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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A93EE3 it is the complementary color #56C11C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A93EE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A93EE3 shade: #AE3EDE, #BF50F1, #D062FF, #E174FF and #F286FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A93EE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A93EE3 shade: #A93EE3, #982CD0, #871ABD, #7608AA and #650097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A93EE3 shade: #AA3FE4, #D63FE4, #E43FC5, #E43F98 and #E43F6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A93EE3 shade: #AA3FE4, #7D3FE4, #513FE4 and #3F3FE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A93EE3 shade matches the following richer shades: #AA3FE4 and #AF2DF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A93EE3 shade: #AA3FE4, #A551D2, #9F63C0, #9A74AE and #95869D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A93EE3 shade: #503FE4, #7B3FE4, #A73FE4, #D33FE4 and #E43FC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A93EE3 shade: #7F1AB6, #991FDA, #AA3FE4, #BA63E9 and #CA87EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A93EE3 shade: #A93EE3, #E43F5B and #3FE465

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A93EE3 shade: #A93EE3, #E4A73F and #3FE4A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A93EE3 shade: #A93EE3, #E43F5B, #7BE43F and #3FE4C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A93EE3 shade: #A93EE3, #E4553F, #7BE43F and #3FCEE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 73 / 0 / 11

HEX #A93EE3

RGB 169 62 227

HSL 278.91, 0.75%, 0.57%

LAB 48.79, 68.37, -64.41

 

Complementary color

CMYK 55 / 0 / 85 / 24

HEX #56C11C

RGB 86 193 28

HSL 98.91, 0.75%, 0.43%

LAB 69.61, -56.92, 65.12

 

CMYK 22 / 72 / 0 / 13

HEX #AE3EDE

RGB 174 62 222

HSL 282, 0.71%, 0.56%

LAB 49.15, 68.32, -60.96

 

CMYK 21 / 67 / 0 / 5

HEX #BF50F1

RGB 191 80 241

HSL 281.37, 0.85%, 0.63%

LAB 55.24, 68.34, -61.74

 

CMYK 18 / 62 / 0 / 0

HEX #D062FF

RGB 208 98 255

HSL 282.04, 1%, 0.69%

LAB 61.1, 67.02, -59.98

 

CMYK 12 / 55 / 0 / 0

HEX #E174FF

RGB 225 116 255

HSL 287.05, 1%, 0.73%

LAB 66.3, 62.77, -51.58

 

CMYK 5 / 47 / 0 / 0

HEX #F286FF

RGB 242 134 255

HSL 293.55, 1%, 0.76%

LAB 71.65, 58.57, -43.02

 

CMYK 26 / 73 / 0 / 11

HEX #A93EE3

RGB 169 62 227

HSL 278.91, 0.75%, 0.57%

LAB 48.79, 68.37, -64.41

 

CMYK 27 / 79 / 0 / 18

HEX #982CD0

RGB 152 44 208

HSL 279.51, 0.65%, 0.49%

LAB 42.81, 67.87, -63.35

 

CMYK 29 / 86 / 0 / 26

HEX #871ABD

RGB 135 26 189

HSL 280.12, 0.76%, 0.42%

LAB 37.05, 66.47, -61.76

 

CMYK 31 / 95 / 0 / 33

HEX #7608AA

RGB 118 8 170

HSL 280.74, 0.91%, 0.35%

LAB 31.64, 63.73, -59.39

 

CMYK 33 / 100 / 0 / 41

HEX #650097

RGB 101 0 151

HSL 280.13, 1%, 0.3%

LAB 26.74, 59.1, -55.97

 

CMYK 25 / 72 / 0 / 11

HEX #AA3FE4

RGB 170 63 228

HSL 278.91, 0.75%, 0.57%

LAB 49.13, 68.38, -64.42

 

CMYK 6 / 72 / 0 / 11

HEX #D63FE4

RGB 214 63 228

HSL 294.91, 0.75%, 0.57%

LAB 55.54, 77.01, -53.79

 

CMYK 0 / 72 / 14 / 11

HEX #E43FC5

RGB 228 63 197

HSL 311.27, 0.75%, 0.57%

LAB 56.17, 75.28, -35.01

 

CMYK 0 / 72 / 33 / 11

HEX #E43F98

RGB 228 63 152

HSL 327.64, 0.75%, 0.57%

LAB 54.36, 69.66, -11.57

 

CMYK 0 / 72 / 53 / 11

HEX #E43F6C

RGB 228 63 108

HSL 343.64, 0.75%, 0.57%

LAB 53.09, 65.55, 12.84

 

CMYK 25 / 72 / 0 / 11

HEX #AA3FE4

RGB 170 63 228

HSL 278.91, 0.75%, 0.57%

LAB 49.13, 68.38, -64.42

 

CMYK 45 / 72 / 0 / 11

HEX #7D3FE4

RGB 125 63 228

HSL 262.55, 0.75%, 0.57%

LAB 43.53, 60.47, -73.78

 

CMYK 64 / 72 / 0 / 11

HEX #513FE4

RGB 81 63 228

HSL 246.55, 0.75%, 0.57%

LAB 39.42, 54.36, -80.68

 

CMYK 72 / 72 / 0 / 11

HEX #3F3FE4

RGB 63 63 228

HSL 240, 0.75%, 0.57%

LAB 38.22, 52.51, -82.69

 

CMYK 25 / 72 / 0 / 11

HEX #AA3FE4

RGB 170 63 228

HSL 278.91, 0.75%, 0.57%

LAB 49.13, 68.38, -64.42

 

CMYK 29 / 82 / 0 / 4

HEX #AF2DF5

RGB 175 45 245

HSL 279, 0.91%, 0.57%

LAB 48.99, 78.6, -74.2

 

CMYK 25 / 72 / 0 / 11

HEX #AA3FE4

RGB 170 63 228

HSL 278.91, 0.75%, 0.57%

LAB 49.13, 68.38, -64.42

 

CMYK 21 / 61 / 0 / 18

HEX #A551D2

RGB 165 81 210

HSL 279.07, 0.59%, 0.57%

LAB 50.14, 55.69, -52.59

 

CMYK 17 / 48 / 0 / 25

HEX #9F63C0

RGB 159 99 192

HSL 278.71, 0.42%, 0.57%

LAB 51.95, 40.89, -39.43

 

CMYK 11 / 33 / 0 / 32

HEX #9A74AE

RGB 154 116 174

HSL 279.31, 0.26%, 0.57%

LAB 54.47, 25.81, -25.17

 

CMYK 5 / 15 / 0 / 38

HEX #95869D

RGB 149 134 157

HSL 279.13, 0.11%, 0.57%

LAB 57.92, 10.1, -10.17

 

CMYK 65 / 72 / 0 / 11

HEX #503FE4

RGB 80 63 228

HSL 246.18, 0.75%, 0.57%

LAB 39.35, 54.25, -80.8

 

CMYK 46 / 72 / 0 / 11

HEX #7B3FE4

RGB 123 63 228

HSL 261.82, 0.75%, 0.57%

LAB 43.31, 60.15, -74.15

 

CMYK 27 / 72 / 0 / 11

HEX #A73FE4

RGB 167 63 228

HSL 277.82, 0.75%, 0.57%

LAB 48.73, 67.82, -65.1

 

CMYK 7 / 72 / 0 / 11

HEX #D33FE4

RGB 211 63 228

HSL 293.82, 0.75%, 0.57%

LAB 55.08, 76.41, -54.54

 

CMYK 0 / 72 / 12 / 11

HEX #E43FC8

RGB 228 63 200

HSL 310.18, 0.75%, 0.57%

LAB 56.31, 75.7, -36.51

 

CMYK 30 / 86 / 0 / 29

HEX #7F1AB6

RGB 127 26 182

HSL 278.85, 0.75%, 0.41%

LAB 35.26, 63.86, -60.59

 

CMYK 30 / 86 / 0 / 15

HEX #991FDA

RGB 153 31 218

HSL 279.14, 0.75%, 0.49%

LAB 42.48, 73.67, -69.63

 

CMYK 25 / 72 / 0 / 11

HEX #AA3FE4

RGB 170 63 228

HSL 278.91, 0.75%, 0.57%

LAB 49.13, 68.38, -64.42

 

CMYK 20 / 58 / 0 / 9

HEX #BA63E9

RGB 186 99 233

HSL 278.96, 0.75%, 0.65%

LAB 57.31, 56.86, -53.98

 

CMYK 15 / 43 / 0 / 7

HEX #CA87EE

RGB 202 135 238

HSL 279.03, 0.75%, 0.73%

LAB 66.56, 43.54, -42.02

 

CMYK 26 / 73 / 0 / 11

HEX #A93EE3

RGB 169 62 227

HSL 278.91, 0.75%, 0.57%

LAB 48.79, 68.37, -64.41

 

CMYK 0 / 72 / 60 / 11

HEX #E43F5B

RGB 228 63 91

HSL 349.82, 0.75%, 0.57%

LAB 52.73, 64.35, 22.53

 

CMYK 72 / 0 / 56 / 11

HEX #3FE465

RGB 63 228 101

HSL 133.82, 0.75%, 0.57%

LAB 80.45, -67.39, 49.45

 

CMYK 26 / 73 / 0 / 11

HEX #A93EE3

RGB 169 62 227

HSL 278.91, 0.75%, 0.57%

LAB 48.79, 68.37, -64.41

 

CMYK 0 / 27 / 72 / 11

HEX #E4A73F

RGB 228 167 63

HSL 37.82, 0.75%, 0.57%

LAB 72.55, 12.87, 60.02

 

CMYK 72 / 0 / 27 / 11

HEX #3FE4A7

RGB 63 228 167

HSL 157.82, 0.75%, 0.57%

LAB 81.47, -55.83, 17.91

 

CMYK 26 / 73 / 0 / 11

HEX #A93EE3

RGB 169 62 227

HSL 278.91, 0.75%, 0.57%

LAB 48.79, 68.37, -64.41

 

CMYK 0 / 72 / 60 / 11

HEX #E43F5B

RGB 228 63 91

HSL 349.82, 0.75%, 0.57%

LAB 52.73, 64.35, 22.53

 

CMYK 46 / 0 / 72 / 11

HEX #7BE43F

RGB 123 228 63

HSL 98.18, 0.75%, 0.57%

LAB 81.87, -57.4, 66.95

 

CMYK 72 / 0 / 12 / 11

HEX #3FE4C8

RGB 63 228 200

HSL 169.82, 0.75%, 0.57%

LAB 82.22, -48.01, 1.61

 

CMYK 26 / 73 / 0 / 11

HEX #A93EE3

RGB 169 62 227

HSL 278.91, 0.75%, 0.57%

LAB 48.79, 68.37, -64.41

 

CMYK 0 / 63 / 72 / 11

HEX #E4553F

RGB 228 85 63

HSL 8, 0.75%, 0.57%

LAB 55.43, 54.34, 41.89

 

CMYK 46 / 0 / 72 / 11

HEX #7BE43F

RGB 123 228 63

HSL 98.18, 0.75%, 0.57%

LAB 81.87, -57.4, 66.95

 

CMYK 72 / 10 / 0 / 11

HEX #3FCEE4

RGB 63 206 228

HSL 188, 0.75%, 0.57%

LAB 76.56, -30.21, -21.78

 

Description

Color code: HEX #A93EE3 | qconv.com Color code: HEX #A93EE3 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 62 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 62 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 73 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 73% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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