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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A96166 it is the complementary color #569E99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A96166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A96166 shade: #AE6161, #BF7374, #D08587, #E1979A and #F2A9AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A96166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A96166 shade: #A96166, #984F53, #873D40, #762B2D and #65191A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A96166 shade: #A96065 and #A96060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A96166 shade: #A96065, #A96079, #A9608D, #A960A0 and #9E60A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A96166 shade matches the following richer shades: #A96065, #BD4C54, #D13843, #E52432 and #F91121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A96166 shade: #A96065, #967476, #828787, #6E9B98 and #5AAFA9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A96166 shade: #A9608D, #A9607A, #A96066, #A96D60 and #A98160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A96166 shade: #774044, #924E53, #A96065, #B87B7F and #C69699

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A96166 shade: #A96166, #A1A960 and #6083A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A96166 shade: #A96166, #66A960 and #6066A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A96166 shade: #A96166, #A1A960, #60A9A3 and #6860A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A96166 shade: #A96166, #8BA960, #60A9A3 and #7E60A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 40 / 34

HEX #A96166

RGB 169 97 102

HSL 355.83, 0.3%, 0.52%

LAB 49.43, 29.72, 9.93

 

Complementary color

CMYK 46 / 0 / 3 / 38

HEX #569E99

RGB 86 158 153

HSL 175.83, 0.3%, 0.48%

LAB 60.54, -23.8, -4.42

 

CMYK 0 / 44 / 44 / 32

HEX #AE6161

RGB 174 97 97

HSL 0, 0.32%, 0.53%

LAB 49.99, 31.09, 13.79

 

CMYK 0 / 40 / 39 / 25

HEX #BF7374

RGB 191 115 116

HSL 359.21, 0.37%, 0.6%

LAB 56.68, 30.03, 12.29

 

CMYK 0 / 36 / 35 / 18

HEX #D08587

RGB 208 133 135

HSL 358.4, 0.44%, 0.67%

LAB 63.29, 29.06, 10.99

 

CMYK 0 / 33 / 32 / 12

HEX #E1979A

RGB 225 151 154

HSL 357.57, 0.55%, 0.74%

LAB 69.81, 28.18, 9.83

 

CMYK 0 / 30 / 29 / 5

HEX #F2A9AD

RGB 242 169 173

HSL 356.71, 0.74%, 0.81%

LAB 76.23, 27.38, 8.78

 

CMYK 0 / 43 / 40 / 34

HEX #A96166

RGB 169 97 102

HSL 355.83, 0.3%, 0.52%

LAB 49.43, 29.72, 9.93

 

CMYK 0 / 48 / 45 / 40

HEX #984F53

RGB 152 79 83

HSL 356.71, 0.32%, 0.45%

LAB 42.6, 30.81, 11.53

 

CMYK 0 / 55 / 53 / 47

HEX #873D40

RGB 135 61 64

HSL 357.57, 0.38%, 0.38%

LAB 35.71, 31.96, 13.49

 

CMYK 0 / 64 / 62 / 54

HEX #762B2D

RGB 118 43 45

HSL 358.4, 0.47%, 0.32%

LAB 28.82, 33.08, 16

 

CMYK 0 / 75 / 74 / 60

HEX #65191A

RGB 101 25 26

HSL 359.21, 0.6%, 0.25%

LAB 22.08, 33.86, 19.37

 

CMYK 0 / 43 / 40 / 34

HEX #A96065

RGB 169 96 101

HSL 355.89, 0.3%, 0.52%

LAB 49.18, 30.15, 10.18

 

CMYK 0 / 43 / 43 / 34

HEX #A96060

RGB 169 96 96

HSL 0, 0.3%, 0.52%

LAB 49.06, 29.57, 13

 

CMYK 0 / 43 / 40 / 34

HEX #A96065

RGB 169 96 101

HSL 355.89, 0.3%, 0.52%

LAB 49.18, 30.15, 10.18

 

CMYK 0 / 43 / 28 / 34

HEX #A96079

RGB 169 96 121

HSL 339.45, 0.3%, 0.52%

LAB 49.72, 32.76, -1.02

 

CMYK 0 / 43 / 17 / 34

HEX #A9608D

RGB 169 96 141

HSL 323.01, 0.3%, 0.52%

LAB 50.36, 35.81, -11.97

 

CMYK 0 / 43 / 5 / 34

HEX #A960A0

RGB 169 96 160

HSL 307.4, 0.3%, 0.52%

LAB 51.08, 39.09, -22.09

 

CMYK 7 / 43 / 0 / 34

HEX #9E60A9

RGB 158 96 169

HSL 290.96, 0.3%, 0.52%

LAB 50.1, 37.35, -29

 

CMYK 0 / 43 / 40 / 34

HEX #A96065

RGB 169 96 101

HSL 355.89, 0.3%, 0.52%

LAB 49.18, 30.15, 10.18

 

CMYK 0 / 60 / 56 / 26

HEX #BD4C54

RGB 189 76 84

HSL 355.75, 0.46%, 0.52%

LAB 47.79, 46.14, 18.94

 

CMYK 0 / 73 / 68 / 18

HEX #D13843

RGB 209 56 67

HSL 355.69, 0.62%, 0.52%

LAB 47.99, 59.7, 30.07

 

CMYK 0 / 84 / 78 / 10

HEX #E52432

RGB 229 36 50

HSL 355.65, 0.79%, 0.52%

LAB 49.68, 70.16, 42.81

 

CMYK 0 / 93 / 87 / 2

HEX #F91121

RGB 249 17 33

HSL 355.86, 0.95%, 0.52%

LAB 52.56, 77.72, 55.6

 

CMYK 0 / 43 / 40 / 34

HEX #A96065

RGB 169 96 101

HSL 355.89, 0.3%, 0.52%

LAB 49.18, 30.15, 10.18

 

CMYK 0 / 23 / 21 / 41

HEX #967476

RGB 150 116 118

HSL 356.47, 0.14%, 0.52%

LAB 52.16, 13.65, 4.03

 

CMYK 4 / 0 / 0 / 47

HEX #828787

RGB 130 135 135

HSL 180, 0.02%, 0.52%

LAB 55.91, -1.84, -0.65

 

CMYK 29 / 0 / 2 / 39

HEX #6E9B98

RGB 110 155 152

HSL 176, 0.18%, 0.52%

LAB 60.8, -15.82, -3.34

 

CMYK 49 / 0 / 3 / 31

HEX #5AAFA9

RGB 90 175 169

HSL 175.76, 0.35%, 0.52%

LAB 66.29, -27.2, -4.88

 

CMYK 0 / 43 / 17 / 34

HEX #A9608D

RGB 169 96 141

HSL 323.01, 0.3%, 0.52%

LAB 50.36, 35.81, -11.97

 

CMYK 0 / 43 / 28 / 34

HEX #A9607A

RGB 169 96 122

HSL 338.63, 0.3%, 0.52%

LAB 49.74, 32.9, -1.57

 

CMYK 0 / 43 / 40 / 34

HEX #A96066

RGB 169 96 102

HSL 355.07, 0.3%, 0.52%

LAB 49.2, 30.27, 9.61

 

CMYK 0 / 36 / 43 / 34

HEX #A96D60

RGB 169 109 96

HSL 10.68, 0.3%, 0.52%

LAB 52.08, 22.32, 17.15

 

CMYK 0 / 24 / 43 / 34

HEX #A98160

RGB 169 129 96

HSL 27.12, 0.3%, 0.52%

LAB 57.06, 11.02, 23.82

 

CMYK 0 / 46 / 43 / 53

HEX #774044

RGB 119 64 68

HSL 355.64, 0.3%, 0.36%

LAB 34, 24.3, 8.19

 

CMYK 0 / 47 / 43 / 43

HEX #924E53

RGB 146 78 83

HSL 355.59, 0.3%, 0.44%

LAB 41.51, 29, 9.87

 

CMYK 0 / 43 / 40 / 34

HEX #A96065

RGB 169 96 101

HSL 355.89, 0.3%, 0.52%

LAB 49.18, 30.15, 10.18

 

CMYK 0 / 33 / 31 / 28

HEX #B87B7F

RGB 184 123 127

HSL 356.07, 0.3%, 0.6%

LAB 57.93, 24.32, 7.57

 

CMYK 0 / 24 / 23 / 22

HEX #C69699

RGB 198 150 153

HSL 356.25, 0.3%, 0.68%

LAB 66.61, 18.44, 5.42

 

CMYK 0 / 43 / 40 / 34

HEX #A96166

RGB 169 97 102

HSL 355.83, 0.3%, 0.52%

LAB 49.43, 29.72, 9.93

 

CMYK 5 / 0 / 43 / 34

HEX #A1A960

RGB 161 169 96

HSL 66.58, 0.3%, 0.52%

LAB 67.12, -14.13, 36.61

 

CMYK 43 / 22 / 0 / 34

HEX #6083A9

RGB 96 131 169

HSL 211.23, 0.3%, 0.52%

LAB 53.58, -2.03, -24.03

 

CMYK 0 / 43 / 40 / 34

HEX #A96166

RGB 169 97 102

HSL 355.83, 0.3%, 0.52%

LAB 49.43, 29.72, 9.93

 

CMYK 40 / 0 / 43 / 34

HEX #66A960

RGB 102 169 96

HSL 115.07, 0.3%, 0.52%

LAB 63.38, -36.19, 31.09

 

CMYK 43 / 40 / 0 / 34

HEX #6066A9

RGB 96 102 169

HSL 235.07, 0.3%, 0.52%

LAB 45.43, 15.45, -36.75

 

CMYK 0 / 43 / 40 / 34

HEX #A96166

RGB 169 97 102

HSL 355.83, 0.3%, 0.52%

LAB 49.43, 29.72, 9.93

 

CMYK 5 / 0 / 43 / 34

HEX #A1A960

RGB 161 169 96

HSL 66.58, 0.3%, 0.52%

LAB 67.12, -14.13, 36.61

 

CMYK 43 / 0 / 4 / 34

HEX #60A9A3

RGB 96 169 163

HSL 175.07, 0.3%, 0.52%

LAB 64.57, -24.28, -4.05

 

CMYK 38 / 43 / 0 / 34

HEX #6860A9

RGB 104 96 169

HSL 246.58, 0.3%, 0.52%

LAB 44.48, 21.31, -38.21

 

CMYK 0 / 43 / 40 / 34

HEX #A96166

RGB 169 97 102

HSL 355.83, 0.3%, 0.52%

LAB 49.43, 29.72, 9.93

 

CMYK 18 / 0 / 43 / 34

HEX #8BA960

RGB 139 169 96

HSL 84.66, 0.3%, 0.52%

LAB 65.52, -22.92, 34.26

 

CMYK 43 / 0 / 4 / 34

HEX #60A9A3

RGB 96 169 163

HSL 175.07, 0.3%, 0.52%

LAB 64.57, -24.28, -4.05

 

CMYK 25 / 43 / 0 / 34

HEX #7E60A9

RGB 126 96 169

HSL 264.66, 0.3%, 0.52%

LAB 46.53, 27.6, -34.83

 

Description

Color code: HEX #A96166 | qconv.com Color code: HEX #A96166 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 97 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 97 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 40 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 40% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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