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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8D56C it is the complementary color #572A93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8D56C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8D56C shade: #ADD567, #BEE77A, #CFF98D, #E0FFA0 and #F1FFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8D56C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8D56C shade: #A8D56C, #97C359, #86B146, #759F33 and #648D20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8D56C shade: #A8D56C, #C5D56C, #D5CA6C, #D5AD6C and #D5916C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8D56C shade: #A8D56C, #8CD56C, #6FD56C, #6CD585 and #6CD5A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8D56C shade matches the following richer shades: #A8D56C, #AAE55D and #ADF44D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8D56C shade: #A8D56C, #A6C67B, #A4B78A, #A2A89A and #9F98A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8D56C shade: #D5C96C, #C6D56C, #A9D56C, #8DD56C and #71D56C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8D56C shade: #81BA35, #95CC4C, #A8D56C, #BBDF8C and #CEE8AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8D56C shade: #A8D56C, #6CD5AD and #D56CD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8D56C shade: #A8D56C, #6CA9D5 and #D56CA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8D56C shade: #A8D56C, #6CD5AD, #986CD5 and #D56C94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8D56C shade: #A8D56C, #6CD5CD, #986CD5 and #D56C75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 49 / 16

HEX #A8D56C

RGB 168 213 108

HSL 85.71, 0.56%, 0.63%

LAB 80.18, -31.77, 46.81

 

Complementary color

CMYK 41 / 71 / 0 / 42

HEX #572A93

RGB 87 42 147

HSL 265.71, 0.56%, 0.37%

LAB 28.87, 42.82, -50.11

 

CMYK 19 / 0 / 52 / 16

HEX #ADD567

RGB 173 213 103

HSL 81.82, 0.57%, 0.62%

LAB 80.43, -30.41, 49.57

 

CMYK 18 / 0 / 47 / 9

HEX #BEE77A

RGB 190 231 122

HSL 82.57, 0.69%, 0.69%

LAB 86.75, -30.52, 48.46

 

CMYK 17 / 0 / 43 / 2

HEX #CFF98D

RGB 207 249 141

HSL 83.33, 0.9%, 0.76%

LAB 92.99, -30.58, 47.33

 

CMYK 12 / 0 / 37 / 0

HEX #E0FFA0

RGB 224 255 160

HSL 79.58, 1%, 0.81%

LAB 95.96, -25, 42.12

 

CMYK 5 / 0 / 30 / 0

HEX #F1FFB3

RGB 241 255 179

HSL 71.05, 1%, 0.85%

LAB 97.42, -16.46, 34.87

 

CMYK 21 / 0 / 49 / 16

HEX #A8D56C

RGB 168 213 108

HSL 85.71, 0.56%, 0.63%

LAB 80.18, -31.77, 46.81

 

CMYK 23 / 0 / 54 / 24

HEX #97C359

RGB 151 195 89

HSL 84.91, 0.47%, 0.56%

LAB 73.76, -31.68, 47.92

 

CMYK 24 / 0 / 60 / 31

HEX #86B146

RGB 134 177 70

HSL 84.11, 0.43%, 0.48%

LAB 67.24, -31.51, 48.92

 

CMYK 26 / 0 / 68 / 38

HEX #759F33

RGB 117 159 51

HSL 83.33, 0.51%, 0.41%

LAB 60.62, -31.23, 49.67

 

CMYK 29 / 0 / 77 / 45

HEX #648D20

RGB 100 141 32

HSL 82.57, 0.63%, 0.34%

LAB 53.88, -30.77, 49.86

 

CMYK 21 / 0 / 49 / 16

HEX #A8D56C

RGB 168 213 108

HSL 85.71, 0.56%, 0.63%

LAB 80.18, -31.77, 46.81

 

CMYK 8 / 0 / 49 / 16

HEX #C5D56C

RGB 197 213 108

HSL 69.14, 0.56%, 0.63%

LAB 82.13, -20.63, 49.63

 

CMYK 0 / 5 / 49 / 16

HEX #D5CA6C

RGB 213 202 108

HSL 53.71, 0.56%, 0.63%

LAB 80.44, -8.69, 47.9

 

CMYK 0 / 19 / 49 / 16

HEX #D5AD6C

RGB 213 173 108

HSL 37.14, 0.56%, 0.63%

LAB 72.97, 6.48, 38.73

 

CMYK 0 / 32 / 49 / 16

HEX #D5916C

RGB 213 145 108

HSL 21.14, 0.56%, 0.63%

LAB 66.12, 21.58, 30

 

CMYK 21 / 0 / 49 / 16

HEX #A8D56C

RGB 168 213 108

HSL 85.71, 0.56%, 0.63%

LAB 80.18, -31.77, 46.81

 

CMYK 34 / 0 / 49 / 16

HEX #8CD56C

RGB 140 213 108

HSL 101.71, 0.56%, 0.63%

LAB 78.61, -41.66, 44.54

 

CMYK 48 / 0 / 49 / 16

HEX #6FD56C

RGB 111 213 108

HSL 118.29, 0.56%, 0.63%

LAB 77.31, -50.58, 42.65

 

CMYK 49 / 0 / 38 / 16

HEX #6CD585

RGB 108 213 133

HSL 134.29, 0.56%, 0.63%

LAB 77.56, -47.61, 30.43

 

CMYK 49 / 0 / 24 / 16

HEX #6CD5A1

RGB 108 213 161

HSL 150.29, 0.56%, 0.63%

LAB 78.08, -42.38, 16.51

 

CMYK 21 / 0 / 49 / 16

HEX #A8D56C

RGB 168 213 108

HSL 85.71, 0.56%, 0.63%

LAB 80.18, -31.77, 46.81

 

CMYK 26 / 0 / 59 / 10

HEX #AAE55D

RGB 170 229 93

HSL 86.03, 0.72%, 0.63%

LAB 84.68, -39.77, 58.91

 

CMYK 29 / 0 / 68 / 4

HEX #ADF44D

RGB 173 244 77

HSL 85.51, 0.88%, 0.63%

LAB 88.98, -46.4, 69.94

 

CMYK 21 / 0 / 49 / 16

HEX #A8D56C

RGB 168 213 108

HSL 85.71, 0.56%, 0.63%

LAB 80.18, -31.77, 46.81

 

CMYK 16 / 0 / 38 / 22

HEX #A6C67B

RGB 166 198 123

HSL 85.6, 0.4%, 0.63%

LAB 76.02, -23.54, 34.12

 

CMYK 10 / 0 / 25 / 28

HEX #A4B78A

RGB 164 183 138

HSL 85.33, 0.24%, 0.63%

LAB 71.96, -14.6, 20.76

 

CMYK 4 / 0 / 8 / 34

HEX #A2A89A

RGB 162 168 154

HSL 85.71, 0.07%, 0.63%

LAB 68.04, -4.74, 6.49

 

CMYK 6 / 10 / 0 / 34

HEX #9F98A9

RGB 159 152 169

HSL 264.71, 0.09%, 0.63%

LAB 63.91, 5.87, -7.95

 

CMYK 0 / 6 / 49 / 16

HEX #D5C96C

RGB 213 201 108

HSL 53.14, 0.56%, 0.63%

LAB 80.18, -8.18, 47.59

 

CMYK 7 / 0 / 49 / 16

HEX #C6D56C

RGB 198 213 108

HSL 68.57, 0.56%, 0.63%

LAB 82.2, -20.24, 49.73

 

CMYK 21 / 0 / 49 / 16

HEX #A9D56C

RGB 169 213 108

HSL 85.14, 0.56%, 0.63%

LAB 80.24, -31.4, 46.9

 

CMYK 34 / 0 / 49 / 16

HEX #8DD56C

RGB 141 213 108

HSL 101.14, 0.56%, 0.63%

LAB 78.66, -41.33, 44.61

 

CMYK 47 / 0 / 49 / 16

HEX #71D56C

RGB 113 213 108

HSL 117.14, 0.56%, 0.63%

LAB 77.39, -50.02, 42.77

 

CMYK 31 / 0 / 72 / 27

HEX #81BA35

RGB 129 186 53

HSL 85.71, 0.56%, 0.47%

LAB 69.5, -38.82, 58.21

 

CMYK 27 / 0 / 63 / 20

HEX #95CC4C

RGB 149 204 76

HSL 85.78, 0.56%, 0.55%

LAB 76.13, -37.73, 56.37

 

CMYK 21 / 0 / 49 / 16

HEX #A8D56C

RGB 168 213 108

HSL 85.71, 0.56%, 0.63%

LAB 80.18, -31.77, 46.81

 

CMYK 16 / 0 / 37 / 13

HEX #BBDF8C

RGB 187 223 140

HSL 86.02, 0.56%, 0.71%

LAB 84.6, -25.71, 36.87

 

CMYK 11 / 0 / 26 / 9

HEX #CEE8AC

RGB 206 232 172

HSL 86, 0.57%, 0.79%

LAB 88.83, -18.81, 26.43

 

CMYK 21 / 0 / 49 / 16

HEX #A8D56C

RGB 168 213 108

HSL 85.71, 0.56%, 0.63%

LAB 80.18, -31.77, 46.81

 

CMYK 49 / 0 / 19 / 16

HEX #6CD5AD

RGB 108 213 173

HSL 157.14, 0.56%, 0.63%

LAB 78.34, -39.85, 10.51

 

CMYK 0 / 49 / 0 / 16

HEX #D56CD4

RGB 213 108 212

HSL 300.57, 0.56%, 0.63%

LAB 61.33, 55.48, -35.64

 

CMYK 21 / 0 / 49 / 16

HEX #A8D56C

RGB 168 213 108

HSL 85.71, 0.56%, 0.63%

LAB 80.18, -31.77, 46.81

 

CMYK 49 / 21 / 0 / 16

HEX #6CA9D5

RGB 108 169 213

HSL 205.14, 0.56%, 0.63%

LAB 66.8, -7.68, -28.42

 

CMYK 0 / 49 / 21 / 16

HEX #D56CA9

RGB 213 108 169

HSL 325.14, 0.56%, 0.63%

LAB 59.65, 48.51, -13.74

 

CMYK 21 / 0 / 49 / 16

HEX #A8D56C

RGB 168 213 108

HSL 85.71, 0.56%, 0.63%

LAB 80.18, -31.77, 46.81

 

CMYK 49 / 0 / 19 / 16

HEX #6CD5AD

RGB 108 213 173

HSL 157.14, 0.56%, 0.63%

LAB 78.34, -39.85, 10.51

 

CMYK 29 / 49 / 0 / 16

HEX #986CD5

RGB 152 108 213

HSL 265.14, 0.56%, 0.63%

LAB 54.24, 38.87, -47.84

 

CMYK 0 / 49 / 31 / 16

HEX #D56C94

RGB 213 108 148

HSL 337.14, 0.56%, 0.63%

LAB 58.98, 45.62, -2.6

 

CMYK 21 / 0 / 49 / 16

HEX #A8D56C

RGB 168 213 108

HSL 85.71, 0.56%, 0.63%

LAB 80.18, -31.77, 46.81

 

CMYK 49 / 0 / 4 / 16

HEX #6CD5CD

RGB 108 213 205

HSL 175.43, 0.56%, 0.63%

LAB 79.15, -32.33, -5.43

 

CMYK 29 / 49 / 0 / 16

HEX #986CD5

RGB 152 108 213

HSL 265.14, 0.56%, 0.63%

LAB 54.24, 38.87, -47.84

 

CMYK 0 / 49 / 45 / 16

HEX #D56C75

RGB 213 108 117

HSL 354.86, 0.56%, 0.63%

LAB 58.18, 42.05, 14.25

 

Description

Color code: HEX #A8D56C | qconv.com Color code: HEX #A8D56C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 213 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 213 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 49 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 49% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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