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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A93AE9 it is the complementary color #56C516. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A93AE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A93AE9 shade: #AE3AE4, #BF4CF7, #D05EFF, #E170FF and #F282FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A93AE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A93AE9 shade: #A93AE9, #9828D6, #8716C3, #7604B0 and #65009D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A93AE9 shade: #A93AE9, #D83AE9, #E93ACB, #E93A9B and #E93A6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A93AE9 shade: #A93AE9, #7A3AE9, #4A3AE9 and #3A3AE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A93AE9 shade matches the following richer shades: #A93AE9 and #AE28FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A93AE9 shade: #A93AE9, #A44BD7, #9F5DC6, #9B6FB4 and #9681A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A93AE9 shade: #4B3AE9, #7A3AE9, #A93AE9, #D83AE9 and #E93ACC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A93AE9 shade: #7E15BB, #9819E0, #A93AE9, #B95FED and #C984F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A93AE9 shade: #A93AE9, #E93A57 and #3AE963

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A93AE9 shade: #A93AE9, #E9A93A and #3AE9A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A93AE9 shade: #A93AE9, #E93A57, #7AE93A and #3AE9CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A93AE9 shade: #A93AE9, #E9513A, #7AE93A and #3AD2E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 75 / 0 / 9

HEX #A93AE9

RGB 169 58 233

HSL 278.06, 0.8%, 0.57%

LAB 48.69, 71.1, -67.97

 

Complementary color

CMYK 56 / 0 / 89 / 23

HEX #56C516

RGB 86 197 22

HSL 98.06, 0.8%, 0.43%

LAB 70.85, -58.55, 67.4

 

CMYK 24 / 75 / 0 / 11

HEX #AE3AE4

RGB 174 58 228

HSL 280.94, 0.76%, 0.56%

LAB 49.04, 70.98, -64.54

 

CMYK 23 / 69 / 0 / 3

HEX #BF4CF7

RGB 191 76 247

HSL 280.35, 0.91%, 0.63%

LAB 55.03, 71.19, -65.42

 

CMYK 18 / 63 / 0 / 0

HEX #D05EFF

RGB 208 94 255

HSL 282.48, 1%, 0.68%

LAB 60.46, 68.79, -61.01

 

CMYK 12 / 56 / 0 / 0

HEX #E170FF

RGB 225 112 255

HSL 287.41, 1%, 0.72%

LAB 65.61, 64.65, -52.69

 

CMYK 5 / 49 / 0 / 0

HEX #F282FF

RGB 242 130 255

HSL 293.76, 1%, 0.75%

LAB 70.91, 60.51, -44.18

 

CMYK 27 / 75 / 0 / 9

HEX #A93AE9

RGB 169 58 233

HSL 278.06, 0.8%, 0.57%

LAB 48.69, 71.1, -67.97

 

CMYK 29 / 81 / 0 / 16

HEX #9828D6

RGB 152 40 214

HSL 278.62, 0.69%, 0.5%

LAB 42.84, 70.33, -66.77

 

CMYK 31 / 89 / 0 / 24

HEX #8716C3

RGB 135 22 195

HSL 279.19, 0.8%, 0.43%

LAB 37.23, 68.58, -64.98

 

CMYK 33 / 98 / 0 / 31

HEX #7604B0

RGB 118 4 176

HSL 279.77, 0.96%, 0.35%

LAB 31.97, 65.52, -62.45

 

CMYK 36 / 100 / 0 / 38

HEX #65009D

RGB 101 0 157

HSL 278.6, 1%, 0.31%

LAB 27.3, 60.32, -58.73

 

CMYK 27 / 75 / 0 / 9

HEX #A93AE9

RGB 169 58 233

HSL 278.06, 0.8%, 0.57%

LAB 48.69, 71.1, -67.97

 

CMYK 7 / 75 / 0 / 9

HEX #D83AE9

RGB 216 58 233

HSL 294.17, 0.8%, 0.57%

LAB 55.59, 79.78, -56.49

 

CMYK 0 / 75 / 13 / 9

HEX #E93ACB

RGB 233 58 203

HSL 310.29, 0.8%, 0.57%

LAB 56.74, 78.72, -37.48

 

CMYK 0 / 75 / 33 / 9

HEX #E93A9B

RGB 233 58 155

HSL 326.74, 0.8%, 0.57%

LAB 54.78, 72.81, -12.62

 

CMYK 0 / 75 / 54 / 9

HEX #E93A6C

RGB 233 58 108

HSL 342.86, 0.8%, 0.57%

LAB 53.42, 68.55, 13.43

 

CMYK 27 / 75 / 0 / 9

HEX #A93AE9

RGB 169 58 233

HSL 278.06, 0.8%, 0.57%

LAB 48.69, 71.1, -67.97

 

CMYK 48 / 75 / 0 / 9

HEX #7A3AE9

RGB 122 58 233

HSL 261.94, 0.8%, 0.57%

LAB 42.83, 63.52, -77.77

 

CMYK 68 / 75 / 0 / 9

HEX #4A3AE9

RGB 74 58 233

HSL 245.49, 0.8%, 0.57%

LAB 38.49, 57.71, -85.07

 

CMYK 75 / 75 / 0 / 9

HEX #3A3AE9

RGB 58 58 233

HSL 240, 0.8%, 0.57%

LAB 37.5, 56.36, -86.75

 

CMYK 27 / 75 / 0 / 9

HEX #A93AE9

RGB 169 58 233

HSL 278.06, 0.8%, 0.57%

LAB 48.69, 71.1, -67.97

 

CMYK 31 / 84 / 0 / 2

HEX #AE28FB

RGB 174 40 251

HSL 278.1, 0.96%, 0.57%

LAB 48.86, 80.94, -77.77

 

CMYK 27 / 75 / 0 / 9

HEX #A93AE9

RGB 169 58 233

HSL 278.06, 0.8%, 0.57%

LAB 48.69, 71.1, -67.97

 

CMYK 24 / 65 / 0 / 16

HEX #A44BD7

RGB 164 75 215

HSL 278.14, 0.64%, 0.57%

LAB 49.29, 59.35, -56.82

 

CMYK 20 / 53 / 0 / 22

HEX #9F5DC6

RGB 159 93 198

HSL 277.71, 0.48%, 0.57%

LAB 51.01, 45.46, -44.37

 

CMYK 14 / 38 / 0 / 29

HEX #9B6FB4

RGB 155 111 180

HSL 278.26, 0.32%, 0.57%

LAB 53.64, 30.31, -29.91

 

CMYK 7 / 20 / 0 / 36

HEX #9681A2

RGB 150 129 162

HSL 278.18, 0.15%, 0.57%

LAB 56.87, 14.37, -14.61

 

CMYK 68 / 75 / 0 / 9

HEX #4B3AE9

RGB 75 58 233

HSL 245.83, 0.8%, 0.57%

LAB 38.56, 57.81, -84.95

 

CMYK 48 / 75 / 0 / 9

HEX #7A3AE9

RGB 122 58 233

HSL 261.94, 0.8%, 0.57%

LAB 42.83, 63.52, -77.77

 

CMYK 27 / 75 / 0 / 9

HEX #A93AE9

RGB 169 58 233

HSL 278.06, 0.8%, 0.57%

LAB 48.69, 71.1, -67.97

 

CMYK 7 / 75 / 0 / 9

HEX #D83AE9

RGB 216 58 233

HSL 294.17, 0.8%, 0.57%

LAB 55.59, 79.78, -56.49

 

CMYK 0 / 75 / 12 / 9

HEX #E93ACC

RGB 233 58 204

HSL 309.94, 0.8%, 0.57%

LAB 56.79, 78.86, -37.98

 

CMYK 33 / 89 / 0 / 27

HEX #7E15BB

RGB 126 21 187

HSL 277.95, 0.8%, 0.41%

LAB 35.12, 65.93, -63.78

 

CMYK 32 / 89 / 0 / 12

HEX #9819E0

RGB 152 25 224

HSL 278.29, 0.8%, 0.49%

LAB 42.39, 76, -73.23

 

CMYK 27 / 75 / 0 / 9

HEX #A93AE9

RGB 169 58 233

HSL 278.06, 0.8%, 0.57%

LAB 48.69, 71.1, -67.97

 

CMYK 22 / 60 / 0 / 7

HEX #B95FED

RGB 185 95 237

HSL 278.03, 0.8%, 0.65%

LAB 56.7, 59.42, -57.21

 

CMYK 17 / 45 / 0 / 5

HEX #C984F1

RGB 201 132 241

HSL 277.98, 0.8%, 0.73%

LAB 65.96, 45.5, -44.62

 

CMYK 27 / 75 / 0 / 9

HEX #A93AE9

RGB 169 58 233

HSL 278.06, 0.8%, 0.57%

LAB 48.69, 71.1, -67.97

 

CMYK 0 / 75 / 63 / 9

HEX #E93A57

RGB 233 58 87

HSL 350.06, 0.8%, 0.57%

LAB 52.99, 67.17, 25.42

 

CMYK 75 / 0 / 58 / 9

HEX #3AE963

RGB 58 233 99

HSL 134.06, 0.8%, 0.57%

LAB 81.88, -70, 52.02

 

CMYK 27 / 75 / 0 / 9

HEX #A93AE9

RGB 169 58 233

HSL 278.06, 0.8%, 0.57%

LAB 48.69, 71.1, -67.97

 

CMYK 0 / 27 / 75 / 9

HEX #E9A93A

RGB 233 169 58

HSL 38.06, 0.8%, 0.57%

LAB 73.55, 13.72, 63.2

 

CMYK 75 / 0 / 27 / 9

HEX #3AE9A9

RGB 58 233 169

HSL 158.06, 0.8%, 0.57%

LAB 82.94, -57.96, 18.89

 

CMYK 27 / 75 / 0 / 9

HEX #A93AE9

RGB 169 58 233

HSL 278.06, 0.8%, 0.57%

LAB 48.69, 71.1, -67.97

 

CMYK 0 / 75 / 63 / 9

HEX #E93A57

RGB 233 58 87

HSL 350.06, 0.8%, 0.57%

LAB 52.99, 67.17, 25.42

 

CMYK 48 / 0 / 75 / 9

HEX #7AE93A

RGB 122 233 58

HSL 98.06, 0.8%, 0.57%

LAB 83.3, -59.89, 69.99

 

CMYK 75 / 0 / 12 / 9

HEX #3AE9CC

RGB 58 233 204

HSL 170.06, 0.8%, 0.57%

LAB 83.72, -49.66, 1.67

 

CMYK 27 / 75 / 0 / 9

HEX #A93AE9

RGB 169 58 233

HSL 278.06, 0.8%, 0.57%

LAB 48.69, 71.1, -67.97

 

CMYK 0 / 65 / 75 / 9

HEX #E9513A

RGB 233 81 58

HSL 7.89, 0.8%, 0.57%

LAB 55.6, 57.49, 44.98

 

CMYK 48 / 0 / 75 / 9

HEX #7AE93A

RGB 122 233 58

HSL 98.06, 0.8%, 0.57%

LAB 83.3, -59.89, 69.99

 

CMYK 75 / 10 / 0 / 9

HEX #3AD2E9

RGB 58 210 233

HSL 187.89, 0.8%, 0.57%

LAB 77.8, -31.19, -22.58

 

Description

Color code: HEX #A93AE9 | qconv.com Color code: HEX #A93AE9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 58 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 58 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 75 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 75% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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