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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8EE20 it is the complementary color #5711DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8EE20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8EE20 shade: #ADEE1B, #BEFF2E, #CFFF41, #E0FF54 and #F1FF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8EE20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8EE20 shade: #A8EE20, #97DC0D, #86CA00, #75B800 and #64A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8EE20 shade: #A8EE20, #E0EE20, #EEC520, #EE8E20 and #EE5620

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8EE20 shade: #A8EE20, #71EE20, #39EE20, #20EE3F and #20EE76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8EE20 shade matches the following richer shades: #A8EE20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8EE20 shade: #A8EE20, #A2DB33, #9CC747, #96B45A and #8FA16E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8EE20 shade: #EEC520, #E0EE20, #AAEE20, #73EE20 and #3CEE20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8EE20 shade: #78AF0D, #92D510, #A8EE20, #B7F146 and #C6F46D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8EE20 shade: #A8EE20, #20EE8E and #E020EE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8EE20 shade: #A8EE20, #20AAEE and #EE20AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8EE20 shade: #A8EE20, #20EE8E, #6520EE and #EE2080

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8EE20 shade: #A8EE20, #20EECC, #6520EE and #EE2042

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 87 / 7

HEX #A8EE20

RGB 168 238 32

HSL 80.39, 0.86%, 0.53%

LAB 86.79, -47.72, 80.49

 

Complementary color

CMYK 61 / 92 / 0 / 13

HEX #5711DF

RGB 87 17 223

HSL 260.39, 0.86%, 0.47%

LAB 33.47, 70.96, -87.65

 

CMYK 27 / 0 / 89 / 7

HEX #ADEE1B

RGB 173 238 27

HSL 78.48, 0.86%, 0.52%

LAB 87.05, -46, 81.68

 

CMYK 25 / 0 / 82 / 0

HEX #BEFF2E

RGB 190 255 46

HSL 78.66, 1%, 0.59%

LAB 92.87, -46.41, 83.25

 

CMYK 19 / 0 / 75 / 0

HEX #CFFF41

RGB 207 255 65

HSL 75.16, 1%, 0.63%

LAB 93.96, -39.27, 79.51

 

CMYK 12 / 0 / 67 / 0

HEX #E0FF54

RGB 224 255 84

HSL 70.88, 1%, 0.66%

LAB 95.16, -31.74, 74.69

 

CMYK 5 / 0 / 60 / 0

HEX #F1FF67

RGB 241 255 103

HSL 65.53, 1%, 0.7%

LAB 96.49, -23.91, 69.07

 

CMYK 29 / 0 / 87 / 7

HEX #A8EE20

RGB 168 238 32

HSL 80.39, 0.86%, 0.53%

LAB 86.79, -47.72, 80.49

 

CMYK 31 / 0 / 94 / 14

HEX #97DC0D

RGB 151 220 13

HSL 80, 0.89%, 0.46%

LAB 80.62, -46.76, 77.85

 

CMYK 34 / 0 / 100 / 21

HEX #86CA00

RGB 134 202 0

HSL 80.2, 1%, 0.4%

LAB 74.39, -45.6, 73.85

 

CMYK 36 / 0 / 100 / 28

HEX #75B800

RGB 117 184 0

HSL 81.85, 1%, 0.36%

LAB 68.07, -44.25, 68.6

 

CMYK 40 / 0 / 100 / 35

HEX #64A600

RGB 100 166 0

HSL 83.86, 1%, 0.33%

LAB 61.64, -42.85, 63.25

 

CMYK 29 / 0 / 87 / 7

HEX #A8EE20

RGB 168 238 32

HSL 80.39, 0.86%, 0.53%

LAB 86.79, -47.72, 80.49

 

CMYK 6 / 0 / 87 / 7

HEX #E0EE20

RGB 224 238 32

HSL 64.08, 0.86%, 0.53%

LAB 90.37, -25.84, 84.9

 

CMYK 0 / 17 / 87 / 7

HEX #EEC520

RGB 238 197 32

HSL 48.06, 0.86%, 0.53%

LAB 80.86, 0.39, 77.74

 

CMYK 0 / 40 / 87 / 7

HEX #EE8E20

RGB 238 142 32

HSL 32.04, 0.86%, 0.53%

LAB 67.75, 29.29, 67.25

 

CMYK 0 / 64 / 87 / 7

HEX #EE5620

RGB 238 86 32

HSL 15.73, 0.86%, 0.53%

LAB 57.01, 56.35, 58.68

 

CMYK 29 / 0 / 87 / 7

HEX #A8EE20

RGB 168 238 32

HSL 80.39, 0.86%, 0.53%

LAB 86.79, -47.72, 80.49

 

CMYK 53 / 0 / 87 / 7

HEX #71EE20

RGB 113 238 32

HSL 96.41, 0.86%, 0.53%

LAB 84.36, -65.4, 77.46

 

CMYK 76 / 0 / 87 / 7

HEX #39EE20

RGB 57 238 32

HSL 112.72, 0.86%, 0.53%

LAB 82.98, -76.91, 75.72

 

CMYK 87 / 0 / 74 / 7

HEX #20EE3F

RGB 32 238 63

HSL 129.03, 0.86%, 0.53%

LAB 82.81, -77.85, 67.21

 

CMYK 87 / 0 / 50 / 7

HEX #20EE76

RGB 32 238 118

HSL 145.05, 0.86%, 0.53%

LAB 83.32, -71.63, 44.91

 

CMYK 29 / 0 / 87 / 7

HEX #A8EE20

RGB 168 238 32

HSL 80.39, 0.86%, 0.53%

LAB 86.79, -47.72, 80.49

 

CMYK 29 / 0 / 87 / 7

HEX #A8EE20

RGB 168 238 32

HSL 80.39, 0.86%, 0.53%

LAB 86.79, -47.72, 80.49

 

CMYK 26 / 0 / 77 / 14

HEX #A2DB33

RGB 162 219 51

HSL 80.36, 0.7%, 0.53%

LAB 81.06, -41.1, 70.7

 

CMYK 22 / 0 / 64 / 22

HEX #9CC747

RGB 156 199 71

HSL 80.16, 0.53%, 0.53%

LAB 75.06, -33.18, 57.42

 

CMYK 17 / 0 / 50 / 29

HEX #96B45A

RGB 150 180 90

HSL 80, 0.38%, 0.53%

LAB 69.37, -24.76, 42.21

 

CMYK 11 / 0 / 32 / 37

HEX #8FA16E

RGB 143 161 110

HSL 81.18, 0.21%, 0.53%

LAB 63.72, -15.38, 24.52

 

CMYK 0 / 17 / 87 / 7

HEX #EEC520

RGB 238 197 32

HSL 48.06, 0.86%, 0.53%

LAB 80.86, 0.39, 77.74

 

CMYK 6 / 0 / 87 / 7

HEX #E0EE20

RGB 224 238 32

HSL 64.08, 0.86%, 0.53%

LAB 90.37, -25.84, 84.9

 

CMYK 29 / 0 / 87 / 7

HEX #AAEE20

RGB 170 238 32

HSL 79.81, 0.86%, 0.53%

LAB 86.9, -46.99, 80.62

 

CMYK 52 / 0 / 87 / 7

HEX #73EE20

RGB 115 238 32

HSL 95.83, 0.86%, 0.53%

LAB 84.43, -64.86, 77.55

 

CMYK 75 / 0 / 87 / 7

HEX #3CEE20

RGB 60 238 32

HSL 111.84, 0.86%, 0.53%

LAB 83.03, -76.49, 75.78

 

CMYK 31 / 0 / 93 / 31

HEX #78AF0D

RGB 120 175 13

HSL 80.37, 0.86%, 0.37%

LAB 65.5, -39.05, 65.03

 

CMYK 31 / 0 / 92 / 16

HEX #92D510

RGB 146 213 16

HSL 80.41, 0.86%, 0.45%

LAB 78.31, -45.6, 75.55

 

CMYK 29 / 0 / 87 / 7

HEX #A8EE20

RGB 168 238 32

HSL 80.39, 0.86%, 0.53%

LAB 86.79, -47.72, 80.49

 

CMYK 24 / 0 / 71 / 5

HEX #B7F146

RGB 183 241 70

HSL 80.35, 0.86%, 0.61%

LAB 88.65, -41.9, 72.27

 

CMYK 19 / 0 / 55 / 4

HEX #C6F46D

RGB 198 244 109

HSL 80.44, 0.86%, 0.69%

LAB 90.69, -34.82, 59.23

 

CMYK 29 / 0 / 87 / 7

HEX #A8EE20

RGB 168 238 32

HSL 80.39, 0.86%, 0.53%

LAB 86.79, -47.72, 80.49

 

CMYK 87 / 0 / 40 / 7

HEX #20EE8E

RGB 32 238 142

HSL 152.04, 0.86%, 0.53%

LAB 83.66, -67.62, 33.62

 

CMYK 6 / 87 / 0 / 7

HEX #E020EE

RGB 224 32 238

HSL 295.92, 0.86%, 0.53%

LAB 55.13, 87.93, -59.98

 

CMYK 29 / 0 / 87 / 7

HEX #A8EE20

RGB 168 238 32

HSL 80.39, 0.86%, 0.53%

LAB 86.79, -47.72, 80.49

 

CMYK 87 / 29 / 0 / 7

HEX #20AAEE

RGB 32 170 238

HSL 199.81, 0.86%, 0.53%

LAB 65.93, -11.18, -43.68

 

CMYK 0 / 87 / 29 / 7

HEX #EE20AA

RGB 238 32 170

HSL 319.81, 0.86%, 0.53%

LAB 54.15, 81.58, -22.33

 

CMYK 29 / 0 / 87 / 7

HEX #A8EE20

RGB 168 238 32

HSL 80.39, 0.86%, 0.53%

LAB 86.79, -47.72, 80.49

 

CMYK 87 / 0 / 40 / 7

HEX #20EE8E

RGB 32 238 142

HSL 152.04, 0.86%, 0.53%

LAB 83.66, -67.62, 33.62

 

CMYK 58 / 87 / 0 / 7

HEX #6520EE

RGB 101 32 238

HSL 260.1, 0.86%, 0.53%

LAB 37.79, 71.91, -88.99

 

CMYK 0 / 87 / 46 / 7

HEX #EE2080

RGB 238 32 128

HSL 332.04, 0.86%, 0.53%

LAB 52.7, 77.57, 0.48

 

CMYK 29 / 0 / 87 / 7

HEX #A8EE20

RGB 168 238 32

HSL 80.39, 0.86%, 0.53%

LAB 86.79, -47.72, 80.49

 

CMYK 87 / 0 / 14 / 7

HEX #20EECC

RGB 32 238 204

HSL 170.1, 0.86%, 0.53%

LAB 84.9, -53.88, 3.34

 

CMYK 58 / 87 / 0 / 7

HEX #6520EE

RGB 101 32 238

HSL 260.1, 0.86%, 0.53%

LAB 37.79, 71.91, -88.99

 

CMYK 0 / 87 / 72 / 7

HEX #EE2042

RGB 238 32 66

HSL 350.1, 0.86%, 0.53%

LAB 51.39, 73.83, 36.06

 

Description

Color code: HEX #A8EE20 | qconv.com Color code: HEX #A8EE20 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 238 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 238 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 87 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 87% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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