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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8CADA it is the complementary color #573525. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8CADA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8CADA shade: #ADCAD5, #BEDCE8, #CFEEFB, #E0FFFF and #F1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8CADA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8CADA shade: #A8CADA, #97B8C7, #86A6B4, #7594A1 and #64828E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8CADA shade: #A9CADA, #A9BDDA, #A9B0DA, #AFA9DA and #BCA9DA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8CADA shade: #A9CADA, #A9BDDA, #A9B0DA and #A9A9DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8CADA shade matches the following richer shades: #A9CADA, #9FCEE4, #95D1EE and #8BD5F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8CADA shade: #A9CADA, #B3C7D0, #BDC3C6, #C7BFBC and #D0BCB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8CADA shade: #A9DACF, #A9D7DA, #A9CADA, #A9BDDA and #A9B0DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8CADA shade: #6FA7C1, #8CB8CD, #A9CADA, #C6DCE6 and #E3EDF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8CADA shade: #A8CADA, #C2A9DA and #DAD6A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8CADA shade: #A8CADA, #DAA9CA and #CADAA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8CADA shade: #A8CADA, #C2A9DA, #DAB8A9 and #C0DAA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8CADA shade: #A8CADA, #D1A9DA, #DAB8A9 and #B2DAA9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 7 / 0 / 15

HEX #A8CADA

RGB 168 202 218

HSL 199.2, 0.4%, 0.76%

LAB 79.4, -7.79, -11.7

 

Complementary color

CMYK 0 / 39 / 57 / 66

HEX #573525

RGB 87 53 37

HSL 19.2, 0.4%, 0.24%

LAB 25.88, 13.32, 16.39

 

CMYK 19 / 5 / 0 / 16

HEX #ADCAD5

RGB 173 202 213

HSL 196.5, 0.32%, 0.76%

LAB 79.57, -7.35, -8.72

 

CMYK 18 / 5 / 0 / 9

HEX #BEDCE8

RGB 190 220 232

HSL 197.14, 0.48%, 0.83%

LAB 85.99, -7.38, -9.2

 

CMYK 18 / 5 / 0 / 2

HEX #CFEEFB

RGB 207 238 251

HSL 197.73, 0.85%, 0.9%

LAB 92.3, -7.42, -9.66

 

CMYK 12 / 0 / 0 / 0

HEX #E0FFFF

RGB 224 255 255

HSL 180, 1%, 0.94%

LAB 97.87, -9.94, -3.38

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 23 / 7 / 0 / 15

HEX #A8CADA

RGB 168 202 218

HSL 199.2, 0.4%, 0.76%

LAB 79.4, -7.79, -11.7

 

CMYK 24 / 8 / 0 / 22

HEX #97B8C7

RGB 151 184 199

HSL 198.75, 0.3%, 0.69%

LAB 72.88, -7.75, -11.27

 

CMYK 26 / 8 / 0 / 29

HEX #86A6B4

RGB 134 166 180

HSL 198.26, 0.23%, 0.62%

LAB 66.24, -7.72, -10.83

 

CMYK 27 / 8 / 0 / 37

HEX #7594A1

RGB 117 148 161

HSL 197.73, 0.19%, 0.55%

LAB 59.47, -7.69, -10.39

 

CMYK 30 / 8 / 0 / 44

HEX #64828E

RGB 100 130 142

HSL 197.14, 0.17%, 0.47%

LAB 52.54, -7.66, -9.94

 

CMYK 22 / 7 / 0 / 15

HEX #A9CADA

RGB 169 202 218

HSL 199.59, 0.4%, 0.76%

LAB 79.46, -7.49, -11.6

 

CMYK 22 / 13 / 0 / 15

HEX #A9BDDA

RGB 169 189 218

HSL 215.51, 0.4%, 0.76%

LAB 76, -0.58, -16.8

 

CMYK 22 / 19 / 0 / 15

HEX #A9B0DA

RGB 169 176 218

HSL 231.43, 0.4%, 0.76%

LAB 72.59, 6.51, -21.96

 

CMYK 20 / 22 / 0 / 15

HEX #AFA9DA

RGB 175 169 218

HSL 247.35, 0.4%, 0.76%

LAB 71.25, 12.24, -23.97

 

CMYK 14 / 22 / 0 / 15

HEX #BCA9DA

RGB 188 169 218

HSL 263.27, 0.4%, 0.76%

LAB 72.31, 16.35, -22.25

 

CMYK 22 / 7 / 0 / 15

HEX #A9CADA

RGB 169 202 218

HSL 199.59, 0.4%, 0.76%

LAB 79.46, -7.49, -11.6

 

CMYK 22 / 13 / 0 / 15

HEX #A9BDDA

RGB 169 189 218

HSL 215.51, 0.4%, 0.76%

LAB 76, -0.58, -16.8

 

CMYK 22 / 19 / 0 / 15

HEX #A9B0DA

RGB 169 176 218

HSL 231.43, 0.4%, 0.76%

LAB 72.59, 6.51, -21.96

 

CMYK 22 / 22 / 0 / 15

HEX #A9A9DA

RGB 169 169 218

HSL 240, 0.4%, 0.76%

LAB 70.78, 10.38, -24.72

 

CMYK 22 / 7 / 0 / 15

HEX #A9CADA

RGB 169 202 218

HSL 199.59, 0.4%, 0.76%

LAB 79.46, -7.49, -11.6

 

CMYK 30 / 10 / 0 / 11

HEX #9FCEE4

RGB 159 206 228

HSL 199.13, 0.56%, 0.76%

LAB 80.24, -10.22, -15.85

 

CMYK 37 / 12 / 0 / 7

HEX #95D1EE

RGB 149 209 238

HSL 199.55, 0.72%, 0.76%

LAB 80.83, -12.06, -20.36

 

CMYK 44 / 14 / 0 / 3

HEX #8BD5F7

RGB 139 213 247

HSL 198.89, 0.87%, 0.76%

LAB 81.73, -14.32, -23.84

 

CMYK 22 / 7 / 0 / 15

HEX #A9CADA

RGB 169 202 218

HSL 199.59, 0.4%, 0.76%

LAB 79.46, -7.49, -11.6

 

CMYK 14 / 4 / 0 / 18

HEX #B3C7D0

RGB 179 199 208

HSL 198.62, 0.24%, 0.76%

LAB 79.03, -4.92, -6.8

 

CMYK 5 / 2 / 0 / 22

HEX #BDC3C6

RGB 189 195 198

HSL 200, 0.07%, 0.76%

LAB 78.42, -1.49, -2.23

 

CMYK 0 / 4 / 6 / 22

HEX #C7BFBC

RGB 199 191 188

HSL 16.36, 0.09%, 0.76%

LAB 77.9, 2.27, 2.5

 

CMYK 0 / 10 / 14 / 18

HEX #D0BCB2

RGB 208 188 178

HSL 20, 0.24%, 0.76%

LAB 77.63, 5.43, 7.62

 

CMYK 22 / 0 / 5 / 15

HEX #A9DACF

RGB 169 218 207

HSL 166.53, 0.4%, 0.76%

LAB 83.49, -18.06, 0.21

 

CMYK 22 / 1 / 0 / 15

HEX #A9D7DA

RGB 169 215 218

HSL 183.67, 0.4%, 0.76%

LAB 82.97, -14.21, -6.4

 

CMYK 22 / 7 / 0 / 15

HEX #A9CADA

RGB 169 202 218

HSL 199.59, 0.4%, 0.76%

LAB 79.46, -7.49, -11.6

 

CMYK 22 / 13 / 0 / 15

HEX #A9BDDA

RGB 169 189 218

HSL 215.51, 0.4%, 0.76%

LAB 76, -0.58, -16.8

 

CMYK 22 / 19 / 0 / 15

HEX #A9B0DA

RGB 169 176 218

HSL 231.43, 0.4%, 0.76%

LAB 72.59, 6.51, -21.96

 

CMYK 42 / 13 / 0 / 24

HEX #6FA7C1

RGB 111 167 193

HSL 199.02, 0.4%, 0.6%

LAB 65.65, -11.49, -19.09

 

CMYK 32 / 10 / 0 / 20

HEX #8CB8CD

RGB 140 184 205

HSL 199.38, 0.39%, 0.68%

LAB 72.4, -9.59, -15.33

 

CMYK 22 / 7 / 0 / 15

HEX #A9CADA

RGB 169 202 218

HSL 199.59, 0.4%, 0.76%

LAB 79.46, -7.49, -11.6

 

CMYK 14 / 4 / 0 / 10

HEX #C6DCE6

RGB 198 220 230

HSL 198.75, 0.39%, 0.84%

LAB 86.46, -5.3, -7.38

 

CMYK 7 / 2 / 0 / 5

HEX #E3EDF3

RGB 227 237 243

HSL 202.5, 0.4%, 0.92%

LAB 93.18, -2.19, -4.05

 

CMYK 23 / 7 / 0 / 15

HEX #A8CADA

RGB 168 202 218

HSL 199.2, 0.4%, 0.76%

LAB 79.4, -7.79, -11.7

 

CMYK 11 / 22 / 0 / 15

HEX #C2A9DA

RGB 194 169 218

HSL 270.61, 0.4%, 0.76%

LAB 72.83, 18.28, -21.42

 

CMYK 0 / 2 / 22 / 15

HEX #DAD6A9

RGB 218 214 169

HSL 55.1, 0.4%, 0.76%

LAB 84.93, -5.82, 22.77

 

CMYK 23 / 7 / 0 / 15

HEX #A8CADA

RGB 168 202 218

HSL 199.2, 0.4%, 0.76%

LAB 79.4, -7.79, -11.7

 

CMYK 0 / 22 / 7 / 15

HEX #DAA9CA

RGB 218 169 202

HSL 319.59, 0.4%, 0.76%

LAB 74.54, 23.26, -9.87

 

CMYK 7 / 0 / 22 / 15

HEX #CADAA9

RGB 202 218 169

HSL 79.59, 0.4%, 0.76%

LAB 84.77, -13.74, 22.37

 

CMYK 23 / 7 / 0 / 15

HEX #A8CADA

RGB 168 202 218

HSL 199.2, 0.4%, 0.76%

LAB 79.4, -7.79, -11.7

 

CMYK 11 / 22 / 0 / 15

HEX #C2A9DA

RGB 194 169 218

HSL 270.61, 0.4%, 0.76%

LAB 72.83, 18.28, -21.42

 

CMYK 0 / 16 / 22 / 15

HEX #DAB8A9

RGB 218 184 169

HSL 18.37, 0.4%, 0.76%

LAB 77.31, 9.9, 12.15

 

CMYK 12 / 0 / 22 / 15

HEX #C0DAA9

RGB 192 218 169

HSL 91.84, 0.4%, 0.76%

LAB 84.08, -17.32, 21.3

 

CMYK 23 / 7 / 0 / 15

HEX #A8CADA

RGB 168 202 218

HSL 199.2, 0.4%, 0.76%

LAB 79.4, -7.79, -11.7

 

CMYK 4 / 22 / 0 / 15

HEX #D1A9DA

RGB 209 169 218

HSL 288.98, 0.4%, 0.76%

LAB 74.19, 23.17, -19.23

 

CMYK 0 / 16 / 22 / 15

HEX #DAB8A9

RGB 218 184 169

HSL 18.37, 0.4%, 0.76%

LAB 77.31, 9.9, 12.15

 

CMYK 18 / 0 / 22 / 15

HEX #B2DAA9

RGB 178 218 169

HSL 108.98, 0.4%, 0.76%

LAB 83.16, -22.21, 19.9

 

Description

Color code: HEX #A8CADA | qconv.com Color code: HEX #A8CADA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 202 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 202 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 7 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 7% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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