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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8C61A it is the complementary color #5739E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8C61A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8C61A shade: #ADC615, #BED828, #CFEA3B, #E0FC4E and #F1FF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8C61A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8C61A shade: #A8C61A, #97B407, #86A200, #759000 and #647E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8C61A shade: #A8C71A, #C7B61A, #C7881A, #C7591A and #C72A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8C61A shade: #A8C71A, #7AC71A, #4BC71A, #1DC71A and #1AC746

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8C61A shade matches the following richer shades: #A8C71A and #B4D908

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8C61A shade: #A8C71A, #9DB42C, #91A23E, #859050 and #797E62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8C61A shade: #C7871A, #C7B51A, #AAC71A, #7CC71A and #4EC71A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8C61A shade: #6B7E10, #89A215, #A8C71A, #C2E327 and #CCE84B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8C61A shade: #A8C61A, #1AC759 and #9E1AC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8C61A shade: #A8C61A, #1AAAC7 and #C71AAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8C61A shade: #A8C61A, #1AC759, #371AC7 and #C71A87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8C61A shade: #A8C61A, #1AC78D, #371AC7 and #C71A53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 87 / 22

HEX #A8C61A

RGB 168 198 26

HSL 70.47, 0.77%, 0.44%

LAB 75.32, -30.09, 72.07

 

Complementary color

CMYK 62 / 75 / 0 / 10

HEX #5739E5

RGB 87 57 229

HSL 250.47, 0.77%, 0.56%

LAB 38.92, 58.38, -82.06

 

CMYK 13 / 0 / 89 / 22

HEX #ADC615

RGB 173 198 21

HSL 68.47, 0.81%, 0.43%

LAB 75.65, -28.14, 73.39

 

CMYK 12 / 0 / 81 / 15

HEX #BED828

RGB 190 216 40

HSL 68.86, 0.69%, 0.5%

LAB 81.95, -29.15, 75.19

 

CMYK 12 / 0 / 75 / 8

HEX #CFEA3B

RGB 207 234 59

HSL 69.26, 0.81%, 0.57%

LAB 88.17, -30, 75.93

 

CMYK 11 / 0 / 69 / 1

HEX #E0FC4E

RGB 224 252 78

HSL 69.66, 0.97%, 0.65%

LAB 94.32, -30.69, 75.98

 

CMYK 5 / 0 / 62 / 0

HEX #F1FF61

RGB 241 255 97

HSL 65.32, 1%, 0.69%

LAB 96.44, -24.3, 71.43

 

CMYK 15 / 0 / 87 / 22

HEX #A8C61A

RGB 168 198 26

HSL 70.47, 0.77%, 0.44%

LAB 75.32, -30.09, 72.07

 

CMYK 16 / 0 / 96 / 29

HEX #97B407

RGB 151 180 7

HSL 70.06, 0.93%, 0.37%

LAB 68.92, -28.97, 69.31

 

CMYK 17 / 0 / 100 / 36

HEX #86A200

RGB 134 162 0

HSL 70.37, 1%, 0.32%

LAB 62.43, -27.61, 64.74

 

CMYK 19 / 0 / 100 / 44

HEX #759000

RGB 117 144 0

HSL 71.25, 1%, 0.28%

LAB 55.81, -26.14, 59.23

 

CMYK 21 / 0 / 100 / 51

HEX #647E00

RGB 100 126 0

HSL 72.38, 1%, 0.25%

LAB 49.05, -24.64, 53.59

 

CMYK 16 / 0 / 87 / 22

HEX #A8C71A

RGB 168 199 26

HSL 70.75, 0.77%, 0.44%

LAB 75.6, -30.56, 72.31

 

CMYK 0 / 9 / 87 / 22

HEX #C7B61A

RGB 199 182 26

HSL 54.1, 0.77%, 0.44%

LAB 73.33, -8.91, 71.46

 

CMYK 0 / 32 / 87 / 22

HEX #C7881A

RGB 199 136 26

HSL 38.15, 0.77%, 0.44%

LAB 61.5, 15.73, 61.92

 

CMYK 0 / 55 / 87 / 22

HEX #C7591A

RGB 199 89 26

HSL 21.85, 0.77%, 0.44%

LAB 51.11, 40.69, 53.5

 

CMYK 0 / 79 / 87 / 22

HEX #C72A1A

RGB 199 42 26

HSL 5.55, 0.77%, 0.44%

LAB 44.05, 59.67, 47.77

 

CMYK 16 / 0 / 87 / 22

HEX #A8C71A

RGB 168 199 26

HSL 70.75, 0.77%, 0.44%

LAB 75.6, -30.56, 72.31

 

CMYK 39 / 0 / 87 / 22

HEX #7AC71A

RGB 122 199 26

HSL 86.71, 0.77%, 0.44%

LAB 72.93, -48.13, 68.99

 

CMYK 62 / 0 / 87 / 22

HEX #4BC71A

RGB 75 199 26

HSL 103.01, 0.77%, 0.44%

LAB 71.16, -61.81, 66.77

 

CMYK 85 / 0 / 87 / 22

HEX #1DC71A

RGB 29 199 26

HSL 118.96, 0.77%, 0.44%

LAB 70.3, -69.17, 65.69

 

CMYK 87 / 0 / 65 / 22

HEX #1AC746

RGB 26 199 70

HSL 135.26, 0.77%, 0.44%

LAB 70.53, -66.19, 51.6

 

CMYK 16 / 0 / 87 / 22

HEX #A8C71A

RGB 168 199 26

HSL 70.75, 0.77%, 0.44%

LAB 75.6, -30.56, 72.31

 

CMYK 17 / 0 / 96 / 15

HEX #B4D908

RGB 180 217 8

HSL 70.62, 0.93%, 0.44%

LAB 81.48, -34.33, 79.73

 

CMYK 16 / 0 / 87 / 22

HEX #A8C71A

RGB 168 199 26

HSL 70.75, 0.77%, 0.44%

LAB 75.6, -30.56, 72.31

 

CMYK 13 / 0 / 76 / 29

HEX #9DB42C

RGB 157 180 44

HSL 70.15, 0.61%, 0.44%

LAB 69.46, -25.39, 61.92

 

CMYK 10 / 0 / 62 / 36

HEX #91A23E

RGB 145 162 62

HSL 70.2, 0.45%, 0.44%

LAB 63.51, -20.39, 48.6

 

CMYK 8 / 0 / 44 / 44

HEX #859050

RGB 133 144 80

HSL 70.31, 0.29%, 0.44%

LAB 57.57, -14.39, 32.58

 

CMYK 4 / 0 / 22 / 51

HEX #797E62

RGB 121 126 98

HSL 70.71, 0.13%, 0.44%

LAB 51.69, -7.04, 14.65

 

CMYK 0 / 32 / 87 / 22

HEX #C7871A

RGB 199 135 26

HSL 37.8, 0.77%, 0.44%

LAB 61.26, 16.28, 61.72

 

CMYK 0 / 9 / 87 / 22

HEX #C7B51A

RGB 199 181 26

HSL 53.76, 0.77%, 0.44%

LAB 73.07, -8.39, 71.24

 

CMYK 15 / 0 / 87 / 22

HEX #AAC71A

RGB 170 199 26

HSL 70.06, 0.77%, 0.44%

LAB 75.74, -29.74, 72.48

 

CMYK 38 / 0 / 87 / 22

HEX #7CC71A

RGB 124 199 26

HSL 86.01, 0.77%, 0.44%

LAB 73.03, -47.43, 69.11

 

CMYK 61 / 0 / 87 / 22

HEX #4EC71A

RGB 78 199 26

HSL 101.97, 0.77%, 0.44%

LAB 71.24, -61.11, 66.87

 

CMYK 15 / 0 / 87 / 51

HEX #6B7E10

RGB 107 126 16

HSL 70.36, 0.77%, 0.28%

LAB 49.6, -21.12, 50.98

 

CMYK 15 / 0 / 87 / 36

HEX #89A215

RGB 137 162 21

HSL 70.64, 0.77%, 0.36%

LAB 62.69, -25.92, 61.73

 

CMYK 16 / 0 / 87 / 22

HEX #A8C71A

RGB 168 199 26

HSL 70.75, 0.77%, 0.44%

LAB 75.6, -30.56, 72.31

 

CMYK 15 / 0 / 83 / 11

HEX #C2E327

RGB 194 227 39

HSL 70.53, 0.77%, 0.52%

LAB 85.28, -32.69, 78.39

 

CMYK 12 / 0 / 68 / 9

HEX #CCE84B

RGB 204 232 75

HSL 70.7, 0.77%, 0.6%

LAB 87.51, -29.45, 69.79

 

CMYK 15 / 0 / 87 / 22

HEX #A8C61A

RGB 168 198 26

HSL 70.47, 0.77%, 0.44%

LAB 75.32, -30.09, 72.07

 

CMYK 87 / 0 / 55 / 22

HEX #1AC759

RGB 26 199 89

HSL 141.85, 0.77%, 0.44%

LAB 70.72, -63.81, 43.28

 

CMYK 21 / 87 / 0 / 22

HEX #9E1AC7

RGB 158 26 199

HSL 285.78, 0.77%, 0.44%

LAB 41.42, 71.89, -60.34

 

CMYK 15 / 0 / 87 / 22

HEX #A8C61A

RGB 168 198 26

HSL 70.47, 0.77%, 0.44%

LAB 75.32, -30.09, 72.07

 

CMYK 87 / 15 / 0 / 22

HEX #1AAAC7

RGB 26 170 199

HSL 190.06, 0.77%, 0.44%

LAB 64.24, -25.02, -24.8

 

CMYK 0 / 87 / 15 / 22

HEX #C71AAA

RGB 199 26 170

HSL 310.06, 0.77%, 0.44%

LAB 46.69, 74.62, -34.48

 

CMYK 15 / 0 / 87 / 22

HEX #A8C61A

RGB 168 198 26

HSL 70.47, 0.77%, 0.44%

LAB 75.32, -30.09, 72.07

 

CMYK 87 / 0 / 55 / 22

HEX #1AC759

RGB 26 199 89

HSL 141.85, 0.77%, 0.44%

LAB 70.72, -63.81, 43.28

 

CMYK 72 / 87 / 0 / 22

HEX #371AC7

RGB 55 26 199

HSL 250.06, 0.77%, 0.44%

LAB 28.58, 60.45, -81.92

 

CMYK 0 / 87 / 32 / 22

HEX #C71A87

RGB 199 26 135

HSL 322.2, 0.77%, 0.44%

LAB 45.12, 70.4, -15.85

 

CMYK 15 / 0 / 87 / 22

HEX #A8C61A

RGB 168 198 26

HSL 70.47, 0.77%, 0.44%

LAB 75.32, -30.09, 72.07

 

CMYK 87 / 0 / 29 / 22

HEX #1AC78D

RGB 26 199 141

HSL 159.88, 0.77%, 0.44%

LAB 71.55, -54.22, 17.77

 

CMYK 72 / 87 / 0 / 22

HEX #371AC7

RGB 55 26 199

HSL 250.06, 0.77%, 0.44%

LAB 28.58, 60.45, -81.92

 

CMYK 0 / 87 / 58 / 22

HEX #C71A53

RGB 199 26 83

HSL 340.23, 0.77%, 0.44%

LAB 43.52, 65.88, 14.07

 

Description

Color code: HEX #A8C61A | qconv.com Color code: HEX #A8C61A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 198 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 198 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 87 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 87% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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