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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A93FE0 it is the complementary color #56C01F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A93FE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A93FE0 shade: #AE3FDB, #BF51EE, #D063FF, #E175FF and #F287FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A93FE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A93FE0 shade: #A93FE0, #982DCD, #871BBA, #7609A7 and #650094

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A93FE0 shade: #A83EE0, #D43EE0, #E03EC0, #E03E94 and #E03E69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A93FE0 shade: #A83EE0, #7D3EE0, #513EE0 and #3E3EE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A93FE0 shade matches the following richer shades: #A83EE0 and #AE2CF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A93FE0 shade: #A83EE0, #A350CD, #9D62BB, #9774A9 and #918797

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A93FE0 shade: #513EE0, #7C3EE0, #A73EE0, #D23EE0 and #E03EC2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A93FE0 shade: #7D1CAF, #9622D2, #A83EE0, #B861E5 and #C885EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A93FE0 shade: #A93FE0, #E03E56 and #3EE066

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A93FE0 shade: #A93FE0, #E0A73E and #3EE0A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A93FE0 shade: #A93FE0, #E03E56, #77E03E and #3EE0C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A93FE0 shade: #A93FE0, #E0563E, #77E03E and #3EC7E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 72 / 0 / 12

HEX #A93FE0

RGB 169 63 224

HSL 279.5, 0.72%, 0.56%

LAB 48.73, 67.37, -62.82

 

Complementary color

CMYK 55 / 0 / 84 / 25

HEX #56C01F

RGB 86 192 31

HSL 99.5, 0.72%, 0.44%

LAB 69.31, -56.43, 64.15

 

CMYK 21 / 71 / 0 / 14

HEX #AE3FDB

RGB 174 63 219

HSL 282.69, 0.68%, 0.55%

LAB 49.09, 67.34, -59.35

 

CMYK 20 / 66 / 0 / 7

HEX #BF51EE

RGB 191 81 238

HSL 282.04, 0.82%, 0.63%

LAB 55.21, 67.32, -60.11

 

CMYK 18 / 61 / 0 / 0

HEX #D063FF

RGB 208 99 255

HSL 281.92, 1%, 0.69%

LAB 61.27, 66.57, -59.72

 

CMYK 12 / 54 / 0 / 0

HEX #E175FF

RGB 225 117 255

HSL 286.96, 1%, 0.73%

LAB 66.48, 62.3, -51.3

 

CMYK 5 / 47 / 0 / 0

HEX #F287FF

RGB 242 135 255

HSL 293.5, 1%, 0.76%

LAB 71.84, 58.08, -42.73

 

CMYK 25 / 72 / 0 / 12

HEX #A93FE0

RGB 169 63 224

HSL 279.5, 0.72%, 0.56%

LAB 48.73, 67.37, -62.82

 

CMYK 26 / 78 / 0 / 20

HEX #982DCD

RGB 152 45 205

HSL 280.13, 0.64%, 0.49%

LAB 42.7, 66.93, -61.79

 

CMYK 27 / 85 / 0 / 27

HEX #871BBA

RGB 135 27 186

HSL 280.75, 0.75%, 0.42%

LAB 36.89, 65.63, -60.25

 

CMYK 29 / 95 / 0 / 35

HEX #7609A7

RGB 118 9 167

HSL 281.39, 0.9%, 0.35%

LAB 31.43, 62.98, -57.93

 

CMYK 32 / 100 / 0 / 42

HEX #650094

RGB 101 0 148

HSL 280.95, 1%, 0.29%

LAB 26.46, 58.49, -54.57

 

CMYK 25 / 72 / 0 / 12

HEX #A83EE0

RGB 168 62 224

HSL 279.26, 0.72%, 0.56%

LAB 48.45, 67.57, -63.27

 

CMYK 5 / 72 / 0 / 12

HEX #D43EE0

RGB 212 62 224

HSL 295.56, 0.72%, 0.56%

LAB 54.89, 76.27, -52.58

 

CMYK 0 / 72 / 14 / 12

HEX #E03EC0

RGB 224 62 192

HSL 311.85, 0.72%, 0.56%

LAB 55.17, 73.99, -33.73

 

CMYK 0 / 72 / 34 / 12

HEX #E03E94

RGB 224 62 148

HSL 328.15, 0.72%, 0.56%

LAB 53.42, 68.51, -10.69

 

CMYK 0 / 72 / 53 / 12

HEX #E03E69

RGB 224 62 105

HSL 344.07, 0.72%, 0.56%

LAB 52.19, 64.51, 13.27

 

CMYK 25 / 72 / 0 / 12

HEX #A83EE0

RGB 168 62 224

HSL 279.26, 0.72%, 0.56%

LAB 48.45, 67.57, -63.27

 

CMYK 44 / 72 / 0 / 12

HEX #7D3EE0

RGB 125 62 224

HSL 263.33, 0.72%, 0.56%

LAB 43.04, 59.92, -72.3

 

CMYK 64 / 72 / 0 / 12

HEX #513EE0

RGB 81 62 224

HSL 247.04, 0.72%, 0.56%

LAB 38.86, 53.68, -79.32

 

CMYK 72 / 72 / 0 / 12

HEX #3E3EE0

RGB 62 62 224

HSL 240, 0.72%, 0.56%

LAB 37.57, 51.69, -81.48

 

CMYK 25 / 72 / 0 / 12

HEX #A83EE0

RGB 168 62 224

HSL 279.26, 0.72%, 0.56%

LAB 48.45, 67.57, -63.27

 

CMYK 28 / 82 / 0 / 5

HEX #AE2CF2

RGB 174 44 242

HSL 279.39, 0.88%, 0.56%

LAB 48.52, 78.14, -73.28

 

CMYK 25 / 72 / 0 / 12

HEX #A83EE0

RGB 168 62 224

HSL 279.26, 0.72%, 0.56%

LAB 48.45, 67.57, -63.27

 

CMYK 20 / 61 / 0 / 20

HEX #A350CD

RGB 163 80 205

HSL 279.84, 0.56%, 0.56%

LAB 49.41, 54.62, -50.91

 

CMYK 16 / 48 / 0 / 27

HEX #9D62BB

RGB 157 98 187

HSL 279.78, 0.4%, 0.56%

LAB 51.26, 39.76, -37.66

 

CMYK 11 / 31 / 0 / 34

HEX #9774A9

RGB 151 116 169

HSL 279.62, 0.24%, 0.56%

LAB 53.96, 23.74, -23.09

 

CMYK 4 / 11 / 0 / 41

HEX #918797

RGB 145 135 151

HSL 277.5, 0.07%, 0.56%

LAB 57.64, 6.86, -7.18

 

CMYK 64 / 72 / 0 / 12

HEX #513EE0

RGB 81 62 224

HSL 247.04, 0.72%, 0.56%

LAB 38.86, 53.68, -79.32

 

CMYK 45 / 72 / 0 / 12

HEX #7C3EE0

RGB 124 62 224

HSL 262.96, 0.72%, 0.56%

LAB 42.93, 59.76, -72.49

 

CMYK 25 / 72 / 0 / 12

HEX #A73EE0

RGB 167 62 224

HSL 278.89, 0.72%, 0.56%

LAB 48.31, 67.38, -63.49

 

CMYK 6 / 72 / 0 / 12

HEX #D23EE0

RGB 210 62 224

HSL 294.81, 0.72%, 0.56%

LAB 54.58, 75.86, -53.08

 

CMYK 0 / 72 / 13 / 12

HEX #E03EC2

RGB 224 62 194

HSL 311.11, 0.72%, 0.56%

LAB 55.27, 74.27, -34.74

 

CMYK 29 / 84 / 0 / 31

HEX #7D1CAF

RGB 125 28 175

HSL 279.59, 0.72%, 0.4%

LAB 34.57, 61.57, -57.56

 

CMYK 29 / 84 / 0 / 18

HEX #9622D2

RGB 150 34 210

HSL 279.55, 0.72%, 0.48%

LAB 41.66, 70.89, -66.39

 

CMYK 25 / 72 / 0 / 12

HEX #A83EE0

RGB 168 62 224

HSL 279.26, 0.72%, 0.56%

LAB 48.45, 67.57, -63.27

 

CMYK 20 / 58 / 0 / 10

HEX #B861E5

RGB 184 97 229

HSL 279.55, 0.72%, 0.64%

LAB 56.48, 56.51, -53.08

 

CMYK 15 / 43 / 0 / 8

HEX #C885EB

RGB 200 133 235

HSL 279.41, 0.72%, 0.72%

LAB 65.79, 43.41, -41.59

 

CMYK 25 / 72 / 0 / 12

HEX #A93FE0

RGB 169 63 224

HSL 279.5, 0.72%, 0.56%

LAB 48.73, 67.37, -62.82

 

CMYK 0 / 72 / 62 / 12

HEX #E03E56

RGB 224 62 86

HSL 351.11, 0.72%, 0.56%

LAB 51.8, 63.2, 24.15

 

CMYK 72 / 0 / 54 / 12

HEX #3EE066

RGB 62 224 102

HSL 134.81, 0.72%, 0.56%

LAB 79.21, -66.07, 47.5

 

CMYK 25 / 72 / 0 / 12

HEX #A93FE0

RGB 169 63 224

HSL 279.5, 0.72%, 0.56%

LAB 48.73, 67.37, -62.82

 

CMYK 0 / 25 / 72 / 12

HEX #E0A73E

RGB 224 167 62

HSL 38.89, 0.72%, 0.56%

LAB 72.12, 11.12, 59.85

 

CMYK 72 / 0 / 25 / 12

HEX #3EE0A7

RGB 62 224 167

HSL 158.89, 0.72%, 0.56%

LAB 80.25, -54.39, 16.2

 

CMYK 25 / 72 / 0 / 12

HEX #A93FE0

RGB 169 63 224

HSL 279.5, 0.72%, 0.56%

LAB 48.73, 67.37, -62.82

 

CMYK 0 / 72 / 62 / 12

HEX #E03E56

RGB 224 62 86

HSL 351.11, 0.72%, 0.56%

LAB 51.8, 63.2, 24.15

 

CMYK 47 / 0 / 72 / 12

HEX #77E03E

RGB 119 224 62

HSL 98.89, 0.72%, 0.56%

LAB 80.51, -57.14, 65.88

 

CMYK 72 / 0 / 11 / 12

HEX #3EE0C7

RGB 62 224 199

HSL 170.74, 0.72%, 0.56%

LAB 80.99, -46.68, 0.34

 

CMYK 25 / 72 / 0 / 12

HEX #A93FE0

RGB 169 63 224

HSL 279.5, 0.72%, 0.56%

LAB 48.73, 67.37, -62.82

 

CMYK 0 / 62 / 72 / 12

HEX #E0563E

RGB 224 86 62

HSL 8.89, 0.72%, 0.56%

LAB 54.92, 52.49, 41.67

 

CMYK 47 / 0 / 72 / 12

HEX #77E03E

RGB 119 224 62

HSL 98.89, 0.72%, 0.56%

LAB 80.51, -57.14, 65.88

 

CMYK 72 / 11 / 0 / 12

HEX #3EC7E0

RGB 62 199 224

HSL 189.26, 0.72%, 0.56%

LAB 74.35, -28.14, -22.99

 

Description

Color code: HEX #A93FE0 | qconv.com Color code: HEX #A93FE0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 63 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 63 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 72 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 72% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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