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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8CBA2 it is the complementary color #57345D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8CBA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8CBA2 shade: #ADCB9D, #BEDDB0, #CFEFC3, #E0FFD6 and #F1FFE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8CBA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8CBA2 shade: #A8CBA2, #97B98F, #86A77C, #759569 and #648356

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8CBA2 shade: #A9CCA4, #B4CCA4, #BFCCA4, #CACCA4 and #CCC3A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8CBA2 shade: #A9CCA4, #A4CCA9, #A4CCB3, #A4CCBE and #A4CCC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8CBA2 shade matches the following richer shades: #A9CCA4, #A1D798, #99E38D, #91EE81 and #89FA75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8CBA2 shade: #A9CCA4, #B2C0AF, #BAB4BB, #C2A9C6 and #CA9DD2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8CBA2 shade: #BFCCA4, #B4CCA4, #AACCA4, #A4CCA8 and #A4CCB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8CBA2 shade: #78AE6F, #91BD89, #A9CCA4, #C2DABE and #DBE9D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8CBA2 shade: #A8CBA2, #A4CACC and #CCA4BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8CBA2 shade: #A8CBA2, #A4AACC and #CCA4AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8CBA2 shade: #A8CBA2, #A4CACC, #C6A4CC and #CCA6A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8CBA2 shade: #A8CBA2, #A4BECC, #C6A4CC and #CCB2A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 20 / 20

HEX #A8CBA2

RGB 168 203 162

HSL 111.22, 0.28%, 0.72%

LAB 78.25, -19.4, 16.67

 

Complementary color

CMYK 6 / 44 / 0 / 64

HEX #57345D

RGB 87 52 93

HSL 291.22, 0.28%, 0.28%

LAB 27.5, 23.43, -18.15

 

CMYK 15 / 0 / 23 / 20

HEX #ADCB9D

RGB 173 203 157

HSL 99.13, 0.31%, 0.71%

LAB 78.48, -18.48, 19.69

 

CMYK 14 / 0 / 20 / 13

HEX #BEDDB0

RGB 190 221 176

HSL 101.33, 0.4%, 0.78%

LAB 84.89, -18.4, 18.75

 

CMYK 13 / 0 / 18 / 6

HEX #CFEFC3

RGB 207 239 195

HSL 103.64, 0.58%, 0.85%

LAB 91.21, -18.33, 17.86

 

CMYK 12 / 0 / 16 / 0

HEX #E0FFD6

RGB 224 255 214

HSL 105.37, 1%, 0.92%

LAB 96.91, -17.29, 16.28

 

CMYK 5 / 0 / 9 / 0

HEX #F1FFE9

RGB 241 255 233

HSL 98.18, 1%, 0.96%

LAB 98.47, -8.43, 8.93

 

CMYK 17 / 0 / 20 / 20

HEX #A8CBA2

RGB 168 203 162

HSL 111.22, 0.28%, 0.72%

LAB 78.25, -19.4, 16.67

 

CMYK 18 / 0 / 23 / 27

HEX #97B98F

RGB 151 185 143

HSL 108.57, 0.23%, 0.64%

LAB 71.73, -19.53, 17.62

 

CMYK 20 / 0 / 26 / 35

HEX #86A77C

RGB 134 167 124

HSL 106.05, 0.2%, 0.57%

LAB 65.09, -19.68, 18.62

 

CMYK 21 / 0 / 30 / 42

HEX #759569

RGB 117 149 105

HSL 103.64, 0.17%, 0.5%

LAB 58.32, -19.83, 19.7

 

CMYK 24 / 0 / 34 / 49

HEX #648356

RGB 100 131 86

HSL 101.33, 0.21%, 0.43%

LAB 51.4, -20, 20.86

 

CMYK 17 / 0 / 20 / 20

HEX #A9CCA4

RGB 169 204 164

HSL 112.5, 0.28%, 0.72%

LAB 78.64, -19.22, 16.15

 

CMYK 12 / 0 / 20 / 20

HEX #B4CCA4

RGB 180 204 164

HSL 96, 0.28%, 0.72%

LAB 79.37, -15.36, 17.28

 

CMYK 6 / 0 / 20 / 20

HEX #BFCCA4

RGB 191 204 164

HSL 79.5, 0.28%, 0.72%

LAB 80.15, -11.39, 18.48

 

CMYK 1 / 0 / 20 / 20

HEX #CACCA4

RGB 202 204 164

HSL 63, 0.28%, 0.72%

LAB 80.97, -7.35, 19.75

 

CMYK 0 / 4 / 20 / 20

HEX #CCC3A4

RGB 204 195 164

HSL 46.5, 0.28%, 0.72%

LAB 78.78, -1.92, 16.73

 

CMYK 17 / 0 / 20 / 20

HEX #A9CCA4

RGB 169 204 164

HSL 112.5, 0.28%, 0.72%

LAB 78.64, -19.22, 16.15

 

CMYK 20 / 0 / 17 / 20

HEX #A4CCA9

RGB 164 204 169

HSL 127.5, 0.28%, 0.72%

LAB 78.43, -20.04, 13.15

 

CMYK 20 / 0 / 12 / 20

HEX #A4CCB3

RGB 164 204 179

HSL 142.5, 0.28%, 0.72%

LAB 78.66, -18.19, 8.12

 

CMYK 20 / 0 / 7 / 20

HEX #A4CCBE

RGB 164 204 190

HSL 159, 0.28%, 0.72%

LAB 78.92, -16.03, 2.61

 

CMYK 20 / 0 / 1 / 20

HEX #A4CCC9

RGB 164 204 201

HSL 175.5, 0.28%, 0.72%

LAB 79.21, -13.76, -2.88

 

CMYK 17 / 0 / 20 / 20

HEX #A9CCA4

RGB 169 204 164

HSL 112.5, 0.28%, 0.72%

LAB 78.64, -19.22, 16.15

 

CMYK 25 / 0 / 29 / 16

HEX #A1D798

RGB 161 215 152

HSL 111.43, 0.44%, 0.72%

LAB 80.99, -29.31, 25.63

 

CMYK 33 / 0 / 38 / 11

HEX #99E38D

RGB 153 227 141

HSL 111.63, 0.61%, 0.72%

LAB 83.77, -39.17, 34.91

 

CMYK 39 / 0 / 46 / 7

HEX #91EE81

RGB 145 238 129

HSL 111.19, 0.76%, 0.72%

LAB 86.38, -48.13, 44.1

 

CMYK 45 / 0 / 53 / 2

HEX #89FA75

RGB 137 250 117

HSL 110.98, 0.93%, 0.72%

LAB 89.38, -56.85, 53.33

 

CMYK 17 / 0 / 20 / 20

HEX #A9CCA4

RGB 169 204 164

HSL 112.5, 0.28%, 0.72%

LAB 78.64, -19.22, 16.15

 

CMYK 7 / 0 / 9 / 25

HEX #B2C0AF

RGB 178 192 175

HSL 109.41, 0.12%, 0.72%

LAB 76.23, -7.99, 6.92

 

CMYK 1 / 4 / 0 / 27

HEX #BAB4BB

RGB 186 180 187

HSL 291.43, 0.05%, 0.72%

LAB 73.98, 3.42, -2.8

 

CMYK 2 / 15 / 0 / 22

HEX #C2A9C6

RGB 194 169 198

HSL 291.72, 0.2%, 0.72%

LAB 72.18, 14.27, -11.43

 

CMYK 4 / 25 / 0 / 18

HEX #CA9DD2

RGB 202 157 210

HSL 290.94, 0.37%, 0.72%

LAB 70.4, 25.88, -20.65

 

CMYK 6 / 0 / 20 / 20

HEX #BFCCA4

RGB 191 204 164

HSL 79.5, 0.28%, 0.72%

LAB 80.15, -11.39, 18.48

 

CMYK 12 / 0 / 20 / 20

HEX #B4CCA4

RGB 180 204 164

HSL 96, 0.28%, 0.72%

LAB 79.37, -15.36, 17.28

 

CMYK 17 / 0 / 20 / 20

HEX #AACCA4

RGB 170 204 164

HSL 111, 0.28%, 0.72%

LAB 78.7, -18.87, 16.25

 

CMYK 20 / 0 / 18 / 20

HEX #A4CCA8

RGB 164 204 168

HSL 126, 0.28%, 0.72%

LAB 78.41, -20.22, 13.65

 

CMYK 20 / 0 / 12 / 20

HEX #A4CCB3

RGB 164 204 179

HSL 142.5, 0.28%, 0.72%

LAB 78.66, -18.19, 8.12

 

CMYK 31 / 0 / 36 / 32

HEX #78AE6F

RGB 120 174 111

HSL 111.43, 0.28%, 0.56%

LAB 66.07, -30.21, 26.84

 

CMYK 23 / 0 / 28 / 26

HEX #91BD89

RGB 145 189 137

HSL 110.77, 0.28%, 0.64%

LAB 72.38, -24.64, 21.67

 

CMYK 17 / 0 / 20 / 20

HEX #A9CCA4

RGB 169 204 164

HSL 112.5, 0.28%, 0.72%

LAB 78.64, -19.22, 16.15

 

CMYK 11 / 0 / 13 / 15

HEX #C2DABE

RGB 194 218 190

HSL 111.43, 0.27%, 0.8%

LAB 84.65, -13.16, 11.1

 

CMYK 6 / 0 / 7 / 9

HEX #DBE9D8

RGB 219 233 216

HSL 109.41, 0.28%, 0.88%

LAB 90.91, -7.71, 6.65

 

CMYK 17 / 0 / 20 / 20

HEX #A8CBA2

RGB 168 203 162

HSL 111.22, 0.28%, 0.72%

LAB 78.25, -19.4, 16.67

 

CMYK 20 / 1 / 0 / 20

HEX #A4CACC

RGB 164 202 204

HSL 183, 0.28%, 0.72%

LAB 78.75, -12.09, -5.17

 

CMYK 0 / 20 / 9 / 20

HEX #CCA4BA

RGB 204 164 186

HSL 327, 0.28%, 0.72%

LAB 71.51, 18.3, -5.71

 

CMYK 17 / 0 / 20 / 20

HEX #A8CBA2

RGB 168 203 162

HSL 111.22, 0.28%, 0.72%

LAB 78.25, -19.4, 16.67

 

CMYK 20 / 17 / 0 / 20

HEX #A4AACC

RGB 164 170 204

HSL 231, 0.28%, 0.72%

LAB 70.18, 5.06, -17.99

 

CMYK 0 / 20 / 17 / 20

HEX #CCA4AA

RGB 204 164 170

HSL 351, 0.28%, 0.72%

LAB 71.07, 15.64, 2.48

 

CMYK 17 / 0 / 20 / 20

HEX #A8CBA2

RGB 168 203 162

HSL 111.22, 0.28%, 0.72%

LAB 78.25, -19.4, 16.67

 

CMYK 20 / 1 / 0 / 20

HEX #A4CACC

RGB 164 202 204

HSL 183, 0.28%, 0.72%

LAB 78.75, -12.09, -5.17

 

CMYK 3 / 20 / 0 / 20

HEX #C6A4CC

RGB 198 164 204

HSL 291, 0.28%, 0.72%

LAB 71.5, 19.54, -15.72

 

CMYK 0 / 19 / 20 / 20

HEX #CCA6A4

RGB 204 166 164

HSL 3, 0.28%, 0.72%

LAB 71.41, 13.61, 6.29

 

CMYK 17 / 0 / 20 / 20

HEX #A8CBA2

RGB 168 203 162

HSL 111.22, 0.28%, 0.72%

LAB 78.25, -19.4, 16.67

 

CMYK 20 / 7 / 0 / 20

HEX #A4BECC

RGB 164 190 204

HSL 201, 0.28%, 0.72%

LAB 75.5, -5.79, -9.99

 

CMYK 3 / 20 / 0 / 20

HEX #C6A4CC

RGB 198 164 204

HSL 291, 0.28%, 0.72%

LAB 71.5, 19.54, -15.72

 

CMYK 0 / 13 / 20 / 20

HEX #CCB2A4

RGB 204 178 164

HSL 21, 0.28%, 0.72%

LAB 74.42, 7.11, 10.59

 

Description

Color code: HEX #A8CBA2 | qconv.com Color code: HEX #A8CBA2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 203 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 203 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 20 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 20% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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