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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8EEE5 it is the complementary color #57111A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8EEE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8EEE5 shade: #ADEEE0, #BEFFF3, #CFFFFF, #E0FFFF and #F1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8EEE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8EEE5 shade: #A8EEE5, #97DCD2, #86CABF, #75B8AC and #64A699

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8EEE5 shade: #AAEEE5, #AAEED3, #AAEEC1, #AAEEAE and #B8EEAA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8EEE5 shade: #AAEEE5, #AAE5EE, #AAD2EE, #AAC0EE and #AAADEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8EEE5 shade matches the following richer shades: #AAEEE5, #A2F6EC and #99FFF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8EEE5 shade: #AAEEE5, #B2E6DF, #BADED9, #C3D5D3 and #CBCDCD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8EEE5 shade: #AAEEC1, #AAEED3, #AAEEE5, #AAE5EE and #AAD3EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8EEE5 shade: #65E1D1, #87E7DB, #AAEEE5, #CCF5F0 and #EFFCFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8EEE5 shade: #A8EEE5, #AEAAEE and #EECAAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8EEE5 shade: #A8EEE5, #E5AAEE and #EEE5AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8EEE5 shade: #A8EEE5, #AEAAEE, #EEAAB3 and #EAEEAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8EEE5 shade: #A8EEE5, #C3AAEE, #EEAAB3 and #D5EEAA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 4 / 7

HEX #A8EEE5

RGB 168 238 229

HSL 172.29, 0.67%, 0.8%

LAB 89.45, -23.57, -2.64

 

Complementary color

CMYK 0 / 80 / 70 / 66

HEX #57111A

RGB 87 17 26

HSL 352.29, 0.67%, 0.2%

LAB 17.93, 32.17, 13.59

 

CMYK 27 / 0 / 6 / 7

HEX #ADEEE0

RGB 173 238 224

HSL 167.08, 0.66%, 0.81%

LAB 89.59, -23.21, 0.2

 

CMYK 25 / 0 / 5 / 0

HEX #BEFFF3

RGB 190 255 243

HSL 168.92, 1%, 0.87%

LAB 95.55, -22.58, -0.83

 

CMYK 19 / 0 / 0 / 0

HEX #CFFFFF

RGB 207 255 255

HSL 180, 1%, 0.91%

LAB 96.82, -15.12, -5.04

 

CMYK 12 / 0 / 0 / 0

HEX #E0FFFF

RGB 224 255 255

HSL 180, 1%, 0.94%

LAB 97.87, -9.94, -3.38

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 29 / 0 / 4 / 7

HEX #A8EEE5

RGB 168 238 229

HSL 172.29, 0.67%, 0.8%

LAB 89.45, -23.57, -2.64

 

CMYK 31 / 0 / 5 / 14

HEX #97DCD2

RGB 151 220 210

HSL 171.3, 0.5%, 0.73%

LAB 83.14, -23.71, -2.01

 

CMYK 34 / 0 / 5 / 21

HEX #86CABF

RGB 134 202 191

HSL 170.29, 0.39%, 0.66%

LAB 76.72, -23.86, -1.34

 

CMYK 36 / 0 / 7 / 28

HEX #75B8AC

RGB 117 184 172

HSL 169.25, 0.32%, 0.59%

LAB 70.2, -24.02, -0.64

 

CMYK 40 / 0 / 8 / 35

HEX #64A699

RGB 100 166 153

HSL 168.18, 0.27%, 0.52%

LAB 63.58, -24.18, 0.1

 

CMYK 29 / 0 / 4 / 7

HEX #AAEEE5

RGB 170 238 229

HSL 172.06, 0.67%, 0.8%

LAB 89.56, -23.01, -2.48

 

CMYK 29 / 0 / 11 / 7

HEX #AAEED3

RGB 170 238 211

HSL 156.18, 0.67%, 0.8%

LAB 89.11, -26.76, 6.27

 

CMYK 29 / 0 / 19 / 7

HEX #AAEEC1

RGB 170 238 193

HSL 140.29, 0.67%, 0.8%

LAB 88.71, -30.23, 15.07

 

CMYK 29 / 0 / 27 / 7

HEX #AAEEAE

RGB 170 238 174

HSL 123.53, 0.67%, 0.8%

LAB 88.33, -33.56, 24.35

 

CMYK 23 / 0 / 29 / 7

HEX #B8EEAA

RGB 184 238 170

HSL 107.65, 0.67%, 0.8%

LAB 89.04, -29.63, 27.5

 

CMYK 29 / 0 / 4 / 7

HEX #AAEEE5

RGB 170 238 229

HSL 172.06, 0.67%, 0.8%

LAB 89.56, -23.01, -2.48

 

CMYK 29 / 4 / 0 / 7

HEX #AAE5EE

RGB 170 229 238

HSL 187.94, 0.67%, 0.8%

LAB 87.37, -16.56, -10.43

 

CMYK 29 / 12 / 0 / 7

HEX #AAD2EE

RGB 170 210 238

HSL 204.71, 0.67%, 0.8%

LAB 82.28, -6.81, -18.06

 

CMYK 29 / 19 / 0 / 7

HEX #AAC0EE

RGB 170 192 238

HSL 220.59, 0.67%, 0.8%

LAB 77.53, 2.78, -25.27

 

CMYK 29 / 27 / 0 / 7

HEX #AAADEE

RGB 170 173 238

HSL 237.35, 0.67%, 0.8%

LAB 72.63, 13.22, -32.79

 

CMYK 29 / 0 / 4 / 7

HEX #AAEEE5

RGB 170 238 229

HSL 172.06, 0.67%, 0.8%

LAB 89.56, -23.01, -2.48

 

CMYK 34 / 0 / 4 / 4

HEX #A2F6EC

RGB 162 246 236

HSL 172.86, 0.82%, 0.8%

LAB 91.53, -27.54, -3.28

 

CMYK 40 / 0 / 5 / 0

HEX #99FFF2

RGB 153 255 242

HSL 172.35, 1%, 0.8%

LAB 93.76, -32.74, -3.16

 

CMYK 29 / 0 / 4 / 7

HEX #AAEEE5

RGB 170 238 229

HSL 172.06, 0.67%, 0.8%

LAB 89.56, -23.01, -2.48

 

CMYK 23 / 0 / 3 / 10

HEX #B2E6DF

RGB 178 230 223

HSL 171.92, 0.51%, 0.8%

LAB 87.67, -18, -2.05

 

CMYK 16 / 0 / 2 / 13

HEX #BADED9

RGB 186 222 217

HSL 171.67, 0.35%, 0.8%

LAB 85.85, -12.75, -1.5

 

CMYK 8 / 0 / 1 / 16

HEX #C3D5D3

RGB 195 213 211

HSL 173.33, 0.18%, 0.8%

LAB 83.91, -6.41, -1.09

 

CMYK 1 / 0 / 0 / 20

HEX #CBCDCD

RGB 203 205 205

HSL 180, 0.02%, 0.8%

LAB 82.25, -0.68, -0.25

 

CMYK 29 / 0 / 19 / 7

HEX #AAEEC1

RGB 170 238 193

HSL 140.29, 0.67%, 0.8%

LAB 88.71, -30.23, 15.07

 

CMYK 29 / 0 / 11 / 7

HEX #AAEED3

RGB 170 238 211

HSL 156.18, 0.67%, 0.8%

LAB 89.11, -26.76, 6.27

 

CMYK 29 / 0 / 4 / 7

HEX #AAEEE5

RGB 170 238 229

HSL 172.06, 0.67%, 0.8%

LAB 89.56, -23.01, -2.48

 

CMYK 29 / 4 / 0 / 7

HEX #AAE5EE

RGB 170 229 238

HSL 187.94, 0.67%, 0.8%

LAB 87.37, -16.56, -10.43

 

CMYK 29 / 11 / 0 / 7

HEX #AAD3EE

RGB 170 211 238

HSL 203.82, 0.67%, 0.8%

LAB 82.54, -7.33, -17.66

 

CMYK 55 / 0 / 7 / 12

HEX #65E1D1

RGB 101 225 209

HSL 172.26, 0.67%, 0.64%

LAB 82.5, -38.35, -2.65

 

CMYK 42 / 0 / 5 / 9

HEX #87E7DB

RGB 135 231 219

HSL 172.5, 0.67%, 0.72%

LAB 85.71, -31.19, -3.07

 

CMYK 29 / 0 / 4 / 7

HEX #AAEEE5

RGB 170 238 229

HSL 172.06, 0.67%, 0.8%

LAB 89.56, -23.01, -2.48

 

CMYK 17 / 0 / 2 / 4

HEX #CCF5F0

RGB 204 245 240

HSL 172.68, 0.67%, 0.88%

LAB 93.64, -14.1, -1.99

 

CMYK 5 / 0 / 1 / 1

HEX #EFFCFA

RGB 239 252 250

HSL 170.77, 0.68%, 0.96%

LAB 97.98, -4.61, -0.53

 

CMYK 29 / 0 / 4 / 7

HEX #A8EEE5

RGB 168 238 229

HSL 172.29, 0.67%, 0.8%

LAB 89.45, -23.57, -2.64

 

CMYK 27 / 29 / 0 / 7

HEX #AEAAEE

RGB 174 170 238

HSL 243.53, 0.67%, 0.8%

LAB 72.18, 16.06, -33.47

 

CMYK 0 / 15 / 29 / 7

HEX #EECAAA

RGB 238 202 170

HSL 28.24, 0.67%, 0.8%

LAB 83.61, 8.06, 20.7

 

CMYK 29 / 0 / 4 / 7

HEX #A8EEE5

RGB 168 238 229

HSL 172.29, 0.67%, 0.8%

LAB 89.45, -23.57, -2.64

 

CMYK 4 / 29 / 0 / 7

HEX #E5AAEE

RGB 229 170 238

HSL 292.06, 0.67%, 0.8%

LAB 77.03, 32.92, -25.6

 

CMYK 0 / 4 / 29 / 7

HEX #EEE5AA

RGB 238 229 170

HSL 52.06, 0.67%, 0.8%

LAB 90.38, -5.84, 29.94

 

CMYK 29 / 0 / 4 / 7

HEX #A8EEE5

RGB 168 238 229

HSL 172.29, 0.67%, 0.8%

LAB 89.45, -23.57, -2.64

 

CMYK 27 / 29 / 0 / 7

HEX #AEAAEE

RGB 174 170 238

HSL 243.53, 0.67%, 0.8%

LAB 72.18, 16.06, -33.47

 

CMYK 0 / 29 / 25 / 7

HEX #EEAAB3

RGB 238 170 179

HSL 352.06, 0.67%, 0.8%

LAB 76.18, 26.21, 5.37

 

CMYK 2 / 0 / 29 / 7

HEX #EAEEAA

RGB 234 238 170

HSL 63.53, 0.67%, 0.8%

LAB 92.37, -11.84, 32.56

 

CMYK 29 / 0 / 4 / 7

HEX #A8EEE5

RGB 168 238 229

HSL 172.29, 0.67%, 0.8%

LAB 89.45, -23.57, -2.64

 

CMYK 18 / 29 / 0 / 7

HEX #C3AAEE

RGB 195 170 238

HSL 262.06, 0.67%, 0.8%

LAB 73.88, 22.32, -30.69

 

CMYK 0 / 29 / 25 / 7

HEX #EEAAB3

RGB 238 170 179

HSL 352.06, 0.67%, 0.8%

LAB 76.18, 26.21, 5.37

 

CMYK 11 / 0 / 29 / 7

HEX #D5EEAA

RGB 213 238 170

HSL 82.06, 0.67%, 0.8%

LAB 90.87, -19.52, 30.28

 

Description

Color code: HEX #A8EEE5 | qconv.com Color code: HEX #A8EEE5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 238 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 238 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 4 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 4% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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