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Color name
HEX #A92578

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A92578 it is the complementary color #56DA87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A92578. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A92578 shade: #AE2573, #BF3786, #D04999, #E15BAC and #F26DBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A92578. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A92578 shade: #A92578, #981365, #870152, #76003F and #65002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A92578 shade: #A72577, #A72554, #A72530 and #A72525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A92578 shade: #A72577, #A7259A, #9125A7, #6E25A7 and #4B25A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A92578 shade matches the following richer shades: #A72577, #B8147B and #C8047F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A92578 shade: #A72577, #973573, #86466E, #76566A and #656766

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A92578 shade: #9225A7, #A7259A, #A72577, #A72555 and #A72532

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A92578 shade: #641647, #851D5F, #A72577, #C92C8F and #D748A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A92578 shade: #A92578, #A76F25 and #25A7A3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A92578 shade: #A92578, #77A725 and #2577A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A92578 shade: #A92578, #A76F25, #25A755 and #255DA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A92578 shade: #A92578, #A79625, #25A755 and #2536A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 29 / 34

HEX #A92578

RGB 169 37 120

HSL 322.27, 0.64%, 0.4%

LAB 39.77, 59.04, -15.29

 

Complementary color

CMYK 61 / 0 / 38 / 15

HEX #56DA87

RGB 86 218 135

HSL 142.27, 0.64%, 0.6%

LAB 78.39, -54.42, 30.37

 

CMYK 0 / 79 / 34 / 32

HEX #AE2573

RGB 174 37 115

HSL 325.84, 0.65%, 0.41%

LAB 40.51, 59.72, -10.97

HEX #AE2573

CMYK 0 / 71 / 30 / 25

HEX #BF3786

RGB 191 55 134

HSL 325.15, 0.55%, 0.48%

LAB 46.35, 60.55, -13.51

HEX #BF3786

CMYK 0 / 65 / 26 / 18

HEX #D04999

RGB 208 73 153

HSL 324.44, 0.59%, 0.55%

LAB 52.37, 60.74, -15.49

HEX #D04999

CMYK 0 / 60 / 24 / 12

HEX #E15BAC

RGB 225 91 172

HSL 323.73, 0.69%, 0.62%

LAB 58.48, 60.53, -17.08

HEX #E15BAC

CMYK 0 / 55 / 21 / 5

HEX #F26DBF

RGB 242 109 191

HSL 323.01, 0.84%, 0.69%

LAB 64.62, 60.08, -18.37

HEX #F26DBF

CMYK 0 / 78 / 29 / 34

HEX #A92578

RGB 169 37 120

HSL 322.27, 0.64%, 0.4%

LAB 39.77, 59.04, -15.29

 

CMYK 0 / 88 / 34 / 40

HEX #981365

RGB 152 19 101

HSL 323.01, 0.78%, 0.34%

LAB 34.15, 57.19, -12.15

 

CMYK 0 / 99 / 39 / 47

HEX #870152

RGB 135 1 82

HSL 323.73, 0.99%, 0.27%

LAB 28.86, 54.14, -8.11

 

CMYK 0 / 100 / 47 / 54

HEX #76003F

RGB 118 0 63

HSL 327.97, 1%, 0.23%

LAB 24.36, 48.49, -2.39

 

CMYK 0 / 100 / 56 / 60

HEX #65002C

RGB 101 0 44

HSL 333.86, 1%, 0.2%

LAB 19.84, 42.62, 3.86

 

CMYK 0 / 78 / 29 / 35

HEX #A72577

RGB 167 37 119

HSL 322.15, 0.64%, 0.4%

LAB 39.36, 58.41, -15.32

 

CMYK 0 / 78 / 50 / 35

HEX #A72554

RGB 167 37 84

HSL 338.31, 0.64%, 0.4%

LAB 38.16, 54.73, 5.01

 

CMYK 0 / 78 / 71 / 35

HEX #A72530

RGB 167 37 48

HSL 354.92, 0.64%, 0.4%

LAB 37.39, 52.29, 26.84

 

CMYK 0 / 78 / 78 / 35

HEX #A72525

RGB 167 37 37

HSL 0, 0.64%, 0.4%

LAB 37.25, 51.82, 33.31

 

CMYK 0 / 78 / 29 / 35

HEX #A72577

RGB 167 37 119

HSL 322.15, 0.64%, 0.4%

LAB 39.36, 58.41, -15.32

 

CMYK 0 / 78 / 8 / 35

HEX #A7259A

RGB 167 37 154

HSL 306, 0.64%, 0.4%

LAB 41.01, 63.25, -34.23

 

CMYK 13 / 78 / 0 / 35

HEX #9125A7

RGB 145 37 167

HSL 289.85, 0.64%, 0.4%

LAB 38.08, 60.85, -46.95

 

CMYK 34 / 78 / 0 / 35

HEX #6E25A7

RGB 110 37 167

HSL 273.69, 0.64%, 0.4%

LAB 32.76, 54.3, -55.81

 

CMYK 55 / 78 / 0 / 35

HEX #4B25A7

RGB 75 37 167

HSL 257.54, 0.64%, 0.4%

LAB 28.4, 48.81, -63.12

 

CMYK 0 / 78 / 29 / 35

HEX #A72577

RGB 167 37 119

HSL 322.15, 0.64%, 0.4%

LAB 39.36, 58.41, -15.32

 

CMYK 0 / 89 / 33 / 28

HEX #B8147B

RGB 184 20 123

HSL 322.32, 0.8%, 0.4%

LAB 41.41, 66.79, -14.4

 

CMYK 0 / 98 / 37 / 22

HEX #C8047F

RGB 200 4 127

HSL 322.35, 0.96%, 0.4%

LAB 44.09, 72.48, -12.51

 

CMYK 0 / 78 / 29 / 35

HEX #A72577

RGB 167 37 119

HSL 322.15, 0.64%, 0.4%

LAB 39.36, 58.41, -15.32

 

CMYK 0 / 65 / 24 / 41

HEX #973573

RGB 151 53 115

HSL 322.04, 0.48%, 0.4%

LAB 38.49, 47.57, -14.42

 

CMYK 0 / 48 / 18 / 47

HEX #86466E

RGB 134 70 110

HSL 322.5, 0.31%, 0.4%

LAB 38.85, 32.77, -10.99

 

CMYK 0 / 27 / 10 / 54

HEX #76566A

RGB 118 86 106

HSL 322.5, 0.16%, 0.4%

LAB 40.49, 16.75, -6.26

 

CMYK 2 / 0 / 1 / 60

HEX #656766

RGB 101 103 102

HSL 150, 0.01%, 0.4%

LAB 43.4, -0.98, 0.29

 

CMYK 13 / 78 / 0 / 35

HEX #9225A7

RGB 146 37 167

HSL 290.31, 0.64%, 0.4%

LAB 38.24, 61.05, -46.68

 

CMYK 0 / 78 / 8 / 35

HEX #A7259A

RGB 167 37 154

HSL 306, 0.64%, 0.4%

LAB 41.01, 63.25, -34.23

 

CMYK 0 / 78 / 29 / 35

HEX #A72577

RGB 167 37 119

HSL 322.15, 0.64%, 0.4%

LAB 39.36, 58.41, -15.32

 

CMYK 0 / 78 / 49 / 35

HEX #A72555

RGB 167 37 85

HSL 337.85, 0.64%, 0.4%

LAB 38.19, 54.82, 4.41

 

CMYK 0 / 78 / 70 / 35

HEX #A72532

RGB 167 37 50

HSL 354, 0.64%, 0.4%

LAB 37.42, 52.39, 25.64

 

CMYK 0 / 78 / 29 / 61

HEX #641647

RGB 100 22 71

HSL 322.31, 0.64%, 0.24%

LAB 22.79, 39.16, -10.61

 

CMYK 0 / 78 / 29 / 48

HEX #851D5F

RGB 133 29 95

HSL 321.92, 0.64%, 0.32%

LAB 31.09, 49.07, -13.28

 

CMYK 0 / 78 / 29 / 35

HEX #A72577

RGB 167 37 119

HSL 322.15, 0.64%, 0.4%

LAB 39.36, 58.41, -15.32

 

CMYK 0 / 78 / 29 / 21

HEX #C92C8F

RGB 201 44 143

HSL 322.17, 0.64%, 0.48%

LAB 47.24, 67.65, -17.44

 

CMYK 0 / 67 / 25 / 16

HEX #D748A2

RGB 215 72 162

HSL 322.24, 0.64%, 0.56%

LAB 53.7, 64.21, -18.67

 

CMYK 0 / 78 / 29 / 34

HEX #A92578

RGB 169 37 120

HSL 322.27, 0.64%, 0.4%

LAB 39.77, 59.04, -15.29

 

CMYK 0 / 34 / 78 / 35

HEX #A76F25

RGB 167 111 37

HSL 34.15, 0.64%, 0.4%

LAB 51.52, 15.76, 47.78

 

CMYK 78 / 0 / 2 / 35

HEX #25A7A3

RGB 37 167 163

HSL 178.15, 0.64%, 0.4%

LAB 62.23, -34.02, -7.7

 

CMYK 0 / 78 / 29 / 34

HEX #A92578

RGB 169 37 120

HSL 322.27, 0.64%, 0.4%

LAB 39.77, 59.04, -15.29

 

CMYK 29 / 0 / 78 / 35

HEX #77A725

RGB 119 167 37

HSL 82.15, 0.64%, 0.4%

LAB 63.09, -35.02, 57.32

 

CMYK 78 / 29 / 0 / 35

HEX #2577A7

RGB 37 119 167

HSL 202.15, 0.64%, 0.4%

LAB 47.47, -7.41, -32.57

 

CMYK 0 / 78 / 29 / 34

HEX #A92578

RGB 169 37 120

HSL 322.27, 0.64%, 0.4%

LAB 39.77, 59.04, -15.29

 

CMYK 0 / 34 / 78 / 35

HEX #A76F25

RGB 167 111 37

HSL 34.15, 0.64%, 0.4%

LAB 51.52, 15.76, 47.78

 

CMYK 78 / 0 / 49 / 35

HEX #25A755

RGB 37 167 85

HSL 142.15, 0.64%, 0.4%

LAB 60.5, -52.41, 32.73

 

CMYK 78 / 44 / 0 / 35

HEX #255DA7

RGB 37 93 167

HSL 214.15, 0.64%, 0.4%

LAB 39.6, 8.73, -45.04

 

CMYK 0 / 78 / 29 / 34

HEX #A92578

RGB 169 37 120

HSL 322.27, 0.64%, 0.4%

LAB 39.77, 59.04, -15.29

 

CMYK 0 / 10 / 78 / 35

HEX #A79625

RGB 167 150 37

HSL 52.15, 0.64%, 0.4%

LAB 61.79, -5.92, 57.43

 

CMYK 78 / 0 / 49 / 35

HEX #25A755

RGB 37 167 85

HSL 142.15, 0.64%, 0.4%

LAB 60.5, -52.41, 32.73

 

CMYK 78 / 68 / 0 / 35

HEX #2536A7

RGB 37 54 167

HSL 232.15, 0.64%, 0.4%

LAB 28.96, 34.59, -62.31

 

Description

Color code: HEX #A92578 | qconv.com Color code: HEX #A92578 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 37 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 37 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 29 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 29% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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