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Color name
HEX #A915543F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A915543F it is the complementary color #56EAAB3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A915543F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A915543F shade: #AE154F3F, #BF27623F, #D039753F, #E14B883F and #F25D9B3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A915543F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A915543F shade: #A915543F, #9803413F, #87002E3F, #76001B3F and #6500083F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A915543F shade: #A81553, #A8152C and #A81515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A915543F shade: #A81553, #A8157B, #A815A3, #8515A8 and #5E15A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A915543F shade matches the following richer shades: #A81553 and #B70551

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A915543F shade: #A81553, #992456, #893358, #7A435A and #6B525C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A915543F shade: #A815A3, #A8157C, #A81555, #A8152D and #A82315

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A915543F shade: #5F0C2F, #831041, #A81553, #CD1966 and #E52A7A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A915543F shade: #A91554, #A88615 and #158FA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A915543F shade: #A91554, #55A815 and #1555A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A915543F shade: #A91554, #A88615, #15A868 and #1537A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A915543F shade: #A91554, #9EA815, #15A868 and #1F15A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 13 / 8

HEX #A915543F

RGBA 169 21 84 0.25

HSLA 334.46, 0.78%, 0.37%, 0.25

LABA 37.14, 59.32, 3.59, 0.25

 

Complementary color

CMYK 16 / 0 / 7 / 2

HEX #56EAAB3F

RGBA 86 234 171 0.25

HSLA 154.46, 0.78%, 0.63%, 0.25

LABA 83.84, -53.76, 19.2, 0.25

 

CMYK 0 / 22 / 14 / 8

HEX #AE154F3F

RGBA 174 21 79 0.25

HSLA 337.25, 0.78%, 0.38%, 0.25

LABA 38.02, 60.2, 8.21, 0.25

 

CMYK 0 / 20 / 12 / 6

HEX #BF27623F

RGBA 191 39 98 0.25

HSLA 336.71, 0.66%, 0.45%, 0.25

LABA 43.37, 61.92, 4.25, 0.25

 

CMYK 0 / 18 / 11 / 5

HEX #D039753F

RGBA 208 57 117 0.25

HSLA 336.16, 0.62%, 0.52%, 0.25

LABA 49.03, 62.7, 1.13, 0.25

 

CMYK 0 / 17 / 10 / 3

HEX #E14B883F

RGBA 225 75 136 0.25

HSLA 335.6, 0.71%, 0.59%, 0.25

LABA 54.88, 62.85, -1.38, 0.25

 

CMYK 0 / 15 / 9 / 1

HEX #F25D9B3F

RGBA 242 93 155 0.25

HSLA 335.03, 0.85%, 0.66%, 0.25

LABA 60.85, 62.6, -3.42, 0.25

 

CMYK 0 / 22 / 13 / 8

HEX #A915543F

RGBA 169 21 84 0.25

HSLA 334.46, 0.78%, 0.37%, 0.25

LABA 37.14, 59.32, 3.59, 0.25

 

CMYK 0 / 25 / 14 / 10

HEX #9803413F

RGBA 152 3 65 0.25

HSLA 335.03, 0.96%, 0.3%, 0.25

LABA 32.08, 56.4, 8.34, 0.25

 

CMYK 0 / 25 / 16 / 12

HEX #87002E3F

RGBA 135 0 46 0.25

HSLA 339.56, 1%, 0.26%, 0.25

LABA 27.7, 51.42, 14.52, 0.25

 

CMYK 0 / 25 / 19 / 13

HEX #76001B3F

RGBA 118 0 27 0.25

HSLA 346.27, 1%, 0.23%, 0.25

LABA 23.44, 46.05, 21.24, 0.25

 

CMYK 0 / 25 / 23 / 15

HEX #6500083F

RGBA 101 0 8 0.25

HSLA 355.25, 1%, 0.2%, 0.25

LABA 19.16, 40.8, 26.14, 0.25

 

CMYK 0 / 88 / 51 / 34

HEX #A81553

RGB 168 21 83

HSL 334.69, 0.78%, 0.37%

LAB 36.9, 58.98, 3.88

 

CMYK 0 / 88 / 74 / 34

HEX #A8152C

RGB 168 21 44

HSL 350.61, 0.78%, 0.37%

LAB 36.07, 56.57, 27.8

 

CMYK 0 / 88 / 88 / 34

HEX #A81515

RGB 168 21 21

HSL 0, 0.78%, 0.37%

LAB 35.82, 55.85, 40.79

 

CMYK 0 / 88 / 51 / 34

HEX #A81553

RGB 168 21 83

HSL 334.69, 0.78%, 0.37%

LAB 36.9, 58.98, 3.88

 

CMYK 0 / 88 / 27 / 34

HEX #A8157B

RGB 168 21 123

HSL 318.37, 0.78%, 0.37%

LAB 38.36, 63.04, -19.34

 

CMYK 0 / 88 / 3 / 34

HEX #A815A3

RGB 168 21 163

HSL 302.04, 0.78%, 0.37%

LAB 40.42, 68.52, -40.58

 

CMYK 21 / 88 / 0 / 34

HEX #8515A8

RGB 133 21 168

HSL 285.71, 0.78%, 0.37%

LAB 34.7, 63.22, -53.1

 

CMYK 44 / 88 / 0 / 34

HEX #5E15A8

RGB 94 21 168

HSL 269.8, 0.78%, 0.37%

LAB 28.76, 57.59, -63.06

 

CMYK 0 / 88 / 51 / 34

HEX #A81553

RGB 168 21 83

HSL 334.69, 0.78%, 0.37%

LAB 36.9, 58.98, 3.88

 

CMYK 0 / 97 / 56 / 28

HEX #B70551

RGB 183 5 81

HSL 334.38, 0.95%, 0.37%

LAB 39.19, 64.71, 8.84

 

CMYK 0 / 88 / 51 / 34

HEX #A81553

RGB 168 21 83

HSL 334.69, 0.78%, 0.37%

LAB 36.9, 58.98, 3.88

 

CMYK 0 / 76 / 44 / 40

HEX #992456

RGB 153 36 86

HSL 334.36, 0.62%, 0.37%

LAB 35.41, 51.26, -0.59

 

CMYK 0 / 63 / 36 / 46

HEX #893358

RGB 137 51 88

HSL 334.19, 0.46%, 0.37%

LAB 34.78, 40.44, -3.14

 

CMYK 0 / 45 / 26 / 52

HEX #7A435A

RGB 122 67 90

HSL 334.91, 0.29%, 0.37%

LAB 35.77, 26.83, -3.21

 

CMYK 0 / 23 / 14 / 58

HEX #6B525C

RGB 107 82 92

HSL 336, 0.13%, 0.37%

LAB 37.72, 12.19, -1.81

 

CMYK 0 / 88 / 3 / 34

HEX #A815A3

RGB 168 21 163

HSL 302.04, 0.78%, 0.37%

LAB 40.42, 68.52, -40.58

 

CMYK 0 / 88 / 26 / 34

HEX #A8157C

RGB 168 21 124

HSL 317.96, 0.78%, 0.37%

LAB 38.4, 63.16, -19.89

 

CMYK 0 / 88 / 49 / 34

HEX #A81555

RGB 168 21 85

HSL 333.88, 0.78%, 0.37%

LAB 36.96, 59.15, 2.67

 

CMYK 0 / 88 / 73 / 34

HEX #A8152D

RGB 168 21 45

HSL 350.2, 0.78%, 0.37%

LAB 36.08, 56.62, 27.19

 

CMYK 0 / 79 / 88 / 34

HEX #A82315

RGB 168 35 21

HSL 5.71, 0.78%, 0.37%

LAB 37.08, 52.28, 41.84

 

CMYK 0 / 87 / 51 / 63

HEX #5F0C2F

RGB 95 12 47

HSL 334.7, 0.78%, 0.21%

LAB 19.64, 38.15, 1.27

 

CMYK 0 / 88 / 50 / 49

HEX #831041

RGB 131 16 65

HSL 334.43, 0.78%, 0.29%

LAB 28.32, 48.87, 2.37

 

CMYK 0 / 88 / 51 / 34

HEX #A81553

RGB 168 21 83

HSL 334.69, 0.78%, 0.37%

LAB 36.9, 58.98, 3.88

 

CMYK 0 / 88 / 50 / 20

HEX #CD1966

RGB 205 25 102

HSL 334.33, 0.78%, 0.45%

LAB 45.13, 68.9, 4.63

 

CMYK 0 / 82 / 47 / 10

HEX #E52A7A

RGB 229 42 122

HSL 334.33, 0.78%, 0.53%

LAB 51.52, 72.91, 2.18

 

CMYK 0 / 88 / 50 / 34

HEX #A91554

RGB 169 21 84

HSL 334.46, 0.78%, 0.37%

LAB 37.14, 59.32, 3.59

 

CMYK 0 / 20 / 88 / 34

HEX #A88615

RGB 168 134 21

HSL 46.12, 0.78%, 0.37%

LAB 57.49, 2.77, 58.55

 

CMYK 88 / 15 / 0 / 34

HEX #158FA8

RGB 21 143 168

HSL 190.2, 0.78%, 0.37%

LAB 54.69, -21.89, -21.96

 

CMYK 0 / 88 / 50 / 34

HEX #A91554

RGB 169 21 84

HSL 334.46, 0.78%, 0.37%

LAB 37.14, 59.32, 3.59

 

CMYK 49 / 0 / 88 / 34

HEX #55A815

RGB 85 168 21

HSL 93.88, 0.78%, 0.37%

LAB 61.65, -48.17, 59.69

 

CMYK 88 / 49 / 0 / 34

HEX #1555A8

RGB 21 85 168

HSL 213.88, 0.78%, 0.37%

LAB 36.9, 12.85, -50

 

CMYK 0 / 88 / 50 / 34

HEX #A91554

RGB 169 21 84

HSL 334.46, 0.78%, 0.37%

LAB 37.14, 59.32, 3.59

 

CMYK 0 / 20 / 88 / 34

HEX #A88615

RGB 168 134 21

HSL 46.12, 0.78%, 0.37%

LAB 57.49, 2.77, 58.55

 

CMYK 88 / 0 / 38 / 34

HEX #15A868

RGB 21 168 104

HSL 153.88, 0.78%, 0.37%

LAB 60.93, -50.92, 23.19

 

CMYK 88 / 67 / 0 / 34

HEX #1537A8

RGB 21 55 168

HSL 226.12, 0.78%, 0.37%

LAB 28.69, 33.07, -63.37

 

CMYK 0 / 88 / 50 / 34

HEX #A91554

RGB 169 21 84

HSL 334.46, 0.78%, 0.37%

LAB 37.14, 59.32, 3.59

 

CMYK 6 / 0 / 88 / 34

HEX #9EA815

RGB 158 168 21

HSL 64.08, 0.78%, 0.37%

LAB 66, -19.83, 65.11

 

CMYK 88 / 0 / 38 / 34

HEX #15A868

RGB 21 168 104

HSL 153.88, 0.78%, 0.37%

LAB 60.93, -50.92, 23.19

 

CMYK 82 / 88 / 0 / 34

HEX #1F15A8

RGB 31 21 168

HSL 244.08, 0.78%, 0.37%

LAB 22.5, 52.29, -73.61

 

Description

Color code: HEX #A915543F | qconv.com Color code: HEX #A915543F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 21 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 21 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 13 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 13% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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