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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8C957 it is the complementary color #5736A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8C957. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8C957 shade: #ADC952, #BEDB65, #CFED78, #E0FF8B and #F1FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8C957. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8C957 shade: #A8C957, #97B744, #86A531, #75931E and #64810B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8C957 shade: #A7C856, #C6C856, #C8AB56, #C88D56 and #C86E56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8C957 shade: #A7C856, #88C856, #69C856, #56C861 and #56C880

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8C957 shade matches the following richer shades: #A7C856, #AFDA43, #B6EC31 and #BEFE1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8C957 shade: #A7C856, #9FB668, #98A47A, #90928C and #887F9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8C957 shade: #C8AB56, #C6C856, #A8C856, #89C856 and #6BC856

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8C957 shade: #7B9932, #94B83C, #A7C856, #B7D275 and #C7DC94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8C957 shade: #A8C957, #56C88D and #BB56C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8C957 shade: #A8C957, #56A8C8 and #C856A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8C957 shade: #A8C957, #56C88D, #7656C8 and #C85691

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8C957 shade: #A8C957, #56C8AF, #7656C8 and #C8566E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 57 / 21

HEX #A8C957

RGB 168 201 87

HSL 77.37, 0.51%, 0.56%

LAB 76.55, -28.15, 52.35

 

Complementary color

CMYK 48 / 68 / 0 / 34

HEX #5736A8

RGB 87 54 168

HSL 257.37, 0.51%, 0.44%

LAB 32.9, 42.25, -56.3

 

CMYK 14 / 0 / 59 / 21

HEX #ADC952

RGB 173 201 82

HSL 74.12, 0.52%, 0.55%

LAB 76.84, -26.6, 55

 

CMYK 13 / 0 / 54 / 14

HEX #BEDB65

RGB 190 219 101

HSL 74.75, 0.62%, 0.63%

LAB 83.2, -26.92, 54.03

 

CMYK 13 / 0 / 49 / 7

HEX #CFED78

RGB 207 237 120

HSL 75.38, 0.76%, 0.7%

LAB 89.48, -27.16, 52.96

 

CMYK 12 / 0 / 45 / 0

HEX #E0FF8B

RGB 224 255 139

HSL 76.03, 1%, 0.77%

LAB 95.68, -27.35, 51.86

 

CMYK 5 / 0 / 38 / 0

HEX #F1FF9E

RGB 241 255 158

HSL 68.66, 1%, 0.81%

LAB 97.1, -18.97, 44.8

 

CMYK 16 / 0 / 57 / 21

HEX #A8C957

RGB 168 201 87

HSL 77.37, 0.51%, 0.56%

LAB 76.55, -28.15, 52.35

 

CMYK 17 / 0 / 63 / 28

HEX #97B744

RGB 151 183 68

HSL 76.7, 0.46%, 0.49%

LAB 70.08, -27.83, 53.23

 

CMYK 19 / 0 / 70 / 35

HEX #86A531

RGB 134 165 49

HSL 76.03, 0.54%, 0.42%

LAB 63.51, -27.38, 53.79

 

CMYK 20 / 0 / 80 / 42

HEX #75931E

RGB 117 147 30

HSL 75.38, 0.66%, 0.35%

LAB 56.82, -26.74, 53.68

 

CMYK 22 / 0 / 91 / 49

HEX #64810B

RGB 100 129 11

HSL 74.75, 0.84%, 0.27%

LAB 50.02, -25.85, 52.23

 

CMYK 17 / 0 / 57 / 22

HEX #A7C856

RGB 167 200 86

HSL 77.37, 0.51%, 0.56%

LAB 76.19, -28.15, 52.37

 

CMYK 1 / 0 / 57 / 22

HEX #C6C856

RGB 198 200 86

HSL 61.05, 0.51%, 0.56%

LAB 78.45, -15.64, 55.54

 

CMYK 0 / 15 / 57 / 22

HEX #C8AB56

RGB 200 171 86

HSL 44.74, 0.51%, 0.56%

LAB 70.92, 0.22, 47

 

CMYK 0 / 30 / 57 / 22

HEX #C88D56

RGB 200 141 86

HSL 28.95, 0.51%, 0.56%

LAB 63.34, 16.47, 37.98

 

CMYK 0 / 45 / 57 / 22

HEX #C86E56

RGB 200 110 86

HSL 12.63, 0.51%, 0.56%

LAB 56.19, 33.28, 29.06

 

CMYK 17 / 0 / 57 / 22

HEX #A7C856

RGB 167 200 86

HSL 77.37, 0.51%, 0.56%

LAB 76.19, -28.15, 52.37

 

CMYK 32 / 0 / 57 / 22

HEX #88C856

RGB 136 200 86

HSL 93.68, 0.51%, 0.56%

LAB 74.33, -39.75, 49.75

 

CMYK 48 / 0 / 57 / 22

HEX #69C856

RGB 105 200 86

HSL 110, 0.51%, 0.56%

LAB 72.88, -49.78, 47.7

 

CMYK 57 / 0 / 52 / 22

HEX #56C861

RGB 86 200 97

HSL 125.79, 0.51%, 0.56%

LAB 72.33, -53.47, 41.66

 

CMYK 57 / 0 / 36 / 22

HEX #56C880

RGB 86 200 128

HSL 142.11, 0.51%, 0.56%

LAB 72.79, -48.49, 26.54

 

CMYK 17 / 0 / 57 / 22

HEX #A7C856

RGB 167 200 86

HSL 77.37, 0.51%, 0.56%

LAB 76.19, -28.15, 52.37

 

CMYK 20 / 0 / 69 / 15

HEX #AFDA43

RGB 175 218 67

HSL 77.09, 0.67%, 0.56%

LAB 81.65, -34.83, 66.19

 

CMYK 23 / 0 / 79 / 7

HEX #B6EC31

RGB 182 236 49

HSL 77.33, 0.83%, 0.56%

LAB 87.07, -41.09, 77.2

 

CMYK 25 / 0 / 88 / 0

HEX #BEFE1F

RGB 190 254 31

HSL 77.22, 0.99%, 0.56%

LAB 92.54, -46.4, 85.94

 

CMYK 17 / 0 / 57 / 22

HEX #A7C856

RGB 167 200 86

HSL 77.37, 0.51%, 0.56%

LAB 76.19, -28.15, 52.37

 

CMYK 13 / 0 / 43 / 29

HEX #9FB668

RGB 159 182 104

HSL 77.69, 0.35%, 0.56%

LAB 70.75, -20.65, 37.02

 

CMYK 7 / 0 / 26 / 36

HEX #98A47A

RGB 152 164 122

HSL 77.14, 0.19%, 0.56%

LAB 65.46, -11.69, 20.43

 

CMYK 1 / 0 / 4 / 43

HEX #90928C

RGB 144 146 140

HSL 80, 0.03%, 0.56%

LAB 60.23, -1.88, 2.91

 

CMYK 14 / 20 / 0 / 38

HEX #887F9E

RGB 136 127 158

HSL 257.42, 0.14%, 0.56%

LAB 54.95, 9.83, -15.33

 

CMYK 0 / 15 / 57 / 22

HEX #C8AB56

RGB 200 171 86

HSL 44.74, 0.51%, 0.56%

LAB 70.92, 0.22, 47

 

CMYK 1 / 0 / 57 / 22

HEX #C6C856

RGB 198 200 86

HSL 61.05, 0.51%, 0.56%

LAB 78.45, -15.64, 55.54

 

CMYK 16 / 0 / 57 / 22

HEX #A8C856

RGB 168 200 86

HSL 76.84, 0.51%, 0.56%

LAB 76.26, -27.76, 52.47

 

CMYK 32 / 0 / 57 / 22

HEX #89C856

RGB 137 200 86

HSL 93.16, 0.51%, 0.56%

LAB 74.38, -39.39, 49.82

 

CMYK 47 / 0 / 57 / 22

HEX #6BC856

RGB 107 200 86

HSL 108.95, 0.51%, 0.56%

LAB 72.96, -49.2, 47.81

 

CMYK 20 / 0 / 67 / 40

HEX #7B9932

RGB 123 153 50

HSL 77.48, 0.51%, 0.4%

LAB 59.18, -25.99, 48.7

 

CMYK 20 / 0 / 67 / 28

HEX #94B83C

RGB 148 184 60

HSL 77.42, 0.51%, 0.48%

LAB 70.11, -30.09, 56.51

 

CMYK 17 / 0 / 57 / 22

HEX #A7C856

RGB 167 200 86

HSL 77.37, 0.51%, 0.56%

LAB 76.19, -28.15, 52.37

 

CMYK 13 / 0 / 44 / 18

HEX #B7D275

RGB 183 210 117

HSL 77.42, 0.51%, 0.64%

LAB 80.43, -23.69, 42.97

 

CMYK 10 / 0 / 33 / 14

HEX #C7DC94

RGB 199 220 148

HSL 77.5, 0.51%, 0.72%

LAB 84.72, -18.78, 33.12

 

CMYK 16 / 0 / 57 / 21

HEX #A8C957

RGB 168 201 87

HSL 77.37, 0.51%, 0.56%

LAB 76.55, -28.15, 52.35

 

CMYK 57 / 0 / 30 / 22

HEX #56C88D

RGB 86 200 141

HSL 148.95, 0.51%, 0.56%

LAB 73.03, -45.99, 20

 

CMYK 7 / 57 / 0 / 22

HEX #BB56C8

RGB 187 86 200

HSL 293.16, 0.51%, 0.56%

LAB 53.37, 56.77, -41.55

 

CMYK 16 / 0 / 57 / 21

HEX #A8C957

RGB 168 201 87

HSL 77.37, 0.51%, 0.56%

LAB 76.55, -28.15, 52.35

 

CMYK 57 / 16 / 0 / 22

HEX #56A8C8

RGB 86 168 200

HSL 196.84, 0.51%, 0.56%

LAB 65.08, -15.76, -23.94

 

CMYK 0 / 57 / 16 / 22

HEX #C856A8

RGB 200 86 168

HSL 316.84, 0.51%, 0.56%

LAB 53.77, 54.93, -22.27

 

CMYK 16 / 0 / 57 / 21

HEX #A8C957

RGB 168 201 87

HSL 77.37, 0.51%, 0.56%

LAB 76.55, -28.15, 52.35

 

CMYK 57 / 0 / 30 / 22

HEX #56C88D

RGB 86 200 141

HSL 148.95, 0.51%, 0.56%

LAB 73.03, -45.99, 20

 

CMYK 41 / 57 / 0 / 22

HEX #7656C8

RGB 118 86 200

HSL 256.84, 0.51%, 0.56%

LAB 45.19, 39.6, -55.08

 

CMYK 0 / 57 / 28 / 22

HEX #C85691

RGB 200 86 145

HSL 328.95, 0.51%, 0.56%

LAB 52.93, 51.67, -10.04

 

CMYK 16 / 0 / 57 / 21

HEX #A8C957

RGB 168 201 87

HSL 77.37, 0.51%, 0.56%

LAB 76.55, -28.15, 52.35

 

CMYK 57 / 0 / 13 / 22

HEX #56C8AF

RGB 86 200 175

HSL 166.84, 0.51%, 0.56%

LAB 73.79, -38.37, 2.8

 

CMYK 41 / 57 / 0 / 22

HEX #7656C8

RGB 118 86 200

HSL 256.84, 0.51%, 0.56%

LAB 45.19, 39.6, -55.08

 

CMYK 0 / 57 / 45 / 22

HEX #C8566E

RGB 200 86 110

HSL 347.37, 0.51%, 0.56%

LAB 51.91, 47.59, 9.29

 

Description

Color code: HEX #A8C957 | qconv.com Color code: HEX #A8C957 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 201 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 201 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 57 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 57% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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