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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8D613 it is the complementary color #5729EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8D613. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8D613 shade: #ADD60E, #BEE821, #CFFA34, #E0FF47 and #F1FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8D613. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8D613 shade: #A8D613, #97C400, #86B200, #75A000 and #648E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8D613 shade: #A9D813, #D8D113, #D89C13, #D86713 and #D83213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8D613 shade: #A9D813, #74D813, #3FD813, #13D81C and #13D851

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8D613 shade matches the following richer shades: #A9D813

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8D613 shade: #A9D813, #9FC526, #95B239, #8B9F4C and #818C5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8D613 shade: #D89D13, #D8D113, #AAD813, #75D813 and #41D813

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8D613 shade: #6E8C0C, #8CB20F, #A9D813, #BEEC28 and #C9F04E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8D613 shade: #A8D613, #13D868 and #B713D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8D613 shade: #A8D613, #13AAD8 and #D813AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8D613 shade: #A8D613, #13D868, #4113D8 and #D81382

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8D613 shade: #A8D613, #13D8A3, #4113D8 and #D81347

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 91 / 16

HEX #A8D613

RGB 168 214 19

HSL 74.15, 0.84%, 0.46%

LAB 79.88, -37.6, 76.94

 

Complementary color

CMYK 63 / 83 / 0 / 7

HEX #5729EC

RGB 87 41 236

HSL 254.15, 0.84%, 0.54%

LAB 37.24, 67.23, -88.81

 

CMYK 19 / 0 / 93 / 16

HEX #ADD60E

RGB 173 214 14

HSL 72.3, 0.88%, 0.45%

LAB 80.18, -35.7, 77.95

 

CMYK 18 / 0 / 86 / 9

HEX #BEE821

RGB 190 232 33

HSL 72.66, 0.81%, 0.52%

LAB 86.39, -36.73, 80.49

 

CMYK 17 / 0 / 79 / 2

HEX #CFFA34

RGB 207 250 52

HSL 73.03, 0.95%, 0.59%

LAB 92.52, -37.58, 81.87

 

CMYK 12 / 0 / 72 / 0

HEX #E0FF47

RGB 224 255 71

HSL 70.11, 1%, 0.64%

LAB 95.09, -32.42, 79.09

 

CMYK 5 / 0 / 65 / 0

HEX #F1FF5A

RGB 241 255 90

HSL 65.09, 1%, 0.68%

LAB 96.39, -24.72, 74.09

 

CMYK 21 / 0 / 91 / 16

HEX #A8D613

RGB 168 214 19

HSL 74.15, 0.84%, 0.46%

LAB 79.88, -37.6, 76.94

 

CMYK 23 / 0 / 100 / 23

HEX #97C400

RGB 151 196 0

HSL 73.78, 1%, 0.38%

LAB 73.58, -36.49, 73.66

 

CMYK 25 / 0 / 100 / 30

HEX #86B200

RGB 134 178 0

HSL 74.83, 1%, 0.35%

LAB 67.21, -35.12, 68.35

 

CMYK 27 / 0 / 100 / 37

HEX #75A000

RGB 117 160 0

HSL 76.13, 1%, 0.31%

LAB 60.71, -33.73, 62.95

 

CMYK 30 / 0 / 100 / 44

HEX #648E00

RGB 100 142 0

HSL 77.75, 1%, 0.28%

LAB 54.09, -32.32, 57.43

 

CMYK 22 / 0 / 91 / 15

HEX #A9D813

RGB 169 216 19

HSL 74.31, 0.84%, 0.46%

LAB 80.51, -38.1, 77.48

 

CMYK 0 / 3 / 91 / 15

HEX #D8D113

RGB 216 209 19

HSL 57.87, 0.84%, 0.46%

LAB 81.97, -15.37, 80.07

 

CMYK 0 / 28 / 91 / 15

HEX #D89C13

RGB 216 156 19

HSL 41.73, 0.84%, 0.46%

LAB 68.33, 12.21, 69.69

 

CMYK 0 / 52 / 91 / 15

HEX #D86713

RGB 216 103 19

HSL 25.58, 0.84%, 0.46%

LAB 56.43, 40.23, 60.93

 

CMYK 0 / 77 / 91 / 15

HEX #D83213

RGB 216 50 19

HSL 9.44, 0.84%, 0.46%

LAB 48.17, 62.24, 55.15

 

CMYK 22 / 0 / 91 / 15

HEX #A9D813

RGB 169 216 19

HSL 74.31, 0.84%, 0.46%

LAB 80.51, -38.1, 77.48

 

CMYK 46 / 0 / 91 / 15

HEX #74D813

RGB 116 216 19

HSL 90.46, 0.84%, 0.46%

LAB 77.8, -56.92, 74.15

 

CMYK 71 / 0 / 91 / 15

HEX #3FD813

RGB 63 216 19

HSL 106.6, 0.84%, 0.46%

LAB 76.2, -69.86, 72.17

 

CMYK 91 / 0 / 87 / 15

HEX #13D81C

RGB 19 216 28

HSL 122.74, 0.84%, 0.46%

LAB 75.66, -74.58, 69.95

 

CMYK 91 / 0 / 63 / 15

HEX #13D851

RGB 19 216 81

HSL 138.88, 0.84%, 0.46%

LAB 75.97, -70.58, 52.99

 

CMYK 22 / 0 / 91 / 15

HEX #A9D813

RGB 169 216 19

HSL 74.31, 0.84%, 0.46%

LAB 80.51, -38.1, 77.48

 

CMYK 22 / 0 / 91 / 15

HEX #A9D813

RGB 169 216 19

HSL 74.31, 0.84%, 0.46%

LAB 80.51, -38.1, 77.48

 

CMYK 19 / 0 / 81 / 23

HEX #9FC526

RGB 159 197 38

HSL 74.34, 0.68%, 0.46%

LAB 74.47, -32.91, 68.33

 

CMYK 16 / 0 / 68 / 30

HEX #95B239

RGB 149 178 57

HSL 74.38, 0.51%, 0.46%

LAB 68.41, -27.01, 55.97

 

CMYK 13 / 0 / 52 / 38

HEX #8B9F4C

RGB 139 159 76

HSL 74.46, 0.35%, 0.46%

LAB 62.34, -20.13, 40.54

 

CMYK 8 / 0 / 32 / 45

HEX #818C5F

RGB 129 140 95

HSL 74.67, 0.19%, 0.46%

LAB 56.34, -11.96, 22.76

 

CMYK 0 / 27 / 91 / 15

HEX #D89D13

RGB 216 157 19

HSL 42.03, 0.84%, 0.46%

LAB 68.58, 11.67, 69.87

 

CMYK 0 / 3 / 91 / 15

HEX #D8D113

RGB 216 209 19

HSL 57.87, 0.84%, 0.46%

LAB 81.97, -15.37, 80.07

 

CMYK 21 / 0 / 91 / 15

HEX #AAD813

RGB 170 216 19

HSL 74.01, 0.84%, 0.46%

LAB 80.57, -37.71, 77.55

 

CMYK 46 / 0 / 91 / 15

HEX #75D813

RGB 117 216 19

HSL 90.15, 0.84%, 0.46%

LAB 77.84, -56.61, 74.2

 

CMYK 70 / 0 / 91 / 15

HEX #41D813

RGB 65 216 19

HSL 105.99, 0.84%, 0.46%

LAB 76.24, -69.51, 72.22

 

CMYK 21 / 0 / 91 / 45

HEX #6E8C0C

RGB 110 140 12

HSL 74.06, 0.84%, 0.3%

LAB 54.13, -26.93, 55.69

 

CMYK 21 / 0 / 92 / 30

HEX #8CB20F

RGB 140 178 15

HSL 73.99, 0.84%, 0.38%

LAB 67.61, -32.45, 66.94

 

CMYK 22 / 0 / 91 / 15

HEX #A9D813

RGB 169 216 19

HSL 74.31, 0.84%, 0.46%

LAB 80.51, -38.1, 77.48

 

CMYK 19 / 0 / 83 / 7

HEX #BEEC28

RGB 190 236 40

HSL 74.08, 0.84%, 0.54%

LAB 87.53, -38.32, 79.99

 

CMYK 16 / 0 / 68 / 6

HEX #C9F04E

RGB 201 240 78

HSL 74.44, 0.84%, 0.62%

LAB 89.53, -34.15, 70.66

 

CMYK 21 / 0 / 91 / 16

HEX #A8D613

RGB 168 214 19

HSL 74.15, 0.84%, 0.46%

LAB 79.88, -37.6, 76.94

 

CMYK 91 / 0 / 52 / 15

HEX #13D868

RGB 19 216 104

HSL 145.89, 0.84%, 0.46%

LAB 76.22, -67.52, 42.8

 

CMYK 15 / 91 / 0 / 15

HEX #B713D8

RGB 183 19 216

HSL 289.95, 0.84%, 0.46%

LAB 46.3, 79.87, -62.07

 

CMYK 21 / 0 / 91 / 16

HEX #A8D613

RGB 168 214 19

HSL 74.15, 0.84%, 0.46%

LAB 79.88, -37.6, 76.94

 

CMYK 91 / 21 / 0 / 15

HEX #13AAD8

RGB 19 170 216

HSL 194.01, 0.84%, 0.46%

LAB 64.84, -19.61, -33.3

 

CMYK 0 / 91 / 21 / 15

HEX #D813AA

RGB 216 19 170

HSL 314.01, 0.84%, 0.46%

LAB 49.46, 78.98, -29.92

 

CMYK 21 / 0 / 91 / 16

HEX #A8D613

RGB 168 214 19

HSL 74.15, 0.84%, 0.46%

LAB 79.88, -37.6, 76.94

 

CMYK 91 / 0 / 52 / 15

HEX #13D868

RGB 19 216 104

HSL 145.89, 0.84%, 0.46%

LAB 76.22, -67.52, 42.8

 

CMYK 70 / 91 / 0 / 15

HEX #4113D8

RGB 65 19 216

HSL 254.01, 0.84%, 0.46%

LAB 30.75, 67.52, -88.18

 

CMYK 0 / 91 / 40 / 15

HEX #D81382

RGB 216 19 130

HSL 326.19, 0.84%, 0.46%

LAB 47.85, 74.71, -8.37

 

CMYK 21 / 0 / 91 / 16

HEX #A8D613

RGB 168 214 19

HSL 74.15, 0.84%, 0.46%

LAB 79.88, -37.6, 76.94

 

CMYK 91 / 0 / 25 / 15

HEX #13D8A3

RGB 19 216 163

HSL 163.86, 0.84%, 0.46%

LAB 77.22, -56.02, 13.97

 

CMYK 70 / 91 / 0 / 15

HEX #4113D8

RGB 65 19 216

HSL 254.01, 0.84%, 0.46%

LAB 30.75, 67.52, -88.18

 

CMYK 0 / 91 / 67 / 15

HEX #D81347

RGB 216 19 71

HSL 344.16, 0.84%, 0.46%

LAB 46.34, 70.55, 25.89

 

Description

Color code: HEX #A8D613 | qconv.com Color code: HEX #A8D613 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 214 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 214 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 91 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 91% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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