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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8C82B it is the complementary color #5737D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8C82B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8C82B shade: #ADC826, #BEDA39, #CFEC4C, #E0FE5F and #F1FF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8C82B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8C82B shade: #A8C82B, #97B618, #86A405, #759200 and #648000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8C82B shade: #A9C92A, #C9BF2A, #C9942A, #C9692A and #C93E2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8C82B shade: #A9C92A, #7EC92A, #53C92A, #2AC92C and #2AC957

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8C82B shade matches the following richer shades: #A9C92A, #B5DD17 and #C0F103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8C82B shade: #A9C92A, #9DB63E, #92A252, #868E66 and #7A7A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8C82B shade: #C9942A, #C9BF2A, #AAC92A, #7FC92A and #55C92A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8C82B shade: #70851C, #8CA723, #A9C92A, #BAD746 and #C6DF68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8C82B shade: #A8C82B, #2AC96A and #AA2AC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8C82B shade: #A8C82B, #2AAAC9 and #C92AAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8C82B shade: #A8C82B, #2AC96A, #4A2AC9 and #C92A8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8C82B shade: #A8C82B, #2AC99A, #4A2AC9 and #C92A5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 79 / 22

HEX #A8C82B

RGB 168 200 43

HSL 72.23, 0.65%, 0.48%

LAB 75.95, -30.47, 68.49

 

Complementary color

CMYK 59 / 74 / 0 / 17

HEX #5737D4

RGB 87 55 212

HSL 252.23, 0.65%, 0.52%

LAB 36.95, 54.46, -75.55

 

CMYK 14 / 0 / 81 / 22

HEX #ADC826

RGB 173 200 38

HSL 70, 0.68%, 0.47%

LAB 76.27, -28.62, 70.28

 

CMYK 13 / 0 / 74 / 15

HEX #BEDA39

RGB 190 218 57

HSL 70.43, 0.69%, 0.54%

LAB 82.59, -29.42, 70.89

 

CMYK 12 / 0 / 68 / 7

HEX #CFEC4C

RGB 207 236 76

HSL 70.88, 0.81%, 0.61%

LAB 88.82, -30.07, 70.81

 

CMYK 12 / 0 / 63 / 0

HEX #E0FE5F

RGB 224 254 95

HSL 71.32, 0.99%, 0.68%

LAB 94.97, -30.6, 70.3

 

CMYK 5 / 0 / 55 / 0

HEX #F1FF72

RGB 241 255 114

HSL 65.96, 1%, 0.72%

LAB 96.59, -23.11, 64.54

 

CMYK 16 / 0 / 79 / 22

HEX #A8C82B

RGB 168 200 43

HSL 72.23, 0.65%, 0.48%

LAB 75.95, -30.47, 68.49

 

CMYK 17 / 0 / 87 / 29

HEX #97B618

RGB 151 182 24

HSL 71.77, 0.77%, 0.4%

LAB 69.54, -29.59, 67.21

 

CMYK 18 / 0 / 97 / 36

HEX #86A405

RGB 134 164 5

HSL 71.32, 0.94%, 0.33%

LAB 63.04, -28.49, 64.51

 

CMYK 20 / 0 / 100 / 43

HEX #759200

RGB 117 146 0

HSL 71.92, 1%, 0.29%

LAB 56.43, -27.11, 59.69

 

CMYK 22 / 0 / 100 / 50

HEX #648000

RGB 100 128 0

HSL 73.13, 1%, 0.25%

LAB 49.67, -25.63, 54.07

 

CMYK 16 / 0 / 79 / 21

HEX #A9C92A

RGB 169 201 42

HSL 72.08, 0.65%, 0.48%

LAB 76.3, -30.58, 69.12

 

CMYK 0 / 5 / 79 / 21

HEX #C9BF2A

RGB 201 191 42

HSL 56.23, 0.65%, 0.48%

LAB 75.97, -12.2, 69.75

 

CMYK 0 / 26 / 79 / 21

HEX #C9942A

RGB 201 148 42

HSL 40, 0.65%, 0.48%

LAB 64.78, 10.54, 59.69

 

CMYK 0 / 48 / 79 / 21

HEX #C9692A

RGB 201 105 42

HSL 23.77, 0.65%, 0.48%

LAB 54.75, 33.79, 50.31

 

CMYK 0 / 69 / 79 / 21

HEX #C93E2A

RGB 201 62 42

HSL 7.55, 0.65%, 0.48%

LAB 47.01, 53.91, 42.7

 

CMYK 16 / 0 / 79 / 21

HEX #A9C92A

RGB 169 201 42

HSL 72.08, 0.65%, 0.48%

LAB 76.3, -30.58, 69.12

 

CMYK 37 / 0 / 79 / 21

HEX #7EC92A

RGB 126 201 42

HSL 88.3, 0.65%, 0.48%

LAB 73.79, -46.93, 65.9

 

CMYK 59 / 0 / 79 / 21

HEX #53C92A

RGB 83 201 42

HSL 104.53, 0.65%, 0.48%

LAB 72.08, -59.85, 63.69

 

CMYK 79 / 0 / 78 / 21

HEX #2AC92C

RGB 42 201 44

HSL 120.75, 0.65%, 0.48%

LAB 71.18, -67.4, 61.91

 

CMYK 79 / 0 / 57 / 21

HEX #2AC957

RGB 42 201 87

HSL 136.98, 0.65%, 0.48%

LAB 71.52, -63.16, 45.22

 

CMYK 16 / 0 / 79 / 21

HEX #A9C92A

RGB 169 201 42

HSL 72.08, 0.65%, 0.48%

LAB 76.3, -30.58, 69.12

 

CMYK 18 / 0 / 90 / 13

HEX #B5DD17

RGB 181 221 23

HSL 72.12, 0.81%, 0.48%

LAB 82.7, -35.54, 78.97

 

CMYK 20 / 0 / 99 / 5

HEX #C0F103

RGB 192 241 3

HSL 72.35, 0.98%, 0.48%

LAB 88.98, -40.42, 86.22

 

CMYK 16 / 0 / 79 / 21

HEX #A9C92A

RGB 169 201 42

HSL 72.08, 0.65%, 0.48%

LAB 76.3, -30.58, 69.12

 

CMYK 14 / 0 / 66 / 29

HEX #9DB63E

RGB 157 182 62

HSL 72.5, 0.49%, 0.48%

LAB 70.16, -25.34, 55.95

 

CMYK 10 / 0 / 49 / 36

HEX #92A252

RGB 146 162 82

HSL 72, 0.33%, 0.48%

LAB 63.8, -18.17, 39.41

 

CMYK 6 / 0 / 28 / 44

HEX #868E66

RGB 134 142 102

HSL 72, 0.16%, 0.48%

LAB 57.44, -10, 20.39

 

CMYK 0 / 0 / 0 / 52

HEX #7A7A7A

RGB 122 122 122

HSL 0, 0%, 0.48%

LAB 51.22, 0, -0.01

 

CMYK 0 / 26 / 79 / 21

HEX #C9942A

RGB 201 148 42

HSL 40, 0.65%, 0.48%

LAB 64.78, 10.54, 59.69

 

CMYK 0 / 5 / 79 / 21

HEX #C9BF2A

RGB 201 191 42

HSL 56.23, 0.65%, 0.48%

LAB 75.97, -12.2, 69.75

 

CMYK 15 / 0 / 79 / 21

HEX #AAC92A

RGB 170 201 42

HSL 71.7, 0.65%, 0.48%

LAB 76.37, -30.17, 69.2

 

CMYK 37 / 0 / 79 / 21

HEX #7FC92A

RGB 127 201 42

HSL 87.92, 0.65%, 0.48%

LAB 73.84, -46.59, 65.96

 

CMYK 58 / 0 / 79 / 21

HEX #55C92A

RGB 85 201 42

HSL 103.77, 0.65%, 0.48%

LAB 72.14, -59.35, 63.77

 

CMYK 16 / 0 / 79 / 48

HEX #70851C

RGB 112 133 28

HSL 72, 0.65%, 0.32%

LAB 52.18, -22.01, 49.91

 

CMYK 16 / 0 / 79 / 35

HEX #8CA723

RGB 140 167 35

HSL 72.27, 0.65%, 0.4%

LAB 64.43, -26.59, 59.68

 

CMYK 16 / 0 / 79 / 21

HEX #A9C92A

RGB 169 201 42

HSL 72.08, 0.65%, 0.48%

LAB 76.3, -30.58, 69.12

 

CMYK 13 / 0 / 67 / 16

HEX #BAD746

RGB 186 215 70

HSL 72, 0.64%, 0.56%

LAB 81.56, -28.92, 65.21

 

CMYK 11 / 0 / 53 / 13

HEX #C6DF68

RGB 198 223 104

HSL 72.61, 0.65%, 0.64%

LAB 84.88, -25.45, 54.75

 

CMYK 16 / 0 / 79 / 22

HEX #A8C82B

RGB 168 200 43

HSL 72.23, 0.65%, 0.48%

LAB 75.95, -30.47, 68.49

 

CMYK 79 / 0 / 47 / 21

HEX #2AC96A

RGB 42 201 106

HSL 144.15, 0.65%, 0.48%

LAB 71.76, -60.32, 36.3

 

CMYK 15 / 79 / 0 / 21

HEX #AA2AC9

RGB 170 42 201

HSL 288.3, 0.65%, 0.48%

LAB 44.83, 70.3, -55.91

 

CMYK 16 / 0 / 79 / 22

HEX #A8C82B

RGB 168 200 43

HSL 72.23, 0.65%, 0.48%

LAB 75.95, -30.47, 68.49

 

CMYK 79 / 15 / 0 / 21

HEX #2AAAC9

RGB 42 170 201

HSL 191.7, 0.65%, 0.48%

LAB 64.53, -23.07, -25.44

 

CMYK 0 / 79 / 15 / 21

HEX #C92AAA

RGB 201 42 170

HSL 311.7, 0.65%, 0.48%

LAB 48.23, 71.6, -32.03

 

CMYK 16 / 0 / 79 / 22

HEX #A8C82B

RGB 168 200 43

HSL 72.23, 0.65%, 0.48%

LAB 75.95, -30.47, 68.49

 

CMYK 79 / 0 / 47 / 21

HEX #2AC96A

RGB 42 201 106

HSL 144.15, 0.65%, 0.48%

LAB 71.76, -60.32, 36.3

 

CMYK 63 / 79 / 0 / 21

HEX #4A2AC9

RGB 74 42 201

HSL 252.08, 0.65%, 0.48%

LAB 32.54, 56.03, -76.47

 

CMYK 0 / 79 / 31 / 21

HEX #C92A8A

RGB 201 42 138

HSL 323.77, 0.65%, 0.48%

LAB 46.85, 67.62, -15.01

 

CMYK 16 / 0 / 79 / 22

HEX #A8C82B

RGB 168 200 43

HSL 72.23, 0.65%, 0.48%

LAB 75.95, -30.47, 68.49

 

CMYK 79 / 0 / 23 / 21

HEX #2AC99A

RGB 42 201 154

HSL 162.26, 0.65%, 0.48%

LAB 72.63, -50.61, 12.34

 

CMYK 63 / 79 / 0 / 21

HEX #4A2AC9

RGB 74 42 201

HSL 252.08, 0.65%, 0.48%

LAB 32.54, 56.03, -76.47

 

CMYK 0 / 79 / 55 / 21

HEX #C92A5A

RGB 201 42 90

HSL 341.89, 0.65%, 0.48%

LAB 45.38, 63.16, 12.33

 

Description

Color code: HEX #A8C82B | qconv.com Color code: HEX #A8C82B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 200 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 200 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 79 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 79% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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