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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A95375 it is the complementary color #56AC8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A95375. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A95375 shade: #AE5370, #BF6583, #D07796, #E189A9 and #F29BBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A95375. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A95375 shade: #A95375, #984162, #872F4F, #761D3C and #650B29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A95375 shade: #A75274, #A7525D and #A75252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A95375 shade: #A75274, #A7528B, #A752A2, #9652A7 and #7F52A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A95375 shade matches the following richer shades: #A75274, #BC3E70, #D02A6C, #E41667 and #F80263

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A95375 shade: #A75274, #936778, #7F7B7D, #6B8F81 and #57A385

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A95375 shade: #A752A2, #A7528B, #A75274, #A7525E and #A75E52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A95375 shade: #70374E, #8C4561, #A75274, #B76C8A and #C488A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A95375 shade: #A95375, #A79652 and #5296A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A95375 shade: #A95375, #74A752 and #5274A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A95375 shade: #A95375, #A79652, #52A785 and #5263A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A95375 shade: #A95375, #9FA752, #52A785 and #5B52A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 31 / 34

HEX #A95375

RGB 169 83 117

HSL 336.28, 0.34%, 0.49%

LAB 46.85, 39.16, -2.82

 

Complementary color

CMYK 50 / 0 / 20 / 33

HEX #56AC8A

RGB 86 172 138

HSL 156.28, 0.34%, 0.51%

LAB 64.42, -34.25, 9.6

 

CMYK 0 / 52 / 36 / 32

HEX #AE5370

RGB 174 83 112

HSL 340.88, 0.36%, 0.5%

LAB 47.44, 40.27, 1.16

 

CMYK 0 / 47 / 31 / 25

HEX #BF6583

RGB 191 101 131

HSL 340, 0.41%, 0.57%

LAB 54.05, 39.38, -0.25

 

CMYK 0 / 43 / 28 / 18

HEX #D07796

RGB 208 119 150

HSL 339.1, 0.49%, 0.64%

LAB 60.61, 38.5, -1.45

 

CMYK 0 / 39 / 25 / 12

HEX #E189A9

RGB 225 137 169

HSL 338.18, 0.59%, 0.71%

LAB 67.1, 37.65, -2.48

 

CMYK 0 / 36 / 22 / 5

HEX #F29BBC

RGB 242 155 188

HSL 337.24, 0.77%, 0.78%

LAB 73.51, 36.84, -3.41

 

CMYK 0 / 51 / 31 / 34

HEX #A95375

RGB 169 83 117

HSL 336.28, 0.34%, 0.49%

LAB 46.85, 39.16, -2.82

 

CMYK 0 / 57 / 36 / 40

HEX #984162

RGB 152 65 98

HSL 337.24, 0.4%, 0.43%

LAB 40.14, 39.96, -1.29

 

CMYK 0 / 65 / 41 / 47

HEX #872F4F

RGB 135 47 79

HSL 338.18, 0.48%, 0.36%

LAB 33.45, 40.56, 0.67

 

CMYK 0 / 75 / 49 / 54

HEX #761D3C

RGB 118 29 60

HSL 339.1, 0.61%, 0.29%

LAB 26.9, 40.67, 3.35

 

CMYK 0 / 89 / 59 / 60

HEX #650B29

RGB 101 11 41

HSL 340, 0.8%, 0.22%

LAB 20.7, 39.65, 7.21

 

CMYK 0 / 51 / 31 / 35

HEX #A75274

RGB 167 82 116

HSL 336, 0.34%, 0.49%

LAB 46.33, 38.84, -3.02

 

CMYK 0 / 51 / 44 / 35

HEX #A7525D

RGB 167 82 93

HSL 352.24, 0.34%, 0.49%

LAB 45.69, 36.03, 10.06

 

CMYK 0 / 51 / 51 / 35

HEX #A75252

RGB 167 82 82

HSL 0, 0.34%, 0.49%

LAB 45.44, 34.91, 16.39

 

CMYK 0 / 51 / 31 / 35

HEX #A75274

RGB 167 82 116

HSL 336, 0.34%, 0.49%

LAB 46.33, 38.84, -3.02

 

CMYK 0 / 51 / 17 / 35

HEX #A7528B

RGB 167 82 139

HSL 319.76, 0.34%, 0.49%

LAB 47.12, 42.24, -15.71

 

CMYK 0 / 51 / 3 / 35

HEX #A752A2

RGB 167 82 162

HSL 303.53, 0.34%, 0.49%

LAB 48.08, 46.16, -27.93

 

CMYK 10 / 51 / 0 / 35

HEX #9652A7

RGB 150 82 167

HSL 288, 0.34%, 0.49%

LAB 46.05, 42.15, -34.22

 

CMYK 24 / 51 / 0 / 35

HEX #7F52A7

RGB 127 82 167

HSL 271.76, 0.34%, 0.49%

LAB 43.27, 35.58, -38.81

 

CMYK 0 / 51 / 31 / 35

HEX #A75274

RGB 167 82 116

HSL 336, 0.34%, 0.49%

LAB 46.33, 38.84, -3.02

 

CMYK 0 / 67 / 40 / 26

HEX #BC3E70

RGB 188 62 112

HSL 336.19, 0.5%, 0.49%

LAB 46.05, 54.54, -0.59

 

CMYK 0 / 80 / 48 / 18

HEX #D02A6C

RGB 208 42 108

HSL 336.14, 0.66%, 0.49%

LAB 47.17, 66.43, 3.93

 

CMYK 0 / 90 / 55 / 11

HEX #E41667

RGB 228 22 103

HSL 336.41, 0.82%, 0.49%

LAB 49.55, 74.9, 10.93

 

CMYK 0 / 99 / 60 / 3

HEX #F80263

RGB 248 2 99

HSL 336.34, 0.98%, 0.49%

LAB 52.84, 81.02, 18.52

 

CMYK 0 / 51 / 31 / 35

HEX #A75274

RGB 167 82 116

HSL 336, 0.34%, 0.49%

LAB 46.33, 38.84, -3.02

 

CMYK 0 / 30 / 18 / 42

HEX #936778

RGB 147 103 120

HSL 336.82, 0.18%, 0.49%

LAB 48.59, 20.36, -2.4

 

CMYK 0 / 3 / 2 / 50

HEX #7F7B7D

RGB 127 123 125

HSL 330, 0.02%, 0.49%

LAB 52.02, 1.91, -0.56

 

CMYK 25 / 0 / 10 / 44

HEX #6B8F81

RGB 107 143 129

HSL 156.67, 0.14%, 0.49%

LAB 56.44, -15.61, 3.38

 

CMYK 47 / 0 / 18 / 36

HEX #57A385

RGB 87 163 133

HSL 156.32, 0.3%, 0.49%

LAB 61.58, -30.88, 8.35

 

CMYK 0 / 51 / 3 / 35

HEX #A752A2

RGB 167 82 162

HSL 303.53, 0.34%, 0.49%

LAB 48.08, 46.16, -27.93

 

CMYK 0 / 51 / 17 / 35

HEX #A7528B

RGB 167 82 139

HSL 319.76, 0.34%, 0.49%

LAB 47.12, 42.24, -15.71

 

CMYK 0 / 51 / 31 / 35

HEX #A75274

RGB 167 82 116

HSL 336, 0.34%, 0.49%

LAB 46.33, 38.84, -3.02

 

CMYK 0 / 51 / 44 / 35

HEX #A7525E

RGB 167 82 94

HSL 351.53, 0.34%, 0.49%

LAB 45.71, 36.14, 9.48

 

CMYK 0 / 44 / 51 / 35

HEX #A75E52

RGB 167 94 82

HSL 8.47, 0.34%, 0.49%

LAB 48.05, 28.42, 19.89

 

CMYK 0 / 51 / 30 / 56

HEX #70374E

RGB 112 55 78

HSL 335.79, 0.34%, 0.33%

LAB 31.18, 28.06, -2.46

 

CMYK 0 / 51 / 31 / 45

HEX #8C4561

RGB 140 69 97

HSL 336.34, 0.34%, 0.41%

LAB 39.06, 33.47, -2.47

 

CMYK 0 / 51 / 31 / 35

HEX #A75274

RGB 167 82 116

HSL 336, 0.34%, 0.49%

LAB 46.33, 38.84, -3.02

 

CMYK 0 / 41 / 25 / 28

HEX #B76C8A

RGB 183 108 138

HSL 336, 0.34%, 0.57%

LAB 54.69, 33.77, -3.56

 

CMYK 0 / 31 / 18 / 23

HEX #C488A0

RGB 196 136 160

HSL 336, 0.34%, 0.65%

LAB 63.25, 26.49, -3.45

 

CMYK 0 / 51 / 31 / 34

HEX #A95375

RGB 169 83 117

HSL 336.28, 0.34%, 0.49%

LAB 46.85, 39.16, -2.82

 

CMYK 0 / 10 / 51 / 35

HEX #A79652

RGB 167 150 82

HSL 48, 0.34%, 0.49%

LAB 62.2, -2.94, 37.88

 

CMYK 51 / 10 / 0 / 35

HEX #5296A7

RGB 82 150 167

HSL 192, 0.34%, 0.49%

LAB 58.41, -16.75, -15.57

 

CMYK 0 / 51 / 31 / 34

HEX #A95375

RGB 169 83 117

HSL 336.28, 0.34%, 0.49%

LAB 46.85, 39.16, -2.82

 

CMYK 31 / 0 / 51 / 35

HEX #74A752

RGB 116 167 82

HSL 96, 0.34%, 0.49%

LAB 63.31, -32.35, 38.35

 

CMYK 51 / 31 / 0 / 35

HEX #5274A7

RGB 82 116 167

HSL 216, 0.34%, 0.49%

LAB 48.35, 2.66, -31.05

 

CMYK 0 / 51 / 31 / 34

HEX #A95375

RGB 169 83 117

HSL 336.28, 0.34%, 0.49%

LAB 46.85, 39.16, -2.82

 

CMYK 0 / 10 / 51 / 35

HEX #A79652

RGB 167 150 82

HSL 48, 0.34%, 0.49%

LAB 62.2, -2.94, 37.88

 

CMYK 51 / 0 / 20 / 35

HEX #52A785

RGB 82 167 133

HSL 156, 0.34%, 0.49%

LAB 62.61, -34.05, 9.79

 

CMYK 51 / 41 / 0 / 35

HEX #5263A7

RGB 82 99 167

HSL 228, 0.34%, 0.49%

LAB 43.52, 13.16, -38.66

 

CMYK 0 / 51 / 31 / 34

HEX #A95375

RGB 169 83 117

HSL 336.28, 0.34%, 0.49%

LAB 46.85, 39.16, -2.82

 

CMYK 5 / 0 / 51 / 35

HEX #9FA752

RGB 159 167 82

HSL 65.65, 0.34%, 0.49%

LAB 66.23, -15.36, 42.55

 

CMYK 51 / 0 / 20 / 35

HEX #52A785

RGB 82 167 133

HSL 156, 0.34%, 0.49%

LAB 62.61, -34.05, 9.79

 

CMYK 46 / 51 / 0 / 35

HEX #5B52A7

RGB 91 82 167

HSL 246.35, 0.34%, 0.49%

LAB 39.66, 26.05, -44.76

 

Description

Color code: HEX #A95375 | qconv.com Color code: HEX #A95375 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 83 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 83 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 31 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 31% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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