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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A96872 it is the complementary color #56978D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A96872. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A96872 shade: #AE686D, #BF7A80, #D08C93, #E19EA6 and #F2B0B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A96872. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A96872 shade: #A96872, #98565F, #87444C, #763239 and #652026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A96872 shade: #A96A74 and #A96A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A96872 shade: #A96A74, #A96A85, #A96A96, #A96AA7 and #9B6AA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A96872 shade matches the following richer shades: #A96A74, #BC5767, #CF4459, #E2314C and #F51E3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A96872 shade: #A96A74, #967D81, #83908E, #70A39B and #5DB6A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A96872 shade: #A96A96, #A96A85, #A96A75, #A9706A and #A9816A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A96872 shade: #7A464E, #95555F, #A96A74, #B8848C and #C79EA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A96872 shade: #A96872, #A7A96A and #6A8EA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A96872 shade: #A96872, #75A96A and #6A75A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A96872 shade: #A96872, #A7A96A, #6AA99F and #6C6AA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A96872 shade: #A96872, #94A96A, #6AA99F and #7F6AA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 33 / 34

HEX #A96872

RGB 169 104 114

HSL 350.77, 0.27%, 0.54%

LAB 51.33, 27.36, 5.49

 

Complementary color

CMYK 43 / 0 / 7 / 41

HEX #56978D

RGB 86 151 141

HSL 170.77, 0.27%, 0.46%

LAB 58.07, -23.31, -1.25

 

CMYK 0 / 40 / 37 / 32

HEX #AE686D

RGB 174 104 109

HSL 355.71, 0.3%, 0.55%

LAB 51.84, 28.65, 9.27

 

CMYK 0 / 36 / 33 / 25

HEX #BF7A80

RGB 191 122 128

HSL 354.78, 0.35%, 0.61%

LAB 58.56, 27.69, 8

 

CMYK 0 / 33 / 29 / 18

HEX #D08C93

RGB 208 140 147

HSL 353.82, 0.42%, 0.68%

LAB 65.18, 26.83, 6.89

 

CMYK 0 / 30 / 26 / 12

HEX #E19EA6

RGB 225 158 166

HSL 352.84, 0.53%, 0.75%

LAB 71.7, 26.04, 5.88

 

CMYK 0 / 27 / 24 / 5

HEX #F2B0B9

RGB 242 176 185

HSL 351.82, 0.72%, 0.82%

LAB 78.13, 25.33, 4.96

 

CMYK 0 / 38 / 33 / 34

HEX #A96872

RGB 169 104 114

HSL 350.77, 0.27%, 0.54%

LAB 51.33, 27.36, 5.49

 

CMYK 0 / 43 / 38 / 40

HEX #98565F

RGB 152 86 95

HSL 351.82, 0.28%, 0.47%

LAB 44.46, 28.35, 6.8

 

CMYK 0 / 50 / 44 / 47

HEX #87444C

RGB 135 68 76

HSL 352.84, 0.33%, 0.4%

LAB 37.49, 29.42, 8.37

 

CMYK 0 / 58 / 52 / 54

HEX #763239

RGB 118 50 57

HSL 353.82, 0.4%, 0.33%

LAB 30.47, 30.52, 10.37

 

CMYK 0 / 68 / 62 / 60

HEX #652026

RGB 101 32 38

HSL 354.78, 0.52%, 0.26%

LAB 23.47, 31.5, 13.04

 

CMYK 0 / 37 / 31 / 34

HEX #A96A74

RGB 169 106 116

HSL 350.48, 0.27%, 0.54%

LAB 51.84, 26.52, 5.04

 

CMYK 0 / 37 / 37 / 34

HEX #A96A6A

RGB 169 106 106

HSL 0, 0.27%, 0.54%

LAB 51.59, 25.2, 10.6

 

CMYK 0 / 37 / 31 / 34

HEX #A96A74

RGB 169 106 116

HSL 350.48, 0.27%, 0.54%

LAB 51.84, 26.52, 5.04

 

CMYK 0 / 37 / 21 / 34

HEX #A96A85

RGB 169 106 133

HSL 334.29, 0.27%, 0.54%

LAB 52.33, 29.02, -4.3

 

CMYK 0 / 37 / 11 / 34

HEX #A96A96

RGB 169 106 150

HSL 318.1, 0.27%, 0.54%

LAB 52.89, 31.83, -13.46

 

CMYK 0 / 37 / 1 / 34

HEX #A96AA7

RGB 169 106 167

HSL 301.9, 0.27%, 0.54%

LAB 53.53, 34.94, -22.42

 

CMYK 8 / 37 / 0 / 34

HEX #9B6AA9

RGB 155 106 169

HSL 286.67, 0.27%, 0.54%

LAB 52, 30.79, -26.08

 

CMYK 0 / 37 / 31 / 34

HEX #A96A74

RGB 169 106 116

HSL 350.48, 0.27%, 0.54%

LAB 51.84, 26.52, 5.04

 

CMYK 0 / 54 / 45 / 26

HEX #BC5767

RGB 188 87 103

HSL 350.5, 0.43%, 0.54%

LAB 50.08, 42.2, 10.64

 

CMYK 0 / 67 / 57 / 19

HEX #CF4459

RGB 207 68 89

HSL 350.94, 0.59%, 0.54%

LAB 49.64, 55.98, 18.94

 

CMYK 0 / 78 / 66 / 11

HEX #E2314C

RGB 226 49 76

HSL 350.85, 0.75%, 0.54%

LAB 50.55, 67.25, 28.6

 

CMYK 0 / 88 / 74 / 4

HEX #F51E3F

RGB 245 30 63

HSL 350.79, 0.91%, 0.54%

LAB 52.62, 75.83, 39.58

 

CMYK 0 / 37 / 31 / 34

HEX #A96A74

RGB 169 106 116

HSL 350.48, 0.27%, 0.54%

LAB 51.84, 26.52, 5.04

 

CMYK 0 / 17 / 14 / 41

HEX #967D81

RGB 150 125 129

HSL 350.4, 0.11%, 0.54%

LAB 54.8, 10.3, 1.42

 

CMYK 9 / 0 / 1 / 44

HEX #83908E

RGB 131 144 142

HSL 170.77, 0.06%, 0.54%

LAB 58.72, -5.09, -0.55

 

CMYK 31 / 0 / 5 / 36

HEX #70A39B

RGB 112 163 155

HSL 170.59, 0.22%, 0.54%

LAB 63.35, -18.71, -1.28

 

CMYK 49 / 0 / 8 / 29

HEX #5DB6A8

RGB 93 182 168

HSL 170.56, 0.38%, 0.54%

LAB 68.47, -30.17, -1.11

 

CMYK 0 / 37 / 11 / 34

HEX #A96A96

RGB 169 106 150

HSL 318.1, 0.27%, 0.54%

LAB 52.89, 31.83, -13.46

 

CMYK 0 / 37 / 21 / 34

HEX #A96A85

RGB 169 106 133

HSL 334.29, 0.27%, 0.54%

LAB 52.33, 29.02, -4.3

 

CMYK 0 / 37 / 31 / 34

HEX #A96A75

RGB 169 106 117

HSL 349.52, 0.27%, 0.54%

LAB 51.87, 26.65, 4.49

 

CMYK 0 / 34 / 37 / 34

HEX #A9706A

RGB 169 112 106

HSL 5.71, 0.27%, 0.54%

LAB 53.02, 21.82, 12.59

 

CMYK 0 / 24 / 37 / 34

HEX #A9816A

RGB 169 129 106

HSL 21.9, 0.27%, 0.54%

LAB 57.25, 12.21, 18.42

 

CMYK 0 / 43 / 36 / 52

HEX #7A464E

RGB 122 70 78

HSL 350.77, 0.27%, 0.38%

LAB 36.11, 23.32, 4.89

 

CMYK 0 / 43 / 36 / 42

HEX #95555F

RGB 149 85 95

HSL 350.63, 0.27%, 0.46%

LAB 43.82, 27.74, 5.83

 

CMYK 0 / 37 / 31 / 34

HEX #A96A74

RGB 169 106 116

HSL 350.48, 0.27%, 0.54%

LAB 51.84, 26.52, 5.04

 

CMYK 0 / 28 / 24 / 28

HEX #B8848C

RGB 184 132 140

HSL 350.77, 0.27%, 0.62%

LAB 60.41, 21.17, 3.66

 

CMYK 0 / 21 / 17 / 22

HEX #C79EA5

RGB 199 158 165

HSL 349.76, 0.27%, 0.7%

LAB 68.98, 16.28, 2.16

 

CMYK 0 / 38 / 33 / 34

HEX #A96872

RGB 169 104 114

HSL 350.77, 0.27%, 0.54%

LAB 51.33, 27.36, 5.49

 

CMYK 1 / 0 / 37 / 34

HEX #A7A96A

RGB 167 169 106

HSL 61.9, 0.27%, 0.54%

LAB 67.75, -10.54, 32.29

 

CMYK 37 / 16 / 0 / 34

HEX #6A8EA9

RGB 106 142 169

HSL 205.71, 0.27%, 0.54%

LAB 57.34, -5.56, -18.22

 

CMYK 0 / 38 / 33 / 34

HEX #A96872

RGB 169 104 114

HSL 350.77, 0.27%, 0.54%

LAB 51.33, 27.36, 5.49

 

CMYK 31 / 0 / 37 / 34

HEX #75A96A

RGB 117 169 106

HSL 109.52, 0.27%, 0.54%

LAB 64.32, -29.63, 27.17

 

CMYK 37 / 31 / 0 / 34

HEX #6A75A9

RGB 106 117 169

HSL 229.52, 0.27%, 0.54%

LAB 50.28, 9.05, -29.1

 

CMYK 0 / 38 / 33 / 34

HEX #A96872

RGB 169 104 114

HSL 350.77, 0.27%, 0.54%

LAB 51.33, 27.36, 5.49

 

CMYK 1 / 0 / 37 / 34

HEX #A7A96A

RGB 167 169 106

HSL 61.9, 0.27%, 0.54%

LAB 67.75, -10.54, 32.29

 

CMYK 37 / 0 / 6 / 34

HEX #6AA99F

RGB 106 169 159

HSL 170.48, 0.27%, 0.54%

LAB 64.92, -22.59, -1.25

 

CMYK 36 / 37 / 0 / 34

HEX #6C6AA9

RGB 108 106 169

HSL 241.9, 0.27%, 0.54%

LAB 47.44, 16.3, -33.52

 

CMYK 0 / 38 / 33 / 34

HEX #A96872

RGB 169 104 114

HSL 350.77, 0.27%, 0.54%

LAB 51.33, 27.36, 5.49

 

CMYK 12 / 0 / 37 / 34

HEX #94A96A

RGB 148 169 106

HSL 80, 0.27%, 0.54%

LAB 66.3, -18.12, 30.13

 

CMYK 37 / 0 / 6 / 34

HEX #6AA99F

RGB 106 169 159

HSL 170.48, 0.27%, 0.54%

LAB 64.92, -22.59, -1.25

 

CMYK 25 / 37 / 0 / 34

HEX #7F6AA9

RGB 127 106 169

HSL 260, 0.27%, 0.54%

LAB 49.11, 21.94, -30.79

 

Description

Color code: HEX #A96872 | qconv.com Color code: HEX #A96872 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 104 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 104 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 33 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 33% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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