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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A9586D it is the complementary color #56A792. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A9586D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A9586D shade: #AE5868, #BF6A7B, #D07C8E, #E18EA1 and #F2A0B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A9586D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A9586D shade: #A9586D, #98465A, #873447, #762234 and #651021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A9586D shade: #A8576C and #A85757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A9586D shade: #A8576C, #A85782, #A85798, #A357A8 and #8D57A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A9586D shade matches the following richer shades: #A8576C, #BD4262, #D22D58, #E6194E and #FB0444

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A9586D shade: #A8576C, #946B76, #7F8080, #6A958A and #56A994

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A9586D shade: #A85798, #A85782, #A8576C, #A85757 and #A86C57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A9586D shade: #723B49, #8D495A, #A8576C, #B67284 and #C48D9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A9586D shade: #A9586D, #A8A357 and #578DA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A9586D shade: #A9586D, #6CA857 and #576CA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A9586D shade: #A9586D, #A8A357, #57A893 and #575CA8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A9586D shade: #A9586D, #95A857, #57A893 and #6A57A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 36 / 34

HEX #A9586D

RGB 169 88 109

HSL 344.44, 0.32%, 0.5%

LAB 47.65, 35.47, 3.19

 

Complementary color

CMYK 49 / 0 / 13 / 35

HEX #56A792

RGB 86 167 146

HSL 164.44, 0.32%, 0.5%

LAB 63.09, -30.02, 3.24

 

CMYK 0 / 49 / 40 / 32

HEX #AE5868

RGB 174 88 104

HSL 348.84, 0.35%, 0.51%

LAB 48.23, 36.71, 7.13

 

CMYK 0 / 45 / 36 / 25

HEX #BF6A7B

RGB 191 106 123

HSL 348, 0.4%, 0.58%

LAB 54.88, 35.72, 5.65

 

CMYK 0 / 40 / 32 / 18

HEX #D07C8E

RGB 208 124 142

HSL 347.14, 0.47%, 0.65%

LAB 61.46, 34.78, 4.39

 

CMYK 0 / 37 / 28 / 12

HEX #E18EA1

RGB 225 142 161

HSL 346.27, 0.58%, 0.72%

LAB 67.97, 33.9, 3.28

 

CMYK 0 / 34 / 26 / 5

HEX #F2A0B4

RGB 242 160 180

HSL 345.37, 0.76%, 0.79%

LAB 74.39, 33.08, 2.28

 

CMYK 0 / 48 / 36 / 34

HEX #A9586D

RGB 169 88 109

HSL 344.44, 0.32%, 0.5%

LAB 47.65, 35.47, 3.19

 

CMYK 0 / 54 / 41 / 40

HEX #98465A

RGB 152 70 90

HSL 345.37, 0.37%, 0.44%

LAB 40.89, 36.43, 4.78

 

CMYK 0 / 61 / 47 / 47

HEX #873447

RGB 135 52 71

HSL 346.27, 0.44%, 0.37%

LAB 34.11, 37.3, 6.79

 

CMYK 0 / 71 / 56 / 54

HEX #762234

RGB 118 34 52

HSL 347.14, 0.55%, 0.3%

LAB 27.42, 37.87, 9.47

 

CMYK 0 / 84 / 67 / 60

HEX #651021

RGB 101 16 33

HSL 348, 0.73%, 0.23%

LAB 21.01, 37.63, 13.25

 

CMYK 0 / 48 / 36 / 34

HEX #A8576C

RGB 168 87 108

HSL 344.44, 0.32%, 0.5%

LAB 47.27, 35.51, 3.22

 

CMYK 0 / 48 / 48 / 34

HEX #A85757

RGB 168 87 87

HSL 0, 0.32%, 0.5%

LAB 46.75, 33.12, 15.18

 

CMYK 0 / 48 / 36 / 34

HEX #A8576C

RGB 168 87 108

HSL 344.44, 0.32%, 0.5%

LAB 47.27, 35.51, 3.22

 

CMYK 0 / 48 / 23 / 34

HEX #A85782

RGB 168 87 130

HSL 328.15, 0.32%, 0.5%

LAB 47.95, 38.57, -9.05

 

CMYK 0 / 48 / 10 / 34

HEX #A85798

RGB 168 87 152

HSL 311.85, 0.32%, 0.5%

LAB 48.77, 42.13, -20.93

 

CMYK 3 / 48 / 0 / 34

HEX #A357A8

RGB 163 87 168

HSL 296.3, 0.32%, 0.5%

LAB 48.8, 43.52, -30.39

 

CMYK 16 / 48 / 0 / 34

HEX #8D57A8

RGB 141 87 168

HSL 280, 0.32%, 0.5%

LAB 46.05, 37, -34.89

 

CMYK 0 / 48 / 36 / 34

HEX #A8576C

RGB 168 87 108

HSL 344.44, 0.32%, 0.5%

LAB 47.27, 35.51, 3.22

 

CMYK 0 / 65 / 48 / 26

HEX #BD4262

RGB 189 66 98

HSL 344.39, 0.48%, 0.5%

LAB 46.44, 51.81, 8.57

 

CMYK 0 / 79 / 58 / 18

HEX #D22D58

RGB 210 45 88

HSL 344.36, 0.65%, 0.5%

LAB 47.34, 64.65, 16.54

 

CMYK 0 / 89 / 66 / 10

HEX #E6194E

RGB 230 25 78

HSL 344.49, 0.8%, 0.5%

LAB 49.58, 73.5, 26.32

 

CMYK 0 / 98 / 73 / 2

HEX #FB0444

RGB 251 4 68

HSL 344.45, 0.97%, 0.5%

LAB 52.96, 80.13, 37.39

 

CMYK 0 / 48 / 36 / 34

HEX #A8576C

RGB 168 87 108

HSL 344.44, 0.32%, 0.5%

LAB 47.27, 35.51, 3.22

 

CMYK 0 / 28 / 20 / 42

HEX #946B76

RGB 148 107 118

HSL 343.9, 0.16%, 0.5%

LAB 49.64, 18.09, 0.35

 

CMYK 1 / 0 / 0 / 50

HEX #7F8080

RGB 127 128 128

HSL 180, 0%, 0.5%

LAB 53.5, -0.37, -0.14

 

CMYK 29 / 0 / 7 / 42

HEX #6A958A

RGB 106 149 138

HSL 164.65, 0.17%, 0.5%

LAB 58.41, -17.13, 1.08

 

CMYK 49 / 0 / 12 / 34

HEX #56A994

RGB 86 169 148

HSL 164.82, 0.33%, 0.5%

LAB 63.75, -30.5, 3.08

 

CMYK 0 / 48 / 10 / 34

HEX #A85798

RGB 168 87 152

HSL 311.85, 0.32%, 0.5%

LAB 48.77, 42.13, -20.93

 

CMYK 0 / 48 / 23 / 34

HEX #A85782

RGB 168 87 130

HSL 328.15, 0.32%, 0.5%

LAB 47.95, 38.57, -9.05

 

CMYK 0 / 48 / 36 / 34

HEX #A8576C

RGB 168 87 108

HSL 344.44, 0.32%, 0.5%

LAB 47.27, 35.51, 3.22

 

CMYK 0 / 48 / 48 / 34

HEX #A85757

RGB 168 87 87

HSL 0, 0.32%, 0.5%

LAB 46.75, 33.12, 15.18

 

CMYK 0 / 36 / 48 / 34

HEX #A86C57

RGB 168 108 87

HSL 15.56, 0.32%, 0.5%

LAB 51.54, 21.5, 21.63

 

CMYK 0 / 48 / 36 / 55

HEX #723B49

RGB 114 59 73

HSL 344.73, 0.32%, 0.34%

LAB 32.23, 25.83, 2.35

 

CMYK 0 / 48 / 36 / 45

HEX #8D495A

RGB 141 73 90

HSL 345, 0.32%, 0.42%

LAB 39.86, 30.7, 3.09

 

CMYK 0 / 48 / 36 / 34

HEX #A8576C

RGB 168 87 108

HSL 344.44, 0.32%, 0.5%

LAB 47.27, 35.51, 3.22

 

CMYK 0 / 37 / 27 / 29

HEX #B67284

RGB 182 114 132

HSL 344.12, 0.32%, 0.58%

LAB 55.73, 29.24, 1.47

 

CMYK 0 / 28 / 21 / 23

HEX #C48D9B

RGB 196 141 155

HSL 344.73, 0.32%, 0.66%

LAB 64.28, 22.96, 0.9

 

CMYK 0 / 48 / 36 / 34

HEX #A9586D

RGB 169 88 109

HSL 344.44, 0.32%, 0.5%

LAB 47.65, 35.47, 3.19

 

CMYK 0 / 3 / 48 / 34

HEX #A8A357

RGB 168 163 87

HSL 56.3, 0.32%, 0.5%

LAB 65.91, -9.01, 39.85

 

CMYK 48 / 16 / 0 / 34

HEX #578DA8

RGB 87 141 168

HSL 200, 0.32%, 0.5%

LAB 55.99, -10.34, -19.8

 

CMYK 0 / 48 / 36 / 34

HEX #A9586D

RGB 169 88 109

HSL 344.44, 0.32%, 0.5%

LAB 47.65, 35.47, 3.19

 

CMYK 36 / 0 / 48 / 34

HEX #6CA857

RGB 108 168 87

HSL 104.44, 0.32%, 0.5%

LAB 63.24, -35.01, 35.65

 

CMYK 48 / 36 / 0 / 34

HEX #576CA8

RGB 87 108 168

HSL 224.44, 0.32%, 0.5%

LAB 46.42, 9.1, -34.65

 

CMYK 0 / 48 / 36 / 34

HEX #A9586D

RGB 169 88 109

HSL 344.44, 0.32%, 0.5%

LAB 47.65, 35.47, 3.19

 

CMYK 0 / 3 / 48 / 34

HEX #A8A357

RGB 168 163 87

HSL 56.3, 0.32%, 0.5%

LAB 65.91, -9.01, 39.85

 

CMYK 48 / 0 / 13 / 34

HEX #57A893

RGB 87 168 147

HSL 164.44, 0.32%, 0.5%

LAB 63.46, -30.01, 3.22

 

CMYK 48 / 45 / 0 / 34

HEX #575CA8

RGB 87 92 168

HSL 236.3, 0.32%, 0.5%

LAB 42.01, 19.1, -41.62

 

CMYK 0 / 48 / 36 / 34

HEX #A9586D

RGB 169 88 109

HSL 344.44, 0.32%, 0.5%

LAB 47.65, 35.47, 3.19

 

CMYK 11 / 0 / 48 / 34

HEX #95A857

RGB 149 168 87

HSL 74.07, 0.32%, 0.5%

LAB 65.81, -19.49, 39.38

 

CMYK 48 / 0 / 13 / 34

HEX #57A893

RGB 87 168 147

HSL 164.44, 0.32%, 0.5%

LAB 63.46, -30.01, 3.22

 

CMYK 37 / 48 / 0 / 34

HEX #6A57A8

RGB 106 87 168

HSL 254.07, 0.32%, 0.5%

LAB 42.32, 27.09, -41.04

 

Description

Color code: HEX #A9586D | qconv.com Color code: HEX #A9586D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 88 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 88 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 36 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 36% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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