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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8D769 it is the complementary color #572896. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8D769. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8D769 shade: #ADD764, #BEE977, #CFFB8A, #E0FF9D and #F1FFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8D769. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8D769 shade: #A8D769, #97C556, #86B343, #75A130 and #648F1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8D769 shade: #A9D76A, #C6D76A, #D7CB6A, #D7AE6A and #D7906A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8D769 shade: #A9D76A, #8BD76A, #6ED76A, #6AD784 and #6AD7A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8D769 shade matches the following richer shades: #A9D76A, #ABE75B and #ADF64B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8D769 shade: #A9D76A, #A6C879, #A4B988, #A2AA98 and #A09AA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8D769 shade: #D7CB6A, #C7D76A, #AAD76A, #8DD76A and #6FD76A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8D769 shade: #81BD32, #96CF49, #A9D76A, #BBE08B and #CEE9AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8D769 shade: #A8D769, #6AD7AD and #D76AD6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8D769 shade: #A8D769, #6AAAD7 and #D76AAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8D769 shade: #A8D769, #6AD7AD, #986AD7 and #D76A94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8D769 shade: #A8D769, #6AD7CE, #986AD7 and #D76A73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 51 / 16

HEX #A8D769

RGB 168 215 105

HSL 85.64, 0.58%, 0.63%

LAB 80.71, -33.01, 48.88

 

Complementary color

CMYK 42 / 73 / 0 / 41

HEX #572896

RGB 87 40 150

HSL 265.64, 0.58%, 0.37%

LAB 28.76, 44.62, -52.13

 

CMYK 20 / 0 / 53 / 16

HEX #ADD764

RGB 173 215 100

HSL 81.91, 0.59%, 0.62%

LAB 80.96, -31.64, 51.59

 

CMYK 18 / 0 / 49 / 9

HEX #BEE977

RGB 190 233 119

HSL 82.63, 0.72%, 0.69%

LAB 87.27, -31.77, 50.5

 

CMYK 18 / 0 / 45 / 2

HEX #CFFB8A

RGB 207 251 138

HSL 83.36, 0.93%, 0.76%

LAB 93.49, -31.85, 49.39

 

CMYK 12 / 0 / 38 / 0

HEX #E0FF9D

RGB 224 255 157

HSL 78.98, 1%, 0.81%

LAB 95.91, -25.36, 43.53

 

CMYK 5 / 0 / 31 / 0

HEX #F1FFB0

RGB 241 255 176

HSL 70.63, 1%, 0.85%

LAB 97.37, -16.84, 36.3

 

CMYK 22 / 0 / 51 / 16

HEX #A8D769

RGB 168 215 105

HSL 85.64, 0.58%, 0.63%

LAB 80.71, -33.01, 48.88

 

CMYK 23 / 0 / 56 / 23

HEX #97C556

RGB 151 197 86

HSL 84.86, 0.49%, 0.55%

LAB 74.31, -32.9, 49.95

 

CMYK 25 / 0 / 63 / 30

HEX #86B343

RGB 134 179 67

HSL 84.11, 0.46%, 0.48%

LAB 67.81, -32.71, 50.88

 

CMYK 27 / 0 / 70 / 37

HEX #75A130

RGB 117 161 48

HSL 83.36, 0.54%, 0.41%

LAB 61.21, -32.38, 51.49

 

CMYK 30 / 0 / 80 / 44

HEX #648F1D

RGB 100 143 29

HSL 82.63, 0.66%, 0.34%

LAB 54.49, -31.86, 51.44

 

CMYK 21 / 0 / 51 / 16

HEX #A9D76A

RGB 169 215 106

HSL 85.32, 0.58%, 0.63%

LAB 80.78, -32.54, 48.51

 

CMYK 8 / 0 / 51 / 16

HEX #C6D76A

RGB 198 215 106

HSL 69.36, 0.58%, 0.63%

LAB 82.73, -21.4, 51.3

 

CMYK 0 / 6 / 51 / 16

HEX #D7CB6A

RGB 215 203 106

HSL 53.39, 0.58%, 0.63%

LAB 80.85, -8.56, 49.39

 

CMYK 0 / 19 / 51 / 16

HEX #D7AE6A

RGB 215 174 106

HSL 37.43, 0.58%, 0.63%

LAB 73.39, 6.59, 40.32

 

CMYK 0 / 33 / 51 / 16

HEX #D7906A

RGB 215 144 106

HSL 20.92, 0.58%, 0.63%

LAB 66.09, 22.74, 31.08

 

CMYK 21 / 0 / 51 / 16

HEX #A9D76A

RGB 169 215 106

HSL 85.32, 0.58%, 0.63%

LAB 80.78, -32.54, 48.51

 

CMYK 35 / 0 / 51 / 16

HEX #8BD76A

RGB 139 215 106

HSL 101.83, 0.58%, 0.63%

LAB 79.12, -43.1, 46.11

 

CMYK 49 / 0 / 51 / 16

HEX #6ED76A

RGB 110 215 106

HSL 117.8, 0.58%, 0.63%

LAB 77.85, -51.93, 44.27

 

CMYK 51 / 0 / 39 / 16

HEX #6AD784

RGB 106 215 132

HSL 134.31, 0.58%, 0.63%

LAB 78.07, -49.12, 31.6

 

CMYK 51 / 0 / 25 / 16

HEX #6AD7A1

RGB 106 215 161

HSL 150.28, 0.58%, 0.63%

LAB 78.6, -43.74, 17.22

 

CMYK 21 / 0 / 51 / 16

HEX #A9D76A

RGB 169 215 106

HSL 85.32, 0.58%, 0.63%

LAB 80.78, -32.54, 48.51

 

CMYK 26 / 0 / 61 / 9

HEX #ABE75B

RGB 171 231 91

HSL 85.71, 0.74%, 0.63%

LAB 85.28, -40.46, 60.46

 

CMYK 30 / 0 / 70 / 4

HEX #ADF64B

RGB 173 246 75

HSL 85.61, 0.9%, 0.63%

LAB 89.54, -47.38, 71.22

 

CMYK 21 / 0 / 51 / 16

HEX #A9D76A

RGB 169 215 106

HSL 85.32, 0.58%, 0.63%

LAB 80.78, -32.54, 48.51

 

CMYK 17 / 0 / 40 / 22

HEX #A6C879

RGB 166 200 121

HSL 85.82, 0.42%, 0.63%

LAB 76.56, -24.78, 35.83

 

CMYK 11 / 0 / 26 / 27

HEX #A4B988

RGB 164 185 136

HSL 85.71, 0.26%, 0.63%

LAB 72.47, -15.93, 22.54

 

CMYK 5 / 0 / 11 / 33

HEX #A2AA98

RGB 162 170 152

HSL 86.67, 0.1%, 0.63%

LAB 68.53, -6.18, 8.31

 

CMYK 4 / 8 / 0 / 35

HEX #A09AA7

RGB 160 154 167

HSL 267.69, 0.07%, 0.63%

LAB 64.46, 4.7, -6

 

CMYK 0 / 6 / 51 / 16

HEX #D7CB6A

RGB 215 203 106

HSL 53.39, 0.58%, 0.63%

LAB 80.85, -8.56, 49.39

 

CMYK 7 / 0 / 51 / 16

HEX #C7D76A

RGB 199 215 106

HSL 68.81, 0.58%, 0.63%

LAB 82.8, -21.01, 51.4

 

CMYK 21 / 0 / 51 / 16

HEX #AAD76A

RGB 170 215 106

HSL 84.77, 0.58%, 0.63%

LAB 80.84, -32.17, 48.6

 

CMYK 34 / 0 / 51 / 16

HEX #8DD76A

RGB 141 215 106

HSL 100.73, 0.58%, 0.63%

LAB 79.22, -42.44, 46.25

 

CMYK 48 / 0 / 51 / 16

HEX #6FD76A

RGB 111 215 106

HSL 117.25, 0.58%, 0.63%

LAB 77.89, -51.65, 44.33

 

CMYK 32 / 0 / 74 / 26

HEX #81BD32

RGB 129 189 50

HSL 85.9, 0.58%, 0.47%

LAB 70.38, -40.33, 60.16

 

CMYK 28 / 0 / 65 / 19

HEX #96CF49

RGB 150 207 73

HSL 85.52, 0.58%, 0.55%

LAB 77.04, -38.94, 58.61

 

CMYK 21 / 0 / 51 / 16

HEX #A9D76A

RGB 169 215 106

HSL 85.32, 0.58%, 0.63%

LAB 80.78, -32.54, 48.51

 

CMYK 17 / 0 / 38 / 12

HEX #BBE08B

RGB 187 224 139

HSL 86.12, 0.58%, 0.71%

LAB 84.86, -26.32, 37.71

 

CMYK 12 / 0 / 27 / 9

HEX #CEE9AB

RGB 206 233 171

HSL 86.13, 0.58%, 0.79%

LAB 89.08, -19.44, 27.28

 

CMYK 22 / 0 / 51 / 16

HEX #A8D769

RGB 168 215 105

HSL 85.64, 0.58%, 0.63%

LAB 80.71, -33.01, 48.88

 

CMYK 51 / 0 / 20 / 16

HEX #6AD7AD

RGB 106 215 173

HSL 156.88, 0.58%, 0.63%

LAB 78.86, -41.22, 11.23

 

CMYK 0 / 51 / 0 / 16

HEX #D76AD6

RGB 215 106 214

HSL 300.55, 0.58%, 0.63%

LAB 61.32, 57.35, -36.76

 

CMYK 22 / 0 / 51 / 16

HEX #A8D769

RGB 168 215 105

HSL 85.64, 0.58%, 0.63%

LAB 80.71, -33.01, 48.88

 

CMYK 51 / 21 / 0 / 16

HEX #6AAAD7

RGB 106 170 215

HSL 204.77, 0.58%, 0.63%

LAB 67.07, -8.1, -29.12

 

CMYK 0 / 51 / 21 / 16

HEX #D76AAA

RGB 215 106 170

HSL 324.77, 0.58%, 0.63%

LAB 59.58, 50.28, -14.4

 

CMYK 22 / 0 / 51 / 16

HEX #A8D769

RGB 168 215 105

HSL 85.64, 0.58%, 0.63%

LAB 80.71, -33.01, 48.88

 

CMYK 51 / 0 / 20 / 16

HEX #6AD7AD

RGB 106 215 173

HSL 156.88, 0.58%, 0.63%

LAB 78.86, -41.22, 11.23

 

CMYK 29 / 51 / 0 / 16

HEX #986AD7

RGB 152 106 215

HSL 265.32, 0.58%, 0.63%

LAB 53.91, 40.49, -49.51

 

CMYK 0 / 51 / 31 / 16

HEX #D76A94

RGB 215 106 148

HSL 336.88, 0.58%, 0.63%

LAB 58.88, 47.29, -2.73

 

CMYK 22 / 0 / 51 / 16

HEX #A8D769

RGB 168 215 105

HSL 85.64, 0.58%, 0.63%

LAB 80.71, -33.01, 48.88

 

CMYK 51 / 0 / 4 / 16

HEX #6AD7CE

RGB 106 215 206

HSL 175.05, 0.58%, 0.63%

LAB 79.68, -33.46, -5.18

 

CMYK 29 / 51 / 0 / 16

HEX #986AD7

RGB 152 106 215

HSL 265.32, 0.58%, 0.63%

LAB 53.91, 40.49, -49.51

 

CMYK 0 / 51 / 47 / 16

HEX #D76A73

RGB 215 106 115

HSL 355.05, 0.58%, 0.63%

LAB 58.03, 43.58, 15.24

 

Description

Color code: HEX #A8D769 | qconv.com Color code: HEX #A8D769 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 215 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 215 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 51 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 51% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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