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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8D97B it is the complementary color #572684. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8D97B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8D97B shade: #ADD976, #BEEB89, #CFFD9C, #E0FFAF and #F1FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8D97B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8D97B shade: #A8D97B, #97C768, #86B555, #75A342 and #64912F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8D97B shade: #A8D97C, #C1D97C, #D9D77C, #D9BE7C and #D9A57C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8D97B shade: #A8D97C, #8FD97C, #7CD982, #7CD99B and #7CD9B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8D97B shade matches the following richer shades: #A8D97C, #A8E66E and #A7F461

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8D97B shade: #A8D97C, #A9CB8A, #AABD97, #AAB0A5 and #ABA2B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8D97B shade: #D9D77C, #C1D97C, #A9D97C, #90D97C and #7CD981

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8D97B shade: #7EC63C, #93CF5C, #A8D97C, #BDE29C and #D3EBBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8D97B shade: #A8D97B, #7CD9BE and #D97CCE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8D97B shade: #A8D97B, #7CA9D9 and #D97CA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8D97B shade: #A8D97B, #7CD9BE, #AC7CD9 and #D97C96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8D97B shade: #A8D97B, #7CD7D9, #AC7CD9 and #D97E7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 43 / 15

HEX #A8D97B

RGB 168 217 123

HSL 91.28, 0.55%, 0.67%

LAB 81.5, -31.9, 41.14

 

Complementary color

CMYK 34 / 71 / 0 / 48

HEX #572684

RGB 87 38 132

HSL 271.28, 0.55%, 0.33%

LAB 26.96, 40.94, -43.91

 

CMYK 20 / 0 / 46 / 15

HEX #ADD976

RGB 173 217 118

HSL 86.67, 0.57%, 0.66%

LAB 81.74, -30.68, 43.97

 

CMYK 19 / 0 / 42 / 8

HEX #BEEB89

RGB 190 235 137

HSL 87.55, 0.71%, 0.73%

LAB 88.05, -30.68, 42.82

 

CMYK 18 / 0 / 38 / 1

HEX #CFFD9C

RGB 207 253 156

HSL 88.45, 0.96%, 0.8%

LAB 94.28, -30.66, 41.7

 

CMYK 12 / 0 / 31 / 0

HEX #E0FFAF

RGB 224 255 175

HSL 83.25, 1%, 0.84%

LAB 96.19, -23.1, 35.02

 

CMYK 5 / 0 / 24 / 0

HEX #F1FFC2

RGB 241 255 194

HSL 73.77, 1%, 0.88%

LAB 97.68, -14.45, 27.69

 

CMYK 23 / 0 / 43 / 15

HEX #A8D97B

RGB 168 217 123

HSL 91.28, 0.55%, 0.67%

LAB 81.5, -31.9, 41.14

 

CMYK 24 / 0 / 48 / 22

HEX #97C768

RGB 151 199 104

HSL 90.32, 0.46%, 0.59%

LAB 75.09, -31.94, 42.31

 

CMYK 26 / 0 / 53 / 29

HEX #86B555

RGB 134 181 85

HSL 89.38, 0.39%, 0.52%

LAB 68.59, -31.92, 43.46

 

CMYK 28 / 0 / 60 / 36

HEX #75A342

RGB 117 163 66

HSL 88.45, 0.42%, 0.45%

LAB 61.97, -31.83, 44.54

 

CMYK 31 / 0 / 68 / 43

HEX #64912F

RGB 100 145 47

HSL 87.55, 0.51%, 0.38%

LAB 55.24, -31.61, 45.38

 

CMYK 23 / 0 / 43 / 15

HEX #A8D97C

RGB 168 217 124

HSL 91.61, 0.55%, 0.67%

LAB 81.51, -31.78, 40.67

 

CMYK 11 / 0 / 43 / 15

HEX #C1D97C

RGB 193 217 124

HSL 75.48, 0.55%, 0.67%

LAB 83.14, -22.49, 43.05

 

CMYK 0 / 1 / 43 / 15

HEX #D9D77C

RGB 217 215 124

HSL 58.71, 0.55%, 0.67%

LAB 84.38, -12.15, 45

 

CMYK 0 / 12 / 43 / 15

HEX #D9BE7C

RGB 217 190 124

HSL 42.58, 0.55%, 0.67%

LAB 77.89, 0.69, 36.81

 

CMYK 0 / 24 / 43 / 15

HEX #D9A57C

RGB 217 165 124

HSL 26.45, 0.55%, 0.67%

LAB 71.63, 14, 28.65

 

CMYK 23 / 0 / 43 / 15

HEX #A8D97C

RGB 168 217 124

HSL 91.61, 0.55%, 0.67%

LAB 81.51, -31.78, 40.67

 

CMYK 34 / 0 / 43 / 15

HEX #8FD97C

RGB 143 217 124

HSL 107.74, 0.55%, 0.67%

LAB 80.13, -40.37, 38.63

 

CMYK 43 / 0 / 40 / 15

HEX #7CD982

RGB 124 217 130

HSL 123.87, 0.55%, 0.67%

LAB 79.34, -45.36, 34.42

 

CMYK 43 / 0 / 29 / 15

HEX #7CD99B

RGB 124 217 155

HSL 140, 0.55%, 0.67%

LAB 79.77, -41.13, 22.1

 

CMYK 43 / 0 / 17 / 15

HEX #7CD9B4

RGB 124 217 180

HSL 156.13, 0.55%, 0.67%

LAB 80.3, -36.16, 9.65

 

CMYK 23 / 0 / 43 / 15

HEX #A8D97C

RGB 168 217 124

HSL 91.61, 0.55%, 0.67%

LAB 81.51, -31.78, 40.67

 

CMYK 27 / 0 / 52 / 10

HEX #A8E66E

RGB 168 230 110

HSL 91, 0.71%, 0.67%

LAB 85.02, -39.31, 51.69

 

CMYK 32 / 0 / 60 / 4

HEX #A7F461

RGB 167 244 97

HSL 91.43, 0.87%, 0.67%

LAB 88.82, -46.98, 61.8

 

CMYK 23 / 0 / 43 / 15

HEX #A8D97C

RGB 168 217 124

HSL 91.61, 0.55%, 0.67%

LAB 81.51, -31.78, 40.67

 

CMYK 17 / 0 / 32 / 20

HEX #A9CB8A

RGB 169 203 138

HSL 91.38, 0.38%, 0.67%

LAB 77.86, -22.83, 28.81

 

CMYK 10 / 0 / 20 / 26

HEX #AABD97

RGB 170 189 151

HSL 90, 0.22%, 0.67%

LAB 74.3, -13.41, 17.07

 

CMYK 3 / 0 / 6 / 31

HEX #AAB0A5

RGB 170 176 165

HSL 92.73, 0.07%, 0.67%

LAB 71.09, -4.16, 4.89

 

CMYK 4 / 9 / 0 / 30

HEX #ABA2B3

RGB 171 162 179

HSL 271.76, 0.1%, 0.67%

LAB 67.84, 6.49, -7.6

 

CMYK 0 / 1 / 43 / 15

HEX #D9D77C

RGB 217 215 124

HSL 58.71, 0.55%, 0.67%

LAB 84.38, -12.15, 45

 

CMYK 11 / 0 / 43 / 15

HEX #C1D97C

RGB 193 217 124

HSL 75.48, 0.55%, 0.67%

LAB 83.14, -22.49, 43.05

 

CMYK 22 / 0 / 43 / 15

HEX #A9D97C

RGB 169 217 124

HSL 90.97, 0.55%, 0.67%

LAB 81.57, -31.42, 40.75

 

CMYK 34 / 0 / 43 / 15

HEX #90D97C

RGB 144 217 124

HSL 107.1, 0.55%, 0.67%

LAB 80.19, -40.05, 38.7

 

CMYK 43 / 0 / 41 / 15

HEX #7CD981

RGB 124 217 129

HSL 123.23, 0.55%, 0.67%

LAB 79.33, -45.52, 34.9

 

CMYK 36 / 0 / 70 / 22

HEX #7EC63C

RGB 126 198 60

HSL 91.3, 0.55%, 0.51%

LAB 72.99, -44.61, 59.09

 

CMYK 29 / 0 / 56 / 19

HEX #93CF5C

RGB 147 207 92

HSL 91.3, 0.55%, 0.59%

LAB 77.04, -38.35, 50.3

 

CMYK 23 / 0 / 43 / 15

HEX #A8D97C

RGB 168 217 124

HSL 91.61, 0.55%, 0.67%

LAB 81.51, -31.78, 40.67

 

CMYK 16 / 0 / 31 / 11

HEX #BDE29C

RGB 189 226 156

HSL 91.71, 0.55%, 0.75%

LAB 85.81, -24.26, 30.36

 

CMYK 10 / 0 / 20 / 8

HEX #D3EBBC

RGB 211 235 188

HSL 90.64, 0.54%, 0.83%

LAB 90.27, -16.1, 20.22

 

CMYK 23 / 0 / 43 / 15

HEX #A8D97B

RGB 168 217 123

HSL 91.28, 0.55%, 0.67%

LAB 81.5, -31.9, 41.14

 

CMYK 43 / 0 / 12 / 15

HEX #7CD9BE

RGB 124 217 190

HSL 162.58, 0.55%, 0.67%

LAB 80.53, -33.98, 4.68

 

CMYK 0 / 43 / 5 / 15

HEX #D97CCE

RGB 217 124 206

HSL 307.1, 0.55%, 0.67%

LAB 64.66, 47.6, -27.06

 

CMYK 23 / 0 / 43 / 15

HEX #A8D97B

RGB 168 217 123

HSL 91.28, 0.55%, 0.67%

LAB 81.5, -31.9, 41.14

 

CMYK 43 / 22 / 0 / 15

HEX #7CA9D9

RGB 124 169 217

HSL 210.97, 0.55%, 0.67%

LAB 67.78, -2.64, -29.05

 

CMYK 0 / 43 / 22 / 15

HEX #D97CA9

RGB 217 124 169

HSL 330.97, 0.55%, 0.67%

LAB 63.37, 41.68, -8.11

 

CMYK 23 / 0 / 43 / 15

HEX #A8D97B

RGB 168 217 123

HSL 91.28, 0.55%, 0.67%

LAB 81.5, -31.9, 41.14

 

CMYK 43 / 0 / 12 / 15

HEX #7CD9BE

RGB 124 217 190

HSL 162.58, 0.55%, 0.67%

LAB 80.53, -33.98, 4.68

 

CMYK 21 / 43 / 0 / 15

HEX #AC7CD9

RGB 172 124 217

HSL 270.97, 0.55%, 0.67%

LAB 60.07, 36.38, -40.77

 

CMYK 0 / 43 / 31 / 15

HEX #D97C96

RGB 217 124 150

HSL 343.23, 0.55%, 0.67%

LAB 62.82, 39.06, 1.92

 

CMYK 23 / 0 / 43 / 15

HEX #A8D97B

RGB 168 217 123

HSL 91.28, 0.55%, 0.67%

LAB 81.5, -31.9, 41.14

 

CMYK 43 / 1 / 0 / 15

HEX #7CD7D9

RGB 124 215 217

HSL 181.29, 0.55%, 0.67%

LAB 80.68, -26.63, -9.5

 

CMYK 21 / 43 / 0 / 15

HEX #AC7CD9

RGB 172 124 217

HSL 270.97, 0.55%, 0.67%

LAB 60.07, 36.38, -40.77

 

CMYK 0 / 42 / 43 / 15

HEX #D97E7C

RGB 217 126 124

HSL 1.29, 0.55%, 0.67%

LAB 62.62, 34.94, 16.46

 

Description

Color code: HEX #A8D97B | qconv.com Color code: HEX #A8D97B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 217 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 217 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 43 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 43% 15% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

83% - ヨガ・ピラティスをライフスタイルに:スタ...
Link: http://www.studio-yoggy.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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