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Color name
HEX #A91B82

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A91B82 it is the complementary color #56E47D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A91B82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A91B82 shade: #AE1B7D, #BF2D90, #D03FA3, #E151B6 and #F263C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A91B82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A91B82 shade: #A91B82, #98096F, #87005C, #760049 and #650036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A91B82 shade: #A71B80, #A71B5B, #A71B35 and #A71B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A91B82 shade: #A71B80, #A71BA6, #821BA7, #5C1BA7 and #361BA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A91B82 shade matches the following richer shades: #A71B80 and #B60B87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A91B82 shade: #A71B80, #972B79, #873A72, #784A6B and #685A64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A91B82 shade: #811BA7, #A71BA7, #A71B81, #A71B5C and #A71B37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A91B82 shade: #60104A, #831565, #A71B80, #CA219C and #DE36B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A91B82 shade: #A91B82, #A75C1B and #1BA794

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A91B82 shade: #A91B82, #81A71B and #1B81A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A91B82 shade: #A91B82, #A75C1B, #1BA740 and #1B66A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A91B82 shade: #A91B82, #A7861B, #1BA740 and #1B3CA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 84 / 23 / 34

HEX #A91B82

RGB 169 27 130

HSL 316.48, 0.72%, 0.38%

LAB 39.29, 62.89, -22.23

 

Complementary color

CMYK 62 / 0 / 45 / 11

HEX #56E47D

RGB 86 228 125

HSL 136.48, 0.72%, 0.62%

LAB 81.26, -59.89, 39.13

 

CMYK 0 / 84 / 28 / 32

HEX #AE1B7D

RGB 174 27 125

HSL 320, 0.73%, 0.39%

LAB 40.02, 63.42, -17.93

 

CMYK 0 / 76 / 25 / 25

HEX #BF2D90

RGB 191 45 144

HSL 319.32, 0.62%, 0.46%

LAB 45.59, 65.06, -20.73

 

CMYK 0 / 70 / 22 / 18

HEX #D03FA3

RGB 208 63 163

HSL 318.62, 0.61%, 0.53%

LAB 51.39, 65.84, -22.89

 

CMYK 0 / 64 / 19 / 12

HEX #E151B6

RGB 225 81 182

HSL 317.92, 0.71%, 0.6%

LAB 57.34, 66.05, -24.6

 

CMYK 0 / 59 / 17 / 5

HEX #F263C9

RGB 242 99 201

HSL 317.2, 0.85%, 0.67%

LAB 63.36, 65.89, -25.97

 

CMYK 0 / 84 / 23 / 34

HEX #A91B82

RGB 169 27 130

HSL 316.48, 0.72%, 0.38%

LAB 39.29, 62.89, -22.23

 

CMYK 0 / 94 / 27 / 40

HEX #98096F

RGB 152 9 111

HSL 317.2, 0.89%, 0.32%

LAB 34.02, 59.98, -18.74

 

CMYK 0 / 100 / 32 / 47

HEX #87005C

RGB 135 0 92

HSL 319.11, 1%, 0.26%

LAB 29.22, 55.39, -14.16

 

CMYK 0 / 100 / 38 / 54

HEX #760049

RGB 118 0 73

HSL 322.88, 1%, 0.23%

LAB 24.74, 49.5, -8.65

 

CMYK 0 / 100 / 47 / 60

HEX #650036

RGB 101 0 54

HSL 327.92, 1%, 0.2%

LAB 20.18, 43.52, -2.74

 

CMYK 0 / 84 / 23 / 35

HEX #A71B80

RGB 167 27 128

HSL 316.71, 0.72%, 0.38%

LAB 38.83, 62.19, -21.74

 

CMYK 0 / 84 / 46 / 35

HEX #A71B5B

RGB 167 27 91

HSL 332.57, 0.72%, 0.38%

LAB 37.4, 58.11, -0.57

 

CMYK 0 / 84 / 68 / 35

HEX #A71B35

RGB 167 27 53

HSL 348.86, 0.72%, 0.38%

LAB 36.47, 55.37, 22.57

 

CMYK 0 / 84 / 84 / 35

HEX #A71B1B

RGB 167 27 27

HSL 0, 0.72%, 0.38%

LAB 36.13, 54.35, 37.85

 

CMYK 0 / 84 / 23 / 35

HEX #A71B80

RGB 167 27 128

HSL 316.71, 0.72%, 0.38%

LAB 38.83, 62.19, -21.74

 

CMYK 0 / 84 / 1 / 35

HEX #A71BA6

RGB 167 27 166

HSL 300.43, 0.72%, 0.38%

LAB 40.82, 67.61, -41.75

 

CMYK 22 / 84 / 0 / 35

HEX #821BA7

RGB 130 27 167

HSL 284.14, 0.72%, 0.38%

LAB 34.64, 61.06, -52.62

 

CMYK 45 / 84 / 0 / 35

HEX #5C1BA7

RGB 92 27 167

HSL 267.86, 0.72%, 0.38%

LAB 29.03, 55.21, -62.01

 

CMYK 68 / 84 / 0 / 35

HEX #361BA7

RGB 54 27 167

HSL 251.57, 0.72%, 0.38%

LAB 24.82, 50.99, -69.1

 

CMYK 0 / 84 / 23 / 35

HEX #A71B80

RGB 167 27 128

HSL 316.71, 0.72%, 0.38%

LAB 38.83, 62.19, -21.74

 

CMYK 0 / 94 / 26 / 29

HEX #B60B87

RGB 182 11 135

HSL 316.49, 0.89%, 0.38%

LAB 41.11, 68.91, -22.3

 

CMYK 0 / 84 / 23 / 35

HEX #A71B80

RGB 167 27 128

HSL 316.71, 0.72%, 0.38%

LAB 38.83, 62.19, -21.74

 

CMYK 0 / 72 / 20 / 41

HEX #972B79

RGB 151 43 121

HSL 316.67, 0.56%, 0.38%

LAB 37.28, 52.5, -20.02

 

CMYK 0 / 57 / 16 / 47

HEX #873A72

RGB 135 58 114

HSL 316.36, 0.4%, 0.38%

LAB 36.73, 40.15, -16.71

 

CMYK 0 / 38 / 11 / 53

HEX #784A6B

RGB 120 74 107

HSL 316.96, 0.24%, 0.38%

LAB 37.76, 24.9, -10.96

 

CMYK 0 / 13 / 4 / 59

HEX #685A64

RGB 104 90 100

HSL 317.14, 0.07%, 0.38%

LAB 39.87, 7.64, -3.64

 

CMYK 23 / 84 / 0 / 35

HEX #811BA7

RGB 129 27 167

HSL 283.71, 0.72%, 0.38%

LAB 34.48, 60.89, -52.89

 

CMYK 0 / 84 / 0 / 35

HEX #A71BA7

RGB 167 27 167

HSL 300, 0.72%, 0.38%

LAB 40.88, 67.77, -42.26

 

CMYK 0 / 84 / 23 / 35

HEX #A71B81

RGB 167 27 129

HSL 316.29, 0.72%, 0.38%

LAB 38.87, 62.31, -22.29

 

CMYK 0 / 84 / 45 / 35

HEX #A71B5C

RGB 167 27 92

HSL 332.14, 0.72%, 0.38%

LAB 37.43, 58.21, -1.17

 

CMYK 0 / 84 / 67 / 35

HEX #A71B37

RGB 167 27 55

HSL 348, 0.72%, 0.38%

LAB 36.51, 55.48, 21.34

 

CMYK 0 / 83 / 23 / 62

HEX #60104A

RGB 96 16 74

HSL 316.5, 0.71%, 0.22%

LAB 21.4, 40.55, -14.85

 

CMYK 0 / 84 / 23 / 49

HEX #831565

RGB 131 21 101

HSL 316.36, 0.72%, 0.3%

LAB 30.16, 51.71, -18.63

 

CMYK 0 / 84 / 23 / 35

HEX #A71B80

RGB 167 27 128

HSL 316.71, 0.72%, 0.38%

LAB 38.83, 62.19, -21.74

 

CMYK 0 / 84 / 23 / 21

HEX #CA219C

RGB 202 33 156

HSL 316.33, 0.72%, 0.46%

LAB 47.03, 72.12, -25.56

 

CMYK 0 / 76 / 21 / 13

HEX #DE36B0

RGB 222 54 176

HSL 316.43, 0.72%, 0.54%

LAB 53.28, 73.82, -27.42

 

CMYK 0 / 84 / 23 / 34

HEX #A91B82

RGB 169 27 130

HSL 316.48, 0.72%, 0.38%

LAB 39.29, 62.89, -22.23

 

CMYK 0 / 45 / 84 / 35

HEX #A75C1B

RGB 167 92 27

HSL 27.86, 0.72%, 0.38%

LAB 46.91, 26.05, 47.63

 

CMYK 84 / 0 / 11 / 35

HEX #1BA794

RGB 27 167 148

HSL 171.86, 0.72%, 0.38%

LAB 61.66, -39.27, -0.14

 

CMYK 0 / 84 / 23 / 34

HEX #A91B82

RGB 169 27 130

HSL 316.48, 0.72%, 0.38%

LAB 39.29, 62.89, -22.23

 

CMYK 23 / 0 / 84 / 35

HEX #81A71B

RGB 129 167 27

HSL 76.29, 0.72%, 0.38%

LAB 63.66, -31.46, 60.93

 

CMYK 84 / 23 / 0 / 35

HEX #1B81A7

RGB 27 129 167

HSL 196.29, 0.72%, 0.38%

LAB 50.36, -14.19, -28.06

 

CMYK 0 / 84 / 23 / 34

HEX #A91B82

RGB 169 27 130

HSL 316.48, 0.72%, 0.38%

LAB 39.29, 62.89, -22.23

 

CMYK 0 / 45 / 84 / 35

HEX #A75C1B

RGB 167 92 27

HSL 27.86, 0.72%, 0.38%

LAB 46.91, 26.05, 47.63

 

CMYK 84 / 0 / 62 / 35

HEX #1BA740

RGB 27 167 64

HSL 135.86, 0.72%, 0.38%

LAB 60.11, -56.67, 42.51

 

CMYK 84 / 39 / 0 / 35

HEX #1B66A7

RGB 27 102 167

HSL 207.86, 0.72%, 0.38%

LAB 42.04, 1.9, -41.16

 

CMYK 0 / 84 / 23 / 34

HEX #A91B82

RGB 169 27 130

HSL 316.48, 0.72%, 0.38%

LAB 39.29, 62.89, -22.23

 

CMYK 0 / 20 / 84 / 35

HEX #A7861B

RGB 167 134 27

HSL 45.86, 0.72%, 0.38%

LAB 57.41, 2.48, 56.76

 

CMYK 84 / 0 / 62 / 35

HEX #1BA740

RGB 27 167 64

HSL 135.86, 0.72%, 0.38%

LAB 60.11, -56.67, 42.51

 

CMYK 84 / 64 / 0 / 35

HEX #1B3CA7

RGB 27 60 167

HSL 225.86, 0.72%, 0.38%

LAB 30.05, 29.78, -60.54

 

Description

Color code: HEX #A91B82 | qconv.com Color code: HEX #A91B82 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 27 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 27 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 84 magenta, 23 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 84% 23% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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