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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8D978 it is the complementary color #572687. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8D978. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8D978 shade: #ADD973, #BEEB86, #CFFD99, #E0FFAC and #F1FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8D978. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8D978 shade: #A8D978, #97C765, #86B552, #75A33F and #64912C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8D978 shade: #A8D978, #C2D978, #D9D678, #D9BB78 and #D9A178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8D978 shade: #A8D978, #8ED978, #78D97C, #78D996 and #78D9B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8D978 shade matches the following richer shades: #A8D978, #A8E76A and #A8F55C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8D978 shade: #A8D978, #A8CB86, #A8BD94, #A8AFA2 and #A8A1B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8D978 shade: #D9D678, #C2D978, #A8D978, #8ED978 and #78D97B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8D978 shade: #7EC638, #93D058, #A8D978, #BDE298 and #D1EBB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8D978 shade: #A8D978, #78D9BC and #D978CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8D978 shade: #A8D978, #78A8D9 and #D978A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8D978 shade: #A8D978, #78D9BC, #A878D9 and #D97895

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8D978 shade: #A8D978, #78D9D9, #A878D9 and #D97878

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 45 / 15

HEX #A8D978

RGB 168 217 120

HSL 90.31, 0.56%, 0.66%

LAB 81.46, -32.27, 42.57

 

Complementary color

CMYK 36 / 72 / 0 / 47

HEX #572687

RGB 87 38 135

HSL 270.31, 0.56%, 0.34%

LAB 27.19, 41.7, -45.41

 

CMYK 20 / 0 / 47 / 15

HEX #ADD973

RGB 173 217 115

HSL 85.88, 0.57%, 0.65%

LAB 81.7, -31.02, 45.38

 

CMYK 19 / 0 / 43 / 8

HEX #BEEB86

RGB 190 235 134

HSL 86.73, 0.72%, 0.72%

LAB 88.01, -31.04, 44.23

 

CMYK 18 / 0 / 40 / 1

HEX #CFFD99

RGB 207 253 153

HSL 87.6, 0.96%, 0.8%

LAB 94.23, -31.03, 43.11

 

CMYK 12 / 0 / 33 / 0

HEX #E0FFAC

RGB 224 255 172

HSL 82.41, 1%, 0.84%

LAB 96.14, -23.5, 36.44

 

CMYK 5 / 0 / 25 / 0

HEX #F1FFBF

RGB 241 255 191

HSL 73.13, 1%, 0.87%

LAB 97.62, -14.86, 29.13

 

CMYK 23 / 0 / 45 / 15

HEX #A8D978

RGB 168 217 120

HSL 90.31, 0.56%, 0.66%

LAB 81.46, -32.27, 42.57

 

CMYK 24 / 0 / 49 / 22

HEX #97C765

RGB 151 199 101

HSL 89.39, 0.47%, 0.59%

LAB 75.06, -32.28, 43.73

 

CMYK 26 / 0 / 55 / 29

HEX #86B552

RGB 134 181 82

HSL 88.48, 0.4%, 0.52%

LAB 68.55, -32.24, 44.86

 

CMYK 28 / 0 / 61 / 36

HEX #75A33F

RGB 117 163 63

HSL 87.6, 0.44%, 0.44%

LAB 61.94, -32.11, 45.88

 

CMYK 31 / 0 / 70 / 43

HEX #64912C

RGB 100 145 44

HSL 86.73, 0.53%, 0.37%

LAB 55.22, -31.85, 46.62

 

CMYK 23 / 0 / 45 / 15

HEX #A8D978

RGB 168 217 120

HSL 90.31, 0.56%, 0.66%

LAB 81.46, -32.27, 42.57

 

CMYK 11 / 0 / 45 / 15

HEX #C2D978

RGB 194 217 120

HSL 74.23, 0.56%, 0.66%

LAB 83.15, -22.54, 45.05

 

CMYK 0 / 1 / 45 / 15

HEX #D9D678

RGB 217 214 120

HSL 58.14, 0.56%, 0.66%

LAB 84.07, -12.04, 46.56

 

CMYK 0 / 14 / 45 / 15

HEX #D9BB78

RGB 217 187 120

HSL 41.44, 0.56%, 0.66%

LAB 77.07, 1.86, 37.81

 

CMYK 0 / 26 / 45 / 15

HEX #D9A178

RGB 217 161 120

HSL 25.36, 0.56%, 0.66%

LAB 70.59, 15.73, 29.43

 

CMYK 23 / 0 / 45 / 15

HEX #A8D978

RGB 168 217 120

HSL 90.31, 0.56%, 0.66%

LAB 81.46, -32.27, 42.57

 

CMYK 35 / 0 / 45 / 15

HEX #8ED978

RGB 142 217 120

HSL 106.39, 0.56%, 0.66%

LAB 80.03, -41.24, 40.47

 

CMYK 45 / 0 / 43 / 15

HEX #78D97C

RGB 120 217 124

HSL 122.47, 0.56%, 0.66%

LAB 79.08, -47.42, 37.07

 

CMYK 45 / 0 / 31 / 15

HEX #78D996

RGB 120 217 150

HSL 138.56, 0.56%, 0.66%

LAB 79.51, -43.14, 24.33

 

CMYK 45 / 0 / 19 / 15

HEX #78D9B0

RGB 120 217 176

HSL 154.64, 0.56%, 0.66%

LAB 80.04, -38.04, 11.39

 

CMYK 23 / 0 / 45 / 15

HEX #A8D978

RGB 168 217 120

HSL 90.31, 0.56%, 0.66%

LAB 81.46, -32.27, 42.57

 

CMYK 27 / 0 / 54 / 9

HEX #A8E76A

RGB 168 231 106

HSL 90.24, 0.72%, 0.66%

LAB 85.26, -40.16, 53.81

 

CMYK 31 / 0 / 62 / 4

HEX #A8F55C

RGB 168 245 92

HSL 90.2, 0.88%, 0.66%

LAB 89.11, -47.48, 64.2

 

CMYK 23 / 0 / 45 / 15

HEX #A8D978

RGB 168 217 120

HSL 90.31, 0.56%, 0.66%

LAB 81.46, -32.27, 42.57

 

CMYK 17 / 0 / 34 / 20

HEX #A8CB86

RGB 168 203 134

HSL 90.43, 0.4%, 0.66%

LAB 77.73, -23.76, 30.7

 

CMYK 11 / 0 / 22 / 26

HEX #A8BD94

RGB 168 189 148

HSL 90.73, 0.24%, 0.66%

LAB 74.1, -14.63, 18.38

 

CMYK 4 / 0 / 7 / 31

HEX #A8AFA2

RGB 168 175 162

HSL 92.31, 0.08%, 0.66%

LAB 70.59, -4.89, 5.81

 

CMYK 5 / 9 / 0 / 31

HEX #A8A1B0

RGB 168 161 176

HSL 268, 0.09%, 0.66%

LAB 67.24, 5.4, -6.85

 

CMYK 0 / 1 / 45 / 15

HEX #D9D678

RGB 217 214 120

HSL 58.14, 0.56%, 0.66%

LAB 84.07, -12.04, 46.56

 

CMYK 11 / 0 / 45 / 15

HEX #C2D978

RGB 194 217 120

HSL 74.23, 0.56%, 0.66%

LAB 83.15, -22.54, 45.05

 

CMYK 23 / 0 / 45 / 15

HEX #A8D978

RGB 168 217 120

HSL 90.31, 0.56%, 0.66%

LAB 81.46, -32.27, 42.57

 

CMYK 35 / 0 / 45 / 15

HEX #8ED978

RGB 142 217 120

HSL 106.39, 0.56%, 0.66%

LAB 80.03, -41.24, 40.47

 

CMYK 45 / 0 / 43 / 15

HEX #78D97B

RGB 120 217 123

HSL 121.86, 0.56%, 0.66%

LAB 79.07, -47.57, 37.55

 

CMYK 36 / 0 / 72 / 22

HEX #7EC638

RGB 126 198 56

HSL 90.42, 0.56%, 0.5%

LAB 72.96, -44.89, 60.54

 

CMYK 29 / 0 / 58 / 18

HEX #93D058

RGB 147 208 88

HSL 90.5, 0.56%, 0.58%

LAB 77.29, -39.19, 52.41

 

CMYK 23 / 0 / 45 / 15

HEX #A8D978

RGB 168 217 120

HSL 90.31, 0.56%, 0.66%

LAB 81.46, -32.27, 42.57

 

CMYK 16 / 0 / 33 / 11

HEX #BDE298

RGB 189 226 152

HSL 90, 0.56%, 0.74%

LAB 85.75, -24.82, 32.31

 

CMYK 11 / 0 / 22 / 8

HEX #D1EBB8

RGB 209 235 184

HSL 90.59, 0.56%, 0.82%

LAB 90.06, -17.42, 21.96

 

CMYK 23 / 0 / 45 / 15

HEX #A8D978

RGB 168 217 120

HSL 90.31, 0.56%, 0.66%

LAB 81.46, -32.27, 42.57

 

CMYK 45 / 0 / 13 / 15

HEX #78D9BC

RGB 120 217 188

HSL 162.06, 0.56%, 0.66%

LAB 80.32, -35.44, 5.42

 

CMYK 0 / 45 / 5 / 15

HEX #D978CF

RGB 217 120 207

HSL 306.19, 0.56%, 0.66%

LAB 63.91, 49.81, -28.78

 

CMYK 23 / 0 / 45 / 15

HEX #A8D978

RGB 168 217 120

HSL 90.31, 0.56%, 0.66%

LAB 81.46, -32.27, 42.57

 

CMYK 45 / 23 / 0 / 15

HEX #78A8D9

RGB 120 168 217

HSL 210.31, 0.56%, 0.66%

LAB 67.28, -3.1, -29.83

 

CMYK 0 / 45 / 23 / 15

HEX #D978A8

RGB 217 120 168

HSL 330.31, 0.56%, 0.66%

LAB 62.52, 43.6, -8.81

 

CMYK 23 / 0 / 45 / 15

HEX #A8D978

RGB 168 217 120

HSL 90.31, 0.56%, 0.66%

LAB 81.46, -32.27, 42.57

 

CMYK 45 / 0 / 13 / 15

HEX #78D9BC

RGB 120 217 188

HSL 162.06, 0.56%, 0.66%

LAB 80.32, -35.44, 5.42

 

CMYK 23 / 45 / 0 / 15

HEX #A878D9

RGB 168 120 217

HSL 269.69, 0.56%, 0.66%

LAB 58.76, 37.47, -42.85

 

CMYK 0 / 45 / 31 / 15

HEX #D97895

RGB 217 120 149

HSL 342.06, 0.56%, 0.66%

LAB 61.96, 41.01, 1.24

 

CMYK 23 / 0 / 45 / 15

HEX #A8D978

RGB 168 217 120

HSL 90.31, 0.56%, 0.66%

LAB 81.46, -32.27, 42.57

 

CMYK 45 / 0 / 0 / 15

HEX #78D9D9

RGB 120 217 217

HSL 180, 0.56%, 0.66%

LAB 81.09, -28.54, -8.91

 

CMYK 23 / 45 / 0 / 15

HEX #A878D9

RGB 168 120 217

HSL 269.69, 0.56%, 0.66%

LAB 58.76, 37.47, -42.85

 

CMYK 0 / 45 / 45 / 15

HEX #D97878

RGB 217 120 120

HSL 0, 0.56%, 0.66%

LAB 61.26, 37.66, 16.86

 

Description

Color code: HEX #A8D978 | qconv.com Color code: HEX #A8D978 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 217 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 217 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 45 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 45% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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