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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8F45C it is the complementary color #570BA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8F45C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8F45C shade: #ADF457, #BEFF6A, #CFFF7D, #E0FF90 and #F1FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8F45C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8F45C shade: #A8F45C, #97E249, #86D036, #75BE23 and #64AC10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8F45C shade: #A8F35C, #D0F35C, #F3ED5C, #F3C55C and #F39C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8F45C shade: #A8F35C, #7FF35C, #5CF362, #5CF38B and #5CF3B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8F45C shade matches the following richer shades: #A8F35C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8F45C shade: #A8F35C, #A8E56A, #A8D778, #A8C986 and #A8BB94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8F45C shade: #F3EE5C, #D0F35C, #A8F35C, #80F35C and #5CF361

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8F45C shade: #7FED10, #93F136, #A8F35C, #BCF683 and #D1F9AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8F45C shade: #A8F45C, #5CF3C6 and #F35CE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8F45C shade: #A8F45C, #5CA8F3 and #F35CA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8F45C shade: #A8F45C, #5CF3C6, #A85CF3 and #F35C8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8F45C shade: #A8F45C, #5CF3F3, #A85CF3 and #F35C5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 62 / 4

HEX #A8F45C

RGB 168 244 92

HSL 90, 0.87%, 0.66%

LAB 88.83, -47.06, 63.89

 

Complementary color

CMYK 47 / 93 / 0 / 36

HEX #570BA3

RGB 87 11 163

HSL 270, 0.87%, 0.34%

LAB 26.48, 58.04, -63.82

 

CMYK 29 / 0 / 64 / 4

HEX #ADF457

RGB 173 244 87

HSL 87.13, 0.88%, 0.65%

LAB 89.05, -45.7, 66.22

 

CMYK 25 / 0 / 58 / 0

HEX #BEFF6A

RGB 190 255 106

HSL 86.17, 1%, 0.71%

LAB 93.24, -42.89, 63.29

 

CMYK 19 / 0 / 51 / 0

HEX #CFFF7D

RGB 207 255 125

HSL 82.15, 1%, 0.75%

LAB 94.43, -35.02, 56.57

 

CMYK 12 / 0 / 44 / 0

HEX #E0FF90

RGB 224 255 144

HSL 76.76, 1%, 0.78%

LAB 95.74, -26.83, 49.57

 

CMYK 5 / 0 / 36 / 0

HEX #F1FFA3

RGB 241 255 163

HSL 69.13, 1%, 0.82%

LAB 97.17, -18.41, 42.46

 

CMYK 31 / 0 / 62 / 4

HEX #A8F45C

RGB 168 244 92

HSL 90, 0.87%, 0.66%

LAB 88.83, -47.06, 63.89

 

CMYK 33 / 0 / 68 / 11

HEX #97E249

RGB 151 226 73

HSL 89.41, 0.73%, 0.59%

LAB 82.62, -46.81, 64.51

 

CMYK 36 / 0 / 74 / 18

HEX #86D036

RGB 134 208 54

HSL 88.83, 0.62%, 0.51%

LAB 76.34, -46.42, 64.71

 

CMYK 38 / 0 / 82 / 25

HEX #75BE23

RGB 117 190 35

HSL 88.26, 0.69%, 0.44%

LAB 69.99, -45.84, 64.21

 

CMYK 42 / 0 / 91 / 33

HEX #64AC10

RGB 100 172 16

HSL 87.69, 0.83%, 0.37%

LAB 63.55, -44.99, 62.53

 

CMYK 31 / 0 / 62 / 5

HEX #A8F35C

RGB 168 243 92

HSL 89.8, 0.86%, 0.66%

LAB 88.54, -46.63, 63.58

 

CMYK 14 / 0 / 62 / 5

HEX #D0F35C

RGB 208 243 92

HSL 73.91, 0.86%, 0.66%

LAB 90.91, -31.91, 66.84

 

CMYK 0 / 2 / 62 / 5

HEX #F3ED5C

RGB 243 237 92

HSL 57.62, 0.86%, 0.66%

LAB 91.86, -15.16, 68.62

 

CMYK 0 / 19 / 62 / 5

HEX #F3C55C

RGB 243 197 92

HSL 41.72, 0.86%, 0.66%

LAB 81.71, 5.03, 57.57

 

CMYK 0 / 36 / 62 / 5

HEX #F39C5C

RGB 243 156 92

HSL 25.43, 0.86%, 0.66%

LAB 71.96, 26.57, 46.42

 

CMYK 31 / 0 / 62 / 5

HEX #A8F35C

RGB 168 243 92

HSL 89.8, 0.86%, 0.66%

LAB 88.54, -46.63, 63.58

 

CMYK 48 / 0 / 62 / 5

HEX #7FF35C

RGB 127 243 92

HSL 106.09, 0.86%, 0.66%

LAB 86.69, -59.6, 61.02

 

CMYK 62 / 0 / 60 / 5

HEX #5CF362

RGB 92 243 98

HSL 122.38, 0.86%, 0.66%

LAB 85.63, -67.59, 56.99

 

CMYK 62 / 0 / 43 / 5

HEX #5CF38B

RGB 92 243 139

HSL 138.68, 0.86%, 0.66%

LAB 86.13, -62.03, 38.52

 

CMYK 62 / 0 / 26 / 5

HEX #5CF3B4

RGB 92 243 180

HSL 154.97, 0.86%, 0.66%

LAB 86.84, -54.42, 18.73

 

CMYK 31 / 0 / 62 / 5

HEX #A8F35C

RGB 168 243 92

HSL 89.8, 0.86%, 0.66%

LAB 88.54, -46.63, 63.58

 

CMYK 31 / 0 / 62 / 5

HEX #A8F35C

RGB 168 243 92

HSL 89.8, 0.86%, 0.66%

LAB 88.54, -46.63, 63.58

 

CMYK 27 / 0 / 54 / 10

HEX #A8E56A

RGB 168 229 106

HSL 89.76, 0.7%, 0.66%

LAB 84.69, -39.28, 53.14

 

CMYK 22 / 0 / 44 / 16

HEX #A8D778

RGB 168 215 120

HSL 89.68, 0.54%, 0.66%

LAB 80.9, -31.33, 41.86

 

CMYK 16 / 0 / 33 / 21

HEX #A8C986

RGB 168 201 134

HSL 89.55, 0.38%, 0.66%

LAB 77.17, -22.78, 29.96

 

CMYK 10 / 0 / 21 / 27

HEX #A8BB94

RGB 168 187 148

HSL 89.23, 0.22%, 0.66%

LAB 73.55, -13.6, 17.62

 

CMYK 0 / 2 / 62 / 5

HEX #F3EE5C

RGB 243 238 92

HSL 58.01, 0.86%, 0.66%

LAB 92.12, -15.65, 68.89

 

CMYK 14 / 0 / 62 / 5

HEX #D0F35C

RGB 208 243 92

HSL 73.91, 0.86%, 0.66%

LAB 90.91, -31.91, 66.84

 

CMYK 31 / 0 / 62 / 5

HEX #A8F35C

RGB 168 243 92

HSL 89.8, 0.86%, 0.66%

LAB 88.54, -46.63, 63.58

 

CMYK 47 / 0 / 62 / 5

HEX #80F35C

RGB 128 243 92

HSL 105.7, 0.86%, 0.66%

LAB 86.73, -59.32, 61.07

 

CMYK 62 / 0 / 60 / 5

HEX #5CF361

RGB 92 243 97

HSL 121.99, 0.86%, 0.66%

LAB 85.62, -67.7, 57.41

 

CMYK 46 / 0 / 93 / 7

HEX #7FED10

RGB 127 237 16

HSL 89.86, 0.87%, 0.5%

LAB 84.54, -61.42, 80.21

 

CMYK 39 / 0 / 78 / 5

HEX #93F136

RGB 147 241 54

HSL 90.16, 0.87%, 0.58%

LAB 86.69, -55.4, 74.79

 

CMYK 31 / 0 / 62 / 5

HEX #A8F35C

RGB 168 243 92

HSL 89.8, 0.86%, 0.66%

LAB 88.54, -46.63, 63.58

 

CMYK 24 / 0 / 47 / 4

HEX #BCF683

RGB 188 246 131

HSL 90.26, 0.86%, 0.74%

LAB 90.89, -37.14, 49.24

 

CMYK 16 / 0 / 32 / 2

HEX #D1F9AA

RGB 209 249 170

HSL 90.38, 0.87%, 0.82%

LAB 93.54, -26.23, 33.82

 

CMYK 31 / 0 / 62 / 4

HEX #A8F45C

RGB 168 244 92

HSL 90, 0.87%, 0.66%

LAB 88.83, -47.06, 63.89

 

CMYK 62 / 0 / 19 / 5

HEX #5CF3C6

RGB 92 243 198

HSL 162.12, 0.86%, 0.66%

LAB 87.22, -50.48, 9.94

 

CMYK 0 / 62 / 6 / 5

HEX #F35CE4

RGB 243 92 228

HSL 305.96, 0.86%, 0.66%

LAB 63.6, 73.04, -40.75

 

CMYK 31 / 0 / 62 / 4

HEX #A8F45C

RGB 168 244 92

HSL 90, 0.87%, 0.66%

LAB 88.83, -47.06, 63.89

 

CMYK 62 / 31 / 0 / 5

HEX #5CA8F3

RGB 92 168 243

HSL 209.8, 0.86%, 0.66%

LAB 67.09, -1.16, -44.48

 

CMYK 0 / 62 / 31 / 5

HEX #F35CA8

RGB 243 92 168

HSL 329.8, 0.86%, 0.66%

LAB 61.25, 64.79, -10.31

 

CMYK 31 / 0 / 62 / 4

HEX #A8F45C

RGB 168 244 92

HSL 90, 0.87%, 0.66%

LAB 88.83, -47.06, 63.89

 

CMYK 62 / 0 / 19 / 5

HEX #5CF3C6

RGB 92 243 198

HSL 162.12, 0.86%, 0.66%

LAB 87.22, -50.48, 9.94

 

CMYK 31 / 62 / 0 / 5

HEX #A85CF3

RGB 168 92 243

HSL 270.2, 0.86%, 0.66%

LAB 54.5, 58.39, -64.19

 

CMYK 0 / 62 / 43 / 5

HEX #F35C8A

RGB 243 92 138

HSL 341.72, 0.86%, 0.66%

LAB 60.38, 61.57, 5.78

 

CMYK 31 / 0 / 62 / 4

HEX #A8F45C

RGB 168 244 92

HSL 90, 0.87%, 0.66%

LAB 88.83, -47.06, 63.89

 

CMYK 62 / 0 / 0 / 5

HEX #5CF3F3

RGB 92 243 243

HSL 180, 0.86%, 0.66%

LAB 88.37, -39.28, -11.88

 

CMYK 31 / 62 / 0 / 5

HEX #A85CF3

RGB 168 92 243

HSL 270.2, 0.86%, 0.66%

LAB 54.5, 58.39, -64.19

 

CMYK 0 / 62 / 62 / 5

HEX #F35C5C

RGB 243 92 92

HSL 0, 0.86%, 0.66%

LAB 59.42, 57.93, 31.1

 

Description

Color code: HEX #A8F45C | qconv.com Color code: HEX #A8F45C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 244 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 244 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 62 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 62% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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