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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A94696 it is the complementary color #56B969. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A94696. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A94696 shade: #AE4691, #BF58A4, #D06AB7, #E17CCA and #F28EDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A94696. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A94696 shade: #A94696, #983483, #872270, #76105D and #65004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A94696 shade: #A94796, #A9477C, #A94761 and #A94747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A94696 shade: #A94796, #A147A9, #8747A9, #6C47A9 and #5247A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A94696 shade matches the following richer shades: #A94796, #BC33A2, #D020AE and #E30DBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A94696 shade: #A94796, #965A8A, #826D7E, #6F8172 and #5B9466

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A94696 shade: #8747A9, #A147A9, #A94797, #A9477D and #A94763

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A94696 shade: #6F2E62, #8C3B7C, #A94796, #BB5EA9 and #C87BB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A94696 shade: #A94696, #A96C47 and #47A994

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A94696 shade: #A94696, #97A947 and #4797A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A94696 shade: #A94696, #A96C47, #47A959 and #4783A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A94696 shade: #A94696, #A98A47, #47A959 and #4766A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 11 / 34

HEX #A94696

RGB 169 70 150

HSL 311.52, 0.41%, 0.47%

LAB 45.66, 50.51, -24.53

 

Complementary color

CMYK 54 / 0 / 43 / 27

HEX #56B969

RGB 86 185 105

HSL 131.52, 0.41%, 0.53%

LAB 67.8, -46.32, 31.96

 

CMYK 0 / 60 / 17 / 32

HEX #AE4691

RGB 174 70 145

HSL 316.73, 0.43%, 0.48%

LAB 46.21, 51.18, -20.62

 

CMYK 0 / 54 / 14 / 25

HEX #BF58A4

RGB 191 88 164

HSL 315.73, 0.45%, 0.55%

LAB 52.66, 50.71, -21.76

 

CMYK 0 / 49 / 12 / 18

HEX #D06AB7

RGB 208 106 183

HSL 314.71, 0.52%, 0.62%

LAB 59.1, 50.09, -22.67

 

CMYK 0 / 45 / 10 / 12

HEX #E17CCA

RGB 225 124 202

HSL 313.66, 0.63%, 0.68%

LAB 65.5, 49.39, -23.44

 

CMYK 0 / 41 / 9 / 5

HEX #F28EDD

RGB 242 142 221

HSL 312.6, 0.79%, 0.75%

LAB 71.86, 48.66, -24.1

 

CMYK 0 / 59 / 11 / 34

HEX #A94696

RGB 169 70 150

HSL 311.52, 0.41%, 0.47%

LAB 45.66, 50.51, -24.53

 

CMYK 0 / 66 / 14 / 40

HEX #983483

RGB 152 52 131

HSL 312.6, 0.49%, 0.4%

LAB 39.19, 50.69, -23.24

 

CMYK 0 / 75 / 17 / 47

HEX #872270

RGB 135 34 112

HSL 313.66, 0.6%, 0.33%

LAB 32.84, 50.27, -21.46

 

CMYK 0 / 86 / 21 / 54

HEX #76105D

RGB 118 16 93

HSL 314.71, 0.76%, 0.26%

LAB 26.77, 48.76, -18.88

 

CMYK 0 / 100 / 27 / 60

HEX #65004A

RGB 101 0 74

HSL 316.04, 1%, 0.2%

LAB 21.06, 45.8, -15.3

 

CMYK 0 / 58 / 11 / 34

HEX #A94796

RGB 169 71 150

HSL 311.63, 0.41%, 0.47%

LAB 45.83, 50.05, -24.27

 

CMYK 0 / 58 / 27 / 34

HEX #A9477C

RGB 169 71 124

HSL 327.55, 0.41%, 0.47%

LAB 44.8, 46.12, -10.13

 

CMYK 0 / 58 / 43 / 34

HEX #A94761

RGB 169 71 97

HSL 344.08, 0.41%, 0.47%

LAB 43.95, 42.77, 5.19

 

CMYK 0 / 58 / 58 / 34

HEX #A94747

RGB 169 71 71

HSL 0, 0.41%, 0.47%

LAB 43.35, 40.33, 20.33

 

CMYK 0 / 58 / 11 / 34

HEX #A94796

RGB 169 71 150

HSL 311.63, 0.41%, 0.47%

LAB 45.83, 50.05, -24.27

 

CMYK 5 / 58 / 0 / 34

HEX #A147A9

RGB 161 71 169

HSL 295.1, 0.41%, 0.47%

LAB 45.56, 51.17, -36.08

 

CMYK 20 / 58 / 0 / 34

HEX #8747A9

RGB 135 71 169

HSL 279.18, 0.41%, 0.47%

LAB 42.03, 44.28, -41.89

 

CMYK 36 / 58 / 0 / 34

HEX #6C47A9

RGB 108 71 169

HSL 262.65, 0.41%, 0.47%

LAB 38.83, 37.42, -47.2

 

CMYK 51 / 58 / 0 / 34

HEX #5247A9

RGB 82 71 169

HSL 246.73, 0.41%, 0.47%

LAB 36.3, 31.49, -51.41

 

CMYK 0 / 58 / 11 / 34

HEX #A94796

RGB 169 71 150

HSL 311.63, 0.41%, 0.47%

LAB 45.83, 50.05, -24.27

 

CMYK 0 / 73 / 14 / 26

HEX #BC33A2

RGB 188 51 162

HSL 311.39, 0.57%, 0.47%

LAB 46.54, 64.89, -30.1

 

CMYK 0 / 85 / 16 / 18

HEX #D020AE

RGB 208 32 174

HSL 311.59, 0.73%, 0.47%

LAB 48.88, 75.86, -33.28

 

CMYK 0 / 94 / 18 / 11

HEX #E30DBA

RGB 227 13 186

HSL 311.5, 0.89%, 0.47%

LAB 52.02, 83.62, -35.15

 

CMYK 0 / 58 / 11 / 34

HEX #A94796

RGB 169 71 150

HSL 311.63, 0.41%, 0.47%

LAB 45.83, 50.05, -24.27

 

CMYK 0 / 40 / 8 / 41

HEX #965A8A

RGB 150 90 138

HSL 312, 0.25%, 0.47%

LAB 46.49, 32.07, -16.29

 

CMYK 0 / 16 / 3 / 49

HEX #826D7E

RGB 130 109 126

HSL 311.43, 0.09%, 0.47%

LAB 48.5, 11.45, -6.31

 

CMYK 14 / 0 / 12 / 49

HEX #6F8172

RGB 111 129 114

HSL 130, 0.08%, 0.47%

LAB 52.17, -9.69, 5.93

 

CMYK 39 / 0 / 31 / 42

HEX #5B9466

RGB 91 148 102

HSL 131.58, 0.24%, 0.47%

LAB 56.45, -28.91, 18.59

 

CMYK 20 / 58 / 0 / 34

HEX #8747A9

RGB 135 71 169

HSL 279.18, 0.41%, 0.47%

LAB 42.03, 44.28, -41.89

 

CMYK 5 / 58 / 0 / 34

HEX #A147A9

RGB 161 71 169

HSL 295.1, 0.41%, 0.47%

LAB 45.56, 51.17, -36.08

 

CMYK 0 / 58 / 11 / 34

HEX #A94797

RGB 169 71 151

HSL 311.02, 0.41%, 0.47%

LAB 45.87, 50.21, -24.8

 

CMYK 0 / 58 / 26 / 34

HEX #A9477D

RGB 169 71 125

HSL 326.94, 0.41%, 0.47%

LAB 44.83, 46.25, -10.69

 

CMYK 0 / 58 / 41 / 34

HEX #A94763

RGB 169 71 99

HSL 342.86, 0.41%, 0.47%

LAB 44.01, 42.99, 4.03

 

CMYK 0 / 59 / 12 / 56

HEX #6F2E62

RGB 111 46 98

HSL 312, 0.41%, 0.31%

LAB 29.95, 35.9, -17.31

 

CMYK 0 / 58 / 11 / 45

HEX #8C3B7C

RGB 140 59 124

HSL 311.85, 0.41%, 0.39%

LAB 38.13, 42.88, -20.72

 

CMYK 0 / 58 / 11 / 34

HEX #A94796

RGB 169 71 150

HSL 311.63, 0.41%, 0.47%

LAB 45.83, 50.05, -24.27

 

CMYK 0 / 50 / 10 / 27

HEX #BB5EA9

RGB 187 94 169

HSL 311.61, 0.41%, 0.55%

LAB 53.42, 47.36, -23.55

 

CMYK 0 / 39 / 8 / 22

HEX #C87BB9

RGB 200 123 185

HSL 311.69, 0.41%, 0.63%

LAB 61.61, 39.1, -20.07

 

CMYK 0 / 59 / 11 / 34

HEX #A94696

RGB 169 70 150

HSL 311.52, 0.41%, 0.47%

LAB 45.66, 50.51, -24.53

 

CMYK 0 / 36 / 58 / 34

HEX #A96C47

RGB 169 108 71

HSL 22.65, 0.41%, 0.47%

LAB 51.4, 20.44, 30.59

 

CMYK 58 / 0 / 12 / 34

HEX #47A994

RGB 71 169 148

HSL 167.14, 0.41%, 0.47%

LAB 63.22, -33.87, 2.25

 

CMYK 0 / 59 / 11 / 34

HEX #A94696

RGB 169 70 150

HSL 311.52, 0.41%, 0.47%

LAB 45.66, 50.51, -24.53

 

CMYK 11 / 0 / 58 / 34

HEX #97A947

RGB 151 169 71

HSL 71.02, 0.41%, 0.47%

LAB 66.07, -20.7, 47.46

 

CMYK 58 / 11 / 0 / 34

HEX #4797A9

RGB 71 151 169

HSL 191.02, 0.41%, 0.47%

LAB 58.36, -19.06, -16.83

 

CMYK 0 / 59 / 11 / 34

HEX #A94696

RGB 169 70 150

HSL 311.52, 0.41%, 0.47%

LAB 45.66, 50.51, -24.53

 

CMYK 0 / 36 / 58 / 34

HEX #A96C47

RGB 169 108 71

HSL 22.65, 0.41%, 0.47%

LAB 51.4, 20.44, 30.59

 

CMYK 58 / 0 / 47 / 34

HEX #47A959

RGB 71 169 89

HSL 131.02, 0.41%, 0.47%

LAB 62.03, -46.1, 32.76

 

CMYK 58 / 22 / 0 / 34

HEX #4783A9

RGB 71 131 169

HSL 203.27, 0.41%, 0.47%

LAB 52.33, -8.04, -26.07

 

CMYK 0 / 59 / 11 / 34

HEX #A94696

RGB 169 70 150

HSL 311.52, 0.41%, 0.47%

LAB 45.66, 50.51, -24.53

 

CMYK 0 / 18 / 58 / 34

HEX #A98A47

RGB 169 138 71

HSL 41.02, 0.41%, 0.47%

LAB 59.04, 3.57, 39.79

 

CMYK 58 / 0 / 47 / 34

HEX #47A959

RGB 71 169 89

HSL 131.02, 0.41%, 0.47%

LAB 62.03, -46.1, 32.76

 

CMYK 58 / 40 / 0 / 34

HEX #4766A9

RGB 71 102 169

HSL 221.02, 0.41%, 0.47%

LAB 43.81, 9.43, -39.42

 

Description

Color code: HEX #A94696 | qconv.com Color code: HEX #A94696 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 70 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 70 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 11 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 11% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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