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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A978FA it is the complementary color #568705. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A978FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A978FA shade: #AE78F5, #BF8AFF, #D09CFF, #E1AEFF and #F2C0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A978FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A978FA shade: #A978FA, #9866E7, #8754D4, #7642C1 and #6530AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A978FA shade: #AA7AFA, #CD7AFA, #EF7AFA, #FA7AE2 and #FA7AC0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A978FA shade: #AA7AFA, #887AFA and #7A7AFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A978FA shade matches the following richer shades: #AA7AFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A978FA shade: #AA7AFA, #AD85EF, #B090E4, #B39CD9 and #B5A7CE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A978FA shade: #7A8FFA, #877AFA, #A97AFA, #CB7AFA and #ED7AFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A978FA shade: #782AF7, #9152F9, #AA7AFA, #C4A2FC and #DDCAFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A978FA shade: #A978FA, #FA7AB2 and #7EFA7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A978FA shade: #A978FA, #FAA97A and #7AFAA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A978FA shade: #A978FA, #FA7AB2, #CBFA7A and #7AFAC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A978FA shade: #A978FA, #FA7A8B, #CBFA7A and #7AFAE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 52 / 0 / 2

HEX #A978FA

RGB 169 120 250

HSL 262.62, 0.93%, 0.73%

LAB 60.58, 45.66, -58.32

 

Complementary color

CMYK 36 / 0 / 96 / 47

HEX #568705

RGB 86 135 5

HSL 82.62, 0.93%, 0.27%

LAB 51.06, -34.57, 53.82

 

CMYK 29 / 51 / 0 / 4

HEX #AE78F5

RGB 174 120 245

HSL 265.92, 0.86%, 0.72%

LAB 60.8, 45.68, -55.17

 

CMYK 25 / 46 / 0 / 0

HEX #BF8AFF

RGB 191 138 255

HSL 267.18, 1%, 0.77%

LAB 66.88, 42.65, -50.91

 

CMYK 18 / 39 / 0 / 0

HEX #D09CFF

RGB 208 156 255

HSL 271.52, 1%, 0.81%

LAB 72.5, 37.58, -41.97

 

CMYK 12 / 32 / 0 / 0

HEX #E1AEFF

RGB 225 174 255

HSL 277.78, 1%, 0.84%

LAB 78.17, 32.89, -33.04

 

CMYK 5 / 25 / 0 / 0

HEX #F2C0FF

RGB 242 192 255

HSL 287.62, 1%, 0.88%

LAB 83.86, 28.54, -24.19

 

CMYK 32 / 52 / 0 / 2

HEX #A978FA

RGB 169 120 250

HSL 262.62, 0.93%, 0.73%

LAB 60.58, 45.66, -58.32

 

CMYK 34 / 56 / 0 / 9

HEX #9866E7

RGB 152 102 231

HSL 263.26, 0.73%, 0.65%

LAB 53.97, 46.68, -58.42

 

CMYK 36 / 60 / 0 / 17

HEX #8754D4

RGB 135 84 212

HSL 263.91, 0.6%, 0.58%

LAB 47.29, 47.73, -58.5

 

CMYK 39 / 66 / 0 / 24

HEX #7642C1

RGB 118 66 193

HSL 264.57, 0.51%, 0.51%

LAB 40.57, 48.75, -58.48

 

CMYK 42 / 72 / 0 / 32

HEX #6530AE

RGB 101 48 174

HSL 265.24, 0.57%, 0.44%

LAB 33.85, 49.59, -58.28

 

CMYK 32 / 51 / 0 / 2

HEX #AA7AFA

RGB 170 122 250

HSL 262.5, 0.93%, 0.73%

LAB 61.1, 44.81, -57.47

 

CMYK 18 / 51 / 0 / 2

HEX #CD7AFA

RGB 205 122 250

HSL 278.91, 0.93%, 0.73%

LAB 64.8, 53.69, -51.37

 

CMYK 4 / 51 / 0 / 2

HEX #EF7AFA

RGB 239 122 250

HSL 294.84, 0.93%, 0.73%

LAB 68.88, 62.63, -44.67

 

CMYK 0 / 51 / 10 / 2

HEX #FA7AE2

RGB 250 122 226

HSL 311.25, 0.93%, 0.73%

LAB 69.28, 61.6, -30.73

 

CMYK 0 / 51 / 23 / 2

HEX #FA7AC0

RGB 250 122 192

HSL 327.19, 0.93%, 0.73%

LAB 68.06, 56.6, -13.65

 

CMYK 32 / 51 / 0 / 2

HEX #AA7AFA

RGB 170 122 250

HSL 262.5, 0.93%, 0.73%

LAB 61.1, 44.81, -57.47

 

CMYK 46 / 51 / 0 / 2

HEX #887AFA

RGB 136 122 250

HSL 246.56, 0.93%, 0.73%

LAB 58.09, 36.86, -62.47

 

CMYK 51 / 51 / 0 / 2

HEX #7A7AFA

RGB 122 122 250

HSL 240, 0.93%, 0.73%

LAB 57.04, 33.9, -64.22

 

CMYK 32 / 51 / 0 / 2

HEX #AA7AFA

RGB 170 122 250

HSL 262.5, 0.93%, 0.73%

LAB 61.1, 44.81, -57.47

 

CMYK 32 / 51 / 0 / 2

HEX #AA7AFA

RGB 170 122 250

HSL 262.5, 0.93%, 0.73%

LAB 61.1, 44.81, -57.47

 

CMYK 28 / 44 / 0 / 6

HEX #AD85EF

RGB 173 133 239

HSL 262.64, 0.77%, 0.73%

LAB 63.25, 36.8, -47.98

 

CMYK 23 / 37 / 0 / 11

HEX #B090E4

RGB 176 144 228

HSL 262.86, 0.61%, 0.73%

LAB 65.58, 28.86, -38.23

 

CMYK 18 / 28 / 0 / 15

HEX #B39CD9

RGB 179 156 217

HSL 262.62, 0.45%, 0.73%

LAB 68.29, 20.52, -27.92

 

CMYK 12 / 19 / 0 / 19

HEX #B5A7CE

RGB 181 167 206

HSL 261.54, 0.28%, 0.73%

LAB 70.81, 12.64, -18

 

CMYK 51 / 43 / 0 / 2

HEX #7A8FFA

RGB 122 143 250

HSL 230.16, 0.93%, 0.73%

LAB 62.24, 21.49, -55.89

 

CMYK 46 / 51 / 0 / 2

HEX #877AFA

RGB 135 122 250

HSL 246.09, 0.93%, 0.73%

LAB 58.01, 36.64, -62.6

 

CMYK 32 / 51 / 0 / 2

HEX #A97AFA

RGB 169 122 250

HSL 262.03, 0.93%, 0.73%

LAB 61.01, 44.56, -57.63

 

CMYK 19 / 51 / 0 / 2

HEX #CB7AFA

RGB 203 122 250

HSL 277.97, 0.93%, 0.73%

LAB 64.58, 53.17, -51.74

 

CMYK 5 / 51 / 0 / 2

HEX #ED7AFA

RGB 237 122 250

HSL 293.91, 0.93%, 0.73%

LAB 68.62, 62.1, -45.08

 

CMYK 51 / 83 / 0 / 3

HEX #782AF7

RGB 120 42 247

HSL 262.83, 0.93%, 0.57%

LAB 41.79, 72.81, -87.39

 

CMYK 42 / 67 / 0 / 2

HEX #9152F9

RGB 145 82 249

HSL 262.63, 0.93%, 0.65%

LAB 50.56, 60.18, -74.04

 

CMYK 32 / 51 / 0 / 2

HEX #AA7AFA

RGB 170 122 250

HSL 262.5, 0.93%, 0.73%

LAB 61.1, 44.81, -57.47

 

CMYK 22 / 36 / 0 / 1

HEX #C4A2FC

RGB 196 162 252

HSL 262.67, 0.94%, 0.81%

LAB 72.63, 30.18, -40.22

 

CMYK 13 / 20 / 0 / 1

HEX #DDCAFD

RGB 221 202 253

HSL 262.35, 0.93%, 0.89%

LAB 84.33, 16.19, -22.58

 

CMYK 32 / 52 / 0 / 2

HEX #A978FA

RGB 169 120 250

HSL 262.62, 0.93%, 0.73%

LAB 60.58, 45.66, -58.32

 

CMYK 0 / 51 / 29 / 2

HEX #FA7AB2

RGB 250 122 178

HSL 333.75, 0.93%, 0.73%

LAB 67.62, 54.76, -6.42

 

CMYK 50 / 0 / 51 / 2

HEX #7EFA7A

RGB 126 250 122

HSL 118.13, 0.93%, 0.73%

LAB 89.02, -59.26, 50.5

 

CMYK 32 / 52 / 0 / 2

HEX #A978FA

RGB 169 120 250

HSL 262.62, 0.93%, 0.73%

LAB 60.58, 45.66, -58.32

 

CMYK 0 / 32 / 51 / 2

HEX #FAA97A

RGB 250 169 122

HSL 22.03, 0.93%, 0.73%

LAB 76.13, 24.83, 36.26

 

CMYK 51 / 0 / 32 / 2

HEX #7AFAA9

RGB 122 250 169

HSL 142.03, 0.93%, 0.73%

LAB 89.57, -53.1, 28.25

 

CMYK 32 / 52 / 0 / 2

HEX #A978FA

RGB 169 120 250

HSL 262.62, 0.93%, 0.73%

LAB 60.58, 45.66, -58.32

 

CMYK 0 / 51 / 29 / 2

HEX #FA7AB2

RGB 250 122 178

HSL 333.75, 0.93%, 0.73%

LAB 67.62, 54.76, -6.42

 

CMYK 19 / 0 / 51 / 2

HEX #CBFA7A

RGB 203 250 122

HSL 82.03, 0.93%, 0.73%

LAB 92.78, -34.5, 55.92

 

CMYK 51 / 0 / 22 / 2

HEX #7AFAC3

RGB 122 250 195

HSL 154.22, 0.93%, 0.73%

LAB 90.07, -48.09, 15.65

 

CMYK 32 / 52 / 0 / 2

HEX #A978FA

RGB 169 120 250

HSL 262.62, 0.93%, 0.73%

LAB 60.58, 45.66, -58.32

 

CMYK 0 / 51 / 44 / 2

HEX #FA7A8B

RGB 250 122 139

HSL 352.03, 0.93%, 0.73%

LAB 66.6, 50.38, 14.17

 

CMYK 19 / 0 / 51 / 2

HEX #CBFA7A

RGB 203 250 122

HSL 82.03, 0.93%, 0.73%

LAB 92.78, -34.5, 55.92

 

CMYK 51 / 0 / 7 / 2

HEX #7AFAE9

RGB 122 250 233

HSL 172.03, 0.93%, 0.73%

LAB 90.96, -39.58, -2.74

 

Description

Color code: HEX #A978FA | qconv.com Color code: HEX #A978FA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 120 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 120 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 52 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 52% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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