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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A987F9 it is the complementary color #567806. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A987F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A987F9 shade: #AE87F4, #BF99FF, #D0ABFF, #E1BDFF and #F2CFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A987F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A987F9 shade: #A987F9, #9875E6, #8763D3, #7651C0 and #653FAD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A987F9 shade: #A886F9, #C786F9, #E686F9, #F986EC and #F986CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A987F9 shade: #A886F9, #8986F9 and #8686F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A987F9 shade matches the following richer shades: #A886F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A987F9 shade: #A886F9, #AC90EE, #B09BE4, #B5A5DA and #B9AFCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A987F9 shade: #86A3F9, #8886F9, #A686F9, #C586F9 and #E486F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A987F9 shade: #7037F4, #8C5FF7, #A886F9, #C4ADFB and #E0D4FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A987F9 shade: #A987F9, #F986C1 and #93F986

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A987F9 shade: #A987F9, #F9A686 and #86F9A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A987F9 shade: #A987F9, #F986C1, #D8F986 and #86F9BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A987F9 shade: #A987F9, #F9869F, #D8F986 and #86F9E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 46 / 0 / 2

HEX #A987F9

RGB 169 135 249

HSL 257.89, 0.9%, 0.75%

LAB 63.84, 37.09, -52.58

 

Complementary color

CMYK 28 / 0 / 95 / 53

HEX #567806

RGB 86 120 6

HSL 77.89, 0.9%, 0.25%

LAB 46.21, -27.57, 49.73

 

CMYK 29 / 45 / 0 / 4

HEX #AE87F4

RGB 174 135 244

HSL 261.47, 0.83%, 0.74%

LAB 64.05, 37.16, -49.47

 

CMYK 25 / 40 / 0 / 0

HEX #BF99FF

RGB 191 153 255

HSL 262.35, 1%, 0.8%

LAB 70.23, 34.42, -45.64

 

CMYK 18 / 33 / 0 / 0

HEX #D0ABFF

RGB 208 171 255

HSL 266.43, 1%, 0.84%

LAB 75.92, 29.41, -36.65

 

CMYK 12 / 26 / 0 / 0

HEX #E1BDFF

RGB 225 189 255

HSL 272.73, 1%, 0.87%

LAB 81.63, 24.82, -27.72

 

CMYK 5 / 19 / 0 / 0

HEX #F2CFFF

RGB 242 207 255

HSL 283.75, 1%, 0.91%

LAB 87.35, 20.6, -18.9

 

CMYK 32 / 46 / 0 / 2

HEX #A987F9

RGB 169 135 249

HSL 257.89, 0.9%, 0.75%

LAB 63.84, 37.09, -52.58

 

CMYK 34 / 49 / 0 / 10

HEX #9875E6

RGB 152 117 230

HSL 258.58, 0.69%, 0.68%

LAB 57.18, 38.07, -52.73

 

CMYK 36 / 53 / 0 / 17

HEX #8763D3

RGB 135 99 211

HSL 259.29, 0.56%, 0.61%

LAB 50.43, 39.13, -52.89

 

CMYK 39 / 58 / 0 / 25

HEX #7651C0

RGB 118 81 192

HSL 260, 0.47%, 0.54%

LAB 43.57, 40.27, -53.05

 

CMYK 42 / 64 / 0 / 32

HEX #653FAD

RGB 101 63 173

HSL 260.73, 0.47%, 0.46%

LAB 36.63, 41.46, -53.17

 

CMYK 33 / 46 / 0 / 2

HEX #A886F9

RGB 168 134 249

HSL 257.74, 0.91%, 0.75%

LAB 63.52, 37.39, -53.09

 

CMYK 20 / 46 / 0 / 2

HEX #C786F9

RGB 199 134 249

HSL 273.91, 0.91%, 0.75%

LAB 66.54, 45.61, -48.11

 

CMYK 8 / 46 / 0 / 2

HEX #E686F9

RGB 230 134 249

HSL 290.09, 0.91%, 0.75%

LAB 69.97, 54.15, -42.48

 

CMYK 0 / 46 / 5 / 2

HEX #F986EC

RGB 249 134 236

HSL 306.78, 0.91%, 0.75%

LAB 71.72, 57.22, -32.47

 

CMYK 0 / 46 / 18 / 2

HEX #F986CD

RGB 249 134 205

HSL 322.96, 0.91%, 0.75%

LAB 70.59, 52.34, -17.09

 

CMYK 33 / 46 / 0 / 2

HEX #A886F9

RGB 168 134 249

HSL 257.74, 0.91%, 0.75%

LAB 63.52, 37.39, -53.09

 

CMYK 45 / 46 / 0 / 2

HEX #8986F9

RGB 137 134 249

HSL 241.57, 0.91%, 0.75%

LAB 60.96, 29.82, -57.31

 

CMYK 46 / 46 / 0 / 2

HEX #8686F9

RGB 134 134 249

HSL 240, 0.91%, 0.75%

LAB 60.74, 29.13, -57.67

 

CMYK 33 / 46 / 0 / 2

HEX #A886F9

RGB 168 134 249

HSL 257.74, 0.91%, 0.75%

LAB 63.52, 37.39, -53.09

 

CMYK 33 / 46 / 0 / 2

HEX #A886F9

RGB 168 134 249

HSL 257.74, 0.91%, 0.75%

LAB 63.52, 37.39, -53.09

 

CMYK 28 / 39 / 0 / 7

HEX #AC90EE

RGB 172 144 238

HSL 257.87, 0.73%, 0.75%

LAB 65.66, 30.1, -43.64

 

CMYK 23 / 32 / 0 / 11

HEX #B09BE4

RGB 176 155 228

HSL 257.26, 0.57%, 0.75%

LAB 68.22, 22.67, -34.11

 

CMYK 17 / 24 / 0 / 15

HEX #B5A5DA

RGB 181 165 218

HSL 258.11, 0.42%, 0.75%

LAB 70.73, 16.34, -24.72

 

CMYK 11 / 15 / 0 / 19

HEX #B9AFCF

RGB 185 175 207

HSL 258.75, 0.25%, 0.75%

LAB 73.21, 9.75, -14.9

 

CMYK 46 / 35 / 0 / 2

HEX #86A3F9

RGB 134 163 249

HSL 224.87, 0.91%, 0.75%

LAB 68.1, 12.3, -46.03

 

CMYK 45 / 46 / 0 / 2

HEX #8886F9

RGB 136 134 249

HSL 241.04, 0.91%, 0.75%

LAB 60.89, 29.59, -57.43

 

CMYK 33 / 46 / 0 / 2

HEX #A686F9

RGB 166 134 249

HSL 256.7, 0.91%, 0.75%

LAB 63.34, 36.88, -53.39

 

CMYK 21 / 46 / 0 / 2

HEX #C586F9

RGB 197 134 249

HSL 272.87, 0.91%, 0.75%

LAB 66.34, 45.06, -48.45

 

CMYK 8 / 46 / 0 / 2

HEX #E486F9

RGB 228 134 249

HSL 289.04, 0.91%, 0.75%

LAB 69.74, 53.59, -42.86

 

CMYK 54 / 77 / 0 / 4

HEX #7037F4

RGB 112 55 244

HSL 258.1, 0.9%, 0.59%

LAB 42.32, 66.29, -84.86

 

CMYK 43 / 62 / 0 / 3

HEX #8C5FF7

RGB 140 95 247

HSL 257.76, 0.9%, 0.67%

LAB 52.37, 52.03, -70.01

 

CMYK 33 / 46 / 0 / 2

HEX #A886F9

RGB 168 134 249

HSL 257.74, 0.91%, 0.75%

LAB 63.52, 37.39, -53.09

 

CMYK 22 / 31 / 0 / 2

HEX #C4ADFB

RGB 196 173 251

HSL 257.69, 0.91%, 0.83%

LAB 75.19, 23.88, -35.7

 

CMYK 11 / 16 / 0 / 1

HEX #E0D4FD

RGB 224 212 253

HSL 257.56, 0.91%, 0.91%

LAB 87.01, 11.81, -18.51

 

CMYK 32 / 46 / 0 / 2

HEX #A987F9

RGB 169 135 249

HSL 257.89, 0.9%, 0.75%

LAB 63.84, 37.09, -52.58

 

CMYK 0 / 46 / 22 / 2

HEX #F986C1

RGB 249 134 193

HSL 329.22, 0.91%, 0.75%

LAB 70.2, 50.61, -11

 

CMYK 41 / 0 / 46 / 2

HEX #93F986

RGB 147 249 134

HSL 113.22, 0.91%, 0.75%

LAB 89.71, -51.44, 45.89

 

CMYK 32 / 46 / 0 / 2

HEX #A987F9

RGB 169 135 249

HSL 257.89, 0.9%, 0.75%

LAB 63.84, 37.09, -52.58

 

CMYK 0 / 33 / 46 / 2

HEX #F9A686

RGB 249 166 134

HSL 16.7, 0.91%, 0.75%

LAB 75.53, 27.12, 29.09

 

CMYK 46 / 0 / 33 / 2

HEX #86F9A6

RGB 134 249 166

HSL 136.7, 0.91%, 0.75%

LAB 89.66, -50.22, 29.96

 

CMYK 32 / 46 / 0 / 2

HEX #A987F9

RGB 169 135 249

HSL 257.89, 0.9%, 0.75%

LAB 63.84, 37.09, -52.58

 

CMYK 0 / 46 / 22 / 2

HEX #F986C1

RGB 249 134 193

HSL 329.22, 0.91%, 0.75%

LAB 70.2, 50.61, -11

 

CMYK 13 / 0 / 46 / 2

HEX #D8F986

RGB 216 249 134

HSL 77.22, 0.91%, 0.75%

LAB 93.48, -28.03, 51.4

 

CMYK 46 / 0 / 24 / 2

HEX #86F9BD

RGB 134 249 189

HSL 148.7, 0.91%, 0.75%

LAB 90.09, -46.01, 18.83

 

CMYK 32 / 46 / 0 / 2

HEX #A987F9

RGB 169 135 249

HSL 257.89, 0.9%, 0.75%

LAB 63.84, 37.09, -52.58

 

CMYK 0 / 46 / 36 / 2

HEX #F9869F

RGB 249 134 159

HSL 346.96, 0.91%, 0.75%

LAB 69.25, 46.27, 6.64

 

CMYK 13 / 0 / 46 / 2

HEX #D8F986

RGB 216 249 134

HSL 77.22, 0.91%, 0.75%

LAB 93.48, -28.03, 51.4

 

CMYK 46 / 0 / 10 / 2

HEX #86F9E0

RGB 134 249 224

HSL 166.96, 0.91%, 0.75%

LAB 90.87, -38.61, 1.85

 

Description

Color code: HEX #A987F9 | qconv.com Color code: HEX #A987F9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 135 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 135 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 46 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 46% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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