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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8DFE2 it is the complementary color #57201D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8DFE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8DFE2 shade: #ADDFDD, #BEF1F0, #CFFFFF, #E0FFFF and #F1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8DFE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8DFE2 shade: #A8DFE2, #97CDCF, #86BBBC, #75A9A9 and #649796

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8DFE2 shade: #A7DFE2, #A7CFE2, #A7BFE2, #A7AFE2 and #AFA7E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8DFE2 shade: #A7DFE2, #A7CFE2, #A7BFE2, #A7AFE2 and #A7A7E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8DFE2 shade matches the following richer shades: #A7DFE2, #9EE7EB, #94F0F5 and #8BF8FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8DFE2 shade: #A7DFE2, #B1D6D8, #BACECF, #C3C5C5 and #CDBDBC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8DFE2 shade: #A7E2C5, #A7E2D5, #A7DFE2, #A7CFE2 and #A7BFE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8DFE2 shade: #69C8CD, #88D3D7, #A7DFE2, #C6EAEC and #E5F5F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8DFE2 shade: #A8DFE2, #B6A7E2 and #E2CDA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8DFE2 shade: #A8DFE2, #E2A7DF and #DFE2A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8DFE2 shade: #A8DFE2, #B6A7E2, #E2AAA7 and #D3E2A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8DFE2 shade: #A8DFE2, #C7A7E2, #E2AAA7 and #C1E2A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 1 / 0 / 11

HEX #A8DFE2

RGB 168 223 226

HSL 183.1, 0.5%, 0.77%

LAB 85.3, -16.8, -7.19

 

Complementary color

CMYK 0 / 63 / 67 / 66

HEX #57201D

RGB 87 32 29

HSL 3.1, 0.5%, 0.23%

LAB 20.63, 25.24, 14.95

 

CMYK 22 / 0 / 1 / 13

HEX #ADDFDD

RGB 173 223 221

HSL 177.6, 0.44%, 0.78%

LAB 85.44, -16.42, -4.3

 

CMYK 21 / 0 / 0 / 5

HEX #BEF1F0

RGB 190 241 240

HSL 178.82, 0.65%, 0.85%

LAB 91.75, -16.34, -4.86

 

CMYK 19 / 0 / 0 / 0

HEX #CFFFFF

RGB 207 255 255

HSL 180, 1%, 0.91%

LAB 96.82, -15.12, -5.04

 

CMYK 12 / 0 / 0 / 0

HEX #E0FFFF

RGB 224 255 255

HSL 180, 1%, 0.94%

LAB 97.87, -9.94, -3.38

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 26 / 1 / 0 / 11

HEX #A8DFE2

RGB 168 223 226

HSL 183.1, 0.5%, 0.77%

LAB 85.3, -16.8, -7.19

 

CMYK 27 / 1 / 0 / 19

HEX #97CDCF

RGB 151 205 207

HSL 182.14, 0.37%, 0.7%

LAB 78.9, -16.88, -6.65

 

CMYK 29 / 1 / 0 / 26

HEX #86BBBC

RGB 134 187 188

HSL 181.11, 0.29%, 0.63%

LAB 72.39, -16.96, -6.09

 

CMYK 31 / 0 / 0 / 34

HEX #75A9A9

RGB 117 169 169

HSL 180, 0.23%, 0.56%

LAB 65.77, -17.05, -5.51

 

CMYK 34 / 0 / 1 / 41

HEX #649796

RGB 100 151 150

HSL 178.82, 0.2%, 0.49%

LAB 59.02, -17.15, -4.9

 

CMYK 26 / 1 / 0 / 11

HEX #A7DFE2

RGB 167 223 226

HSL 183.05, 0.5%, 0.77%

LAB 85.24, -17.09, -7.28

 

CMYK 26 / 8 / 0 / 11

HEX #A7CFE2

RGB 167 207 226

HSL 199.32, 0.5%, 0.77%

LAB 80.92, -8.89, -13.72

 

CMYK 26 / 15 / 0 / 11

HEX #A7BFE2

RGB 167 191 226

HSL 215.59, 0.5%, 0.77%

LAB 76.66, -0.41, -20.14

 

CMYK 26 / 23 / 0 / 11

HEX #A7AFE2

RGB 167 175 226

HSL 231.86, 0.5%, 0.77%

LAB 72.47, 8.33, -26.52

 

CMYK 23 / 26 / 0 / 11

HEX #AFA7E2

RGB 175 167 226

HSL 248.14, 0.5%, 0.77%

LAB 71.04, 15.18, -28.68

 

CMYK 26 / 1 / 0 / 11

HEX #A7DFE2

RGB 167 223 226

HSL 183.05, 0.5%, 0.77%

LAB 85.24, -17.09, -7.28

 

CMYK 26 / 8 / 0 / 11

HEX #A7CFE2

RGB 167 207 226

HSL 199.32, 0.5%, 0.77%

LAB 80.92, -8.89, -13.72

 

CMYK 26 / 15 / 0 / 11

HEX #A7BFE2

RGB 167 191 226

HSL 215.59, 0.5%, 0.77%

LAB 76.66, -0.41, -20.14

 

CMYK 26 / 23 / 0 / 11

HEX #A7AFE2

RGB 167 175 226

HSL 231.86, 0.5%, 0.77%

LAB 72.47, 8.33, -26.52

 

CMYK 26 / 26 / 0 / 11

HEX #A7A7E2

RGB 167 167 226

HSL 240, 0.5%, 0.77%

LAB 70.42, 12.78, -29.68

 

CMYK 26 / 1 / 0 / 11

HEX #A7DFE2

RGB 167 223 226

HSL 183.05, 0.5%, 0.77%

LAB 85.24, -17.09, -7.28

 

CMYK 33 / 2 / 0 / 8

HEX #9EE7EB

RGB 158 231 235

HSL 183.12, 0.66%, 0.77%

LAB 87.2, -21.54, -9.17

 

CMYK 40 / 2 / 0 / 4

HEX #94F0F5

RGB 148 240 245

HSL 183.09, 0.83%, 0.77%

LAB 89.49, -26.13, -11.06

 

CMYK 45 / 2 / 0 / 0

HEX #8BF8FE

RGB 139 248 254

HSL 183.13, 0.98%, 0.77%

LAB 91.59, -29.86, -12.66

 

CMYK 26 / 1 / 0 / 11

HEX #A7DFE2

RGB 167 223 226

HSL 183.05, 0.5%, 0.77%

LAB 85.24, -17.09, -7.28

 

CMYK 18 / 1 / 0 / 15

HEX #B1D6D8

RGB 177 214 216

HSL 183.08, 0.33%, 0.77%

LAB 83.12, -11.69, -5.04

 

CMYK 10 / 0 / 0 / 19

HEX #BACECF

RGB 186 206 207

HSL 182.86, 0.18%, 0.77%

LAB 81.34, -6.52, -2.8

 

CMYK 1 / 0 / 0 / 23

HEX #C3C5C5

RGB 195 197 197

HSL 180, 0.02%, 0.77%

LAB 79.37, -0.69, -0.25

 

CMYK 0 / 8 / 8 / 20

HEX #CDBDBC

RGB 205 189 188

HSL 3.53, 0.15%, 0.77%

LAB 77.88, 5.47, 2.54

 

CMYK 26 / 0 / 13 / 11

HEX #A7E2C5

RGB 167 226 197

HSL 150.51, 0.5%, 0.77%

LAB 85.32, -24.64, 8.14

 

CMYK 26 / 0 / 6 / 11

HEX #A7E2D5

RGB 167 226 213

HSL 166.78, 0.5%, 0.77%

LAB 85.71, -21.4, 0.27

 

CMYK 26 / 1 / 0 / 11

HEX #A7DFE2

RGB 167 223 226

HSL 183.05, 0.5%, 0.77%

LAB 85.24, -17.09, -7.28

 

CMYK 26 / 8 / 0 / 11

HEX #A7CFE2

RGB 167 207 226

HSL 199.32, 0.5%, 0.77%

LAB 80.92, -8.89, -13.72

 

CMYK 26 / 15 / 0 / 11

HEX #A7BFE2

RGB 167 191 226

HSL 215.59, 0.5%, 0.77%

LAB 76.66, -0.41, -20.14

 

CMYK 49 / 2 / 0 / 20

HEX #69C8CD

RGB 105 200 205

HSL 183, 0.5%, 0.61%

LAB 75.28, -26.72, -11.19

 

CMYK 37 / 2 / 0 / 16

HEX #88D3D7

RGB 136 211 215

HSL 183.04, 0.5%, 0.69%

LAB 80.03, -22.16, -9.35

 

CMYK 26 / 1 / 0 / 11

HEX #A7DFE2

RGB 167 223 226

HSL 183.05, 0.5%, 0.77%

LAB 85.24, -17.09, -7.28

 

CMYK 16 / 1 / 0 / 7

HEX #C6EAEC

RGB 198 234 236

HSL 183.16, 0.5%, 0.85%

LAB 90.28, -11.23, -4.89

 

CMYK 7 / 0 / 0 / 4

HEX #E5F5F6

RGB 229 245 246

HSL 183.53, 0.49%, 0.93%

LAB 95.42, -5.05, -2.3

 

CMYK 26 / 1 / 0 / 11

HEX #A8DFE2

RGB 168 223 226

HSL 183.1, 0.5%, 0.77%

LAB 85.3, -16.8, -7.19

 

CMYK 19 / 26 / 0 / 11

HEX #B6A7E2

RGB 182 167 226

HSL 255.25, 0.5%, 0.77%

LAB 71.6, 17.32, -27.76

 

CMYK 0 / 9 / 26 / 11

HEX #E2CDA7

RGB 226 205 167

HSL 38.64, 0.5%, 0.77%

LAB 83.24, 1.55, 21.61

 

CMYK 26 / 1 / 0 / 11

HEX #A8DFE2

RGB 168 223 226

HSL 183.1, 0.5%, 0.77%

LAB 85.3, -16.8, -7.19

 

CMYK 0 / 26 / 1 / 11

HEX #E2A7DF

RGB 226 167 223

HSL 303.05, 0.5%, 0.77%

LAB 75.53, 30.77, -19.76

 

CMYK 1 / 0 / 26 / 11

HEX #DFE2A7

RGB 223 226 167

HSL 63.05, 0.5%, 0.77%

LAB 88.39, -10.32, 28.59

 

CMYK 26 / 1 / 0 / 11

HEX #A8DFE2

RGB 168 223 226

HSL 183.1, 0.5%, 0.77%

LAB 85.3, -16.8, -7.19

 

CMYK 19 / 26 / 0 / 11

HEX #B6A7E2

RGB 182 167 226

HSL 255.25, 0.5%, 0.77%

LAB 71.6, 17.32, -27.76

 

CMYK 0 / 25 / 26 / 11

HEX #E2AAA7

RGB 226 170 167

HSL 3.05, 0.5%, 0.77%

LAB 74.64, 20.11, 9.55

 

CMYK 7 / 0 / 26 / 11

HEX #D3E2A7

RGB 211 226 167

HSL 75.25, 0.5%, 0.77%

LAB 87.5, -14.75, 27.24

 

CMYK 26 / 1 / 0 / 11

HEX #A8DFE2

RGB 168 223 226

HSL 183.1, 0.5%, 0.77%

LAB 85.3, -16.8, -7.19

 

CMYK 12 / 26 / 0 / 11

HEX #C7A7E2

RGB 199 167 226

HSL 272.54, 0.5%, 0.77%

LAB 73.07, 22.64, -25.38

 

CMYK 0 / 25 / 26 / 11

HEX #E2AAA7

RGB 226 170 167

HSL 3.05, 0.5%, 0.77%

LAB 74.64, 20.11, 9.55

 

CMYK 15 / 0 / 26 / 11

HEX #C1E2A7

RGB 193 226 167

HSL 93.56, 0.5%, 0.77%

LAB 86.27, -21.23, 25.36

 

Description

Color code: HEX #A8DFE2 | qconv.com Color code: HEX #A8DFE2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 223 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 223 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 1 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 1% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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