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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A95EC4 it is the complementary color #56A13B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A95EC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A95EC4 shade: #AE5EBF, #BF70D2, #D082E5, #E194F8 and #F2A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A95EC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A95EC4 shade: #A95EC4, #984CB1, #873A9E, #76288B and #651678

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A95EC4 shade: #A95FC4, #C45FC3, #C45FA8, #C45F8D and #C45F72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A95EC4 shade: #A95FC4, #8E5FC4, #735FC4 and #5F5FC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A95EC4 shade matches the following richer shades: #A95FC4, #B14DD6, #BA3BE7 and #C22AF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A95EC4 shade: #A95FC4, #A171B2, #9882A0, #90948F and #88A67D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A95EC4 shade: #735FC4, #8E5FC4, #A95FC4, #C45FC4 and #C45FA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A95EC4 shade: #7F3898, #9843B6, #A95FC4, #B97DCF and #C99BDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A95EC4 shade: #A95EC4, #C45F66 and #5FC481

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A95EC4 shade: #A95EC4, #C4A95F and #5FC4A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A95EC4 shade: #A95EC4, #C45F66, #7AC45F and #5FC4BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A95EC4 shade: #A95EC4, #C4765F, #7AC45F and #5FACC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 52 / 0 / 23

HEX #A95EC4

RGB 169 94 196

HSL 284.12, 0.46%, 0.57%

LAB 52.32, 47.21, -41.08

 

Complementary color

CMYK 47 / 0 / 63 / 37

HEX #56A13B

RGB 86 161 59

HSL 104.12, 0.46%, 0.43%

LAB 59.69, -42.51, 44.74

 

CMYK 9 / 51 / 0 / 25

HEX #AE5EBF

RGB 174 94 191

HSL 289.48, 0.43%, 0.56%

LAB 52.69, 47.58, -37.57

 

CMYK 9 / 47 / 0 / 18

HEX #BF70D2

RGB 191 112 210

HSL 288.37, 0.52%, 0.63%

LAB 59.27, 46.84, -37.93

 

CMYK 9 / 43 / 0 / 10

HEX #D082E5

RGB 208 130 229

HSL 287.27, 0.66%, 0.7%

LAB 65.77, 46.08, -38.23

 

CMYK 9 / 40 / 0 / 3

HEX #E194F8

RGB 225 148 248

HSL 286.2, 0.88%, 0.78%

LAB 72.2, 45.32, -38.5

 

CMYK 5 / 35 / 0 / 0

HEX #F2A6FF

RGB 242 166 255

HSL 291.24, 1%, 0.83%

LAB 78.09, 42.29, -33.02

 

CMYK 14 / 52 / 0 / 23

HEX #A95EC4

RGB 169 94 196

HSL 284.12, 0.46%, 0.57%

LAB 52.32, 47.21, -41.08

 

CMYK 14 / 57 / 0 / 31

HEX #984CB1

RGB 152 76 177

HSL 285.15, 0.4%, 0.5%

LAB 45.66, 47.91, -40.72

 

CMYK 15 / 63 / 0 / 38

HEX #873A9E

RGB 135 58 158

HSL 286.2, 0.46%, 0.42%

LAB 38.98, 48.43, -40.19

 

CMYK 15 / 71 / 0 / 45

HEX #76288B

RGB 118 40 139

HSL 287.27, 0.55%, 0.35%

LAB 32.33, 48.56, -39.37

 

CMYK 16 / 82 / 0 / 53

HEX #651678

RGB 101 22 120

HSL 288.37, 0.69%, 0.28%

LAB 25.85, 47.87, -38.01

 

CMYK 14 / 52 / 0 / 23

HEX #A95FC4

RGB 169 95 196

HSL 283.96, 0.46%, 0.57%

LAB 52.51, 46.69, -40.76

 

CMYK 0 / 52 / 1 / 23

HEX #C45FC3

RGB 196 95 195

HSL 300.59, 0.46%, 0.57%

LAB 55.95, 54, -34.56

 

CMYK 0 / 52 / 14 / 23

HEX #C45FA8

RGB 196 95 168

HSL 316.63, 0.46%, 0.57%

LAB 54.81, 49.45, -20.73

 

CMYK 0 / 52 / 28 / 23

HEX #C45F8D

RGB 196 95 141

HSL 332.67, 0.46%, 0.57%

LAB 53.86, 45.49, -6.35

 

CMYK 0 / 52 / 42 / 23

HEX #C45F72

RGB 196 95 114

HSL 348.71, 0.46%, 0.57%

LAB 53.1, 42.2, 8.51

 

CMYK 14 / 52 / 0 / 23

HEX #A95FC4

RGB 169 95 196

HSL 283.96, 0.46%, 0.57%

LAB 52.51, 46.69, -40.76

 

CMYK 28 / 52 / 0 / 23

HEX #8E5FC4

RGB 142 95 196

HSL 267.92, 0.46%, 0.57%

LAB 49.4, 39.36, -45.9

 

CMYK 41 / 52 / 0 / 23

HEX #735FC4

RGB 115 95 196

HSL 251.88, 0.46%, 0.57%

LAB 46.73, 32.49, -50.31

 

CMYK 52 / 52 / 0 / 23

HEX #5F5FC4

RGB 95 95 196

HSL 240, 0.46%, 0.57%

LAB 45.09, 27.9, -53.04

 

CMYK 14 / 52 / 0 / 23

HEX #A95FC4

RGB 169 95 196

HSL 283.96, 0.46%, 0.57%

LAB 52.51, 46.69, -40.76

 

CMYK 17 / 64 / 0 / 16

HEX #B14DD6

RGB 177 77 214

HSL 283.8, 0.63%, 0.57%

LAB 51.28, 61.15, -52.96

 

CMYK 19 / 74 / 0 / 9

HEX #BA3BE7

RGB 186 59 231

HSL 284.3, 0.78%, 0.57%

LAB 51.08, 73.43, -62.86

 

CMYK 22 / 83 / 0 / 2

HEX #C22AF9

RGB 194 42 249

HSL 284.06, 0.95%, 0.57%

LAB 51.8, 83.01, -71.74

 

CMYK 14 / 52 / 0 / 23

HEX #A95FC4

RGB 169 95 196

HSL 283.96, 0.46%, 0.57%

LAB 52.51, 46.69, -40.76

 

CMYK 10 / 37 / 0 / 30

HEX #A171B2

RGB 161 113 178

HSL 284.31, 0.3%, 0.57%

LAB 54.66, 30.64, -27.12

 

CMYK 5 / 19 / 0 / 37

HEX #9882A0

RGB 152 130 160

HSL 284, 0.14%, 0.57%

LAB 57.25, 14.07, -12.87

 

CMYK 3 / 0 / 3 / 42

HEX #90948F

RGB 144 148 143

HSL 108, 0.02%, 0.57%

LAB 60.86, -2.42, 2.13

 

CMYK 18 / 0 / 25 / 35

HEX #88A67D

RGB 136 166 125

HSL 103.9, 0.19%, 0.57%

LAB 64.95, -18.27, 17.91

 

CMYK 41 / 52 / 0 / 23

HEX #735FC4

RGB 115 95 196

HSL 251.88, 0.46%, 0.57%

LAB 46.73, 32.49, -50.31

 

CMYK 28 / 52 / 0 / 23

HEX #8E5FC4

RGB 142 95 196

HSL 267.92, 0.46%, 0.57%

LAB 49.4, 39.36, -45.9

 

CMYK 14 / 52 / 0 / 23

HEX #A95FC4

RGB 169 95 196

HSL 283.96, 0.46%, 0.57%

LAB 52.51, 46.69, -40.76

 

CMYK 0 / 52 / 0 / 23

HEX #C45FC4

RGB 196 95 196

HSL 300, 0.46%, 0.57%

LAB 55.99, 54.18, -35.06

 

CMYK 0 / 52 / 14 / 23

HEX #C45FA9

RGB 196 95 169

HSL 316.04, 0.46%, 0.57%

LAB 54.85, 49.61, -21.25

 

CMYK 16 / 63 / 0 / 40

HEX #7F3898

RGB 127 56 152

HSL 284.38, 0.46%, 0.41%

LAB 37.13, 46.12, -39.58

 

CMYK 16 / 63 / 0 / 29

HEX #9843B6

RGB 152 67 182

HSL 284.35, 0.46%, 0.49%

LAB 44.33, 53.33, -45.77

 

CMYK 14 / 52 / 0 / 23

HEX #A95FC4

RGB 169 95 196

HSL 283.96, 0.46%, 0.57%

LAB 52.51, 46.69, -40.76

 

CMYK 11 / 40 / 0 / 19

HEX #B97DCF

RGB 185 125 207

HSL 283.9, 0.46%, 0.65%

LAB 61.21, 37.49, -33.26

 

CMYK 8 / 29 / 0 / 15

HEX #C99BDA

RGB 201 155 218

HSL 283.81, 0.46%, 0.73%

LAB 70.12, 28.24, -25.49

 

CMYK 14 / 52 / 0 / 23

HEX #A95EC4

RGB 169 94 196

HSL 284.12, 0.46%, 0.57%

LAB 52.32, 47.21, -41.08

 

CMYK 0 / 52 / 48 / 23

HEX #C45F66

RGB 196 95 102

HSL 355.84, 0.46%, 0.57%

LAB 52.82, 40.97, 15.22

 

CMYK 52 / 0 / 34 / 23

HEX #5FC481

RGB 95 196 129

HSL 140.2, 0.46%, 0.57%

LAB 71.89, -44.49, 24.86

 

CMYK 14 / 52 / 0 / 23

HEX #A95EC4

RGB 169 94 196

HSL 284.12, 0.46%, 0.57%

LAB 52.32, 47.21, -41.08

 

CMYK 0 / 14 / 52 / 23

HEX #C4A95F

RGB 196 169 95

HSL 43.96, 0.46%, 0.57%

LAB 70.13, 0.34, 41.51

 

CMYK 52 / 0 / 14 / 23

HEX #5FC4A9

RGB 95 196 169

HSL 163.96, 0.46%, 0.57%

LAB 72.75, -36.07, 4.57

 

CMYK 14 / 52 / 0 / 23

HEX #A95EC4

RGB 169 94 196

HSL 284.12, 0.46%, 0.57%

LAB 52.32, 47.21, -41.08

 

CMYK 0 / 52 / 48 / 23

HEX #C45F66

RGB 196 95 102

HSL 355.84, 0.46%, 0.57%

LAB 52.82, 40.97, 15.22

 

CMYK 38 / 0 / 52 / 23

HEX #7AC45F

RGB 122 196 95

HSL 103.96, 0.46%, 0.57%

LAB 72.52, -41.78, 43.2

 

CMYK 52 / 0 / 4 / 23

HEX #5FC4BD

RGB 95 196 189

HSL 175.84, 0.46%, 0.57%

LAB 73.28, -31.12, -5.52

 

CMYK 14 / 52 / 0 / 23

HEX #A95EC4

RGB 169 94 196

HSL 284.12, 0.46%, 0.57%

LAB 52.32, 47.21, -41.08

 

CMYK 0 / 40 / 52 / 23

HEX #C4765F

RGB 196 118 95

HSL 13.66, 0.46%, 0.57%

LAB 57.58, 28.17, 25.67

 

CMYK 38 / 0 / 52 / 23

HEX #7AC45F

RGB 122 196 95

HSL 103.96, 0.46%, 0.57%

LAB 72.52, -41.78, 43.2

 

CMYK 52 / 12 / 0 / 23

HEX #5FACC4

RGB 95 172 196

HSL 194.26, 0.46%, 0.57%

LAB 66.46, -17.15, -19.58

 

Description

Color code: HEX #A95EC4 | qconv.com Color code: HEX #A95EC4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 94 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 94 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 52 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 52% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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