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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A93039 it is the complementary color #56CFC6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A93039. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A93039 shade: #AE3034, #BF4247, #D0545A, #E1666D and #F27880

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A93039. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A93039 shade: #A93039, #981E26, #870C13, #760000 and #650000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A93039 shade: #AB3039 and #AB3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A93039 shade: #AB3039, #AB305A, #AB307C, #AB309D and #9830AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A93039 shade matches the following richer shades: #AB3039, #BD1F2A and #CF0D1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A93039 shade: #AB3039, #994248, #885458, #766567 and #647776

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A93039 shade: #AB307C, #AB305B, #AB303A, #AB4730 and #AB6830

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A93039 shade: #6B1E24, #8B272F, #AB3039, #C83C47 and #D15D65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A93039 shade: #A93039, #9DAB30 and #306CAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A93039 shade: #A93039, #3AAB30 and #303AAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A93039 shade: #A93039, #9DAB30, #30ABA1 and #3F30AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A93039 shade: #A93039, #78AB30, #30ABA1 and #6330AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 66 / 34

HEX #A93039

RGB 169 48 57

HSL 355.54, 0.56%, 0.43%

LAB 39.32, 49.53, 23.72

 

Complementary color

CMYK 58 / 0 / 4 / 19

HEX #56CFC6

RGB 86 207 198

HSL 175.54, 0.56%, 0.57%

LAB 76.49, -35.73, -5.68

 

CMYK 0 / 72 / 70 / 32

HEX #AE3034

RGB 174 48 52

HSL 358.1, 0.57%, 0.44%

LAB 40.18, 50.87, 28.06

 

CMYK 0 / 65 / 63 / 25

HEX #BF4247

RGB 191 66 71

HSL 357.6, 0.49%, 0.5%

LAB 46.21, 50.35, 24.76

 

CMYK 0 / 60 / 57 / 18

HEX #D0545A

RGB 208 84 90

HSL 357.1, 0.57%, 0.57%

LAB 52.39, 49.51, 22.04

 

CMYK 0 / 55 / 52 / 12

HEX #E1666D

RGB 225 102 109

HSL 356.59, 0.67%, 0.64%

LAB 58.62, 48.53, 19.76

 

CMYK 0 / 50 / 47 / 5

HEX #F27880

RGB 242 120 128

HSL 356.07, 0.82%, 0.71%

LAB 64.86, 47.51, 17.81

 

CMYK 0 / 72 / 66 / 34

HEX #A93039

RGB 169 48 57

HSL 355.54, 0.56%, 0.43%

LAB 39.32, 49.53, 23.72

 

CMYK 0 / 80 / 75 / 40

HEX #981E26

RGB 152 30 38

HSL 356.07, 0.67%, 0.36%

LAB 33.44, 49.44, 27.63

 

CMYK 0 / 91 / 86 / 47

HEX #870C13

RGB 135 12 19

HSL 356.59, 0.84%, 0.29%

LAB 28.01, 48.23, 32.25

 

CMYK 0 / 100 / 100 / 54

HEX #760000

RGB 118 0 0

HSL 0, 1%, 0.23%

LAB 23.17, 45.33, 34.95

 

CMYK 0 / 100 / 100 / 60

HEX #650000

RGB 101 0 0

HSL 0, 1%, 0.2%

LAB 19.08, 40.6, 29.31

 

CMYK 0 / 72 / 67 / 33

HEX #AB3039

RGB 171 48 57

HSL 355.61, 0.56%, 0.43%

LAB 39.69, 50.18, 24.27

 

CMYK 0 / 72 / 72 / 33

HEX #AB3030

RGB 171 48 48

HSL 0, 0.56%, 0.43%

LAB 39.56, 49.7, 29.59

 

CMYK 0 / 72 / 67 / 33

HEX #AB3039

RGB 171 48 57

HSL 355.61, 0.56%, 0.43%

LAB 39.69, 50.18, 24.27

 

CMYK 0 / 72 / 47 / 33

HEX #AB305A

RGB 171 48 90

HSL 339.51, 0.56%, 0.43%

LAB 40.43, 52.67, 4.55

 

CMYK 0 / 72 / 27 / 33

HEX #AB307C

RGB 171 48 124

HSL 322.93, 0.56%, 0.43%

LAB 41.57, 56.44, -14.98

 

CMYK 0 / 72 / 8 / 33

HEX #AB309D

RGB 171 48 157

HSL 306.83, 0.56%, 0.43%

LAB 43.07, 61.13, -32.75

 

CMYK 11 / 72 / 0 / 33

HEX #9830AB

RGB 152 48 171

HSL 290.73, 0.56%, 0.43%

LAB 40.78, 59.22, -44.94

 

CMYK 0 / 72 / 67 / 33

HEX #AB3039

RGB 171 48 57

HSL 355.61, 0.56%, 0.43%

LAB 39.69, 50.18, 24.27

 

CMYK 0 / 84 / 78 / 26

HEX #BD1F2A

RGB 189 31 42

HSL 355.82, 0.72%, 0.43%

LAB 41.16, 60.11, 35.91

 

CMYK 0 / 94 / 87 / 19

HEX #CF0D1B

RGB 207 13 27

HSL 355.67, 0.88%, 0.43%

LAB 43.7, 67.55, 47.69

 

CMYK 0 / 72 / 67 / 33

HEX #AB3039

RGB 171 48 57

HSL 355.61, 0.56%, 0.43%

LAB 39.69, 50.18, 24.27

 

CMYK 0 / 57 / 53 / 40

HEX #994248

RGB 153 66 72

HSL 355.86, 0.4%, 0.43%

LAB 39.81, 36.98, 14.52

 

CMYK 0 / 38 / 35 / 47

HEX #885458

RGB 136 84 88

HSL 355.38, 0.24%, 0.43%

LAB 41.66, 22.19, 6.81

 

CMYK 0 / 14 / 13 / 54

HEX #766567

RGB 118 101 103

HSL 352.94, 0.08%, 0.43%

LAB 44.43, 7.14, 1.37

 

CMYK 16 / 0 / 1 / 53

HEX #647776

RGB 100 119 118

HSL 176.84, 0.09%, 0.43%

LAB 48.52, -7.19, -1.8

 

CMYK 0 / 72 / 27 / 33

HEX #AB307C

RGB 171 48 124

HSL 322.93, 0.56%, 0.43%

LAB 41.57, 56.44, -14.98

 

CMYK 0 / 72 / 47 / 33

HEX #AB305B

RGB 171 48 91

HSL 339.02, 0.56%, 0.43%

LAB 40.45, 52.76, 3.96

 

CMYK 0 / 72 / 66 / 33

HEX #AB303A

RGB 171 48 58

HSL 355.12, 0.56%, 0.43%

LAB 39.71, 50.24, 23.68

 

CMYK 0 / 58 / 72 / 33

HEX #AB4730

RGB 171 71 48

HSL 11.22, 0.56%, 0.43%

LAB 43.33, 39.59, 33.94

 

CMYK 0 / 39 / 72 / 33

HEX #AB6830

RGB 171 104 48

HSL 27.32, 0.56%, 0.43%

LAB 50.42, 21.99, 41.74

 

CMYK 0 / 72 / 66 / 58

HEX #6B1E24

RGB 107 30 36

HSL 355.32, 0.56%, 0.27%

LAB 24.26, 34.49, 15.65

 

CMYK 0 / 72 / 66 / 45

HEX #8B272F

RGB 139 39 47

HSL 355.2, 0.56%, 0.35%

LAB 32.14, 42.56, 19.75

 

CMYK 0 / 72 / 67 / 33

HEX #AB3039

RGB 171 48 57

HSL 355.61, 0.56%, 0.43%

LAB 39.69, 50.18, 24.27

 

CMYK 0 / 70 / 65 / 22

HEX #C83C47

RGB 200 60 71

HSL 355.29, 0.56%, 0.51%

LAB 46.93, 55.69, 26

 

CMYK 0 / 56 / 52 / 18

HEX #D15D65

RGB 209 93 101

HSL 355.86, 0.56%, 0.59%

LAB 54.37, 46.53, 18.25

 

CMYK 0 / 72 / 66 / 34

HEX #A93039

RGB 169 48 57

HSL 355.54, 0.56%, 0.43%

LAB 39.32, 49.53, 23.72

 

CMYK 8 / 0 / 72 / 33

HEX #9DAB30

RGB 157 171 48

HSL 66.83, 0.56%, 0.43%

LAB 66.91, -20.74, 58.09

 

CMYK 72 / 37 / 0 / 33

HEX #306CAB

RGB 48 108 171

HSL 210.73, 0.56%, 0.43%

LAB 44.65, 2.2, -39.33

 

CMYK 0 / 72 / 66 / 34

HEX #A93039

RGB 169 48 57

HSL 355.54, 0.56%, 0.43%

LAB 39.32, 49.53, 23.72

 

CMYK 66 / 0 / 72 / 33

HEX #3AAB30

RGB 58 171 48

HSL 115.12, 0.56%, 0.43%

LAB 61.86, -54.77, 51.37

 

CMYK 72 / 66 / 0 / 33

HEX #303AAB

RGB 48 58 171

HSL 235.12, 0.56%, 0.43%

LAB 30.87, 34.68, -61.56

 

CMYK 0 / 72 / 66 / 34

HEX #A93039

RGB 169 48 57

HSL 355.54, 0.56%, 0.43%

LAB 39.32, 49.53, 23.72

 

CMYK 8 / 0 / 72 / 33

HEX #9DAB30

RGB 157 171 48

HSL 66.83, 0.56%, 0.43%

LAB 66.91, -20.74, 58.09

 

CMYK 72 / 0 / 6 / 33

HEX #30ABA1

RGB 48 171 161

HSL 175.12, 0.56%, 0.43%

LAB 63.61, -35.17, -4.51

 

CMYK 63 / 72 / 0 / 33

HEX #3F30AB

RGB 63 48 171

HSL 247.32, 0.56%, 0.43%

LAB 29.69, 42.65, -63.45

 

CMYK 0 / 72 / 66 / 34

HEX #A93039

RGB 169 48 57

HSL 355.54, 0.56%, 0.43%

LAB 39.32, 49.53, 23.72

 

CMYK 30 / 0 / 72 / 33

HEX #78AB30

RGB 120 171 48

HSL 84.88, 0.56%, 0.43%

LAB 64.43, -35.81, 54.81

 

CMYK 72 / 0 / 6 / 33

HEX #30ABA1

RGB 48 171 161

HSL 175.12, 0.56%, 0.43%

LAB 63.61, -35.17, -4.51

 

CMYK 42 / 72 / 0 / 33

HEX #6330AB

RGB 99 48 171

HSL 264.88, 0.56%, 0.43%

LAB 33.36, 48.44, -57.29

 

Description

Color code: HEX #A93039 | qconv.com Color code: HEX #A93039 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 48 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 48 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 66 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 66% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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