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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A97577 it is the complementary color #568A88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A97577. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A97577 shade: #AE7572, #BF8785, #D09998, #E1ABAB and #F2BDBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A97577. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A97577 shade: #A97577, #986364, #875151, #763F3E and #652D2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A97577 shade: #A97577 and #A97575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A97577 shade: #A97577, #A97585, #A97593, #A975A1 and #A375A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A97577 shade matches the following richer shades: #A97577, #BB6366, #CD5155, #DF3F45 and #F12C34

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A97577 shade: #A97577, #968788, #849998, #72ABA9 and #60BEBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A97577 shade: #A97593, #A97585, #A97578, #A98075 and #A98E75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A97577 shade: #7D4E50, #965E60, #A97577, #B88E90 and #C8A8A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A97577 shade: #A97577, #A1A975 and #758CA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A97577 shade: #A97577, #78A975 and #7578A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A97577 shade: #A97577, #A1A975, #75A9A6 and #7D75A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A97577 shade: #A97577, #91A975, #75A9A6 and #8C75A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 30 / 34

HEX #A97577

RGB 169 117 119

HSL 357.69, 0.23%, 0.56%

LAB 54.54, 20.73, 7.14

 

Complementary color

CMYK 38 / 0 / 1 / 46

HEX #568A88

RGB 86 138 136

HSL 177.69, 0.23%, 0.44%

LAB 53.96, -17.79, -4.43

 

CMYK 0 / 33 / 34 / 32

HEX #AE7572

RGB 174 117 114

HSL 3, 0.27%, 0.56%

LAB 55.01, 22.03, 10.8

 

CMYK 0 / 29 / 30 / 25

HEX #BF8785

RGB 191 135 133

HSL 2.07, 0.31%, 0.64%

LAB 61.74, 21.19, 9.65

 

CMYK 0 / 26 / 27 / 18

HEX #D09998

RGB 208 153 152

HSL 1.07, 0.37%, 0.71%

LAB 68.36, 20.44, 8.62

 

CMYK 0 / 24 / 24 / 12

HEX #E1ABAB

RGB 225 171 171

HSL 0, 0.47%, 0.78%

LAB 74.87, 19.77, 7.68

 

CMYK 0 / 22 / 21 / 5

HEX #F2BDBE

RGB 242 189 190

HSL 358.87, 0.67%, 0.85%

LAB 81.29, 19.16, 6.81

 

CMYK 0 / 31 / 30 / 34

HEX #A97577

RGB 169 117 119

HSL 357.69, 0.23%, 0.56%

LAB 54.54, 20.73, 7.14

 

CMYK 0 / 35 / 34 / 40

HEX #986364

RGB 152 99 100

HSL 358.87, 0.21%, 0.49%

LAB 47.65, 21.61, 8.3

 

CMYK 0 / 40 / 40 / 47

HEX #875151

RGB 135 81 81

HSL 0, 0.25%, 0.42%

LAB 40.62, 22.61, 9.64

 

CMYK 0 / 47 / 47 / 54

HEX #763F3E

RGB 118 63 62

HSL 1.07, 0.31%, 0.35%

LAB 33.47, 23.75, 11.26

 

CMYK 0 / 55 / 57 / 60

HEX #652D2B

RGB 101 45 43

HSL 2.07, 0.4%, 0.28%

LAB 26.21, 25.03, 13.32

 

CMYK 0 / 31 / 30 / 34

HEX #A97577

RGB 169 117 119

HSL 357.69, 0.23%, 0.56%

LAB 54.54, 20.73, 7.14

 

CMYK 0 / 31 / 31 / 34

HEX #A97575

RGB 169 117 117

HSL 0, 0.23%, 0.56%

LAB 54.49, 20.45, 8.24

 

CMYK 0 / 31 / 30 / 34

HEX #A97577

RGB 169 117 119

HSL 357.69, 0.23%, 0.56%

LAB 54.54, 20.73, 7.14

 

CMYK 0 / 31 / 21 / 34

HEX #A97585

RGB 169 117 133

HSL 341.54, 0.23%, 0.56%

LAB 54.92, 22.83, -0.49

 

CMYK 0 / 31 / 13 / 34

HEX #A97593

RGB 169 117 147

HSL 325.38, 0.23%, 0.56%

LAB 55.34, 25.14, -8.02

 

CMYK 0 / 31 / 5 / 34

HEX #A975A1

RGB 169 117 161

HSL 309.23, 0.23%, 0.56%

LAB 55.82, 27.65, -15.44

 

CMYK 4 / 31 / 0 / 34

HEX #A375A9

RGB 163 117 169

HSL 293.08, 0.23%, 0.56%

LAB 55.46, 27.16, -20.68

 

CMYK 0 / 31 / 30 / 34

HEX #A97577

RGB 169 117 119

HSL 357.69, 0.23%, 0.56%

LAB 54.54, 20.73, 7.14

 

CMYK 0 / 47 / 45 / 27

HEX #BB6366

RGB 187 99 102

HSL 357.95, 0.39%, 0.56%

LAB 52.34, 35.54, 14.36

 

CMYK 0 / 60 / 59 / 20

HEX #CD5155

RGB 205 81 85

HSL 358.06, 0.55%, 0.56%

LAB 51.29, 49.48, 23.46

 

CMYK 0 / 72 / 69 / 13

HEX #DF3F45

RGB 223 63 69

HSL 357.75, 0.71%, 0.56%

LAB 51.47, 61.63, 33.71

 

CMYK 0 / 82 / 78 / 5

HEX #F12C34

RGB 241 44 52

HSL 357.56, 0.88%, 0.56%

LAB 52.67, 71.67, 45.56

 

CMYK 0 / 31 / 30 / 34

HEX #A97577

RGB 169 117 119

HSL 357.69, 0.23%, 0.56%

LAB 54.54, 20.73, 7.14

 

CMYK 0 / 10 / 9 / 41

HEX #968788

RGB 150 135 136

HSL 356, 0.07%, 0.56%

LAB 57.65, 5.82, 1.51

 

CMYK 14 / 0 / 1 / 40

HEX #849998

RGB 132 153 152

HSL 177.14, 0.09%, 0.56%

LAB 61.62, -7.6, -1.98

 

CMYK 33 / 0 / 1 / 33

HEX #72ABA9

RGB 114 171 169

HSL 177.89, 0.25%, 0.56%

LAB 66.19, -18.96, -4.91

 

CMYK 49 / 0 / 2 / 25

HEX #60BEBA

RGB 96 190 186

HSL 177.45, 0.42%, 0.56%

LAB 71.46, -28.78, -6.57

 

CMYK 0 / 31 / 13 / 34

HEX #A97593

RGB 169 117 147

HSL 325.38, 0.23%, 0.56%

LAB 55.34, 25.14, -8.02

 

CMYK 0 / 31 / 21 / 34

HEX #A97585

RGB 169 117 133

HSL 341.54, 0.23%, 0.56%

LAB 54.92, 22.83, -0.49

 

CMYK 0 / 31 / 29 / 34

HEX #A97578

RGB 169 117 120

HSL 356.54, 0.23%, 0.56%

LAB 54.57, 20.88, 6.6

 

CMYK 0 / 24 / 31 / 34

HEX #A98075

RGB 169 128 117

HSL 12.69, 0.23%, 0.56%

LAB 57.23, 14.22, 12.1

 

CMYK 0 / 16 / 31 / 34

HEX #A98E75

RGB 169 142 117

HSL 28.85, 0.23%, 0.56%

LAB 60.84, 6.35, 17.11

 

CMYK 0 / 38 / 36 / 51

HEX #7D4E50

RGB 125 78 80

HSL 357.45, 0.23%, 0.4%

LAB 38.53, 20.1, 7.13

 

CMYK 0 / 37 / 36 / 41

HEX #965E60

RGB 150 94 96

HSL 357.86, 0.23%, 0.48%

LAB 46.09, 23.14, 8.46

 

CMYK 0 / 31 / 30 / 34

HEX #A97577

RGB 169 117 119

HSL 357.69, 0.23%, 0.56%

LAB 54.54, 20.73, 7.14

 

CMYK 0 / 23 / 22 / 28

HEX #B88E90

RGB 184 142 144

HSL 357.14, 0.23%, 0.64%

LAB 62.97, 16.19, 5.07

 

CMYK 0 / 16 / 16 / 22

HEX #C8A8A9

RGB 200 168 169

HSL 358.13, 0.23%, 0.72%

LAB 71.66, 11.82, 3.84

 

CMYK 0 / 31 / 30 / 34

HEX #A97577

RGB 169 117 119

HSL 357.69, 0.23%, 0.56%

LAB 54.54, 20.73, 7.14

 

CMYK 5 / 0 / 31 / 34

HEX #A1A975

RGB 161 169 117

HSL 69.23, 0.23%, 0.56%

LAB 67.45, -11.53, 25.95

 

CMYK 31 / 17 / 0 / 34

HEX #758CA9

RGB 117 140 169

HSL 213.46, 0.23%, 0.56%

LAB 57.47, -1.18, -17.97

 

CMYK 0 / 31 / 30 / 34

HEX #A97577

RGB 169 117 119

HSL 357.69, 0.23%, 0.56%

LAB 54.54, 20.73, 7.14

 

CMYK 29 / 0 / 31 / 34

HEX #78A975

RGB 120 169 117

HSL 116.54, 0.23%, 0.56%

LAB 64.69, -26.81, 21.76

 

CMYK 31 / 29 / 0 / 34

HEX #7578A9

RGB 117 120 169

HSL 236.54, 0.23%, 0.56%

LAB 51.93, 10.51, -26.47

 

CMYK 0 / 31 / 30 / 34

HEX #A97577

RGB 169 117 119

HSL 357.69, 0.23%, 0.56%

LAB 54.54, 20.73, 7.14

 

CMYK 5 / 0 / 31 / 34

HEX #A1A975

RGB 161 169 117

HSL 69.23, 0.23%, 0.56%

LAB 67.45, -11.53, 25.95

 

CMYK 31 / 0 / 2 / 34

HEX #75A9A6

RGB 117 169 166

HSL 176.54, 0.23%, 0.56%

LAB 65.68, -17.77, -3.97

 

CMYK 26 / 31 / 0 / 34

HEX #7D75A9

RGB 125 117 169

HSL 249.23, 0.23%, 0.56%

LAB 51.78, 14.76, -26.65

 

CMYK 0 / 31 / 30 / 34

HEX #A97577

RGB 169 117 119

HSL 357.69, 0.23%, 0.56%

LAB 54.54, 20.73, 7.14

 

CMYK 14 / 0 / 31 / 34

HEX #91A975

RGB 145 169 117

HSL 87.69, 0.23%, 0.56%

LAB 66.27, -17.73, 24.17

 

CMYK 31 / 0 / 2 / 34

HEX #75A9A6

RGB 117 169 166

HSL 176.54, 0.23%, 0.56%

LAB 65.68, -17.77, -3.97

 

CMYK 17 / 31 / 0 / 34

HEX #8C75A9

RGB 140 117 169

HSL 266.54, 0.23%, 0.56%

LAB 53.13, 19.54, -24.46

 

Description

Color code: HEX #A97577 | qconv.com Color code: HEX #A97577 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 117 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 117 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 30 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 30% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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