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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8C738 it is the complementary color #5738C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8C738. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8C738 shade: #ADC733, #BED946, #CFEB59, #E0FD6C and #F1FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8C738. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8C738 shade: #A8C738, #97B525, #86A312, #759100 and #647F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8C738 shade: #A7C638, #C6BF38, #C69838, #C67238 and #C64B38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8C738 shade: #A7C638, #81C638, #5AC638, #38C63B and #38C662

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8C738 shade matches the following richer shades: #A7C638, #B3DB23 and #BFF00E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8C738 shade: #A7C638, #9CB24C, #909D61, #848975 and #79748A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8C738 shade: #C69938, #C6BF38, #A7C638, #81C638 and #5BC638

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8C738 shade: #718625, #8CA62F, #A7C638, #B6CF58 and #C4D978

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8C738 shade: #A8C738, #38C673 and #AC38C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8C738 shade: #A8C738, #38A7C6 and #C638A7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8C738 shade: #A8C738, #38C673, #5738C6 and #C6388B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8C738 shade: #A8C738, #38C69E, #5738C6 and #C63860

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 72 / 22

HEX #A8C738

RGB 168 199 56

HSL 73.01, 0.56%, 0.5%

LAB 75.73, -29.39, 64.11

 

Complementary color

CMYK 56 / 72 / 0 / 22

HEX #5738C7

RGB 87 56 199

HSL 253.01, 0.56%, 0.5%

LAB 35.94, 50.18, -69.67

 

CMYK 13 / 0 / 74 / 22

HEX #ADC733

RGB 173 199 51

HSL 70.54, 0.59%, 0.49%

LAB 76.05, -27.61, 66.24

 

CMYK 12 / 0 / 68 / 15

HEX #BED946

RGB 190 217 70

HSL 71.02, 0.66%, 0.56%

LAB 82.39, -28.26, 66.14

 

CMYK 12 / 0 / 62 / 8

HEX #CFEB59

RGB 207 235 89

HSL 71.51, 0.78%, 0.64%

LAB 88.64, -28.79, 65.59

 

CMYK 11 / 0 / 57 / 1

HEX #E0FD6C

RGB 224 253 108

HSL 72, 0.97%, 0.71%

LAB 94.81, -29.21, 64.79

 

CMYK 5 / 0 / 50 / 0

HEX #F1FF7F

RGB 241 255 127

HSL 66.56, 1%, 0.75%

LAB 96.72, -22.05, 58.94

 

CMYK 16 / 0 / 72 / 22

HEX #A8C738

RGB 168 199 56

HSL 73.01, 0.56%, 0.5%

LAB 75.73, -29.39, 64.11

 

CMYK 17 / 0 / 80 / 29

HEX #97B525

RGB 151 181 37

HSL 72.5, 0.66%, 0.43%

LAB 69.3, -28.68, 63.78

 

CMYK 18 / 0 / 89 / 36

HEX #86A312

RGB 134 163 18

HSL 72, 0.8%, 0.35%

LAB 62.77, -27.76, 62.32

 

CMYK 19 / 0 / 100 / 43

HEX #759100

RGB 117 145 0

HSL 71.59, 1%, 0.28%

LAB 56.12, -26.62, 59.46

 

CMYK 21 / 0 / 100 / 50

HEX #647F00

RGB 100 127 0

HSL 72.76, 1%, 0.25%

LAB 49.36, -25.14, 53.83

 

CMYK 16 / 0 / 72 / 22

HEX #A7C638

RGB 167 198 56

HSL 73.1, 0.56%, 0.5%

LAB 75.38, -29.32, 63.75

 

CMYK 0 / 4 / 72 / 22

HEX #C6BF38

RGB 198 191 56

HSL 57.04, 0.56%, 0.5%

LAB 75.79, -12.92, 64.95

 

CMYK 0 / 23 / 72 / 22

HEX #C69838

RGB 198 152 56

HSL 40.56, 0.56%, 0.5%

LAB 65.55, 7.65, 54.82

 

CMYK 0 / 42 / 72 / 22

HEX #C67238

RGB 198 114 56

HSL 24.51, 0.56%, 0.5%

LAB 56.41, 28.38, 45.29

 

CMYK 0 / 62 / 72 / 22

HEX #C64B38

RGB 198 75 56

HSL 8.03, 0.56%, 0.5%

LAB 48.67, 47.99, 36.73

 

CMYK 16 / 0 / 72 / 22

HEX #A7C638

RGB 167 198 56

HSL 73.1, 0.56%, 0.5%

LAB 75.38, -29.32, 63.75

 

CMYK 35 / 0 / 72 / 22

HEX #81C638

RGB 129 198 56

HSL 89.15, 0.56%, 0.5%

LAB 73.12, -43.83, 60.74

 

CMYK 55 / 0 / 72 / 22

HEX #5AC638

RGB 90 198 56

HSL 105.63, 0.56%, 0.5%

LAB 71.45, -56.06, 58.52

 

CMYK 72 / 0 / 70 / 22

HEX #38C63B

RGB 56 198 59

HSL 121.27, 0.56%, 0.5%

LAB 70.56, -63.26, 56.19

 

CMYK 72 / 0 / 51 / 22

HEX #38C662

RGB 56 198 98

HSL 137.75, 0.56%, 0.5%

LAB 70.95, -58.61, 39.3

 

CMYK 16 / 0 / 72 / 22

HEX #A7C638

RGB 167 198 56

HSL 73.1, 0.56%, 0.5%

LAB 75.38, -29.32, 63.75

 

CMYK 18 / 0 / 84 / 14

HEX #B3DB23

RGB 179 219 35

HSL 73.04, 0.72%, 0.5%

LAB 82.04, -35.13, 76.13

 

CMYK 20 / 0 / 94 / 6

HEX #BFF00E

RGB 191 240 14

HSL 73.01, 0.89%, 0.5%

LAB 88.65, -40.25, 85.05

 

CMYK 16 / 0 / 72 / 22

HEX #A7C638

RGB 167 198 56

HSL 73.1, 0.56%, 0.5%

LAB 75.38, -29.32, 63.75

 

CMYK 12 / 0 / 57 / 30

HEX #9CB24C

RGB 156 178 76

HSL 72.94, 0.4%, 0.5%

LAB 69.06, -22.71, 48.64

 

CMYK 8 / 0 / 38 / 38

HEX #909D61

RGB 144 157 97

HSL 73, 0.24%, 0.5%

LAB 62.43, -14.66, 29.86

 

CMYK 4 / 0 / 15 / 46

HEX #848975

RGB 132 137 117

HSL 75, 0.08%, 0.5%

LAB 56.17, -5.61, 10.11

 

CMYK 12 / 16 / 0 / 46

HEX #79748A

RGB 121 116 138

HSL 253.64, 0.09%, 0.5%

LAB 49.97, 6.56, -11.3

 

CMYK 0 / 23 / 72 / 22

HEX #C69938

RGB 198 153 56

HSL 40.99, 0.56%, 0.5%

LAB 65.81, 7.11, 55.08

 

CMYK 0 / 4 / 72 / 22

HEX #C6BF38

RGB 198 191 56

HSL 57.04, 0.56%, 0.5%

LAB 75.79, -12.92, 64.95

 

CMYK 16 / 0 / 72 / 22

HEX #A7C638

RGB 167 198 56

HSL 73.1, 0.56%, 0.5%

LAB 75.38, -29.32, 63.75

 

CMYK 35 / 0 / 72 / 22

HEX #81C638

RGB 129 198 56

HSL 89.15, 0.56%, 0.5%

LAB 73.12, -43.83, 60.74

 

CMYK 54 / 0 / 72 / 22

HEX #5BC638

RGB 91 198 56

HSL 105.21, 0.56%, 0.5%

LAB 71.49, -55.79, 58.57

 

CMYK 16 / 0 / 72 / 47

HEX #718625

RGB 113 134 37

HSL 72.99, 0.57%, 0.34%

LAB 52.61, -21.59, 47.07

 

CMYK 16 / 0 / 72 / 35

HEX #8CA62F

RGB 140 166 47

HSL 73.11, 0.56%, 0.42%

LAB 64.2, -25.5, 55.39

 

CMYK 16 / 0 / 72 / 22

HEX #A7C638

RGB 167 198 56

HSL 73.1, 0.56%, 0.5%

LAB 75.38, -29.32, 63.75

 

CMYK 12 / 0 / 57 / 19

HEX #B6CF58

RGB 182 207 88

HSL 72.61, 0.55%, 0.58%

LAB 79.2, -25.42, 55.16

 

CMYK 10 / 0 / 45 / 15

HEX #C4D978

RGB 196 217 120

HSL 72.99, 0.56%, 0.66%

LAB 83.29, -21.77, 45.25

 

CMYK 16 / 0 / 72 / 22

HEX #A8C738

RGB 168 199 56

HSL 73.01, 0.56%, 0.5%

LAB 75.73, -29.39, 64.11

 

CMYK 72 / 0 / 42 / 22

HEX #38C673

RGB 56 198 115

HSL 144.93, 0.56%, 0.5%

LAB 71.19, -55.81, 31.04

 

CMYK 13 / 72 / 0 / 22

HEX #AC38C6

RGB 172 56 198

HSL 289.01, 0.56%, 0.5%

LAB 46.55, 65.53, -51.39

 

CMYK 16 / 0 / 72 / 22

HEX #A8C738

RGB 168 199 56

HSL 73.01, 0.56%, 0.5%

LAB 75.73, -29.39, 64.11

 

CMYK 72 / 16 / 0 / 22

HEX #38A7C6

RGB 56 167 198

HSL 193.1, 0.56%, 0.5%

LAB 63.8, -20.88, -24.87

 

CMYK 0 / 72 / 16 / 22

HEX #C638A7

RGB 198 56 167

HSL 313.1, 0.56%, 0.5%

LAB 49.04, 66.33, -29.04

 

CMYK 16 / 0 / 72 / 22

HEX #A8C738

RGB 168 199 56

HSL 73.01, 0.56%, 0.5%

LAB 75.73, -29.39, 64.11

 

CMYK 72 / 0 / 42 / 22

HEX #38C673

RGB 56 198 115

HSL 144.93, 0.56%, 0.5%

LAB 71.19, -55.81, 31.04

 

CMYK 56 / 72 / 0 / 22

HEX #5738C6

RGB 87 56 198

HSL 253.1, 0.56%, 0.5%

LAB 35.85, 49.89, -69.23

 

CMYK 0 / 72 / 30 / 22

HEX #C6388B

RGB 198 56 139

HSL 324.93, 0.56%, 0.5%

LAB 47.88, 62.67, -14.11

 

CMYK 16 / 0 / 72 / 22

HEX #A8C738

RGB 168 199 56

HSL 73.01, 0.56%, 0.5%

LAB 75.73, -29.39, 64.11

 

CMYK 72 / 0 / 20 / 22

HEX #38C69E

RGB 56 198 158

HSL 163.1, 0.56%, 0.5%

LAB 72.03, -46.74, 9.36

 

CMYK 56 / 72 / 0 / 22

HEX #5738C6

RGB 87 56 198

HSL 253.1, 0.56%, 0.5%

LAB 35.85, 49.89, -69.23

 

CMYK 0 / 72 / 52 / 22

HEX #C63860

RGB 198 56 96

HSL 343.1, 0.56%, 0.5%

LAB 46.55, 58.32, 10.18

 

Description

Color code: HEX #A8C738 | qconv.com Color code: HEX #A8C738 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 199 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 199 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 72 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 72% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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