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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A94129 it is the complementary color #56BED6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A94129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A94129 shade: #AE4124, #BF5337, #D0654A, #E1775D and #F28970

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A94129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A94129 shade: #A94129, #982F16, #871D03, #760B00 and #650000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A94129 shade: #A84129 and #A82929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A94129 shade: #A84129, #A86329, #A88529, #A8A829 and #86A829

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A94129 shade matches the following richer shades: #A84129, #B93618 and #CA2C07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A94129 shade: #A84129, #974B3A, #86564B, #76605C and #656B6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A94129 shade: #A82955, #A82933, #A84029, #A86229 and #A88429

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A94129 shade: #662719, #873421, #A84129, #CA4D31 and #D4684F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A94129 shade: #A94129, #77A829 and #2944A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A94129 shade: #A94129, #29A840 and #4029A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A94129 shade: #A94129, #77A829, #2991A8 and #5A29A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A94129 shade: #A94129, #51A829, #2991A8 and #8029A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 76 / 34

HEX #A94129

RGB 169 65 41

HSL 11.25, 0.61%, 0.41%

LAB 41.81, 41.39, 36.05

 

Complementary color

CMYK 60 / 11 / 0 / 16

HEX #56BED6

RGB 86 190 214

HSL 191.25, 0.61%, 0.59%

LAB 72, -23.03, -21.08

 

CMYK 0 / 63 / 79 / 32

HEX #AE4124

RGB 174 65 36

HSL 12.61, 0.66%, 0.41%

LAB 42.62, 43.04, 39.85

 

CMYK 0 / 57 / 71 / 25

HEX #BF5337

RGB 191 83 55

HSL 12.35, 0.55%, 0.48%

LAB 48.93, 41.62, 37.27

 

CMYK 0 / 51 / 64 / 18

HEX #D0654A

RGB 208 101 74

HSL 12.09, 0.59%, 0.55%

LAB 55.29, 40.2, 34.91

 

CMYK 0 / 47 / 59 / 12

HEX #E1775D

RGB 225 119 93

HSL 11.82, 0.69%, 0.62%

LAB 61.65, 38.83, 32.79

 

CMYK 0 / 43 / 54 / 5

HEX #F28970

RGB 242 137 112

HSL 11.54, 0.83%, 0.69%

LAB 67.98, 37.56, 30.91

 

CMYK 0 / 62 / 76 / 34

HEX #A94129

RGB 169 65 41

HSL 11.25, 0.61%, 0.41%

LAB 41.81, 41.39, 36.05

 

CMYK 0 / 69 / 86 / 40

HEX #982F16

RGB 152 47 22

HSL 11.54, 0.75%, 0.34%

LAB 35.53, 42.64, 38.79

 

CMYK 0 / 79 / 98 / 47

HEX #871D03

RGB 135 29 3

HSL 11.82, 0.96%, 0.27%

LAB 29.5, 43.38, 40.85

 

CMYK 0 / 91 / 100 / 54

HEX #760B00

RGB 118 11 0

HSL 5.59, 1%, 0.23%

LAB 23.97, 43.04, 35.76

 

CMYK 0 / 100 / 100 / 60

HEX #650000

RGB 101 0 0

HSL 0, 1%, 0.2%

LAB 19.08, 40.6, 29.31

 

CMYK 0 / 61 / 76 / 34

HEX #A84129

RGB 168 65 41

HSL 11.34, 0.61%, 0.41%

LAB 41.64, 41.02, 35.82

 

CMYK 0 / 76 / 76 / 34

HEX #A82929

RGB 168 41 41

HSL 0, 0.61%, 0.41%

LAB 37.97, 50.96, 31.8

 

CMYK 0 / 61 / 76 / 34

HEX #A84129

RGB 168 65 41

HSL 11.34, 0.61%, 0.41%

LAB 41.64, 41.02, 35.82

 

CMYK 0 / 41 / 76 / 34

HEX #A86329

RGB 168 99 41

HSL 27.4, 0.61%, 0.41%

LAB 48.77, 23.14, 43.3

 

CMYK 0 / 21 / 76 / 34

HEX #A88529

RGB 168 133 41

HSL 43.46, 0.61%, 0.41%

LAB 57.33, 4.02, 51.79

 

CMYK 0 / 0 / 76 / 34

HEX #A8A829

RGB 168 168 41

HSL 60, 0.61%, 0.41%

LAB 66.89, -14.79, 60.82

 

CMYK 20 / 0 / 76 / 34

HEX #86A829

RGB 134 168 41

HSL 76.06, 0.61%, 0.41%

LAB 64.35, -29.28, 57.53

 

CMYK 0 / 61 / 76 / 34

HEX #A84129

RGB 168 65 41

HSL 11.34, 0.61%, 0.41%

LAB 41.64, 41.02, 35.82

 

CMYK 0 / 71 / 87 / 27

HEX #B93618

RGB 185 54 24

HSL 11.18, 0.77%, 0.41%

LAB 42.79, 51.2, 46.53

 

CMYK 0 / 78 / 97 / 21

HEX #CA2C07

RGB 202 44 7

HSL 11.38, 0.93%, 0.41%

LAB 44.76, 59.71, 55.35

 

CMYK 0 / 61 / 76 / 34

HEX #A84129

RGB 168 65 41

HSL 11.34, 0.61%, 0.41%

LAB 41.64, 41.02, 35.82

 

CMYK 0 / 50 / 62 / 41

HEX #974B3A

RGB 151 75 58

HSL 10.97, 0.44%, 0.41%

LAB 41.08, 30.27, 24.68

 

CMYK 0 / 36 / 44 / 47

HEX #86564B

RGB 134 86 75

HSL 11.19, 0.28%, 0.41%

LAB 41.58, 18.53, 14.62

 

CMYK 0 / 19 / 22 / 54

HEX #76605C

RGB 118 96 92

HSL 9.23, 0.12%, 0.41%

LAB 42.75, 8.2, 5.62

 

CMYK 6 / 1 / 0 / 58

HEX #656B6C

RGB 101 107 108

HSL 188.57, 0.03%, 0.41%

LAB 44.75, -2.08, -1.36

 

CMYK 0 / 76 / 49 / 34

HEX #A82955

RGB 168 41 85

HSL 339.21, 0.61%, 0.41%

LAB 38.84, 53.81, 5.37

 

CMYK 0 / 76 / 70 / 34

HEX #A82933

RGB 168 41 51

HSL 355.28, 0.61%, 0.41%

LAB 38.11, 51.43, 25.9

 

CMYK 0 / 62 / 76 / 34

HEX #A84029

RGB 168 64 41

HSL 10.87, 0.61%, 0.41%

LAB 41.46, 41.49, 35.63

 

CMYK 0 / 42 / 76 / 34

HEX #A86229

RGB 168 98 41

HSL 26.93, 0.61%, 0.41%

LAB 48.54, 23.7, 43.06

 

CMYK 0 / 21 / 76 / 34

HEX #A88429

RGB 168 132 41

HSL 42.99, 0.61%, 0.41%

LAB 57.06, 4.57, 51.53

 

CMYK 0 / 62 / 75 / 60

HEX #662719

RGB 102 39 25

HSL 10.91, 0.61%, 0.25%

LAB 24.78, 27.42, 23.22

 

CMYK 0 / 61 / 76 / 47

HEX #873421

RGB 135 52 33

HSL 11.18, 0.61%, 0.33%

LAB 33.39, 34.39, 29.68

 

CMYK 0 / 61 / 76 / 34

HEX #A84129

RGB 168 65 41

HSL 11.34, 0.61%, 0.41%

LAB 41.64, 41.02, 35.82

 

CMYK 0 / 62 / 76 / 21

HEX #CA4D31

RGB 202 77 49

HSL 10.98, 0.61%, 0.49%

LAB 49.6, 48.2, 41.75

 

CMYK 0 / 51 / 63 / 17

HEX #D4684F

RGB 212 104 79

HSL 11.28, 0.61%, 0.57%

LAB 56.55, 40.53, 33.8

 

CMYK 0 / 62 / 76 / 34

HEX #A94129

RGB 169 65 41

HSL 11.25, 0.61%, 0.41%

LAB 41.81, 41.39, 36.05

 

CMYK 29 / 0 / 76 / 34

HEX #77A829

RGB 119 168 41

HSL 83.15, 0.61%, 0.41%

LAB 63.41, -35.26, 56.3

 

CMYK 76 / 60 / 0 / 34

HEX #2944A8

RGB 41 68 168

HSL 227.24, 0.61%, 0.41%

LAB 32.77, 26.2, -56.66

 

CMYK 0 / 62 / 76 / 34

HEX #A94129

RGB 169 65 41

HSL 11.25, 0.61%, 0.41%

LAB 41.81, 41.39, 36.05

 

CMYK 76 / 0 / 62 / 34

HEX #29A840

RGB 41 168 64

HSL 130.87, 0.61%, 0.41%

LAB 60.65, -55.2, 43.18

 

CMYK 62 / 76 / 0 / 34

HEX #4029A8

RGB 64 41 168

HSL 250.87, 0.61%, 0.41%

LAB 28.12, 45.66, -64.22

 

CMYK 0 / 62 / 76 / 34

HEX #A94129

RGB 169 65 41

HSL 11.25, 0.61%, 0.41%

LAB 41.81, 41.39, 36.05

 

CMYK 29 / 0 / 76 / 34

HEX #77A829

RGB 119 168 41

HSL 83.15, 0.61%, 0.41%

LAB 63.41, -35.26, 56.3

 

CMYK 76 / 14 / 0 / 34

HEX #2991A8

RGB 41 145 168

HSL 190.87, 0.61%, 0.41%

LAB 55.63, -21.06, -20.49

 

CMYK 46 / 76 / 0 / 34

HEX #5A29A8

RGB 90 41 168

HSL 263.15, 0.61%, 0.41%

LAB 30.85, 49.44, -59.65

 

CMYK 0 / 62 / 76 / 34

HEX #A94129

RGB 169 65 41

HSL 11.25, 0.61%, 0.41%

LAB 41.81, 41.39, 36.05

 

CMYK 52 / 0 / 76 / 34

HEX #51A829

RGB 81 168 41

HSL 101.1, 0.61%, 0.41%

LAB 61.58, -48.35, 53.89

 

CMYK 76 / 14 / 0 / 34

HEX #2991A8

RGB 41 145 168

HSL 190.87, 0.61%, 0.41%

LAB 55.63, -21.06, -20.49

 

CMYK 24 / 76 / 0 / 34

HEX #8029A8

RGB 128 41 168

HSL 281.1, 0.61%, 0.41%

LAB 35.99, 56.31, -51.05

 

Description

Color code: HEX #A94129 | qconv.com Color code: HEX #A94129 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 65 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 65 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 76 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 76% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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