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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8FDB2 it is the complementary color #57024D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8FDB2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8FDB2 shade: #ADFDAD, #BEFFC0, #CFFFD3, #E0FFE6 and #F1FFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8FDB2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8FDB2 shade: #A8FDB2, #97EB9F, #86D98C, #75C779 and #64B566

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8FDB2 shade: #AAFDB3, #B6FDAA, #CDFDAA, #E3FDAA and #FAFDAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8FDB2 shade: #AAFDB3, #AAFDCA, #AAFDE0, #AAFDF7 and #AAECFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8FDB2 shade matches the following richer shades: #AAFDB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8FDB2 shade: #AAFDB3, #B1F6B9, #B8EFBE, #BFE8C3 and #C6E1C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8FDB2 shade: #CCFDAA, #B6FDAA, #AAFDB3, #AAFDC9 and #AAFDE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8FDB2 shade: #59FB6C, #81FC90, #AAFDB3, #D2FED7 and #FAFEFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8FDB2 shade: #A8FDB2, #AAE2FD and #FDAAC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8FDB2 shade: #A8FDB2, #B3AAFD and #FDB3AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8FDB2 shade: #A8FDB2, #AAE2FD, #FDAAF3 and #FDC4AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8FDB2 shade: #A8FDB2, #AAC9FD, #FDAAF3 and #FDDDAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 30 / 1

HEX #A8FDB2

RGB 168 253 178

HSL 127.06, 0.96%, 0.83%

LAB 92.48, -40.33, 27.97

 

Complementary color

CMYK 0 / 98 / 11 / 66

HEX #57024D

RGB 87 2 77

HSL 307.06, 0.96%, 0.17%

LAB 18.39, 42.69, -21.75

 

CMYK 32 / 0 / 32 / 1

HEX #ADFDAD

RGB 173 253 173

HSL 120, 0.95%, 0.84%

LAB 92.64, -39.6, 30.75

 

CMYK 25 / 0 / 25 / 0

HEX #BEFFC0

RGB 190 255 192

HSL 121.85, 1%, 0.87%

LAB 94.43, -32.09, 23.72

 

CMYK 19 / 0 / 17 / 0

HEX #CFFFD3

RGB 207 255 211

HSL 125, 1%, 0.91%

LAB 95.78, -23.41, 16.07

 

CMYK 12 / 0 / 10 / 0

HEX #E0FFE6

RGB 224 255 230

HSL 131.61, 1%, 0.94%

LAB 97.26, -14.57, 8.58

 

CMYK 5 / 0 / 2 / 0

HEX #F1FFF9

RGB 241 255 249

HSL 154.29, 1%, 0.97%

LAB 98.85, -5.64, 1.27

 

CMYK 34 / 0 / 30 / 1

HEX #A8FDB2

RGB 168 253 178

HSL 127.06, 0.96%, 0.83%

LAB 92.48, -40.33, 27.97

 

CMYK 36 / 0 / 32 / 8

HEX #97EB9F

RGB 151 235 159

HSL 125.71, 0.68%, 0.76%

LAB 86.26, -40.58, 29.05

 

CMYK 38 / 0 / 35 / 15

HEX #86D98C

RGB 134 217 140

HSL 124.34, 0.52%, 0.69%

LAB 79.95, -40.82, 30.2

 

CMYK 41 / 0 / 39 / 22

HEX #75C779

RGB 117 199 121

HSL 122.93, 0.42%, 0.62%

LAB 73.55, -41.05, 31.4

 

CMYK 45 / 0 / 44 / 29

HEX #64B566

RGB 100 181 102

HSL 121.48, 0.35%, 0.55%

LAB 67.06, -41.23, 32.67

 

CMYK 33 / 0 / 29 / 1

HEX #AAFDB3

RGB 170 253 179

HSL 126.51, 0.95%, 0.83%

LAB 92.6, -39.56, 27.64

 

CMYK 28 / 0 / 33 / 1

HEX #B6FDAA

RGB 182 253 170

HSL 111.33, 0.95%, 0.83%

LAB 93.06, -37.21, 32.89

 

CMYK 19 / 0 / 33 / 1

HEX #CDFDAA

RGB 205 253 170

HSL 94.7, 0.95%, 0.83%

LAB 94.37, -29.51, 34.87

 

CMYK 10 / 0 / 33 / 1

HEX #E3FDAA

RGB 227 253 170

HSL 78.8, 0.95%, 0.83%

LAB 95.78, -21.72, 37

 

CMYK 1 / 0 / 33 / 1

HEX #FAFDAA

RGB 250 253 170

HSL 62.17, 0.95%, 0.83%

LAB 97.42, -13.27, 39.46

 

CMYK 33 / 0 / 29 / 1

HEX #AAFDB3

RGB 170 253 179

HSL 126.51, 0.95%, 0.83%

LAB 92.6, -39.56, 27.64

 

CMYK 33 / 0 / 20 / 1

HEX #AAFDCA

RGB 170 253 202

HSL 143.13, 0.95%, 0.83%

LAB 93.04, -35.53, 16.53

 

CMYK 33 / 0 / 11 / 1

HEX #AAFDE0

RGB 170 253 224

HSL 159.04, 0.95%, 0.83%

LAB 93.53, -31.23, 5.9

 

CMYK 33 / 0 / 2 / 1

HEX #AAFDF7

RGB 170 253 247

HSL 175.66, 0.95%, 0.83%

LAB 94.1, -26.32, -5.15

 

CMYK 33 / 7 / 0 / 1

HEX #AAECFD

RGB 170 236 253

HSL 192.29, 0.95%, 0.83%

LAB 89.69, -16.61, -14.83

 

CMYK 33 / 0 / 29 / 1

HEX #AAFDB3

RGB 170 253 179

HSL 126.51, 0.95%, 0.83%

LAB 92.6, -39.56, 27.64

 

CMYK 33 / 0 / 29 / 1

HEX #AAFDB3

RGB 170 253 179

HSL 126.51, 0.95%, 0.83%

LAB 92.6, -39.56, 27.64

 

CMYK 28 / 0 / 25 / 4

HEX #B1F6B9

RGB 177 246 185

HSL 126.96, 0.79%, 0.83%

LAB 91.13, -33.2, 22.62

 

CMYK 23 / 0 / 21 / 6

HEX #B8EFBE

RGB 184 239 190

HSL 126.55, 0.63%, 0.83%

LAB 89.69, -26.82, 18.12

 

CMYK 18 / 0 / 16 / 9

HEX #BFE8C3

RGB 191 232 195

HSL 125.85, 0.47%, 0.83%

LAB 88.32, -20.27, 13.65

 

CMYK 12 / 0 / 11 / 12

HEX #C6E1C9

RGB 198 225 201

HSL 126.67, 0.31%, 0.83%

LAB 87.03, -13.39, 8.74

 

CMYK 19 / 0 / 33 / 1

HEX #CCFDAA

RGB 204 253 170

HSL 95.42, 0.95%, 0.83%

LAB 94.31, -29.85, 34.78

 

CMYK 28 / 0 / 33 / 1

HEX #B6FDAA

RGB 182 253 170

HSL 111.33, 0.95%, 0.83%

LAB 93.06, -37.21, 32.89

 

CMYK 33 / 0 / 29 / 1

HEX #AAFDB3

RGB 170 253 179

HSL 126.51, 0.95%, 0.83%

LAB 92.6, -39.56, 27.64

 

CMYK 33 / 0 / 21 / 1

HEX #AAFDC9

RGB 170 253 201

HSL 142.41, 0.95%, 0.83%

LAB 93.02, -35.71, 17.01

 

CMYK 33 / 0 / 11 / 1

HEX #AAFDE0

RGB 170 253 224

HSL 159.04, 0.95%, 0.83%

LAB 93.53, -31.23, 5.9

 

CMYK 65 / 0 / 57 / 2

HEX #59FB6C

RGB 89 251 108

HSL 127.04, 0.95%, 0.67%

LAB 88.07, -69.77, 55.43

 

CMYK 49 / 0 / 43 / 1

HEX #81FC90

RGB 129 252 144

HSL 127.32, 0.95%, 0.75%

LAB 90, -56.25, 41.29

 

CMYK 33 / 0 / 29 / 1

HEX #AAFDB3

RGB 170 253 179

HSL 126.51, 0.95%, 0.83%

LAB 92.6, -39.56, 27.64

 

CMYK 17 / 0 / 15 / 0

HEX #D2FED7

RGB 210 254 215

HSL 126.82, 0.96%, 0.91%

LAB 95.79, -21.27, 14.05

 

CMYK 2 / 0 / 1 / 0

HEX #FAFEFB

RGB 250 254 251

HSL 135, 0.67%, 0.99%

LAB 99.29, -1.84, 0.96

 

CMYK 34 / 0 / 30 / 1

HEX #A8FDB2

RGB 168 253 178

HSL 127.06, 0.96%, 0.83%

LAB 92.48, -40.33, 27.97

 

CMYK 33 / 11 / 0 / 1

HEX #AAE2FD

RGB 170 226 253

HSL 199.52, 0.95%, 0.83%

LAB 87.01, -11.55, -18.85

 

CMYK 0 / 33 / 24 / 1

HEX #FDAAC1

RGB 253 170 193

HSL 343.37, 0.95%, 0.83%

LAB 78.16, 33.55, 0.8

 

CMYK 34 / 0 / 30 / 1

HEX #A8FDB2

RGB 168 253 178

HSL 127.06, 0.96%, 0.83%

LAB 92.48, -40.33, 27.97

 

CMYK 29 / 33 / 0 / 1

HEX #B3AAFD

RGB 179 170 253

HSL 246.51, 0.95%, 0.83%

LAB 73.17, 21.13, -40.03

 

CMYK 0 / 29 / 33 / 1

HEX #FDB3AA

RGB 253 179 170

HSL 6.51, 0.95%, 0.83%

LAB 79.63, 25.79, 15.38

 

CMYK 34 / 0 / 30 / 1

HEX #A8FDB2

RGB 168 253 178

HSL 127.06, 0.96%, 0.83%

LAB 92.48, -40.33, 27.97

 

CMYK 33 / 11 / 0 / 1

HEX #AAE2FD

RGB 170 226 253

HSL 199.52, 0.95%, 0.83%

LAB 87.01, -11.55, -18.85

 

CMYK 0 / 33 / 4 / 1

HEX #FDAAF3

RGB 253 170 243

HSL 307.23, 0.95%, 0.83%

LAB 79.67, 41.42, -24.04

 

CMYK 0 / 23 / 33 / 1

HEX #FDC4AA

RGB 253 196 170

HSL 18.8, 0.95%, 0.83%

LAB 83.58, 16.87, 20.88

 

CMYK 34 / 0 / 30 / 1

HEX #A8FDB2

RGB 168 253 178

HSL 127.06, 0.96%, 0.83%

LAB 92.48, -40.33, 27.97

 

CMYK 33 / 21 / 0 / 1

HEX #AAC9FD

RGB 170 201 253

HSL 217.59, 0.95%, 0.83%

LAB 80.41, 1.58, -28.89

 

CMYK 0 / 33 / 4 / 1

HEX #FDAAF3

RGB 253 170 243

HSL 307.23, 0.95%, 0.83%

LAB 79.67, 41.42, -24.04

 

CMYK 0 / 13 / 33 / 1

HEX #FDDDAA

RGB 253 221 170

HSL 36.87, 0.95%, 0.83%

LAB 89.63, 3.9, 29.14

 

Description

Color code: HEX #A8FDB2 | qconv.com Color code: HEX #A8FDB2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 253 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 253 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 30 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 30% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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