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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A942CF it is the complementary color #56BD30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A942CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A942CF shade: #AE42CA, #BF54DD, #D066F0, #E178FF and #F28AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A942CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A942CF shade: #A942CF, #9830BC, #871EA9, #760C96 and #650083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A942CF shade: #AA44CF, #CF44CF, #CF44AA, #CF4484 and #CF445F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A942CF shade: #AA44CF, #8444CF, #5F44CF and #4444CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A942CF shade matches the following richer shades: #AA44CF, #B232E2 and #BB1FF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A942CF shade: #AA44CF, #A157BC, #986AA9, #8F7D96 and #879083

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A942CF shade: #5E44CF, #8344CF, #A844CF, #CD44CF and #CF44AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A942CF shade: #7B2899, #9530BA, #AA44CF, #B965D7 and #C886E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A942CF shade: #A942CF, #CF4450 and #44CF70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A942CF shade: #A942CF, #CFA844 and #44CFA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A942CF shade: #A942CF, #CF4450, #6CCF44 and #44CFC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A942CF shade: #A942CF, #CF6244, #6CCF44 and #44B1CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 68 / 0 / 19

HEX #A942CF

RGB 169 66 207

HSL 283.83, 0.59%, 0.54%

LAB 48.05, 62.72, -54.19

 

Complementary color

CMYK 54 / 0 / 75 / 26

HEX #56BD30

RGB 86 189 48

HSL 103.83, 0.59%, 0.46%

LAB 68.45, -54.39, 58.31

 

CMYK 14 / 67 / 0 / 21

HEX #AE42CA

RGB 174 66 202

HSL 287.65, 0.56%, 0.53%

LAB 48.46, 62.83, -50.62

 

CMYK 14 / 62 / 0 / 13

HEX #BF54DD

RGB 191 84 221

HSL 286.86, 0.67%, 0.6%

LAB 54.7, 62.67, -51.37

 

CMYK 13 / 58 / 0 / 6

HEX #D066F0

RGB 208 102 240

HSL 286.09, 0.82%, 0.67%

LAB 60.96, 62.23, -51.91

 

CMYK 12 / 53 / 0 / 0

HEX #E178FF

RGB 225 120 255

HSL 286.67, 1%, 0.74%

LAB 67.02, 60.86, -50.45

 

CMYK 5 / 46 / 0 / 0

HEX #F28AFF

RGB 242 138 255

HSL 293.33, 1%, 0.77%

LAB 72.41, 56.6, -41.84

 

CMYK 18 / 68 / 0 / 19

HEX #A942CF

RGB 169 66 207

HSL 283.83, 0.59%, 0.54%

LAB 48.05, 62.72, -54.19

 

CMYK 19 / 74 / 0 / 26

HEX #9830BC

RGB 152 48 188

HSL 284.57, 0.59%, 0.46%

LAB 41.88, 62.49, -53.22

 

CMYK 20 / 82 / 0 / 34

HEX #871EA9

RGB 135 30 169

HSL 285.32, 0.7%, 0.39%

LAB 35.88, 61.48, -51.78

 

CMYK 21 / 92 / 0 / 41

HEX #760C96

RGB 118 12 150

HSL 286.09, 0.85%, 0.32%

LAB 30.2, 59.2, -49.59

 

CMYK 23 / 100 / 0 / 49

HEX #650083

RGB 101 0 131

HSL 286.26, 1%, 0.26%

LAB 24.97, 55.15, -46.41

 

CMYK 18 / 67 / 0 / 19

HEX #AA44CF

RGB 170 68 207

HSL 284.03, 0.59%, 0.54%

LAB 48.49, 62.1, -53.47

 

CMYK 0 / 67 / 0 / 19

HEX #CF44CF

RGB 207 68 207

HSL 300, 0.59%, 0.54%

LAB 53.93, 70.34, -44.49

 

CMYK 0 / 67 / 18 / 19

HEX #CF44AA

RGB 207 68 170

HSL 315.97, 0.59%, 0.54%

LAB 52.18, 64.7, -25.81

 

CMYK 0 / 67 / 36 / 19

HEX #CF4484

RGB 207 68 132

HSL 332.37, 0.59%, 0.54%

LAB 50.76, 59.93, -5.41

 

CMYK 0 / 67 / 54 / 19

HEX #CF445F

RGB 207 68 95

HSL 348.35, 0.59%, 0.54%

LAB 49.77, 56.43, 15.5

 

CMYK 18 / 67 / 0 / 19

HEX #AA44CF

RGB 170 68 207

HSL 284.03, 0.59%, 0.54%

LAB 48.49, 62.1, -53.47

 

CMYK 36 / 67 / 0 / 19

HEX #8444CF

RGB 132 68 207

HSL 267.63, 0.59%, 0.54%

LAB 43.57, 54.1, -61.66

 

CMYK 54 / 67 / 0 / 19

HEX #5F44CF

RGB 95 68 207

HSL 251.65, 0.59%, 0.54%

LAB 39.7, 47.3, -68.13

 

CMYK 67 / 67 / 0 / 19

HEX #4444CF

RGB 68 68 207

HSL 240, 0.59%, 0.54%

LAB 37.6, 43.36, -71.64

 

CMYK 18 / 67 / 0 / 19

HEX #AA44CF

RGB 170 68 207

HSL 284.03, 0.59%, 0.54%

LAB 48.49, 62.1, -53.47

 

CMYK 21 / 78 / 0 / 11

HEX #B232E2

RGB 178 50 226

HSL 283.64, 0.75%, 0.54%

LAB 48.56, 73.96, -64.16

 

CMYK 24 / 87 / 0 / 4

HEX #BB1FF5

RGB 187 31 245

HSL 283.74, 0.91%, 0.54%

LAB 49.66, 83.58, -73.02

 

CMYK 18 / 67 / 0 / 19

HEX #AA44CF

RGB 170 68 207

HSL 284.03, 0.59%, 0.54%

LAB 48.49, 62.1, -53.47

 

CMYK 14 / 54 / 0 / 26

HEX #A157BC

RGB 161 87 188

HSL 283.96, 0.43%, 0.54%

LAB 49.53, 46.99, -40.94

 

CMYK 10 / 37 / 0 / 34

HEX #986AA9

RGB 152 106 169

HSL 283.81, 0.27%, 0.54%

LAB 51.66, 29.83, -26.62

 

CMYK 5 / 17 / 0 / 41

HEX #8F7D96

RGB 143 125 150

HSL 283.2, 0.11%, 0.54%

LAB 54.77, 11.71, -10.9

 

CMYK 6 / 0 / 9 / 44

HEX #879083

RGB 135 144 131

HSL 101.54, 0.06%, 0.54%

LAB 58.73, -5.81, 5.78

 

CMYK 55 / 67 / 0 / 19

HEX #5E44CF

RGB 94 68 207

HSL 251.22, 0.59%, 0.54%

LAB 39.61, 47.13, -68.28

 

CMYK 37 / 67 / 0 / 19

HEX #8344CF

RGB 131 68 207

HSL 267.19, 0.59%, 0.54%

LAB 43.46, 53.9, -61.85

 

CMYK 19 / 67 / 0 / 19

HEX #A844CF

RGB 168 68 207

HSL 283.17, 0.59%, 0.54%

LAB 48.21, 61.66, -53.94

 

CMYK 1 / 67 / 0 / 19

HEX #CD44CF

RGB 205 68 207

HSL 299.14, 0.59%, 0.54%

LAB 53.62, 69.89, -45

 

CMYK 0 / 67 / 17 / 19

HEX #CF44AC

RGB 207 68 172

HSL 315.11, 0.59%, 0.54%

LAB 52.26, 64.99, -26.85

 

CMYK 20 / 74 / 0 / 40

HEX #7B2899

RGB 123 40 153

HSL 284.07, 0.59%, 0.38%

LAB 34.04, 52.55, -45.17

 

CMYK 20 / 74 / 0 / 27

HEX #9530BA

RGB 149 48 186

HSL 283.91, 0.59%, 0.46%

LAB 41.29, 61.5, -53.01

 

CMYK 18 / 67 / 0 / 19

HEX #AA44CF

RGB 170 68 207

HSL 284.03, 0.59%, 0.54%

LAB 48.49, 62.1, -53.47

 

CMYK 14 / 53 / 0 / 16

HEX #B965D7

RGB 185 101 215

HSL 284.21, 0.59%, 0.62%

LAB 56.61, 51.86, -44.98

 

CMYK 11 / 40 / 0 / 12

HEX #C886E0

RGB 200 134 224

HSL 284, 0.59%, 0.7%

LAB 65.52, 40.6, -35.92

 

CMYK 18 / 68 / 0 / 19

HEX #A942CF

RGB 169 66 207

HSL 283.83, 0.59%, 0.54%

LAB 48.05, 62.72, -54.19

 

CMYK 0 / 67 / 61 / 19

HEX #CF4450

RGB 207 68 80

HSL 354.82, 0.59%, 0.54%

LAB 49.47, 55.36, 24.12

 

CMYK 67 / 0 / 46 / 19

HEX #44CF70

RGB 68 207 112

HSL 138.99, 0.59%, 0.54%

LAB 74.21, -57.63, 36.5

 

CMYK 18 / 68 / 0 / 19

HEX #A942CF

RGB 169 66 207

HSL 283.83, 0.59%, 0.54%

LAB 48.05, 62.72, -54.19

 

CMYK 0 / 19 / 67 / 19

HEX #CFA844

RGB 207 168 68

HSL 43.17, 0.59%, 0.54%

LAB 70.66, 3.59, 55.24

 

CMYK 67 / 0 / 19 / 19

HEX #44CFA8

RGB 68 207 168

HSL 163.17, 0.59%, 0.54%

LAB 75.25, -46.35, 8.61

 

CMYK 18 / 68 / 0 / 19

HEX #A942CF

RGB 169 66 207

HSL 283.83, 0.59%, 0.54%

LAB 48.05, 62.72, -54.19

 

CMYK 0 / 67 / 61 / 19

HEX #CF4450

RGB 207 68 80

HSL 354.82, 0.59%, 0.54%

LAB 49.47, 55.36, 24.12

 

CMYK 48 / 0 / 67 / 19

HEX #6CCF44

RGB 108 207 68

HSL 102.73, 0.59%, 0.54%

LAB 74.97, -53.43, 57.81

 

CMYK 67 / 0 / 6 / 19

HEX #44CFC3

RGB 68 207 195

HSL 174.82, 0.59%, 0.54%

LAB 75.94, -39.48, -4.92

 

CMYK 18 / 68 / 0 / 19

HEX #A942CF

RGB 169 66 207

HSL 283.83, 0.59%, 0.54%

LAB 48.05, 62.72, -54.19

 

CMYK 0 / 53 / 67 / 19

HEX #CF6244

RGB 207 98 68

HSL 12.95, 0.59%, 0.54%

LAB 54.47, 40.96, 37.19

 

CMYK 48 / 0 / 67 / 19

HEX #6CCF44

RGB 108 207 68

HSL 102.73, 0.59%, 0.54%

LAB 74.97, -53.43, 57.81

 

CMYK 67 / 14 / 0 / 19

HEX #44B1CF

RGB 68 177 207

HSL 192.95, 0.59%, 0.54%

LAB 67.41, -21.5, -24.3

 

Description

Color code: HEX #A942CF | qconv.com Color code: HEX #A942CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 66 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 66 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 68 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 68% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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