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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8EC43 it is the complementary color #5713BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8EC43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8EC43 shade: #ADEC3E, #BEFE51, #CFFF64, #E0FF77 and #F1FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8EC43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8EC43 shade: #A8EC43, #97DA30, #86C81D, #75B60A and #64A400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8EC43 shade: #A7EC41, #D5EC41, #ECD541, #ECA641 and #EC7841

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8EC43 shade: #A7EC41, #79EC41, #4BEC41, #41EC65 and #41EC93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8EC43 shade matches the following richer shades: #A7EC41 and #ABFD30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8EC43 shade: #A7EC41, #A4DB52, #A1CA63, #9DB973 and #9AA984

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8EC43 shade: #ECD541, #D5EC41, #A8EC41, #7AEC41 and #4CEC41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8EC43 shade: #7FC714, #96E81B, #A7EC41, #B9F066 and #CAF48C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8EC43 shade: #A8EC43, #41ECA8 and #EC41EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8EC43 shade: #A8EC43, #41A8EC and #EC41A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8EC43 shade: #A8EC43, #41ECA8, #8541EC and #EC4185

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8EC43 shade: #A8EC43, #41ECDB, #8541EC and #EC4152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 72 / 7

HEX #A8EC43

RGB 168 236 67

HSL 84.14, 0.82%, 0.59%

LAB 86.37, -45.4, 70.76

 

Complementary color

CMYK 54 / 90 / 0 / 26

HEX #5713BC

RGB 87 19 188

HSL 264.14, 0.82%, 0.41%

LAB 29.72, 62.12, -73.45

 

CMYK 27 / 0 / 74 / 7

HEX #ADEC3E

RGB 173 236 62

HSL 81.72, 0.82%, 0.58%

LAB 86.61, -43.86, 72.75

 

CMYK 25 / 0 / 68 / 0

HEX #BEFE51

RGB 190 254 81

HSL 82.2, 0.99%, 0.66%

LAB 92.76, -44.31, 72.65

 

CMYK 19 / 0 / 61 / 0

HEX #CFFF64

RGB 207 255 100

HSL 78.58, 1%, 0.7%

LAB 94.19, -37.17, 67.12

 

CMYK 12 / 0 / 53 / 0

HEX #E0FF77

RGB 224 255 119

HSL 73.68, 1%, 0.73%

LAB 95.45, -29.24, 60.74

 

CMYK 5 / 0 / 46 / 0

HEX #F1FF8A

RGB 241 255 138

HSL 67.18, 1%, 0.77%

LAB 96.84, -21.05, 54.02

 

CMYK 29 / 0 / 72 / 7

HEX #A8EC43

RGB 168 236 67

HSL 84.14, 0.82%, 0.59%

LAB 86.37, -45.4, 70.76

 

CMYK 31 / 0 / 78 / 15

HEX #97DA30

RGB 151 218 48

HSL 83.65, 0.7%, 0.52%

LAB 80.14, -44.89, 70.51

 

CMYK 33 / 0 / 86 / 22

HEX #86C81D

RGB 134 200 29

HSL 83.16, 0.75%, 0.45%

LAB 73.85, -44.18, 69.39

 

CMYK 36 / 0 / 95 / 29

HEX #75B60A

RGB 117 182 10

HSL 82.67, 0.9%, 0.38%

LAB 67.47, -43.24, 66.94

 

CMYK 39 / 0 / 100 / 36

HEX #64A400

RGB 100 164 0

HSL 83.41, 1%, 0.32%

LAB 61.01, -42.01, 62.76

 

CMYK 29 / 0 / 72 / 7

HEX #A7EC41

RGB 167 236 65

HSL 84.21, 0.82%, 0.59%

LAB 86.3, -45.88, 71.35

 

CMYK 10 / 0 / 72 / 7

HEX #D5EC41

RGB 213 236 65

HSL 68.07, 0.82%, 0.59%

LAB 89.17, -28.26, 75.11

 

CMYK 0 / 10 / 72 / 7

HEX #ECD541

RGB 236 213 65

HSL 51.93, 0.82%, 0.59%

LAB 84.9, -7.56, 71.65

 

CMYK 0 / 30 / 72 / 7

HEX #ECA641

RGB 236 166 65

HSL 35.44, 0.82%, 0.59%

LAB 73.21, 16.88, 60.13

 

CMYK 0 / 49 / 72 / 7

HEX #EC7841

RGB 236 120 65

HSL 19.3, 0.82%, 0.59%

LAB 63.05, 40.9, 49.55

 

CMYK 29 / 0 / 72 / 7

HEX #A7EC41

RGB 167 236 65

HSL 84.21, 0.82%, 0.59%

LAB 86.3, -45.88, 71.35

 

CMYK 49 / 0 / 72 / 7

HEX #79EC41

RGB 121 236 65

HSL 100.35, 0.82%, 0.59%

LAB 84.19, -60.85, 68.56

 

CMYK 68 / 0 / 72 / 7

HEX #4BEC41

RGB 75 236 65

HSL 116.49, 0.82%, 0.59%

LAB 82.84, -71.63, 66.76

 

CMYK 72 / 0 / 57 / 7

HEX #41EC65

RGB 65 236 101

HSL 132.63, 0.82%, 0.59%

LAB 82.94, -69.72, 52.4

 

CMYK 72 / 0 / 38 / 7

HEX #41EC93

RGB 65 236 147

HSL 148.77, 0.82%, 0.59%

LAB 83.56, -62.6, 31.05

 

CMYK 29 / 0 / 72 / 7

HEX #A7EC41

RGB 167 236 65

HSL 84.21, 0.82%, 0.59%

LAB 86.3, -45.88, 71.35

 

CMYK 32 / 0 / 81 / 1

HEX #ABFD30

RGB 171 253 48

HSL 84, 0.98%, 0.59%

LAB 91.29, -52.33, 81

 

CMYK 29 / 0 / 72 / 7

HEX #A7EC41

RGB 167 236 65

HSL 84.21, 0.82%, 0.59%

LAB 86.3, -45.88, 71.35

 

CMYK 25 / 0 / 63 / 14

HEX #A4DB52

RGB 164 219 82

HSL 84.09, 0.66%, 0.59%

LAB 81.38, -38.42, 59.83

 

CMYK 20 / 0 / 51 / 21

HEX #A1CA63

RGB 161 202 99

HSL 83.88, 0.49%, 0.59%

LAB 76.51, -30.17, 46.59

 

CMYK 15 / 0 / 38 / 27

HEX #9DB973

RGB 157 185 115

HSL 84, 0.33%, 0.59%

LAB 71.63, -21.55, 32.44

 

CMYK 9 / 0 / 22 / 34

HEX #9AA984

RGB 154 169 132

HSL 84.32, 0.18%, 0.59%

LAB 67.21, -12, 17.38

 

CMYK 0 / 10 / 72 / 7

HEX #ECD541

RGB 236 213 65

HSL 51.93, 0.82%, 0.59%

LAB 84.9, -7.56, 71.65

 

CMYK 10 / 0 / 72 / 7

HEX #D5EC41

RGB 213 236 65

HSL 68.07, 0.82%, 0.59%

LAB 89.17, -28.26, 75.11

 

CMYK 29 / 0 / 72 / 7

HEX #A8EC41

RGB 168 236 65

HSL 83.86, 0.82%, 0.59%

LAB 86.35, -45.52, 71.42

 

CMYK 48 / 0 / 72 / 7

HEX #7AEC41

RGB 122 236 65

HSL 100, 0.82%, 0.59%

LAB 84.23, -60.56, 68.61

 

CMYK 68 / 0 / 72 / 7

HEX #4CEC41

RGB 76 236 65

HSL 116.14, 0.82%, 0.59%

LAB 82.87, -71.45, 66.79

 

CMYK 36 / 0 / 90 / 22

HEX #7FC714

RGB 127 199 20

HSL 84.13, 0.82%, 0.43%

LAB 73.16, -46.54, 70.37

 

CMYK 35 / 0 / 88 / 9

HEX #96E81B

RGB 150 232 27

HSL 84, 0.82%, 0.51%

LAB 84.11, -51.78, 78.76

 

CMYK 29 / 0 / 72 / 7

HEX #A7EC41

RGB 167 236 65

HSL 84.21, 0.82%, 0.59%

LAB 86.3, -45.88, 71.35

 

CMYK 23 / 0 / 58 / 6

HEX #B9F066

RGB 185 240 102

HSL 83.91, 0.82%, 0.67%

LAB 88.73, -38.42, 59.84

 

CMYK 17 / 0 / 43 / 4

HEX #CAF48C

RGB 202 244 140

HSL 84.23, 0.83%, 0.75%

LAB 91.3, -30.19, 45.63

 

CMYK 29 / 0 / 72 / 7

HEX #A8EC43

RGB 168 236 67

HSL 84.14, 0.82%, 0.59%

LAB 86.37, -45.4, 70.76

 

CMYK 72 / 0 / 29 / 7

HEX #41ECA8

RGB 65 236 168

HSL 156.14, 0.82%, 0.59%

LAB 83.94, -58.44, 20.81

 

CMYK 0 / 72 / 0 / 7

HEX #EC41EC

RGB 236 65 236

HSL 300, 0.82%, 0.59%

LAB 59.59, 82.13, -51.62

 

CMYK 29 / 0 / 72 / 7

HEX #A8EC43

RGB 168 236 67

HSL 84.14, 0.82%, 0.59%

LAB 86.37, -45.4, 70.76

 

CMYK 72 / 29 / 0 / 7

HEX #41A8EC

RGB 65 168 236

HSL 203.86, 0.82%, 0.59%

LAB 65.89, -7.62, -42.6

 

CMYK 0 / 72 / 29 / 7

HEX #EC41A8

RGB 236 65 168

HSL 323.86, 0.82%, 0.59%

LAB 56.53, 72.85, -17.56

 

CMYK 29 / 0 / 72 / 7

HEX #A8EC43

RGB 168 236 67

HSL 84.14, 0.82%, 0.59%

LAB 86.37, -45.4, 70.76

 

CMYK 72 / 0 / 29 / 7

HEX #41ECA8

RGB 65 236 168

HSL 156.14, 0.82%, 0.59%

LAB 83.94, -58.44, 20.81

 

CMYK 44 / 72 / 0 / 7

HEX #8541EC

RGB 133 65 236

HSL 263.86, 0.82%, 0.59%

LAB 45.39, 62.86, -75.23

 

CMYK 0 / 72 / 44 / 7

HEX #EC4185

RGB 236 65 133

HSL 336.14, 0.82%, 0.59%

LAB 55.39, 69.21, 1.36

 

CMYK 29 / 0 / 72 / 7

HEX #A8EC43

RGB 168 236 67

HSL 84.14, 0.82%, 0.59%

LAB 86.37, -45.4, 70.76

 

CMYK 72 / 0 / 7 / 7

HEX #41ECDB

RGB 65 236 219

HSL 174.04, 0.82%, 0.59%

LAB 85.11, -46.25, -4.19

 

CMYK 44 / 72 / 0 / 7

HEX #8541EC

RGB 133 65 236

HSL 263.86, 0.82%, 0.59%

LAB 45.39, 62.86, -75.23

 

CMYK 0 / 72 / 65 / 7

HEX #EC4152

RGB 236 65 82

HSL 354.04, 0.82%, 0.59%

LAB 54.26, 65.5, 30.11

 

Description

Color code: HEX #A8EC43 | qconv.com Color code: HEX #A8EC43 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 236 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 236 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 72 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 72% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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