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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8C6FB4C it is the complementary color #5739044C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8C6FB4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8C6FB4C shade: #ADC6F64C, #BED8FF4C, #CFEAFF4C, #E0FCFF4C and #F1FFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8C6FB4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8C6FB4C shade: #A8C6FB4C, #97B4E84C, #86A2D54C, #7590C24C and #647EAF4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8C6FB4C shade: #A7C6FB, #A7AFFB, #B6A7FB, #CDA7FB and #E3A7FB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8C6FB4C shade: #A7C6FB, #A7AFFB and #A7A7FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8C6FB4C shade matches the following richer shades: #A7C6FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8C6FB4C shade: #A7C6FB, #AFC8F3, #B6CAEC, #BECCE5 and #C5CEDD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8C6FB4C shade: #A7F3FB, #A7DCFB, #A7C6FB, #A7B0FB and #B5A7FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8C6FB4C shade: #5992F7, #80ACF9, #A7C6FB, #CFDFFD and #F6F9FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8C6FB4C shade: #A8C6FB, #EDA7FB and #E7FBA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8C6FB4C shade: #A8C6FB, #FBA7C6 and #C6FBA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8C6FB4C shade: #A8C6FB, #EDA7FB, #FBDCA7 and #B5FBA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8C6FB4C shade: #A8C6FB, #FBA7F0, #FBDCA7 and #A7FBB2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 6 / 0 / 0

HEX #A8C6FB4C

RGBA 168 198 251 0.3

HSLA 218.31, 0.91%, 0.82%, 0.3

LABA 79.43, 2.15, -29.34, 0.3

 

Complementary color

CMYK 0 / 10 / 29 / 20

HEX #5739044C

RGBA 87 57 4 0.3

HSLA 38.31, 0.91%, 0.18%, 0.3

LABA 26.62, 8.67, 34.65, 0.3

 

CMYK 9 / 6 / 0 / 1

HEX #ADC6F64C

RGBA 173 198 246 0.3

HSLA 219.45, 0.8%, 0.82%, 0.3

LABA 79.57, 2.33, -26.42, 0.3

 

CMYK 8 / 5 / 0 / 0

HEX #BED8FF4C

RGBA 190 216 255 0.3

HSLA 216, 1%, 0.87%, 0.3

LABA 85.64, -0.24, -21.86, 0.3

 

CMYK 6 / 2 / 0 / 0

HEX #CFEAFF4C

RGBA 207 234 255 0.3

HSLA 206.25, 1%, 0.91%, 0.3

LABA 91.38, -4.54, -13.11, 0.3

 

CMYK 4 / 0 / 0 / 0

HEX #E0FCFF4C

RGBA 224 252 255 0.3

HSLA 185.81, 1%, 0.94%, 0.3

LABA 97.1, -8.44, -4.51, 0.3

 

CMYK 2 / 0 / 0 / 0

HEX #F1FFFF4C

RGBA 241 255 255 0.3

HSLA 180, 1%, 0.97%, 0.3

LABA 99, -4.55, -1.59, 0.3

 

CMYK 10 / 6 / 0 / 0

HEX #A8C6FB4C

RGBA 168 198 251 0.3

HSLA 218.31, 0.91%, 0.82%, 0.3

LABA 79.43, 2.15, -29.34, 0.3

 

CMYK 10 / 7 / 0 / 3

HEX #97B4E84C

RGBA 151 180 232 0.3

HSLA 218.52, 0.64%, 0.75%, 0.3

LABA 72.92, 2.47, -29.19, 0.3

 

CMYK 11 / 7 / 0 / 5

HEX #86A2D54C

RGBA 134 162 213 0.3

HSLA 218.73, 0.48%, 0.68%, 0.3

LABA 66.3, 2.83, -29.07, 0.3

 

CMYK 12 / 8 / 0 / 7

HEX #7590C24C

RGBA 117 144 194 0.3

HSLA 218.96, 0.39%, 0.61%, 0.3

LABA 59.55, 3.24, -28.97, 0.3

 

CMYK 13 / 8 / 0 / 9

HEX #647EAF4C

RGBA 100 126 175 0.3

HSLA 219.2, 0.32%, 0.54%, 0.3

LABA 52.65, 3.73, -28.92, 0.3

 

CMYK 33 / 21 / 0 / 2

HEX #A7C6FB

RGB 167 198 251

HSL 217.86, 0.91%, 0.82%

LAB 79.37, 1.88, -29.44

 

CMYK 33 / 30 / 0 / 2

HEX #A7AFFB

RGB 167 175 251

HSL 234.29, 0.91%, 0.82%

LAB 73.44, 14.52, -38.59

 

CMYK 27 / 33 / 0 / 2

HEX #B6A7FB

RGB 182 167 251

HSL 250.71, 0.91%, 0.82%

LAB 72.59, 23.16, -39.83

 

CMYK 18 / 33 / 0 / 2

HEX #CDA7FB

RGB 205 167 251

HSL 267.14, 0.91%, 0.82%

LAB 74.56, 29.84, -36.62

 

CMYK 10 / 33 / 0 / 2

HEX #E3A7FB

RGB 227 167 251

HSL 282.86, 0.91%, 0.82%

LAB 76.64, 36.44, -33.24

 

CMYK 33 / 21 / 0 / 2

HEX #A7C6FB

RGB 167 198 251

HSL 217.86, 0.91%, 0.82%

LAB 79.37, 1.88, -29.44

 

CMYK 33 / 30 / 0 / 2

HEX #A7AFFB

RGB 167 175 251

HSL 234.29, 0.91%, 0.82%

LAB 73.44, 14.52, -38.59

 

CMYK 33 / 33 / 0 / 2

HEX #A7A7FB

RGB 167 167 251

HSL 240, 0.91%, 0.82%

LAB 71.43, 19, -41.73

 

CMYK 33 / 21 / 0 / 2

HEX #A7C6FB

RGB 167 198 251

HSL 217.86, 0.91%, 0.82%

LAB 79.37, 1.88, -29.44

 

CMYK 33 / 21 / 0 / 2

HEX #A7C6FB

RGB 167 198 251

HSL 217.86, 0.91%, 0.82%

LAB 79.37, 1.88, -29.44

 

CMYK 28 / 18 / 0 / 5

HEX #AFC8F3

RGB 175 200 243

HSL 217.94, 0.74%, 0.82%

LAB 80.12, 1.11, -23.97

 

CMYK 23 / 14 / 0 / 7

HEX #B6CAEC

RGB 182 202 236

HSL 217.78, 0.59%, 0.82%

LAB 80.87, 0.49, -19.04

 

CMYK 17 / 11 / 0 / 10

HEX #BECCE5

RGB 190 204 229

HSL 218.46, 0.43%, 0.82%

LAB 81.72, 0.35, -13.96

 

CMYK 11 / 7 / 0 / 13

HEX #C5CEDD

RGB 197 206 221

HSL 217.5, 0.26%, 0.82%

LAB 82.5, -0.13, -8.48

 

CMYK 33 / 3 / 0 / 2

HEX #A7F3FB

RGB 167 243 251

HSL 185.71, 0.91%, 0.82%

LAB 91.36, -21.35, -11.3

 

CMYK 33 / 12 / 0 / 2

HEX #A7DCFB

RGB 167 220 251

HSL 202.14, 0.91%, 0.82%

LAB 85.18, -9.75, -20.58

 

CMYK 33 / 21 / 0 / 2

HEX #A7C6FB

RGB 167 198 251

HSL 217.86, 0.91%, 0.82%

LAB 79.37, 1.88, -29.44

 

CMYK 33 / 30 / 0 / 2

HEX #A7B0FB

RGB 167 176 251

HSL 233.57, 0.91%, 0.82%

LAB 73.7, 13.96, -38.2

 

CMYK 28 / 33 / 0 / 2

HEX #B5A7FB

RGB 181 167 251

HSL 250, 0.91%, 0.82%

LAB 72.51, 22.88, -39.96

 

CMYK 64 / 41 / 0 / 3

HEX #5992F7

RGB 89 146 247

HSL 218.35, 0.91%, 0.66%

LAB 61.13, 12.41, -56.11

 

CMYK 49 / 31 / 0 / 2

HEX #80ACF9

RGB 128 172 249

HSL 218.18, 0.91%, 0.74%

LAB 70.13, 5.78, -42.86

 

CMYK 33 / 21 / 0 / 2

HEX #A7C6FB

RGB 167 198 251

HSL 217.86, 0.91%, 0.82%

LAB 79.37, 1.88, -29.44

 

CMYK 18 / 12 / 0 / 1

HEX #CFDFFD

RGB 207 223 253

HSL 219.13, 0.92%, 0.9%

LAB 88.51, 0.73, -16.37

 

CMYK 4 / 2 / 0 / 0

HEX #F6F9FF

RGB 246 249 255

HSL 220, 1%, 0.98%

LAB 97.86, 0.09, -3.22

 

CMYK 33 / 21 / 0 / 2

HEX #A8C6FB

RGB 168 198 251

HSL 218.31, 0.91%, 0.82%

LAB 79.43, 2.15, -29.34

 

CMYK 6 / 33 / 0 / 2

HEX #EDA7FB

RGB 237 167 251

HSL 290, 0.91%, 0.82%

LAB 77.64, 39.48, -31.61

 

CMYK 8 / 0 / 33 / 2

HEX #E7FBA7

RGB 231 251 167

HSL 74.29, 0.91%, 0.82%

LAB 95.49, -19.68, 38.15

 

CMYK 33 / 21 / 0 / 2

HEX #A8C6FB

RGB 168 198 251

HSL 218.31, 0.91%, 0.82%

LAB 79.43, 2.15, -29.34

 

CMYK 0 / 33 / 21 / 2

HEX #FBA7C6

RGB 251 167 198

HSL 337.86, 0.91%, 0.82%

LAB 77.41, 35.13, -3.04

 

CMYK 21 / 0 / 33 / 2

HEX #C6FBA7

RGB 198 251 167

HSL 97.86, 0.91%, 0.82%

LAB 93.36, -31.4, 34.95

 

CMYK 33 / 21 / 0 / 2

HEX #A8C6FB

RGB 168 198 251

HSL 218.31, 0.91%, 0.82%

LAB 79.43, 2.15, -29.34

 

CMYK 6 / 33 / 0 / 2

HEX #EDA7FB

RGB 237 167 251

HSL 290, 0.91%, 0.82%

LAB 77.64, 39.48, -31.61

 

CMYK 0 / 12 / 33 / 2

HEX #FBDCA7

RGB 251 220 167

HSL 37.86, 0.91%, 0.82%

LAB 89.15, 3.3, 30.01

 

CMYK 28 / 0 / 33 / 2

HEX #B5FBA7

RGB 181 251 167

HSL 110, 0.91%, 0.82%

LAB 92.4, -37.08, 33.51

 

CMYK 33 / 21 / 0 / 2

HEX #A8C6FB

RGB 168 198 251

HSL 218.31, 0.91%, 0.82%

LAB 79.43, 2.15, -29.34

 

CMYK 0 / 33 / 4 / 2

HEX #FBA7F0

RGB 251 167 240

HSL 307.86, 0.91%, 0.82%

LAB 78.72, 41.83, -23.9

 

CMYK 0 / 12 / 33 / 2

HEX #FBDCA7

RGB 251 220 167

HSL 37.86, 0.91%, 0.82%

LAB 89.15, 3.3, 30.01

 

CMYK 33 / 0 / 29 / 2

HEX #A7FBB2

RGB 167 251 178

HSL 127.86, 0.91%, 0.82%

LAB 91.87, -39.74, 27.13

 

Description

Color code: HEX #A8C6FB4C | qconv.com Color code: HEX #A8C6FB4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 198 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 198 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 6 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 6% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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