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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8C87F it is the complementary color #573780. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8C87F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8C87F shade: #ADC87A, #BEDA8D, #CFECA0, #E0FEB3 and #F1FFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8C87F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8C87F shade: #A8C87F, #97B66C, #86A459, #759246 and #648033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8C87F shade: #A7C77E, #BBC77E, #C7C07E, #C7AC7E and #C7987E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8C87F shade: #A7C77E, #93C77E, #80C77E, #7EC790 and #7EC7A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8C87F shade matches the following richer shades: #A7C77E, #A9D66F, #ABE560 and #ADF451

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8C87F shade: #A7C77E, #A5B98D, #A4AA9C, #A29BAB and #A08CB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8C87F shade: #C7C07E, #BBC77E, #A8C77E, #94C77E and #80C77E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8C87F shade: #7FAA49, #94BB61, #A7C77E, #BBD49B and #CEE0B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8C87F shade: #A8C87F, #7EC7AC and #C77EC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8C87F shade: #A8C87F, #7EA8C7 and #C77EA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8C87F shade: #A8C87F, #7EC7AC, #9E7EC7 and #C77E99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8C87F shade: #A8C87F, #7EC7C3, #9E7EC7 and #C77E83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 37 / 22

HEX #A8C87F

RGB 168 200 127

HSL 86.3, 0.4%, 0.64%

LAB 76.78, -23.25, 33.06

 

Complementary color

CMYK 32 / 57 / 0 / 50

HEX #573780

RGB 87 55 128

HSL 266.3, 0.4%, 0.36%

LAB 30.2, 30.38, -36.19

 

CMYK 14 / 0 / 39 / 22

HEX #ADC87A

RGB 173 200 122

HSL 80.77, 0.41%, 0.63%

LAB 77.04, -22.02, 36.03

 

CMYK 13 / 0 / 35 / 15

HEX #BEDA8D

RGB 190 218 141

HSL 81.82, 0.51%, 0.7%

LAB 83.45, -22.06, 34.89

 

CMYK 12 / 0 / 32 / 7

HEX #CFECA0

RGB 207 236 160

HSL 82.89, 0.67%, 0.78%

LAB 89.76, -22.08, 33.8

 

CMYK 12 / 0 / 30 / 0

HEX #E0FEB3

RGB 224 254 179

HSL 84, 0.97%, 0.85%

LAB 95.99, -22.08, 32.75

 

CMYK 5 / 0 / 22 / 0

HEX #F1FFC6

RGB 241 255 198

HSL 74.74, 1%, 0.89%

LAB 97.75, -13.88, 25.76

 

CMYK 16 / 0 / 37 / 22

HEX #A8C87F

RGB 168 200 127

HSL 86.3, 0.4%, 0.64%

LAB 76.78, -23.25, 33.06

 

CMYK 17 / 0 / 41 / 29

HEX #97B66C

RGB 151 182 108

HSL 85.14, 0.34%, 0.57%

LAB 70.26, -23.26, 34.23

 

CMYK 18 / 0 / 46 / 36

HEX #86A459

RGB 134 164 89

HSL 84, 0.3%, 0.5%

LAB 63.62, -23.23, 35.43

 

CMYK 20 / 0 / 52 / 43

HEX #759246

RGB 117 146 70

HSL 82.89, 0.35%, 0.42%

LAB 56.86, -23.15, 36.64

 

CMYK 22 / 0 / 60 / 50

HEX #648033

RGB 100 128 51

HSL 81.82, 0.43%, 0.35%

LAB 49.96, -22.98, 37.77

 

CMYK 16 / 0 / 37 / 22

HEX #A7C77E

RGB 167 199 126

HSL 86.3, 0.39%, 0.64%

LAB 76.42, -23.26, 33.1

 

CMYK 6 / 0 / 37 / 22

HEX #BBC77E

RGB 187 199 126

HSL 69.86, 0.39%, 0.64%

LAB 77.83, -15.64, 35.2

 

CMYK 0 / 4 / 37 / 22

HEX #C7C07E

RGB 199 192 126

HSL 54.25, 0.39%, 0.64%

LAB 76.89, -7.34, 34.17

 

CMYK 0 / 14 / 37 / 22

HEX #C7AC7E

RGB 199 172 126

HSL 37.81, 0.39%, 0.64%

LAB 71.66, 3.21, 27.29

 

CMYK 0 / 24 / 37 / 22

HEX #C7987E

RGB 199 152 126

HSL 21.37, 0.39%, 0.64%

LAB 66.6, 14.07, 20.48

 

CMYK 16 / 0 / 37 / 22

HEX #A7C77E

RGB 167 199 126

HSL 86.3, 0.39%, 0.64%

LAB 76.42, -23.26, 33.1

 

CMYK 26 / 0 / 37 / 22

HEX #93C77E

RGB 147 199 126

HSL 102.74, 0.39%, 0.64%

LAB 75.17, -30.49, 31.23

 

CMYK 36 / 0 / 37 / 22

HEX #80C77E

RGB 128 199 126

HSL 118.36, 0.39%, 0.64%

LAB 74.15, -36.84, 29.7

 

CMYK 37 / 0 / 28 / 22

HEX #7EC790

RGB 126 199 144

HSL 134.79, 0.39%, 0.64%

LAB 74.38, -34.41, 20.51

 

CMYK 37 / 0 / 18 / 22

HEX #7EC7A4

RGB 126 199 164

HSL 151.23, 0.39%, 0.64%

LAB 74.8, -30.53, 10.39

 

CMYK 16 / 0 / 37 / 22

HEX #A7C77E

RGB 167 199 126

HSL 86.3, 0.39%, 0.64%

LAB 76.42, -23.26, 33.1

 

CMYK 21 / 0 / 48 / 16

HEX #A9D66F

RGB 169 214 111

HSL 86.21, 0.56%, 0.64%

LAB 80.56, -31.54, 45.85

 

CMYK 25 / 0 / 58 / 10

HEX #ABE560

RGB 171 229 96

HSL 86.17, 0.72%, 0.64%

LAB 84.76, -39.14, 57.73

 

CMYK 29 / 0 / 67 / 4

HEX #ADF451

RGB 173 244 81

HSL 86.13, 0.88%, 0.64%

LAB 89.01, -46.13, 68.48

 

CMYK 16 / 0 / 37 / 22

HEX #A7C77E

RGB 167 199 126

HSL 86.3, 0.39%, 0.64%

LAB 76.42, -23.26, 33.1

 

CMYK 11 / 0 / 24 / 27

HEX #A5B98D

RGB 165 185 141

HSL 87.27, 0.24%, 0.64%

LAB 72.64, -14.79, 20.1

 

CMYK 4 / 0 / 8 / 33

HEX #A4AA9C

RGB 164 170 156

HSL 85.71, 0.08%, 0.64%

LAB 68.78, -4.73, 6.48

 

CMYK 5 / 9 / 0 / 33

HEX #A29BAB

RGB 162 155 171

HSL 266.25, 0.09%, 0.64%

LAB 65.01, 5.64, -7.41

 

CMYK 14 / 24 / 0 / 27

HEX #A08CB9

RGB 160 140 185

HSL 266.67, 0.24%, 0.64%

LAB 61.42, 16.39, -20.73

 

CMYK 0 / 4 / 37 / 22

HEX #C7C07E

RGB 199 192 126

HSL 54.25, 0.39%, 0.64%

LAB 76.89, -7.34, 34.17

 

CMYK 6 / 0 / 37 / 22

HEX #BBC77E

RGB 187 199 126

HSL 69.86, 0.39%, 0.64%

LAB 77.83, -15.64, 35.2

 

CMYK 16 / 0 / 37 / 22

HEX #A8C77E

RGB 168 199 126

HSL 85.48, 0.39%, 0.64%

LAB 76.48, -22.89, 33.19

 

CMYK 26 / 0 / 37 / 22

HEX #94C77E

RGB 148 199 126

HSL 101.92, 0.39%, 0.64%

LAB 75.23, -30.14, 31.32

 

CMYK 36 / 0 / 37 / 22

HEX #80C77E

RGB 128 199 126

HSL 118.36, 0.39%, 0.64%

LAB 74.15, -36.84, 29.7

 

CMYK 25 / 0 / 57 / 33

HEX #7FAA49

RGB 127 170 73

HSL 86.6, 0.4%, 0.48%

LAB 64.76, -30.62, 44.61

 

CMYK 21 / 0 / 48 / 27

HEX #94BB61

RGB 148 187 97

HSL 86, 0.4%, 0.56%

LAB 71.35, -28.17, 41.13

 

CMYK 16 / 0 / 37 / 22

HEX #A7C77E

RGB 167 199 126

HSL 86.3, 0.39%, 0.64%

LAB 76.42, -23.26, 33.1

 

CMYK 12 / 0 / 27 / 17

HEX #BBD49B

RGB 187 212 155

HSL 86.32, 0.4%, 0.72%

LAB 81.85, -18.26, 25.51

 

CMYK 8 / 0 / 18 / 12

HEX #CEE0B8

RGB 206 224 184

HSL 87, 0.39%, 0.8%

LAB 86.94, -13, 17.6

 

CMYK 16 / 0 / 37 / 22

HEX #A8C87F

RGB 168 200 127

HSL 86.3, 0.4%, 0.64%

LAB 76.78, -23.25, 33.06

 

CMYK 37 / 0 / 14 / 22

HEX #7EC7AC

RGB 126 199 172

HSL 157.81, 0.39%, 0.64%

LAB 74.99, -28.85, 6.35

 

CMYK 0 / 37 / 1 / 22

HEX #C77EC5

RGB 199 126 197

HSL 301.64, 0.39%, 0.64%

LAB 62.59, 39.33, -25.37

 

CMYK 16 / 0 / 37 / 22

HEX #A8C87F

RGB 168 200 127

HSL 86.3, 0.4%, 0.64%

LAB 76.78, -23.25, 33.06

 

CMYK 37 / 16 / 0 / 22

HEX #7EA8C7

RGB 126 168 199

HSL 205.48, 0.39%, 0.64%

LAB 66.95, -6.42, -20.36

 

CMYK 0 / 37 / 16 / 22

HEX #C77EA8

RGB 199 126 168

HSL 325.48, 0.39%, 0.64%

LAB 61.56, 34.3, -10.47

 

CMYK 16 / 0 / 37 / 22

HEX #A8C87F

RGB 168 200 127

HSL 86.3, 0.4%, 0.64%

LAB 76.78, -23.25, 33.06

 

CMYK 37 / 0 / 14 / 22

HEX #7EC7AC

RGB 126 199 172

HSL 157.81, 0.39%, 0.64%

LAB 74.99, -28.85, 6.35

 

CMYK 21 / 37 / 0 / 22

HEX #9E7EC7

RGB 158 126 199

HSL 266.3, 0.39%, 0.64%

LAB 58.33, 26.96, -33.43

 

CMYK 0 / 37 / 23 / 22

HEX #C77E99

RGB 199 126 153

HSL 337.81, 0.39%, 0.64%

LAB 61.1, 31.97, -2.58

 

CMYK 16 / 0 / 37 / 22

HEX #A8C87F

RGB 168 200 127

HSL 86.3, 0.4%, 0.64%

LAB 76.78, -23.25, 33.06

 

CMYK 37 / 0 / 2 / 22

HEX #7EC7C3

RGB 126 199 195

HSL 176.71, 0.39%, 0.64%

LAB 75.59, -23.63, -5.21

 

CMYK 21 / 37 / 0 / 22

HEX #9E7EC7

RGB 158 126 199

HSL 266.3, 0.39%, 0.64%

LAB 58.33, 26.96, -33.43

 

CMYK 0 / 37 / 34 / 22

HEX #C77E83

RGB 199 126 131

HSL 355.89, 0.39%, 0.64%

LAB 60.52, 28.94, 9.2

 

Description

Color code: HEX #A8C87F | qconv.com Color code: HEX #A8C87F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 200 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 200 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 37 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 37% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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