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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A93479 it is the complementary color #56CB86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A93479. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A93479 shade: #AE3474, #BF4687, #D0589A, #E16AAD and #F27CC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A93479. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A93479 shade: #A93479, #982266, #871053, #760040 and #65002D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A93479 shade: #A83478, #A83459, #A83439 and #A83434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A93479 shade: #A83478, #A83497, #9934A8, #7934A8 and #5A34A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A93479 shade matches the following richer shades: #A83478, #BA227B and #CB107E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A93479 shade: #A83478, #964575, #845772, #73696F and #617B6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A93479 shade: #9834A8, #A83498, #A83479, #A8345A and #A8343B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A93479 shade: #69204B, #882A61, #A83478, #C4408E and #CE60A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A93479 shade: #A93479, #A87934 and #34A8A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A93479 shade: #A93479, #79A834 and #3479A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A93479 shade: #A93479, #A87934, #34A862 and #3462A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A93479 shade: #A93479, #A89C34, #34A862 and #343FA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 28 / 34

HEX #A93479

RGB 169 52 121

HSL 324.62, 0.53%, 0.43%

LAB 41.64, 54, -13.05

 

Complementary color

CMYK 58 / 0 / 34 / 20

HEX #56CB86

RGB 86 203 134

HSL 144.62, 0.53%, 0.57%

LAB 73.81, -48.6, 24.77

 

CMYK 0 / 70 / 33 / 32

HEX #AE3474

RGB 174 52 116

HSL 328.52, 0.54%, 0.44%

LAB 42.33, 54.8, -8.84

 

CMYK 0 / 63 / 29 / 25

HEX #BF4687

RGB 191 70 135

HSL 327.77, 0.49%, 0.51%

LAB 48.52, 54.79, -10.84

 

CMYK 0 / 58 / 26 / 18

HEX #D0589A

RGB 208 88 154

HSL 327, 0.56%, 0.58%

LAB 54.79, 54.41, -12.43

 

CMYK 0 / 53 / 23 / 12

HEX #E16AAD

RGB 225 106 173

HSL 326.22, 0.66%, 0.65%

LAB 61.07, 53.83, -13.72

 

CMYK 0 / 49 / 21 / 5

HEX #F27CC0

RGB 242 124 192

HSL 325.42, 0.82%, 0.72%

LAB 67.35, 53.15, -14.81

 

CMYK 0 / 69 / 28 / 34

HEX #A93479

RGB 169 52 121

HSL 324.62, 0.53%, 0.43%

LAB 41.64, 54, -13.05

 

CMYK 0 / 78 / 33 / 40

HEX #982266

RGB 152 34 102

HSL 325.42, 0.63%, 0.36%

LAB 35.55, 53.39, -10.66

 

CMYK 0 / 88 / 39 / 47

HEX #871053

RGB 135 16 83

HSL 326.22, 0.79%, 0.3%

LAB 29.78, 51.68, -7.38

 

CMYK 0 / 100 / 46 / 54

HEX #760040

RGB 118 0 64

HSL 327.46, 1%, 0.23%

LAB 24.39, 48.59, -3.03

 

CMYK 0 / 100 / 55 / 60

HEX #65002D

RGB 101 0 45

HSL 333.27, 1%, 0.2%

LAB 19.87, 42.7, 3.19

 

CMYK 0 / 69 / 29 / 34

HEX #A83478

RGB 168 52 120

HSL 324.83, 0.53%, 0.43%

LAB 41.43, 53.59, -12.77

 

CMYK 0 / 69 / 47 / 34

HEX #A83459

RGB 168 52 89

HSL 340.86, 0.53%, 0.43%

LAB 40.41, 50.11, 5.09

 

CMYK 0 / 69 / 66 / 34

HEX #A83439

RGB 168 52 57

HSL 357.41, 0.53%, 0.43%

LAB 39.71, 47.62, 24.17

 

CMYK 0 / 69 / 69 / 34

HEX #A83434

RGB 168 52 52

HSL 0, 0.53%, 0.43%

LAB 39.63, 47.33, 27.13

 

CMYK 0 / 69 / 29 / 34

HEX #A83478

RGB 168 52 120

HSL 324.83, 0.53%, 0.43%

LAB 41.43, 53.59, -12.77

 

CMYK 0 / 69 / 10 / 34

HEX #A83497

RGB 168 52 151

HSL 308.79, 0.53%, 0.43%

LAB 42.79, 58.02, -29.62

 

CMYK 9 / 69 / 0 / 34

HEX #9934A8

RGB 153 52 168

HSL 292.24, 0.53%, 0.43%

LAB 41.3, 57.33, -42.31

 

CMYK 28 / 69 / 0 / 34

HEX #7934A8

RGB 121 52 168

HSL 275.69, 0.53%, 0.43%

LAB 36.65, 50.19, -50.04

 

CMYK 46 / 69 / 0 / 34

HEX #5A34A8

RGB 90 52 168

HSL 259.66, 0.53%, 0.43%

LAB 32.82, 43.9, -56.41

 

CMYK 0 / 69 / 29 / 34

HEX #A83478

RGB 168 52 120

HSL 324.83, 0.53%, 0.43%

LAB 41.43, 53.59, -12.77

 

CMYK 0 / 82 / 34 / 27

HEX #BA227B

RGB 186 34 123

HSL 324.87, 0.69%, 0.43%

LAB 42.78, 64.39, -12.27

 

CMYK 0 / 92 / 38 / 20

HEX #CB107E

RGB 203 16 126

HSL 324.71, 0.85%, 0.43%

LAB 45.04, 71.85, -10.39

 

CMYK 0 / 69 / 29 / 34

HEX #A83478

RGB 168 52 120

HSL 324.83, 0.53%, 0.43%

LAB 41.43, 53.59, -12.77

 

CMYK 0 / 54 / 22 / 41

HEX #964575

RGB 150 69 117

HSL 324.44, 0.37%, 0.43%

LAB 41.26, 39.9, -11.47

 

CMYK 0 / 34 / 14 / 48

HEX #845772

RGB 132 87 114

HSL 324, 0.21%, 0.43%

LAB 42.67, 22.97, -7.74

 

CMYK 0 / 9 / 3 / 55

HEX #73696F

RGB 115 105 111

HSL 324, 0.05%, 0.43%

LAB 45.49, 5.1, -1.94

 

CMYK 21 / 0 / 13 / 52

HEX #617B6B

RGB 97 123 107

HSL 143.08, 0.12%, 0.43%

LAB 49.21, -12.91, 5.67

 

CMYK 10 / 69 / 0 / 34

HEX #9834A8

RGB 152 52 168

HSL 291.72, 0.53%, 0.43%

LAB 41.15, 57.1, -42.57

 

CMYK 0 / 69 / 10 / 34

HEX #A83498

RGB 168 52 152

HSL 308.28, 0.53%, 0.43%

LAB 42.84, 58.18, -30.15

 

CMYK 0 / 69 / 28 / 34

HEX #A83479

RGB 168 52 121

HSL 324.31, 0.53%, 0.43%

LAB 41.47, 53.72, -13.33

 

CMYK 0 / 69 / 46 / 34

HEX #A8345A

RGB 168 52 90

HSL 340.34, 0.53%, 0.43%

LAB 40.44, 50.21, 4.5

 

CMYK 0 / 69 / 65 / 34

HEX #A8343B

RGB 168 52 59

HSL 356.38, 0.53%, 0.43%

LAB 39.74, 47.74, 22.98

 

CMYK 0 / 70 / 29 / 59

HEX #69204B

RGB 105 32 75

HSL 324.66, 0.53%, 0.27%

LAB 25.39, 37.1, -9.25

 

CMYK 0 / 69 / 29 / 47

HEX #882A61

RGB 136 42 97

HSL 324.89, 0.53%, 0.35%

LAB 33.46, 45.32, -10.91

 

CMYK 0 / 69 / 29 / 34

HEX #A83478

RGB 168 52 120

HSL 324.83, 0.53%, 0.43%

LAB 41.43, 53.59, -12.77

 

CMYK 0 / 67 / 28 / 23

HEX #C4408E

RGB 196 64 142

HSL 324.55, 0.53%, 0.51%

LAB 48.7, 59.56, -14.69

 

CMYK 0 / 53 / 22 / 19

HEX #CE60A1

RGB 206 96 161

HSL 324.55, 0.53%, 0.59%

LAB 56.15, 51.01, -14.49

 

CMYK 0 / 69 / 28 / 34

HEX #A93479

RGB 169 52 121

HSL 324.62, 0.53%, 0.43%

LAB 41.64, 54, -13.05

 

CMYK 0 / 28 / 69 / 34

HEX #A87934

RGB 168 121 52

HSL 35.69, 0.53%, 0.43%

LAB 54.29, 11.32, 43.84

 

CMYK 69 / 0 / 0 / 34

HEX #34A8A8

RGB 52 168 168

HSL 180, 0.53%, 0.43%

LAB 62.98, -31.19, -9.36

 

CMYK 0 / 69 / 28 / 34

HEX #A93479

RGB 169 52 121

HSL 324.62, 0.53%, 0.43%

LAB 41.64, 54, -13.05

 

CMYK 28 / 0 / 69 / 34

HEX #79A834

RGB 121 168 52

HSL 84.31, 0.53%, 0.43%

LAB 63.6, -33.79, 52.45

 

CMYK 69 / 28 / 0 / 34

HEX #3479A8

RGB 52 121 168

HSL 204.31, 0.53%, 0.43%

LAB 48.55, -6.12, -31.42

 

CMYK 0 / 69 / 28 / 34

HEX #A93479

RGB 169 52 121

HSL 324.62, 0.53%, 0.43%

LAB 41.64, 54, -13.05

 

CMYK 0 / 28 / 69 / 34

HEX #A87934

RGB 168 121 52

HSL 35.69, 0.53%, 0.43%

LAB 54.29, 11.32, 43.84

 

CMYK 69 / 0 / 42 / 34

HEX #34A862

RGB 52 168 98

HSL 143.79, 0.53%, 0.43%

LAB 61.32, -48.17, 27.03

 

CMYK 69 / 42 / 0 / 34

HEX #3462A8

RGB 52 98 168

HSL 216.21, 0.53%, 0.43%

LAB 41.68, 8.02, -42.28

 

CMYK 0 / 69 / 28 / 34

HEX #A93479

RGB 169 52 121

HSL 324.62, 0.53%, 0.43%

LAB 41.64, 54, -13.05

 

CMYK 0 / 7 / 69 / 34

HEX #A89C34

RGB 168 156 52

HSL 53.79, 0.53%, 0.43%

LAB 63.63, -7.96, 53.59

 

CMYK 69 / 0 / 42 / 34

HEX #34A862

RGB 52 168 98

HSL 143.79, 0.53%, 0.43%

LAB 61.32, -48.17, 27.03

 

CMYK 69 / 63 / 0 / 34

HEX #343FA8

RGB 52 63 168

HSL 234.31, 0.53%, 0.43%

LAB 32.06, 30.92, -57.8

 

Description

Color code: HEX #A93479 | qconv.com Color code: HEX #A93479 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 52 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 52 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 28 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 28% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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