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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A94FD1 it is the complementary color #56B02E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A94FD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A94FD1 shade: #AE4FCC, #BF61DF, #D073F2, #E185FF and #F297FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A94FD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A94FD1 shade: #A94FD1, #983DBE, #872BAB, #761998 and #650785

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A94FD1 shade: #A84DD1, #CC4DD1, #D14DB2, #D14D8F and #D14D6B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A94FD1 shade: #A84DD1, #854DD1, #614DD1 and #4D4DD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A94FD1 shade matches the following richer shades: #A84DD1, #AF3AE3 and #B628F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A94FD1 shade: #A84DD1, #A15FBF, #9A71AD, #93839B and #8C9588

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A94FD1 shade: #604DD1, #844DD1, #A74DD1, #CA4DD1 and #D14DB4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A94FD1 shade: #7D2AA1, #9632C2, #A84DD1, #B86DD9 and #C88EE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A94FD1 shade: #A94FD1, #D14D5C and #4DD172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A94FD1 shade: #A94FD1, #D1A74D and #4DD1A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A94FD1 shade: #A94FD1, #D14D5C, #77D14D and #4DD1C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A94FD1 shade: #A94FD1, #D1654D, #77D14D and #4DB9D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 62 / 0 / 18

HEX #A94FD1

RGB 169 79 209

HSL 281.54, 0.59%, 0.56%

LAB 50.25, 57.37, -51.81

 

Complementary color

CMYK 51 / 0 / 74 / 31

HEX #56B02E

RGB 86 176 46

HSL 101.54, 0.59%, 0.44%

LAB 64.34, -49.63, 54.93

 

CMYK 15 / 61 / 0 / 20

HEX #AE4FCC

RGB 174 79 204

HSL 285.6, 0.55%, 0.55%

LAB 50.63, 57.54, -48.31

 

CMYK 14 / 57 / 0 / 13

HEX #BF61DF

RGB 191 97 223

HSL 284.76, 0.66%, 0.63%

LAB 57.03, 57.01, -48.79

 

CMYK 14 / 52 / 0 / 5

HEX #D073F2

RGB 208 115 242

HSL 283.94, 0.83%, 0.7%

LAB 63.41, 56.35, -49.14

 

CMYK 12 / 48 / 0 / 0

HEX #E185FF

RGB 225 133 255

HSL 285.25, 1%, 0.76%

LAB 69.47, 54.44, -46.59

 

CMYK 5 / 41 / 0 / 0

HEX #F297FF

RGB 242 151 255

HSL 292.5, 1%, 0.8%

LAB 74.97, 50.06, -37.85

 

CMYK 19 / 62 / 0 / 18

HEX #A94FD1

RGB 169 79 209

HSL 281.54, 0.59%, 0.56%

LAB 50.25, 57.37, -51.81

 

CMYK 20 / 68 / 0 / 25

HEX #983DBE

RGB 152 61 190

HSL 282.33, 0.51%, 0.49%

LAB 43.84, 57.69, -51.23

 

CMYK 21 / 75 / 0 / 33

HEX #872BAB

RGB 135 43 171

HSL 283.13, 0.6%, 0.42%

LAB 37.52, 57.55, -50.33

 

CMYK 22 / 84 / 0 / 40

HEX #761998

RGB 118 25 152

HSL 283.94, 0.72%, 0.35%

LAB 31.38, 56.57, -48.9

 

CMYK 24 / 95 / 0 / 48

HEX #650785

RGB 101 7 133

HSL 284.76, 0.9%, 0.27%

LAB 25.6, 54.16, -46.64

 

CMYK 20 / 63 / 0 / 18

HEX #A84DD1

RGB 168 77 209

HSL 281.36, 0.59%, 0.56%

LAB 49.78, 58.07, -52.57

 

CMYK 2 / 63 / 0 / 18

HEX #CC4DD1

RGB 204 77 209

HSL 297.73, 0.59%, 0.56%

LAB 54.81, 66.52, -44.26

 

CMYK 0 / 63 / 15 / 18

HEX #D14DB2

RGB 209 77 178

HSL 314.09, 0.59%, 0.56%

LAB 54.11, 62.84, -27.47

 

CMYK 0 / 63 / 32 / 18

HEX #D14D8F

RGB 209 77 143

HSL 330, 0.59%, 0.56%

LAB 52.78, 58.14, -8.93

 

CMYK 0 / 63 / 49 / 18

HEX #D14D6B

RGB 209 77 107

HSL 346.36, 0.59%, 0.56%

LAB 51.75, 54.35, 11.08

 

CMYK 20 / 63 / 0 / 18

HEX #A84DD1

RGB 168 77 209

HSL 281.36, 0.59%, 0.56%

LAB 49.78, 58.07, -52.57

 

CMYK 36 / 63 / 0 / 18

HEX #854DD1

RGB 133 77 209

HSL 265.45, 0.59%, 0.56%

LAB 45.49, 50.25, -59.69

 

CMYK 54 / 63 / 0 / 18

HEX #614DD1

RGB 97 77 209

HSL 249.09, 0.59%, 0.56%

LAB 41.93, 43.14, -65.65

 

CMYK 63 / 63 / 0 / 18

HEX #4D4DD1

RGB 77 77 209

HSL 240, 0.59%, 0.56%

LAB 40.39, 39.87, -68.21

 

CMYK 20 / 63 / 0 / 18

HEX #A84DD1

RGB 168 77 209

HSL 281.36, 0.59%, 0.56%

LAB 49.78, 58.07, -52.57

 

CMYK 23 / 74 / 0 / 11

HEX #AF3AE3

RGB 175 58 227

HSL 281.54, 0.75%, 0.56%

LAB 49.11, 70.96, -63.85

 

CMYK 26 / 84 / 0 / 4

HEX #B628F5

RGB 182 40 245

HSL 281.56, 0.91%, 0.56%

LAB 49.56, 80.94, -73.22

 

CMYK 20 / 63 / 0 / 18

HEX #A84DD1

RGB 168 77 209

HSL 281.36, 0.59%, 0.56%

LAB 49.78, 58.07, -52.57

 

CMYK 16 / 50 / 0 / 25

HEX #A15FBF

RGB 161 95 191

HSL 281.25, 0.43%, 0.56%

LAB 51.29, 43.4, -39.88

 

CMYK 11 / 35 / 0 / 32

HEX #9A71AD

RGB 154 113 173

HSL 281, 0.27%, 0.56%

LAB 53.7, 27.32, -25.77

 

CMYK 5 / 15 / 0 / 39

HEX #93839B

RGB 147 131 155

HSL 280, 0.11%, 0.56%

LAB 56.88, 10.7, -10.59

 

CMYK 6 / 0 / 9 / 42

HEX #8C9588

RGB 140 149 136

HSL 101.54, 0.06%, 0.56%

LAB 60.65, -5.77, 5.74

 

CMYK 54 / 63 / 0 / 18

HEX #604DD1

RGB 96 77 209

HSL 248.64, 0.59%, 0.56%

LAB 41.84, 42.97, -65.79

 

CMYK 37 / 63 / 0 / 18

HEX #844DD1

RGB 132 77 209

HSL 265, 0.59%, 0.56%

LAB 45.38, 50.03, -59.88

 

CMYK 20 / 63 / 0 / 18

HEX #A74DD1

RGB 167 77 209

HSL 280.91, 0.59%, 0.56%

LAB 49.65, 57.83, -52.79

 

CMYK 3 / 63 / 0 / 18

HEX #CA4DD1

RGB 202 77 209

HSL 296.82, 0.59%, 0.56%

LAB 54.52, 66.05, -44.74

 

CMYK 0 / 63 / 14 / 18

HEX #D14DB4

RGB 209 77 180

HSL 313.18, 0.59%, 0.56%

LAB 54.19, 63.13, -28.5

 

CMYK 22 / 74 / 0 / 37

HEX #7D2AA1

RGB 125 42 161

HSL 281.85, 0.59%, 0.4%

LAB 35.18, 53.84, -48.17

 

CMYK 23 / 74 / 0 / 24

HEX #9632C2

RGB 150 50 194

HSL 281.67, 0.59%, 0.48%

LAB 42.25, 62.56, -56.15

 

CMYK 20 / 63 / 0 / 18

HEX #A84DD1

RGB 168 77 209

HSL 281.36, 0.59%, 0.56%

LAB 49.78, 58.07, -52.57

 

CMYK 15 / 50 / 0 / 15

HEX #B86DD9

RGB 184 109 217

HSL 281.67, 0.59%, 0.64%

LAB 58.17, 47.88, -43.66

 

CMYK 12 / 37 / 0 / 11

HEX #C88EE2

RGB 200 142 226

HSL 281.43, 0.59%, 0.72%

LAB 67.36, 36.67, -34.17

 

CMYK 19 / 62 / 0 / 18

HEX #A94FD1

RGB 169 79 209

HSL 281.54, 0.59%, 0.56%

LAB 50.25, 57.37, -51.81

 

CMYK 0 / 63 / 56 / 18

HEX #D14D5C

RGB 209 77 92

HSL 353.18, 0.59%, 0.56%

LAB 51.42, 53.11, 19.6

 

CMYK 63 / 0 / 45 / 18

HEX #4DD172

RGB 77 209 114

HSL 136.82, 0.59%, 0.56%

LAB 75.07, -56.34, 36.65

 

CMYK 19 / 62 / 0 / 18

HEX #A94FD1

RGB 169 79 209

HSL 281.54, 0.59%, 0.56%

LAB 50.25, 57.37, -51.81

 

CMYK 0 / 20 / 63 / 18

HEX #D1A74D

RGB 209 167 77

HSL 40.91, 0.59%, 0.56%

LAB 70.68, 5.54, 51.25

 

CMYK 63 / 0 / 20 / 18

HEX #4DD1A7

RGB 77 209 167

HSL 160.91, 0.59%, 0.56%

LAB 76.05, -45.93, 10.32

 

CMYK 19 / 62 / 0 / 18

HEX #A94FD1

RGB 169 79 209

HSL 281.54, 0.59%, 0.56%

LAB 50.25, 57.37, -51.81

 

CMYK 0 / 63 / 56 / 18

HEX #D14D5C

RGB 209 77 92

HSL 353.18, 0.59%, 0.56%

LAB 51.42, 53.11, 19.6

 

CMYK 43 / 0 / 63 / 18

HEX #77D14D

RGB 119 209 77

HSL 100.91, 0.59%, 0.56%

LAB 76.11, -50.09, 55.49

 

CMYK 63 / 0 / 7 / 18

HEX #4DD1C2

RGB 77 209 194

HSL 173.18, 0.59%, 0.56%

LAB 76.72, -39.26, -3.2

 

CMYK 19 / 62 / 0 / 18

HEX #A94FD1

RGB 169 79 209

HSL 281.54, 0.59%, 0.56%

LAB 50.25, 57.37, -51.81

 

CMYK 0 / 52 / 63 / 18

HEX #D1654D

RGB 209 101 77

HSL 10.91, 0.59%, 0.56%

LAB 55.48, 40.77, 33.5

 

CMYK 43 / 0 / 63 / 18

HEX #77D14D

RGB 119 209 77

HSL 100.91, 0.59%, 0.56%

LAB 76.11, -50.09, 55.49

 

CMYK 63 / 11 / 0 / 18

HEX #4DB9D1

RGB 77 185 209

HSL 190.91, 0.59%, 0.56%

LAB 70.09, -23.54, -21.28

 

Description

Color code: HEX #A94FD1 | qconv.com Color code: HEX #A94FD1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 79 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 79 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 62 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 62% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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