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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8D0AC it is the complementary color #572F53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8D0AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8D0AC shade: #ADD0A7, #BEE2BA, #CFF4CD, #E0FFE0 and #F1FFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8D0AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8D0AC shade: #A8D0AC, #97BE99, #86AC86, #759A73 and #648860

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8D0AC shade: #A8D0AC, #AFD0A8, #BAD0A8, #C5D0A8 and #CFD0A8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8D0AC shade: #A8D0AC, #A8D0B7, #A8D0C2, #A8D0CC and #A8C9D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8D0AC shade matches the following richer shades: #A8D0AC, #9EDBA4, #93E69B, #88F093 and #7DFB8A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8D0AC shade: #A8D0AC, #B3C5B5, #BEBBBD, #C8B0C6 and #D3A5CF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8D0AC shade: #BAD0A8, #AFD0A8, #A8D0AC, #A8D0B7 and #A8D0C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8D0AC shade: #73B379, #8DC293, #A8D0AC, #C3DFC6 and #DEEDDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8D0AC shade: #A8D0AC, #A8C4D0 and #D0A8B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8D0AC shade: #A8D0AC, #ACA8D0 and #D0ACA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8D0AC shade: #A8D0AC, #A8C4D0, #D0A8CC and #D0B4A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8D0AC shade: #A8D0AC, #A8B8D0, #D0A8CC and #D0C0A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 17 / 18

HEX #A8D0AC

RGB 168 208 172

HSL 126, 0.3%, 0.74%

LAB 79.85, -20.15, 13.59

 

Complementary color

CMYK 0 / 46 / 5 / 66

HEX #572F53

RGB 87 47 83

HSL 306, 0.3%, 0.26%

LAB 25.81, 24.32, -14.2

 

CMYK 17 / 0 / 20 / 18

HEX #ADD0A7

RGB 173 208 167

HSL 111.22, 0.3%, 0.74%

LAB 80.06, -19.32, 16.58

 

CMYK 16 / 0 / 18 / 11

HEX #BEE2BA

RGB 190 226 186

HSL 114, 0.41%, 0.81%

LAB 86.45, -19.21, 15.7

 

CMYK 15 / 0 / 16 / 4

HEX #CFF4CD

RGB 207 244 205

HSL 116.92, 0.64%, 0.88%

LAB 92.74, -19.11, 14.86

 

CMYK 12 / 0 / 12 / 0

HEX #E0FFE0

RGB 224 255 224

HSL 120, 1%, 0.94%

LAB 97.13, -15.61, 11.46

 

CMYK 5 / 0 / 5 / 0

HEX #F1FFF3

RGB 241 255 243

HSL 128.57, 1%, 0.97%

LAB 98.71, -6.71, 4.14

 

CMYK 19 / 0 / 17 / 18

HEX #A8D0AC

RGB 168 208 172

HSL 126, 0.3%, 0.74%

LAB 79.85, -20.15, 13.59

 

CMYK 21 / 0 / 19 / 25

HEX #97BE99

RGB 151 190 153

HSL 123.08, 0.23%, 0.67%

LAB 73.35, -20.31, 14.48

 

CMYK 22 / 0 / 22 / 33

HEX #86AC86

RGB 134 172 134

HSL 120, 0.19%, 0.6%

LAB 66.74, -20.49, 15.42

 

CMYK 24 / 0 / 25 / 40

HEX #759A73

RGB 117 154 115

HSL 116.92, 0.16%, 0.53%

LAB 60.01, -20.68, 16.43

 

CMYK 26 / 0 / 29 / 47

HEX #648860

RGB 100 136 96

HSL 114, 0.17%, 0.45%

LAB 53.13, -20.9, 17.53

 

CMYK 19 / 0 / 17 / 18

HEX #A8D0AC

RGB 168 208 172

HSL 126, 0.3%, 0.74%

LAB 79.85, -20.15, 13.59

 

CMYK 16 / 0 / 19 / 18

HEX #AFD0A8

RGB 175 208 168

HSL 109.5, 0.3%, 0.74%

LAB 80.21, -18.46, 16.28

 

CMYK 11 / 0 / 19 / 18

HEX #BAD0A8

RGB 186 208 168

HSL 93, 0.3%, 0.74%

LAB 80.95, -14.59, 17.42

 

CMYK 5 / 0 / 19 / 18

HEX #C5D0A8

RGB 197 208 168

HSL 76.5, 0.3%, 0.74%

LAB 81.73, -10.63, 18.64

 

CMYK 0 / 0 / 19 / 18

HEX #CFD0A8

RGB 207 208 168

HSL 61.5, 0.3%, 0.74%

LAB 82.49, -6.97, 19.8

 

CMYK 19 / 0 / 17 / 18

HEX #A8D0AC

RGB 168 208 172

HSL 126, 0.3%, 0.74%

LAB 79.85, -20.15, 13.59

 

CMYK 19 / 0 / 12 / 18

HEX #A8D0B7

RGB 168 208 183

HSL 142.5, 0.3%, 0.74%

LAB 80.1, -18.12, 8.08

 

CMYK 19 / 0 / 7 / 18

HEX #A8D0C2

RGB 168 208 194

HSL 159, 0.3%, 0.74%

LAB 80.37, -15.98, 2.59

 

CMYK 19 / 0 / 2 / 18

HEX #A8D0CC

RGB 168 208 204

HSL 174, 0.3%, 0.74%

LAB 80.63, -13.93, -2.38

 

CMYK 19 / 3 / 0 / 18

HEX #A8C9D0

RGB 168 201 208

HSL 190.5, 0.3%, 0.74%

LAB 78.84, -9.46, -7.16

 

CMYK 19 / 0 / 17 / 18

HEX #A8D0AC

RGB 168 208 172

HSL 126, 0.3%, 0.74%

LAB 79.85, -20.15, 13.59

 

CMYK 28 / 0 / 25 / 14

HEX #9EDBA4

RGB 158 219 164

HSL 125.9, 0.46%, 0.74%

LAB 82.17, -30.21, 20.96

 

CMYK 36 / 0 / 33 / 10

HEX #93E69B

RGB 147 230 155

HSL 125.78, 0.62%, 0.74%

LAB 84.57, -40.22, 28.79

 

CMYK 43 / 0 / 39 / 6

HEX #88F093

RGB 136 240 147

HSL 126.35, 0.78%, 0.74%

LAB 86.83, -49.03, 35.75

 

CMYK 50 / 0 / 45 / 2

HEX #7DFB8A

RGB 125 251 138

HSL 126.19, 0.94%, 0.74%

LAB 89.48, -57.76, 43.5

 

CMYK 19 / 0 / 17 / 18

HEX #A8D0AC

RGB 168 208 172

HSL 126, 0.3%, 0.74%

LAB 79.85, -20.15, 13.59

 

CMYK 9 / 0 / 8 / 23

HEX #B3C5B5

RGB 179 197 181

HSL 126.67, 0.13%, 0.74%

LAB 77.79, -9.16, 5.93

 

CMYK 0 / 2 / 1 / 25

HEX #BEBBBD

RGB 190 187 189

HSL 320, 0.02%, 0.74%

LAB 76.17, 1.42, -0.65

 

CMYK 0 / 12 / 1 / 22

HEX #C8B0C6

RGB 200 176 198

HSL 305, 0.18%, 0.74%

LAB 74.45, 12.51, -7.99

 

CMYK 0 / 22 / 2 / 17

HEX #D3A5CF

RGB 211 165 207

HSL 305.22, 0.34%, 0.74%

LAB 73.07, 23.94, -14.88

 

CMYK 11 / 0 / 19 / 18

HEX #BAD0A8

RGB 186 208 168

HSL 93, 0.3%, 0.74%

LAB 80.95, -14.59, 17.42

 

CMYK 16 / 0 / 19 / 18

HEX #AFD0A8

RGB 175 208 168

HSL 109.5, 0.3%, 0.74%

LAB 80.21, -18.46, 16.28

 

CMYK 19 / 0 / 17 / 18

HEX #A8D0AC

RGB 168 208 172

HSL 126, 0.3%, 0.74%

LAB 79.85, -20.15, 13.59

 

CMYK 19 / 0 / 12 / 18

HEX #A8D0B7

RGB 168 208 183

HSL 142.5, 0.3%, 0.74%

LAB 80.1, -18.12, 8.08

 

CMYK 19 / 0 / 7 / 18

HEX #A8D0C2

RGB 168 208 194

HSL 159, 0.3%, 0.74%

LAB 80.37, -15.98, 2.59

 

CMYK 36 / 0 / 32 / 30

HEX #73B379

RGB 115 179 121

HSL 125.63, 0.3%, 0.58%

LAB 67.48, -32.59, 23.32

 

CMYK 27 / 0 / 24 / 24

HEX #8DC293

RGB 141 194 147

HSL 126.79, 0.3%, 0.66%

LAB 73.77, -26.73, 18.2

 

CMYK 19 / 0 / 17 / 18

HEX #A8D0AC

RGB 168 208 172

HSL 126, 0.3%, 0.74%

LAB 79.85, -20.15, 13.59

 

CMYK 13 / 0 / 11 / 13

HEX #C3DFC6

RGB 195 223 198

HSL 126.43, 0.3%, 0.82%

LAB 86.23, -13.93, 9.15

 

CMYK 6 / 0 / 6 / 7

HEX #DEEDDF

RGB 222 237 223

HSL 124, 0.29%, 0.9%

LAB 92.32, -7.49, 5.06

 

CMYK 19 / 0 / 17 / 18

HEX #A8D0AC

RGB 168 208 172

HSL 126, 0.3%, 0.74%

LAB 79.85, -20.15, 13.59

 

CMYK 19 / 6 / 0 / 18

HEX #A8C4D0

RGB 168 196 208

HSL 198, 0.3%, 0.74%

LAB 77.49, -6.84, -9.16

 

CMYK 0 / 19 / 13 / 18

HEX #D0A8B4

RGB 208 168 180

HSL 342, 0.3%, 0.74%

LAB 72.7, 16.54, -0.61

 

CMYK 19 / 0 / 17 / 18

HEX #A8D0AC

RGB 168 208 172

HSL 126, 0.3%, 0.74%

LAB 79.85, -20.15, 13.59

 

CMYK 17 / 19 / 0 / 18

HEX #ACA8D0

RGB 172 168 208

HSL 246, 0.3%, 0.74%

LAB 70.41, 9.6, -19.79

 

CMYK 0 / 17 / 19 / 18

HEX #D0ACA8

RGB 208 172 168

HSL 6, 0.3%, 0.74%

LAB 73.38, 12.46, 6.96

 

CMYK 19 / 0 / 17 / 18

HEX #A8D0AC

RGB 168 208 172

HSL 126, 0.3%, 0.74%

LAB 79.85, -20.15, 13.59

 

CMYK 19 / 6 / 0 / 18

HEX #A8C4D0

RGB 168 196 208

HSL 198, 0.3%, 0.74%

LAB 77.49, -6.84, -9.16

 

CMYK 0 / 19 / 2 / 18

HEX #D0A8CC

RGB 208 168 204

HSL 306, 0.3%, 0.74%

LAB 73.4, 20.73, -12.77

 

CMYK 0 / 13 / 19 / 18

HEX #D0B4A8

RGB 208 180 168

HSL 18, 0.3%, 0.74%

LAB 75.38, 8.15, 9.82

 

CMYK 19 / 0 / 17 / 18

HEX #A8D0AC

RGB 168 208 172

HSL 126, 0.3%, 0.74%

LAB 79.85, -20.15, 13.59

 

CMYK 19 / 12 / 0 / 18

HEX #A8B8D0

RGB 168 184 208

HSL 216, 0.3%, 0.74%

LAB 74.29, -0.43, -13.95

 

CMYK 0 / 19 / 2 / 18

HEX #D0A8CC

RGB 208 168 204

HSL 306, 0.3%, 0.74%

LAB 73.4, 20.73, -12.77

 

CMYK 0 / 8 / 19 / 18

HEX #D0C0A8

RGB 208 192 168

HSL 36, 0.3%, 0.74%

LAB 78.42, 1.75, 14.14

 

Description

Color code: HEX #A8D0AC | qconv.com Color code: HEX #A8D0AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 208 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 208 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 17 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 17% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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