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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8F55B it is the complementary color #570AA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8F55B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8F55B shade: #ADF556, #BEFF69, #CFFF7C, #E0FF8F and #F1FFA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8F55B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8F55B shade: #A8F55B, #97E348, #86D135, #75BF22 and #64AD0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8F55B shade: #A8F55B, #D1F55B, #F5EF5B, #F5C55B and #F59C5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8F55B shade: #A8F55B, #7EF55B, #5BF561, #5BF58A and #5BF5B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8F55B shade matches the following richer shades: #A8F55B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8F55B shade: #A8F55B, #A8E769, #A8D977, #A8CB85 and #A8BD93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8F55B shade: #F5F05B, #D1F55B, #A8F55B, #7FF55B and #5BF560

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8F55B shade: #7FF00D, #93F334, #A8F55B, #BCF782 and #D1FAA9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8F55B shade: #A8F55B, #5BF5C7 and #F55BE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8F55B shade: #A8F55B, #5BA8F5 and #F55BA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8F55B shade: #A8F55B, #5BF5C7, #A85BF5 and #F55B89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8F55B shade: #A8F55B, #5BF5F5, #A85BF5 and #F55B5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 63 / 4

HEX #A8F55B

RGB 168 245 91

HSL 90, 0.89%, 0.66%

LAB 89.1, -47.56, 64.6

 

Complementary color

CMYK 47 / 94 / 0 / 36

HEX #570AA4

RGB 87 10 164

HSL 270, 0.89%, 0.34%

LAB 26.52, 58.47, -64.36

 

CMYK 29 / 0 / 65 / 4

HEX #ADF556

RGB 173 245 86

HSL 87.17, 0.89%, 0.65%

LAB 89.33, -46.2, 66.9

 

CMYK 25 / 0 / 59 / 0

HEX #BEFF69

RGB 190 255 105

HSL 86, 1%, 0.71%

LAB 93.23, -42.98, 63.7

 

CMYK 19 / 0 / 51 / 0

HEX #CFFF7C

RGB 207 255 124

HSL 81.98, 1%, 0.74%

LAB 94.42, -35.12, 57.01

 

CMYK 12 / 0 / 44 / 0

HEX #E0FF8F

RGB 224 255 143

HSL 76.61, 1%, 0.78%

LAB 95.73, -26.93, 50.03

 

CMYK 5 / 0 / 36 / 0

HEX #F1FFA2

RGB 241 255 162

HSL 69.03, 1%, 0.82%

LAB 97.16, -18.52, 42.93

 

CMYK 31 / 0 / 63 / 4

HEX #A8F55B

RGB 168 245 91

HSL 90, 0.89%, 0.66%

LAB 89.1, -47.56, 64.6

 

CMYK 33 / 0 / 68 / 11

HEX #97E348

RGB 151 227 72

HSL 89.42, 0.73%, 0.59%

LAB 82.91, -47.3, 65.18

 

CMYK 36 / 0 / 75 / 18

HEX #86D135

RGB 134 209 53

HSL 88.85, 0.63%, 0.51%

LAB 76.63, -46.89, 65.33

 

CMYK 39 / 0 / 82 / 25

HEX #75BF22

RGB 117 191 34

HSL 88.28, 0.7%, 0.44%

LAB 70.29, -46.29, 64.75

 

CMYK 42 / 0 / 91 / 32

HEX #64AD0F

RGB 100 173 15

HSL 87.72, 0.84%, 0.37%

LAB 63.86, -45.43, 62.96

 

CMYK 31 / 0 / 63 / 4

HEX #A8F55B

RGB 168 245 91

HSL 90, 0.89%, 0.66%

LAB 89.1, -47.56, 64.6

 

CMYK 15 / 0 / 63 / 4

HEX #D1F55B

RGB 209 245 91

HSL 74.03, 0.89%, 0.66%

LAB 91.51, -32.51, 67.9

 

CMYK 0 / 2 / 63 / 4

HEX #F5EF5B

RGB 245 239 91

HSL 57.66, 0.89%, 0.66%

LAB 92.53, -15.39, 69.77

 

CMYK 0 / 20 / 63 / 4

HEX #F5C55B

RGB 245 197 91

HSL 41.3, 0.89%, 0.66%

LAB 81.89, 5.8, 58.28

 

CMYK 0 / 36 / 63 / 4

HEX #F59C5B

RGB 245 156 91

HSL 25.32, 0.89%, 0.66%

LAB 72.19, 27.31, 47.25

 

CMYK 31 / 0 / 63 / 4

HEX #A8F55B

RGB 168 245 91

HSL 90, 0.89%, 0.66%

LAB 89.1, -47.56, 64.6

 

CMYK 49 / 0 / 63 / 4

HEX #7EF55B

RGB 126 245 91

HSL 106.36, 0.89%, 0.66%

LAB 87.24, -60.73, 62.02

 

CMYK 63 / 0 / 60 / 4

HEX #5BF561

RGB 91 245 97

HSL 122.34, 0.89%, 0.66%

LAB 86.2, -68.59, 58.06

 

CMYK 63 / 0 / 44 / 4

HEX #5BF58A

RGB 91 245 138

HSL 138.31, 0.89%, 0.66%

LAB 86.68, -63.12, 39.72

 

CMYK 63 / 0 / 27 / 4

HEX #5BF5B4

RGB 91 245 180

HSL 154.68, 0.89%, 0.66%

LAB 87.4, -55.4, 19.51

 

CMYK 31 / 0 / 63 / 4

HEX #A8F55B

RGB 168 245 91

HSL 90, 0.89%, 0.66%

LAB 89.1, -47.56, 64.6

 

CMYK 31 / 0 / 63 / 4

HEX #A8F55B

RGB 168 245 91

HSL 90, 0.89%, 0.66%

LAB 89.1, -47.56, 64.6

 

CMYK 27 / 0 / 55 / 9

HEX #A8E769

RGB 168 231 105

HSL 90, 0.72%, 0.66%

LAB 85.25, -40.26, 54.25

 

CMYK 23 / 0 / 45 / 15

HEX #A8D977

RGB 168 217 119

HSL 90, 0.56%, 0.66%

LAB 81.45, -32.39, 43.05

 

CMYK 17 / 0 / 34 / 20

HEX #A8CB85

RGB 168 203 133

HSL 90, 0.4%, 0.66%

LAB 77.72, -23.9, 31.19

 

CMYK 11 / 0 / 22 / 26

HEX #A8BD93

RGB 168 189 147

HSL 90, 0.24%, 0.66%

LAB 74.08, -14.79, 18.89

 

CMYK 0 / 2 / 63 / 4

HEX #F5F05B

RGB 245 240 91

HSL 58.05, 0.89%, 0.66%

LAB 92.79, -15.88, 70.04

 

CMYK 15 / 0 / 63 / 4

HEX #D1F55B

RGB 209 245 91

HSL 74.03, 0.89%, 0.66%

LAB 91.51, -32.51, 67.9

 

CMYK 31 / 0 / 63 / 4

HEX #A8F55B

RGB 168 245 91

HSL 90, 0.89%, 0.66%

LAB 89.1, -47.56, 64.6

 

CMYK 48 / 0 / 63 / 4

HEX #7FF55B

RGB 127 245 91

HSL 105.97, 0.89%, 0.66%

LAB 87.28, -60.45, 62.08

 

CMYK 63 / 0 / 61 / 4

HEX #5BF560

RGB 91 245 96

HSL 121.95, 0.89%, 0.66%

LAB 86.19, -68.69, 58.47

 

CMYK 47 / 0 / 95 / 6

HEX #7FF00D

RGB 127 240 13

HSL 89.87, 0.9%, 0.5%

LAB 85.43, -62.57, 81.24

 

CMYK 40 / 0 / 79 / 5

HEX #93F334

RGB 147 243 52

HSL 90.16, 0.89%, 0.58%

LAB 87.27, -56.28, 75.89

 

CMYK 31 / 0 / 63 / 4

HEX #A8F55B

RGB 168 245 91

HSL 90, 0.89%, 0.66%

LAB 89.1, -47.56, 64.6

 

CMYK 24 / 0 / 47 / 3

HEX #BCF782

RGB 188 247 130

HSL 90.26, 0.88%, 0.74%

LAB 91.15, -37.71, 50.03

 

CMYK 16 / 0 / 32 / 2

HEX #D1FAA9

RGB 209 250 169

HSL 90.37, 0.89%, 0.82%

LAB 93.79, -26.84, 34.65

 

CMYK 31 / 0 / 63 / 4

HEX #A8F55B

RGB 168 245 91

HSL 90, 0.89%, 0.66%

LAB 89.1, -47.56, 64.6

 

CMYK 63 / 0 / 19 / 4

HEX #5BF5C7

RGB 91 245 199

HSL 162.08, 0.89%, 0.66%

LAB 87.8, -51.26, 10.24

 

CMYK 0 / 63 / 6 / 4

HEX #F55BE6

RGB 245 91 230

HSL 305.84, 0.89%, 0.66%

LAB 63.84, 74.22, -41.47

 

CMYK 31 / 0 / 63 / 4

HEX #A8F55B

RGB 168 245 91

HSL 90, 0.89%, 0.66%

LAB 89.1, -47.56, 64.6

 

CMYK 63 / 31 / 0 / 4

HEX #5BA8F5

RGB 91 168 245

HSL 210, 0.89%, 0.66%

LAB 67.14, -0.68, -45.49

 

CMYK 0 / 63 / 31 / 4

HEX #F55BA8

RGB 245 91 168

HSL 330, 0.89%, 0.66%

LAB 61.41, 65.78, -10.04

 

CMYK 31 / 0 / 63 / 4

HEX #A8F55B

RGB 168 245 91

HSL 90, 0.89%, 0.66%

LAB 89.1, -47.56, 64.6

 

CMYK 63 / 0 / 19 / 4

HEX #5BF5C7

RGB 91 245 199

HSL 162.08, 0.89%, 0.66%

LAB 87.8, -51.26, 10.24

 

CMYK 31 / 63 / 0 / 4

HEX #A85BF5

RGB 168 91 245

HSL 270, 0.89%, 0.66%

LAB 54.45, 59.34, -65.39

 

CMYK 0 / 63 / 44 / 4

HEX #F55B89

RGB 245 91 137

HSL 342.08, 0.89%, 0.66%

LAB 60.52, 62.5, 6.61

 

CMYK 31 / 0 / 63 / 4

HEX #A8F55B

RGB 168 245 91

HSL 90, 0.89%, 0.66%

LAB 89.1, -47.56, 64.6

 

CMYK 63 / 0 / 0 / 4

HEX #5BF5F5

RGB 91 245 245

HSL 180, 0.89%, 0.66%

LAB 88.98, -39.8, -12.02

 

CMYK 31 / 63 / 0 / 4

HEX #A85BF5

RGB 168 91 245

HSL 270, 0.89%, 0.66%

LAB 54.45, 59.34, -65.39

 

CMYK 0 / 63 / 63 / 4

HEX #F55B5B

RGB 245 91 91

HSL 0, 0.89%, 0.66%

LAB 59.57, 58.95, 31.93

 

Description

Color code: HEX #A8F55B | qconv.com Color code: HEX #A8F55B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 245 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 245 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 63 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 63% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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