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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A95598 it is the complementary color #56AA67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A95598. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A95598 shade: #AE5593, #BF67A6, #D079B9, #E18BCC and #F29DDF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A95598. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A95598 shade: #A95598, #984385, #873172, #761F5F and #650D4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A95598 shade: #AA5599, #AA5582, #AA556B and #AA5555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A95598 shade: #AA5599, #A455AA, #8D55AA, #7755AA and #6055AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A95598 shade matches the following richer shades: #AA5599, #BE41A5, #D32CB1, #E718BD and #FC03CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A95598 shade: #AA5599, #956A8C, #807F80, #6C9374 and #57A867

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A95598 shade: #8E55AA, #A455AA, #AA5599, #AA5582 and #AA556C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A95598 shade: #733A67, #8E4880, #AA5599, #B771A9 and #C58CBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A95598 shade: #A95598, #AA7755 and #55AA99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A95598 shade: #A95598, #99AA55 and #5599AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A95598 shade: #A95598, #AA7755, #55AA66 and #5588AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A95598 shade: #A95598, #AA9055, #55AA66 and #556FAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 10 / 34

HEX #A95598

RGB 169 85 152

HSL 312.14, 0.33%, 0.5%

LAB 48.51, 43.48, -21.32

 

Complementary color

CMYK 49 / 0 / 39 / 33

HEX #56AA67

RGB 86 170 103

HSL 132.14, 0.33%, 0.5%

LAB 63.1, -40.31, 26.89

 

CMYK 0 / 51 / 16 / 32

HEX #AE5593

RGB 174 85 147

HSL 318.2, 0.35%, 0.51%

LAB 49.01, 44.24, -17.52

 

CMYK 0 / 46 / 13 / 25

HEX #BF67A6

RGB 191 103 166

HSL 317.05, 0.41%, 0.58%

LAB 55.61, 43.52, -18.4

 

CMYK 0 / 42 / 11 / 18

HEX #D079B9

RGB 208 121 185

HSL 315.86, 0.48%, 0.65%

LAB 62.16, 42.76, -19.14

 

CMYK 0 / 38 / 9 / 12

HEX #E18BCC

RGB 225 139 204

HSL 314.65, 0.59%, 0.71%

LAB 68.63, 42, -19.79

 

CMYK 0 / 35 / 8 / 5

HEX #F29DDF

RGB 242 157 223

HSL 313.41, 0.77%, 0.78%

LAB 75.03, 41.27, -20.37

 

CMYK 0 / 50 / 10 / 34

HEX #A95598

RGB 169 85 152

HSL 312.14, 0.33%, 0.5%

LAB 48.51, 43.48, -21.32

 

CMYK 0 / 56 / 13 / 40

HEX #984385

RGB 152 67 133

HSL 313.41, 0.39%, 0.43%

LAB 41.82, 44.1, -20.4

 

CMYK 0 / 64 / 16 / 47

HEX #873172

RGB 135 49 114

HSL 314.65, 0.47%, 0.36%

LAB 35.13, 44.48, -19.18

 

CMYK 0 / 74 / 19 / 54

HEX #761F5F

RGB 118 31 95

HSL 315.86, 0.58%, 0.29%

LAB 28.53, 44.3, -17.46

 

CMYK 0 / 87 / 25 / 60

HEX #650D4C

RGB 101 13 76

HSL 317.05, 0.77%, 0.22%

LAB 22.22, 42.99, -14.86

 

CMYK 0 / 50 / 10 / 33

HEX #AA5599

RGB 170 85 153

HSL 312, 0.33%, 0.5%

LAB 48.69, 43.97, -21.63

 

CMYK 0 / 50 / 24 / 33

HEX #AA5582

RGB 170 85 130

HSL 328.24, 0.33%, 0.5%

LAB 47.82, 40.3, -9.21

 

CMYK 0 / 50 / 37 / 33

HEX #AA556B

RGB 170 85 107

HSL 344.47, 0.33%, 0.5%

LAB 47.11, 37.18, 3.64

 

CMYK 0 / 50 / 50 / 33

HEX #AA5555

RGB 170 85 85

HSL 0, 0.33%, 0.5%

LAB 46.58, 34.76, 16.2

 

CMYK 0 / 50 / 10 / 33

HEX #AA5599

RGB 170 85 153

HSL 312, 0.33%, 0.5%

LAB 48.69, 43.97, -21.63

 

CMYK 4 / 50 / 0 / 33

HEX #A455AA

RGB 164 85 170

HSL 295.76, 0.33%, 0.5%

LAB 48.63, 45.24, -31.82

 

CMYK 17 / 50 / 0 / 33

HEX #8D55AA

RGB 141 85 170

HSL 279.53, 0.33%, 0.5%

LAB 45.72, 38.57, -36.59

 

CMYK 30 / 50 / 0 / 33

HEX #7755AA

RGB 119 85 170

HSL 264, 0.33%, 0.5%

LAB 43.24, 32.37, -40.67

 

CMYK 44 / 50 / 0 / 33

HEX #6055AA

RGB 96 85 170

HSL 247.76, 0.33%, 0.5%

LAB 41.03, 26.32, -44.32

 

CMYK 0 / 50 / 10 / 33

HEX #AA5599

RGB 170 85 153

HSL 312, 0.33%, 0.5%

LAB 48.69, 43.97, -21.63

 

CMYK 0 / 66 / 13 / 25

HEX #BE41A5

RGB 190 65 165

HSL 312, 0.49%, 0.5%

LAB 48.82, 60.74, -28.3

 

CMYK 0 / 79 / 16 / 17

HEX #D32CB1

RGB 211 44 177

HSL 312.22, 0.65%, 0.5%

LAB 50.48, 74.2, -32.51

 

CMYK 0 / 90 / 18 / 9

HEX #E718BD

RGB 231 24 189

HSL 312.17, 0.81%, 0.5%

LAB 53.29, 83.56, -34.85

 

CMYK 0 / 99 / 20 / 1

HEX #FC03CA

RGB 252 3 202

HSL 312.05, 0.98%, 0.5%

LAB 57.1, 90.79, -36.12

 

CMYK 0 / 50 / 10 / 33

HEX #AA5599

RGB 170 85 153

HSL 312, 0.33%, 0.5%

LAB 48.69, 43.97, -21.63

 

CMYK 0 / 29 / 6 / 42

HEX #956A8C

RGB 149 106 140

HSL 312.56, 0.17%, 0.5%

LAB 50.21, 22.93, -11.85

 

CMYK 0 / 1 / 0 / 50

HEX #807F80

RGB 128 127 128

HSL 300, 0%, 0.5%

LAB 53.3, 0.58, -0.42

 

CMYK 27 / 0 / 21 / 42

HEX #6C9374

RGB 108 147 116

HSL 132.31, 0.15%, 0.5%

LAB 57.38, -20.05, 12.14

 

CMYK 48 / 0 / 39 / 34

HEX #57A867

RGB 87 168 103

HSL 131.85, 0.32%, 0.5%

LAB 62.52, -39.16, 26.13

 

CMYK 16 / 50 / 0 / 33

HEX #8E55AA

RGB 142 85 170

HSL 280.24, 0.33%, 0.5%

LAB 45.84, 38.86, -36.4

 

CMYK 4 / 50 / 0 / 33

HEX #A455AA

RGB 164 85 170

HSL 295.76, 0.33%, 0.5%

LAB 48.63, 45.24, -31.82

 

CMYK 0 / 50 / 10 / 33

HEX #AA5599

RGB 170 85 153

HSL 312, 0.33%, 0.5%

LAB 48.69, 43.97, -21.63

 

CMYK 0 / 50 / 24 / 33

HEX #AA5582

RGB 170 85 130

HSL 328.24, 0.33%, 0.5%

LAB 47.82, 40.3, -9.21

 

CMYK 0 / 50 / 36 / 33

HEX #AA556C

RGB 170 85 108

HSL 343.76, 0.33%, 0.5%

LAB 47.14, 37.3, 3.07

 

CMYK 0 / 50 / 10 / 55

HEX #733A67

RGB 115 58 103

HSL 312.63, 0.33%, 0.34%

LAB 33.24, 31.64, -15.38

 

CMYK 0 / 49 / 10 / 44

HEX #8E4880

RGB 142 72 128

HSL 312, 0.33%, 0.42%

LAB 41.13, 37.5, -18.53

 

CMYK 0 / 50 / 10 / 33

HEX #AA5599

RGB 170 85 153

HSL 312, 0.33%, 0.5%

LAB 48.69, 43.97, -21.63

 

CMYK 0 / 38 / 8 / 28

HEX #B771A9

RGB 183 113 169

HSL 312, 0.33%, 0.58%

LAB 56.82, 36.08, -18.39

 

CMYK 0 / 29 / 6 / 23

HEX #C58CBA

RGB 197 140 186

HSL 311.58, 0.33%, 0.66%

LAB 65.1, 29.05, -15.37

 

CMYK 0 / 50 / 10 / 34

HEX #A95598

RGB 169 85 152

HSL 312.14, 0.33%, 0.5%

LAB 48.51, 43.48, -21.32

 

CMYK 0 / 30 / 50 / 33

HEX #AA7755

RGB 170 119 85

HSL 24, 0.33%, 0.5%

LAB 54.44, 15.92, 26.62

 

CMYK 50 / 0 / 10 / 33

HEX #55AA99

RGB 85 170 153

HSL 168, 0.33%, 0.5%

LAB 64.15, -29.99, 0.86

 

CMYK 0 / 50 / 10 / 34

HEX #A95598

RGB 169 85 152

HSL 312.14, 0.33%, 0.5%

LAB 48.51, 43.48, -21.32

 

CMYK 10 / 0 / 50 / 33

HEX #99AA55

RGB 153 170 85

HSL 72, 0.33%, 0.5%

LAB 66.66, -19.08, 41.47

 

CMYK 50 / 10 / 0 / 33

HEX #5599AA

RGB 85 153 170

HSL 192, 0.33%, 0.5%

LAB 59.54, -16.79, -15.55

 

CMYK 0 / 50 / 10 / 34

HEX #A95598

RGB 169 85 152

HSL 312.14, 0.33%, 0.5%

LAB 48.51, 43.48, -21.32

 

CMYK 0 / 30 / 50 / 33

HEX #AA7755

RGB 170 119 85

HSL 24, 0.33%, 0.5%

LAB 54.44, 15.92, 26.62

 

CMYK 50 / 0 / 40 / 33

HEX #55AA66

RGB 85 170 102

HSL 132, 0.33%, 0.5%

LAB 63.04, -40.76, 27.34

 

CMYK 50 / 20 / 0 / 33

HEX #5588AA

RGB 85 136 170

HSL 204, 0.33%, 0.5%

LAB 54.49, -7.42, -23.26

 

CMYK 0 / 50 / 10 / 34

HEX #A95598

RGB 169 85 152

HSL 312.14, 0.33%, 0.5%

LAB 48.51, 43.48, -21.32

 

CMYK 0 / 15 / 50 / 33

HEX #AA9055

RGB 170 144 85

HSL 41.65, 0.33%, 0.5%

LAB 60.91, 1.93, 34.8

 

CMYK 50 / 0 / 40 / 33

HEX #55AA66

RGB 85 170 102

HSL 132, 0.33%, 0.5%

LAB 63.04, -40.76, 27.34

 

CMYK 50 / 35 / 0 / 33

HEX #556FAA

RGB 85 111 170

HSL 221.65, 0.33%, 0.5%

LAB 47.24, 7.39, -34.54

 

Description

Color code: HEX #A95598 | qconv.com Color code: HEX #A95598 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 85 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 85 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 10 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 10% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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