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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A950E5 it is the complementary color #56AF1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A950E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A950E5 shade: #AE50E0, #BF62F3, #D074FF, #E186FF and #F298FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A950E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A950E5 shade: #A950E5, #983ED2, #872CBF, #761AAC and #650899

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A950E5 shade: #AA52E5, #D252E5, #E552D1, #E552A9 and #E55282

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A950E5 shade: #AA52E5, #8252E5, #5A52E5 and #5252E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A950E5 shade matches the following richer shades: #AA52E5 and #AD42F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A950E5 shade: #AA52E5, #A762D5, #A472C5, #A082B5 and #9D92A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A950E5 shade: #5952E5, #8152E5, #A852E5, #CF52E5 and #E552D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A950E5 shade: #831EC7, #982EE0, #AA52E5, #BC76EB and #CD9AF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A950E5 shade: #A950E5, #E55272 and #52E56D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A950E5 shade: #A950E5, #E5A852 and #52E5A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A950E5 shade: #A950E5, #E55272, #8FE552 and #52E5C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A950E5 shade: #A950E5, #E55E52, #8FE552 and #52D9E5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 65 / 0 / 10

HEX #A950E5

RGB 169 80 229

HSL 275.84, 0.74%, 0.61%

LAB 51.64, 61.17, -60.94

 

Complementary color

CMYK 51 / 0 / 85 / 31

HEX #56AF1A

RGB 86 175 26

HSL 95.84, 0.74%, 0.39%

LAB 63.93, -50.36, 60.57

 

CMYK 22 / 64 / 0 / 12

HEX #AE50E0

RGB 174 80 224

HSL 279.17, 0.7%, 0.6%

LAB 51.97, 61.19, -57.55

 

CMYK 21 / 60 / 0 / 5

HEX #BF62F3

RGB 191 98 243

HSL 278.48, 0.86%, 0.67%

LAB 58.3, 60.65, -57.94

 

CMYK 18 / 55 / 0 / 0

HEX #D074FF

RGB 208 116 255

HSL 279.71, 1%, 0.73%

LAB 64.26, 58.51, -54.95

 

CMYK 12 / 47 / 0 / 0

HEX #E186FF

RGB 225 134 255

HSL 285.12, 1%, 0.76%

LAB 69.67, 53.93, -46.28

 

CMYK 5 / 40 / 0 / 0

HEX #F298FF

RGB 242 152 255

HSL 292.43, 1%, 0.8%

LAB 75.17, 49.54, -37.54

 

CMYK 26 / 65 / 0 / 10

HEX #A950E5

RGB 169 80 229

HSL 275.84, 0.74%, 0.61%

LAB 51.64, 61.17, -60.94

 

CMYK 28 / 70 / 0 / 18

HEX #983ED2

RGB 152 62 210

HSL 276.49, 0.62%, 0.53%

LAB 45.32, 61.51, -60.43

 

CMYK 29 / 77 / 0 / 25

HEX #872CBF

RGB 135 44 191

HSL 277.14, 0.63%, 0.46%

LAB 39.09, 61.38, -59.61

 

CMYK 31 / 85 / 0 / 33

HEX #761AAC

RGB 118 26 172

HSL 277.81, 0.74%, 0.39%

LAB 33.07, 60.41, -58.26

 

CMYK 34 / 95 / 0 / 40

HEX #650899

RGB 101 8 153

HSL 278.48, 0.9%, 0.32%

LAB 27.41, 58.05, -56.1

 

CMYK 26 / 64 / 0 / 10

HEX #AA52E5

RGB 170 82 229

HSL 275.92, 0.74%, 0.61%

LAB 52.1, 60.47, -60.19

 

CMYK 8 / 64 / 0 / 10

HEX #D252E5

RGB 210 82 229

HSL 292.24, 0.74%, 0.61%

LAB 57.46, 69.4, -51.32

 

CMYK 0 / 64 / 9 / 10

HEX #E552D1

RGB 229 82 209

HSL 308.16, 0.74%, 0.61%

LAB 59.25, 70.59, -37.03

 

CMYK 0 / 64 / 26 / 10

HEX #E552A9

RGB 229 82 169

HSL 324.49, 0.74%, 0.61%

LAB 57.61, 65.02, -16.59

 

CMYK 0 / 64 / 43 / 10

HEX #E55282

RGB 229 82 130

HSL 340.41, 0.74%, 0.61%

LAB 56.39, 60.65, 4.44

 

CMYK 26 / 64 / 0 / 10

HEX #AA52E5

RGB 170 82 229

HSL 275.92, 0.74%, 0.61%

LAB 52.1, 60.47, -60.19

 

CMYK 43 / 64 / 0 / 10

HEX #8252E5

RGB 130 82 229

HSL 259.59, 0.74%, 0.61%

LAB 47.54, 52.2, -67.79

 

CMYK 61 / 64 / 0 / 10

HEX #5A52E5

RGB 90 82 229

HSL 243.27, 0.74%, 0.61%

LAB 44.04, 45.28, -73.64

 

CMYK 64 / 64 / 0 / 10

HEX #5252E5

RGB 82 82 229

HSL 240, 0.74%, 0.61%

LAB 43.49, 44.13, -74.57

 

CMYK 26 / 64 / 0 / 10

HEX #AA52E5

RGB 170 82 229

HSL 275.92, 0.74%, 0.61%

LAB 52.1, 60.47, -60.19

 

CMYK 29 / 73 / 0 / 4

HEX #AD42F5

RGB 173 66 245

HSL 275.87, 0.9%, 0.61%

LAB 51.12, 71.32, -70.74

 

CMYK 26 / 64 / 0 / 10

HEX #AA52E5

RGB 170 82 229

HSL 275.92, 0.74%, 0.61%

LAB 52.1, 60.47, -60.19

 

CMYK 22 / 54 / 0 / 16

HEX #A762D5

RGB 167 98 213

HSL 276, 0.58%, 0.61%

LAB 53.77, 48.25, -48.5

 

CMYK 17 / 42 / 0 / 23

HEX #A472C5

RGB 164 114 197

HSL 276.14, 0.42%, 0.61%

LAB 56.05, 35.12, -35.83

 

CMYK 12 / 28 / 0 / 29

HEX #A082B5

RGB 160 130 181

HSL 275.29, 0.26%, 0.61%

LAB 58.77, 21.24, -22.52

 

CMYK 5 / 12 / 0 / 35

HEX #9D92A5

RGB 157 146 165

HSL 274.74, 0.1%, 0.61%

LAB 62.03, 7.73, -8.51

 

CMYK 61 / 64 / 0 / 10

HEX #5952E5

RGB 89 82 229

HSL 242.86, 0.74%, 0.61%

LAB 43.97, 45.13, -73.77

 

CMYK 44 / 64 / 0 / 10

HEX #8152E5

RGB 129 82 229

HSL 259.18, 0.74%, 0.61%

LAB 47.44, 52, -67.95

 

CMYK 27 / 64 / 0 / 10

HEX #A852E5

RGB 168 82 229

HSL 275.1, 0.74%, 0.61%

LAB 51.86, 60.03, -60.6

 

CMYK 10 / 64 / 0 / 10

HEX #CF52E5

RGB 207 82 229

HSL 291.02, 0.74%, 0.61%

LAB 57.03, 68.72, -52.02

 

CMYK 0 / 64 / 7 / 10

HEX #E552D4

RGB 229 82 212

HSL 306.94, 0.74%, 0.61%

LAB 59.38, 71.05, -38.51

 

CMYK 34 / 85 / 0 / 22

HEX #831EC7

RGB 131 30 199

HSL 275.86, 0.74%, 0.45%

LAB 37.62, 66.93, -66.71

 

CMYK 32 / 79 / 0 / 12

HEX #982EE0

RGB 152 46 224

HSL 275.73, 0.74%, 0.53%

LAB 44.25, 70.53, -70.19

 

CMYK 26 / 64 / 0 / 10

HEX #AA52E5

RGB 170 82 229

HSL 275.92, 0.74%, 0.61%

LAB 52.1, 60.47, -60.19

 

CMYK 20 / 50 / 0 / 8

HEX #BC76EB

RGB 188 118 235

HSL 275.9, 0.75%, 0.69%

LAB 61.35, 48.08, -48.67

 

CMYK 15 / 36 / 0 / 6

HEX #CD9AF0

RGB 205 154 240

HSL 275.58, 0.74%, 0.77%

LAB 71.13, 34.57, -35.96

 

CMYK 26 / 65 / 0 / 10

HEX #A950E5

RGB 169 80 229

HSL 275.84, 0.74%, 0.61%

LAB 51.64, 61.17, -60.94

 

CMYK 0 / 64 / 50 / 10

HEX #E55272

RGB 229 82 114

HSL 346.94, 0.74%, 0.61%

LAB 56, 59.2, 13.33

 

CMYK 64 / 0 / 52 / 10

HEX #52E56D

RGB 82 229 109

HSL 131.02, 0.74%, 0.61%

LAB 81.26, -63.37, 46.81

 

CMYK 26 / 65 / 0 / 10

HEX #A950E5

RGB 169 80 229

HSL 275.84, 0.74%, 0.61%

LAB 51.64, 61.17, -60.94

 

CMYK 0 / 27 / 64 / 10

HEX #E5A852

RGB 229 168 82

HSL 35.1, 0.74%, 0.61%

LAB 73.07, 13.8, 52.15

 

CMYK 64 / 0 / 27 / 10

HEX #52E5A8

RGB 82 229 168

HSL 155.1, 0.74%, 0.61%

LAB 82.2, -53.09, 18.45

 

CMYK 26 / 65 / 0 / 10

HEX #A950E5

RGB 169 80 229

HSL 275.84, 0.74%, 0.61%

LAB 51.64, 61.17, -60.94

 

CMYK 0 / 64 / 50 / 10

HEX #E55272

RGB 229 82 114

HSL 346.94, 0.74%, 0.61%

LAB 56, 59.2, 13.33

 

CMYK 38 / 0 / 64 / 10

HEX #8FE552

RGB 143 229 82

HSL 95.1, 0.74%, 0.61%

LAB 83.17, -50.07, 61.44

 

CMYK 64 / 0 / 14 / 10

HEX #52E5C5

RGB 82 229 197

HSL 166.94, 0.74%, 0.61%

LAB 82.84, -46.48, 4.14

 

CMYK 26 / 65 / 0 / 10

HEX #A950E5

RGB 169 80 229

HSL 275.84, 0.74%, 0.61%

LAB 51.64, 61.17, -60.94

 

CMYK 0 / 59 / 64 / 10

HEX #E55E52

RGB 229 94 82

HSL 4.9, 0.74%, 0.61%

LAB 57.34, 51.7, 33.68

 

CMYK 38 / 0 / 64 / 10

HEX #8FE552

RGB 143 229 82

HSL 95.1, 0.74%, 0.61%

LAB 83.17, -50.07, 61.44

 

CMYK 64 / 5 / 0 / 10

HEX #52D9E5

RGB 82 217 229

HSL 184.9, 0.74%, 0.61%

LAB 80.22, -32.6, -16.73

 

Description

Color code: HEX #A950E5 | qconv.com Color code: HEX #A950E5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 80 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 80 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 65 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 65% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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