88 / 55

HEX #56720E

RGB 86 114 14

HSL 76.8, 0.78%, 0.25%

LAB 44.3, -24.38, 46.35

 

CMYK 26 / 40 / 0 / 7

HEX #AE8DEC

RGB 174 141 236

HSL 260.84, 0.71%, 0.74%

LAB 65.05, 31.87, -43.49

 

CMYK 25 / 38 / 0 / 0

HEX #BF9FFF

RGB 191 159 255

HSL 260, 1%, 0.81%

LAB 71.62, 31.1, -43.46

 

CMYK 18 / 31 / 0 / 0

HEX #D0B1FF

RGB 208 177 255

HSL 263.85, 1%, 0.85%

LAB 77.33, 26.14, -34.47

 

CMYK 12 / 24 / 0 / 0

HEX #E1C3FF

RGB 225 195 255

HSL 270, 1%, 0.88%

LAB 83.05, 21.6, -25.56

 

CMYK 5 / 16 / 0 / 0

HEX #F2D5FF

RGB 242 213 255

HSL 281.43, 1%, 0.92%

LAB 88.77, 17.43, -16.76

 

CMYK 30 / 41 / 0 / 5

HEX #A98DF1

RGB 169 141 241

HSL 256.8, 0.78%, 0.75%

LAB 64.83, 31.71, -46.61

 

CMYK 32 / 45 / 0 / 13

HEX #987BDE

RGB 152 123 222

HSL 257.58, 0.6%, 0.68%

LAB 58.15, 32.59, -46.72

 

CMYK 33 / 48 / 0 / 20

HEX #8769CB

RGB 135 105 203

HSL 258.37, 0.49%, 0.6%

LAB 51.34, 33.57, -46.87

 

CMYK 36 / 53 / 0 / 28

HEX #7657B8

RGB 118 87 184

HSL 259.18, 0.41%, 0.53%

LAB 44.42, 34.64, -47.03

 

CMYK 39 / 58 / 0 / 35

HEX #6545A5

RGB 101 69 165

HSL 260, 0.41%, 0.46%

LAB 37.37, 35.8, -47.2

 

CMYK 30 / 41 / 0 / 5

HEX #A98EF1

RGB 169 142 241

HSL 256.36, 0.78%, 0.75%

LAB 65.07, 31.15, -46.24

 

CMYK 19 / 41 / 0 / 5

HEX #C48EF1

RGB 196 142 241

HSL 272.73, 0.78%, 0.75%

LAB 67.6, 38.7, -42.09

 

CMYK 7 / 41 / 0 / 5

HEX #DF8EF1

RGB 223 142 241

HSL 289.09, 0.78%, 0.75%

LAB 70.44, 46.51, -37.43

 

CMYK 0 / 41 / 4 / 5

HEX #F18EE8

RGB 241 142 232

HSL 305.45, 0.78%, 0.75%

LAB 72.14, 50.21, -29.71

 

CMYK 0 / 41 / 15 / 5

HEX #F18ECD

RGB 241 142 205

HSL 321.82, 0.78%, 0.75%

LAB 71.18, 45.78, -16.3

 

CMYK 30 / 41 / 0 / 5

HEX #A98EF1

RGB 169 142 241

HSL 256.36, 0.78%, 0.75%

LAB 65.07, 31.15, -46.24

 

CMYK 41 / 41 / 0 / 5

HEX #8F8EF1

RGB 143 142 241

HSL 240.61, 0.78%, 0.75%

LAB 62.96, 24.34, -49.71

 

CMYK 41 / 41 / 0 / 5

HEX #8E8EF1

RGB 142 142 241

HSL 240, 0.78%, 0.75%

LAB 62.88, 24.1, -49.83

 

CMYK 30 / 41 / 0 / 5

HEX #A98EF1

RGB 169 142 241

HSL 256.36, 0.78%, 0.75%

LAB 65.07, 31.15, -46.24

 

CMYK 34 / 48 / 0 / 2

HEX #A583FB

RGB 165 131 251

HSL 257, 0.94%, 0.75%

LAB 62.67, 38.82, -55.55

 

CMYK 30 / 41 / 0 / 5

HEX #A98EF1

RGB 169 142 241

HSL 256.36, 0.78%, 0.75%

LAB 65.07, 31.15, -46.24

 

CMYK 25 / 34 / 0 / 9

HEX #AE98E7

RGB 174 152 231

HSL 256.71, 0.62%, 0.75%

LAB 67.45, 24.48, -36.99

 

CMYK 19 / 26 / 0 / 14

HEX #B2A2DC

RGB 178 162 220

HSL 256.55, 0.45%, 0.75%

LAB 69.81, 17.52, -27.26

 

CMYK 13 / 18 / 0 / 18

HEX #B7ACD2

RGB 183 172 210

HSL 257.37, 0.3%, 0.75%

LAB 72.38, 11.37, -17.81

 

CMYK 6 / 9 / 0 / 22

HEX #BCB7C8

RGB 188 183 200

HSL 257.65, 0.13%, 0.75%

LAB 75.28, 4.99, -7.95

 

CMYK 41 / 30 / 0 / 5

HEX #8EA8F1

RGB 142 168 241

HSL 224.24, 0.78%, 0.75%

LAB 69.55, 9.17, -39.37

 

CMYK 41 / 41 / 0 / 5

HEX #8E8EF1

RGB 142 142 241

HSL 240, 0.78%, 0.75%

LAB 62.88, 24.1, -49.83

 

CMYK 30 / 41 / 0 / 5

HEX #A88EF1

RGB 168 142 241

HSL 255.76, 0.78%, 0.75%

LAB 64.98, 30.87, -46.38

 

CMYK 19 / 41 / 0 / 5

HEX #C38EF1

RGB 195 142 241

HSL 272.12, 0.78%, 0.75%

LAB 67.5, 38.41, -42.25

 

CMYK 8 / 41 / 0 / 5

HEX #DD8EF1

RGB 221 142 241

HSL 287.88, 0.78%, 0.75%

LAB 70.22, 45.93, -37.79

 

CMYK 51 / 71 / 0 / 9

HEX #7244E8

RGB 114 68 232

HSL 256.83, 0.78%, 0.59%

LAB 43.56, 57.4, -76.04

 

CMYK 40 / 56 / 0 / 7

HEX #8E69EC

RGB 142 105 236

HSL 256.95, 0.78%, 0.67%

LAB 53.93, 44.03, -61.34

 

CMYK 30 / 41 / 0 / 5

HEX #A98EF1

RGB 169 142 241

HSL 256.36, 0.78%, 0.75%

LAB 65.07, 31.15, -46.24

 

CMYK 20 / 28 / 0 / 4

HEX #C5B2F6

RGB 197 178 246

HSL 256.76, 0.79%, 0.83%

LAB 76.29, 20.3, -31.3

 

CMYK 10 / 14 / 0 / 2

HEX #E1D7FA

RGB 225 215 250

HSL 257.14, 0.78%, 0.91%

LAB 87.73, 9.95, -15.83

 

CMYK 30 / 41 / 0 / 5

HEX #A98DF1

RGB 169 141 241

HSL 256.8, 0.78%, 0.75%

LAB 64.83, 31.71, -46.61

 

CMYK 0 / 41 / 19 / 5

HEX #F18EC3

RGB 241 142 195

HSL 327.88, 0.78%, 0.75%

LAB 70.86, 44.26, -11.23

 

CMYK 36 / 0 / 41 / 5

HEX #9BF18E

RGB 155 241 142

HSL 112.12, 0.78%, 0.75%

LAB 87.89, -44.55, 39.77

 

CMYK 30 / 41 / 0 / 5

HEX #A98DF1

RGB 169 141 241

HSL 256.8, 0.78%, 0.75%

LAB 64.83, 31.71, -46.61

 

CMYK 0 / 30 / 41 / 5

HEX #F1A88E

RGB 241 168 142

HSL 15.76, 0.78%, 0.75%

LAB 75.24, 23.79, 24.23

 

CMYK 41 / 0 / 30 / 5

HEX #8EF1A8

RGB 142 241 168

HSL 135.76, 0.78%, 0.75%

LAB 87.72, -44.32, 26.38

 

CMYK 30 / 41 / 0 / 5

HEX #A98DF1

RGB 169 141 241

HSL 256.8, 0.78%, 0.75%

LAB 64.83, 31.71, -46.61

 

CMYK 0 / 41 / 19 / 5

HEX #F18EC3

RGB 241 142 195

HSL 327.88, 0.78%, 0.75%

LAB 70.86, 44.26, -11.23

 

CMYK 11 / 0 / 41 / 5

HEX #D6F18E

RGB 214 241 142

HSL 76.36, 0.78%, 0.75%

LAB 91.31, -24.12, 44.83

 

CMYK 41 / 0 / 22 / 5

HEX #8EF1BC

RGB 142 241 188

HSL 147.88, 0.78%, 0.75%

LAB 88.11, -40.63, 16.62

 

CMYK 30 / 41 / 0 / 5

HEX #A98DF1

RGB 169 141 241

HSL 256.8, 0.78%, 0.75%

LAB 64.83, 31.71, -46.61

 

CMYK 0 / 41 / 32 / 5

HEX #F18EA5

RGB 241 142 165

HSL 346.06, 0.78%, 0.75%

LAB 70.01, 40.14, 4.24

 

CMYK 11 / 0 / 41 / 5

HEX #D6F18E

RGB 214 241 142

HSL 76.36, 0.78%, 0.75%

LAB 91.31, -24.12, 44.83

 

CMYK 41 / 0 / 10 / 5

HEX #8EF1DA

RGB 142 241 218

HSL 166.06, 0.78%, 0.75%

LAB 88.79, -34.36, 1.99

 

Description

Color code: HEX #A98DF1 | qconv.com Color code: HEX #A98DF1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 141 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 141 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 41 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 41% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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