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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8CE57 it is the complementary color #5731A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8CE57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8CE57 shade: #ADCE52, #BEE065, #CFF278, #E0FF8B and #F1FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8CE57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8CE57 shade: #A8CE57, #97BC44, #86AA31, #75981E and #64860B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8CE57 shade: #A7CE55, #C8CE55, #CEB355, #CE9355 and #CE7255

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8CE57 shade: #A7CE55, #87CE55, #66CE55, #55CE65 and #55CE85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8CE57 shade matches the following richer shades: #A7CE55, #AEDF43 and #B4F132

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8CE57 shade: #A7CE55, #A1BC67, #9AAA79, #94988A and #8D879C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8CE57 shade: #CEB455, #C8CE55, #A7CE55, #87CE55 and #67CE55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8CE57 shade: #7DA12F, #96C138, #A7CE55, #B8D775 and #C8E095

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8CE57 shade: #A8CE57, #55CE93 and #C455CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8CE57 shade: #A8CE57, #55A7CE and #CE55A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8CE57 shade: #A8CE57, #55CE93, #7B55CE and #CE558F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8CE57 shade: #A8CE57, #55CEB8, #7B55CE and #CE556B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 58 / 19

HEX #A8CE57

RGB 168 206 87

HSL 79.16, 0.55%, 0.57%

LAB 77.97, -30.52, 53.96

 

Complementary color

CMYK 48 / 71 / 0 / 34

HEX #5731A8

RGB 87 49 168

HSL 259.16, 0.55%, 0.43%

LAB 31.92, 44.95, -57.9

 

CMYK 16 / 0 / 60 / 19

HEX #ADCE52

RGB 173 206 82

HSL 75.97, 0.56%, 0.56%

LAB 78.25, -28.98, 56.56

 

CMYK 15 / 0 / 55 / 12

HEX #BEE065

RGB 190 224 101

HSL 76.59, 0.66%, 0.64%

LAB 84.59, -29.29, 55.62

 

CMYK 14 / 0 / 50 / 5

HEX #CFF278

RGB 207 242 120

HSL 77.21, 0.82%, 0.71%

LAB 90.84, -29.51, 54.58

 

CMYK 12 / 0 / 45 / 0

HEX #E0FF8B

RGB 224 255 139

HSL 76.03, 1%, 0.77%

LAB 95.68, -27.35, 51.86

 

CMYK 5 / 0 / 38 / 0

HEX #F1FF9E

RGB 241 255 158

HSL 68.66, 1%, 0.81%

LAB 97.1, -18.97, 44.8

 

CMYK 18 / 0 / 58 / 19

HEX #A8CE57

RGB 168 206 87

HSL 79.16, 0.55%, 0.57%

LAB 77.97, -30.52, 53.96

 

CMYK 20 / 0 / 64 / 26

HEX #97BC44

RGB 151 188 68

HSL 78.5, 0.47%, 0.5%

LAB 71.53, -30.21, 54.8

 

CMYK 21 / 0 / 71 / 33

HEX #86AA31

RGB 134 170 49

HSL 77.85, 0.55%, 0.43%

LAB 64.99, -29.78, 55.29

 

CMYK 23 / 0 / 80 / 40

HEX #75981E

RGB 117 152 30

HSL 77.21, 0.67%, 0.36%

LAB 58.35, -29.16, 55.07

 

CMYK 25 / 0 / 92 / 47

HEX #64860B

RGB 100 134 11

HSL 76.59, 0.85%, 0.28%

LAB 51.59, -28.29, 53.52

 

CMYK 19 / 0 / 59 / 19

HEX #A7CE55

RGB 167 206 85

HSL 79.34, 0.55%, 0.57%

LAB 77.88, -31.08, 54.73

 

CMYK 3 / 0 / 59 / 19

HEX #C8CE55

RGB 200 206 85

HSL 62.98, 0.55%, 0.57%

LAB 80.22, -17.89, 57.98

 

CMYK 0 / 13 / 59 / 19

HEX #CEB355

RGB 206 179 85

HSL 46.61, 0.55%, 0.57%

LAB 73.56, -1.55, 50.66

 

CMYK 0 / 29 / 59 / 19

HEX #CE9355

RGB 206 147 85

HSL 30.74, 0.55%, 0.57%

LAB 65.47, 15.64, 41.22

 

CMYK 0 / 45 / 59 / 19

HEX #CE7255

RGB 206 114 85

HSL 14.38, 0.55%, 0.57%

LAB 57.86, 33.46, 31.9

 

CMYK 19 / 0 / 59 / 19

HEX #A7CE55

RGB 167 206 85

HSL 79.34, 0.55%, 0.57%

LAB 77.88, -31.08, 54.73

 

CMYK 34 / 0 / 59 / 19

HEX #87CE55

RGB 135 206 85

HSL 95.21, 0.55%, 0.57%

LAB 76.04, -42.82, 52.15

 

CMYK 50 / 0 / 59 / 19

HEX #66CE55

RGB 102 206 85

HSL 111.57, 0.55%, 0.57%

LAB 74.59, -53.12, 50.1

 

CMYK 59 / 0 / 51 / 19

HEX #55CE65

RGB 85 206 101

HSL 127.93, 0.55%, 0.57%

LAB 74.2, -55.44, 42.01

 

CMYK 59 / 0 / 35 / 19

HEX #55CE85

RGB 85 206 133

HSL 143.8, 0.55%, 0.57%

LAB 74.68, -50.23, 26.45

 

CMYK 19 / 0 / 59 / 19

HEX #A7CE55

RGB 167 206 85

HSL 79.34, 0.55%, 0.57%

LAB 77.88, -31.08, 54.73

 

CMYK 22 / 0 / 70 / 13

HEX #AEDF43

RGB 174 223 67

HSL 78.85, 0.71%, 0.57%

LAB 83.01, -37.48, 67.53

 

CMYK 25 / 0 / 79 / 5

HEX #B4F132

RGB 180 241 50

HSL 79.16, 0.87%, 0.57%

LAB 88.37, -43.97, 78.06

 

CMYK 19 / 0 / 59 / 19

HEX #A7CE55

RGB 167 206 85

HSL 79.34, 0.55%, 0.57%

LAB 77.88, -31.08, 54.73

 

CMYK 14 / 0 / 45 / 26

HEX #A1BC67

RGB 161 188 103

HSL 79.06, 0.39%, 0.57%

LAB 72.58, -22.97, 39.84

 

CMYK 9 / 0 / 29 / 33

HEX #9AAA79

RGB 154 170 121

HSL 79.59, 0.22%, 0.57%

LAB 67.28, -14.22, 23.46

 

CMYK 3 / 0 / 9 / 40

HEX #94988A

RGB 148 152 138

HSL 77.14, 0.06%, 0.57%

LAB 62.16, -4.08, 6.86

 

CMYK 10 / 13 / 0 / 39

HEX #8D879C

RGB 141 135 156

HSL 257.14, 0.1%, 0.57%

LAB 57.45, 6.49, -10.36

 

CMYK 0 / 13 / 59 / 19

HEX #CEB455

RGB 206 180 85

HSL 47.11, 0.55%, 0.57%

LAB 73.82, -2.08, 50.96

 

CMYK 3 / 0 / 59 / 19

HEX #C8CE55

RGB 200 206 85

HSL 62.98, 0.55%, 0.57%

LAB 80.22, -17.89, 57.98

 

CMYK 19 / 0 / 59 / 19

HEX #A7CE55

RGB 167 206 85

HSL 79.34, 0.55%, 0.57%

LAB 77.88, -31.08, 54.73

 

CMYK 34 / 0 / 59 / 19

HEX #87CE55

RGB 135 206 85

HSL 95.21, 0.55%, 0.57%

LAB 76.04, -42.82, 52.15

 

CMYK 50 / 0 / 59 / 19

HEX #67CE55

RGB 103 206 85

HSL 111.07, 0.55%, 0.57%

LAB 74.62, -52.84, 50.15

 

CMYK 22 / 0 / 71 / 37

HEX #7DA12F

RGB 125 161 47

HSL 78.95, 0.55%, 0.41%

LAB 61.7, -29.26, 52.55

 

CMYK 22 / 0 / 71 / 24

HEX #96C138

RGB 150 193 56

HSL 78.83, 0.55%, 0.49%

LAB 72.83, -33.76, 60.85

 

CMYK 19 / 0 / 59 / 19

HEX #A7CE55

RGB 167 206 85

HSL 79.34, 0.55%, 0.57%

LAB 77.88, -31.08, 54.73

 

CMYK 14 / 0 / 46 / 16

HEX #B8D775

RGB 184 215 117

HSL 78.98, 0.55%, 0.65%

LAB 81.88, -25.73, 44.78

 

CMYK 11 / 0 / 33 / 12

HEX #C8E095

RGB 200 224 149

HSL 79.2, 0.55%, 0.73%

LAB 85.89, -20.25, 34.16

 

CMYK 18 / 0 / 58 / 19

HEX #A8CE57

RGB 168 206 87

HSL 79.16, 0.55%, 0.57%

LAB 77.97, -30.52, 53.96

 

CMYK 59 / 0 / 29 / 19

HEX #55CE93

RGB 85 206 147

HSL 150.74, 0.55%, 0.57%

LAB 74.94, -47.49, 19.44

 

CMYK 5 / 59 / 0 / 19

HEX #C455CE

RGB 196 85 206

HSL 295.04, 0.55%, 0.57%

LAB 54.75, 60.63, -42.72

 

CMYK 18 / 0 / 58 / 19

HEX #A8CE57

RGB 168 206 87

HSL 79.16, 0.55%, 0.57%

LAB 77.97, -30.52, 53.96

 

CMYK 59 / 19 / 0 / 19

HEX #55A7CE

RGB 85 167 206

HSL 199.34, 0.55%, 0.57%

LAB 64.98, -13.6, -27.43

 

CMYK 0 / 59 / 19 / 19

HEX #CE55A7

RGB 206 85 167

HSL 319.34, 0.55%, 0.57%

LAB 54.46, 56.98, -20.56

 

CMYK 18 / 0 / 58 / 19

HEX #A8CE57

RGB 168 206 87

HSL 79.16, 0.55%, 0.57%

LAB 77.97, -30.52, 53.96

 

CMYK 59 / 0 / 29 / 19

HEX #55CE93

RGB 85 206 147

HSL 150.74, 0.55%, 0.57%

LAB 74.94, -47.49, 19.44

 

CMYK 40 / 59 / 0 / 19

HEX #7B55CE

RGB 123 85 206

HSL 258.84, 0.55%, 0.57%

LAB 45.86, 42.94, -57.44

 

CMYK 0 / 59 / 31 / 19

HEX #CE558F

RGB 206 85 143

HSL 331.24, 0.55%, 0.57%

LAB 53.6, 53.74, -7.76

 

CMYK 18 / 0 / 58 / 19

HEX #A8CE57

RGB 168 206 87

HSL 79.16, 0.55%, 0.57%

LAB 77.97, -30.52, 53.96

 

CMYK 59 / 0 / 11 / 19

HEX #55CEB8

RGB 85 206 184

HSL 169.09, 0.55%, 0.57%

LAB 75.78, -39.05, 0.83

 

CMYK 40 / 59 / 0 / 19

HEX #7B55CE

RGB 123 85 206

HSL 258.84, 0.55%, 0.57%

LAB 45.86, 42.94, -57.44

 

CMYK 0 / 59 / 48 / 19

HEX #CE556B

RGB 206 85 107

HSL 349.09, 0.55%, 0.57%

LAB 52.6, 49.81, 12.19

 

Description

Color code: HEX #A8CE57 | qconv.com Color code: HEX #A8CE57 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 206 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 206 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 58 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 58% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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