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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8C528 it is the complementary color #573AD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8C528. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8C528 shade: #ADC523, #BED736, #CFE949, #E0FB5C and #F1FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8C528. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8C528 shade: #A8C528, #97B315, #86A102, #758F00 and #647D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8C528 shade: #A6C328, #C3B628, #C38C28, #C36228 and #C33828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8C528 shade: #A6C328, #7CC328, #53C328, #29C328 and #28C351

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8C528 shade matches the following richer shades: #A6C328, #B2D615 and #BEE902

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8C528 shade: #A6C328, #9AB03B, #8E9D4E, #828A61 and #767774

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8C528 shade: #C38D28, #C3B628, #A6C328, #7DC328 and #54C328

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8C528 shade: #6C7E1A, #89A021, #A6C328, #BBD73D and #C7DE5F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8C528 shade: #A8C528, #28C363 and #A128C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8C528 shade: #A8C528, #28A6C3 and #C328A6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8C528 shade: #A8C528, #28C363, #4428C3 and #C32887

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8C528 shade: #A8C528, #28C392, #4428C3 and #C32859

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 80 / 23

HEX #A8C528

RGB 168 197 40

HSL 71.08, 0.66%, 0.46%

LAB 75.08, -29.18, 68.56

 

Complementary color

CMYK 60 / 73 / 0 / 16

HEX #573AD7

RGB 87 58 215

HSL 251.08, 0.66%, 0.54%

LAB 37.77, 53.82, -75.94

 

CMYK 12 / 0 / 82 / 23

HEX #ADC523

RGB 173 197 35

HSL 68.89, 0.7%, 0.45%

LAB 75.41, -27.29, 70.3

 

CMYK 12 / 0 / 75 / 16

HEX #BED736

RGB 190 215 54

HSL 69.32, 0.67%, 0.53%

LAB 81.74, -28.15, 71.05

 

CMYK 11 / 0 / 69 / 9

HEX #CFE949

RGB 207 233 73

HSL 69.75, 0.78%, 0.6%

LAB 87.98, -28.84, 71.06

 

CMYK 11 / 0 / 63 / 2

HEX #E0FB5C

RGB 224 251 92

HSL 70.19, 0.95%, 0.67%

LAB 94.15, -29.41, 70.61

 

CMYK 5 / 0 / 56 / 0

HEX #F1FF6F

RGB 241 255 111

HSL 65.83, 1%, 0.72%

LAB 96.56, -23.34, 65.8

 

CMYK 15 / 0 / 80 / 23

HEX #A8C528

RGB 168 197 40

HSL 71.08, 0.66%, 0.46%

LAB 75.08, -29.18, 68.56

 

CMYK 16 / 0 / 88 / 30

HEX #97B315

RGB 151 179 21

HSL 70.63, 0.79%, 0.39%

LAB 68.66, -28.24, 67.07

 

CMYK 17 / 0 / 99 / 37

HEX #86A102

RGB 134 161 2

HSL 70.19, 0.98%, 0.32%

LAB 62.14, -27.09, 64.23

 

CMYK 18 / 0 / 100 / 44

HEX #758F00

RGB 117 143 0

HSL 70.91, 1%, 0.28%

LAB 55.51, -25.64, 59

 

CMYK 20 / 0 / 100 / 51

HEX #647D00

RGB 100 125 0

HSL 72, 1%, 0.25%

LAB 48.73, -24.14, 53.35

 

CMYK 15 / 0 / 79 / 24

HEX #A6C328

RGB 166 195 40

HSL 71.23, 0.66%, 0.46%

LAB 74.38, -29.05, 67.87

 

CMYK 0 / 7 / 79 / 24

HEX #C3B628

RGB 195 182 40

HSL 54.97, 0.66%, 0.46%

LAB 73.03, -10.26, 67.54

 

CMYK 0 / 28 / 79 / 24

HEX #C38C28

RGB 195 140 40

HSL 38.71, 0.66%, 0.46%

LAB 62.09, 12.19, 57.72

 

CMYK 0 / 50 / 79 / 24

HEX #C36228

RGB 195 98 40

HSL 22.45, 0.66%, 0.46%

LAB 52.39, 34.95, 48.63

 

CMYK 0 / 71 / 79 / 24

HEX #C33828

RGB 195 56 40

HSL 6.19, 0.66%, 0.46%

LAB 45.06, 54.17, 41.43

 

CMYK 15 / 0 / 79 / 24

HEX #A6C328

RGB 166 195 40

HSL 71.23, 0.66%, 0.46%

LAB 74.38, -29.05, 67.87

 

CMYK 36 / 0 / 79 / 24

HEX #7CC328

RGB 124 195 40

HSL 87.48, 0.66%, 0.46%

LAB 71.87, -45.23, 64.67

 

CMYK 57 / 0 / 79 / 24

HEX #53C328

RGB 83 195 40

HSL 103.35, 0.66%, 0.46%

LAB 70.19, -57.85, 62.5

 

CMYK 79 / 0 / 79 / 24

HEX #29C328

RGB 41 195 40

HSL 119.61, 0.66%, 0.46%

LAB 69.22, -65.97, 61.24

 

CMYK 79 / 0 / 58 / 24

HEX #28C351

RGB 40 195 81

HSL 135.87, 0.66%, 0.46%

LAB 69.52, -62.22, 45.63

 

CMYK 15 / 0 / 79 / 24

HEX #A6C328

RGB 166 195 40

HSL 71.23, 0.66%, 0.46%

LAB 74.38, -29.05, 67.87

 

CMYK 17 / 0 / 90 / 16

HEX #B2D615

RGB 178 214 21

HSL 71.19, 0.82%, 0.46%

LAB 80.52, -33.58, 77.44

 

CMYK 18 / 0 / 99 / 9

HEX #BEE902

RGB 190 233 2

HSL 71.17, 0.98%, 0.46%

LAB 86.62, -37.66, 84.45

 

CMYK 15 / 0 / 79 / 24

HEX #A6C328

RGB 166 195 40

HSL 71.23, 0.66%, 0.46%

LAB 74.38, -29.05, 67.87

 

CMYK 13 / 0 / 66 / 31

HEX #9AB03B

RGB 154 176 59

HSL 71.28, 0.5%, 0.46%

LAB 68.19, -23.84, 55.06

 

CMYK 10 / 0 / 50 / 38

HEX #8E9D4E

RGB 142 157 78

HSL 71.39, 0.34%, 0.46%

LAB 62.01, -17.66, 39.19

 

CMYK 6 / 0 / 30 / 46

HEX #828A61

RGB 130 138 97

HSL 71.71, 0.17%, 0.46%

LAB 55.87, -10.18, 21.03

 

CMYK 1 / 0 / 3 / 53

HEX #767774

RGB 118 119 116

HSL 80, 0.01%, 0.46%

LAB 49.87, -0.98, 1.51

 

CMYK 0 / 28 / 79 / 24

HEX #C38D28

RGB 195 141 40

HSL 39.1, 0.66%, 0.46%

LAB 62.34, 11.64, 57.94

 

CMYK 0 / 7 / 79 / 24

HEX #C3B628

RGB 195 182 40

HSL 54.97, 0.66%, 0.46%

LAB 73.03, -10.26, 67.54

 

CMYK 15 / 0 / 79 / 24

HEX #A6C328

RGB 166 195 40

HSL 71.23, 0.66%, 0.46%

LAB 74.38, -29.05, 67.87

 

CMYK 36 / 0 / 79 / 24

HEX #7DC328

RGB 125 195 40

HSL 87.1, 0.66%, 0.46%

LAB 71.92, -44.88, 64.74

 

CMYK 57 / 0 / 79 / 24

HEX #54C328

RGB 84 195 40

HSL 102.97, 0.66%, 0.46%

LAB 70.22, -57.59, 62.54

 

CMYK 14 / 0 / 79 / 51

HEX #6C7E1A

RGB 108 126 26

HSL 70.8, 0.66%, 0.3%

LAB 49.72, -20.28, 48.19

 

CMYK 14 / 0 / 79 / 37

HEX #89A021

RGB 137 160 33

HSL 70.87, 0.66%, 0.38%

LAB 62.14, -24.52, 58.12

 

CMYK 15 / 0 / 79 / 24

HEX #A6C328

RGB 166 195 40

HSL 71.23, 0.66%, 0.46%

LAB 74.38, -29.05, 67.87

 

CMYK 13 / 0 / 72 / 16

HEX #BBD73D

RGB 187 215 61

HSL 70.91, 0.66%, 0.54%

LAB 81.57, -29.02, 68.5

 

CMYK 10 / 0 / 57 / 13

HEX #C7DE5F

RGB 199 222 95

HSL 70.87, 0.66%, 0.62%

LAB 84.59, -25.33, 58.46

 

CMYK 15 / 0 / 80 / 23

HEX #A8C528

RGB 168 197 40

HSL 71.08, 0.66%, 0.46%

LAB 75.08, -29.18, 68.56

 

CMYK 79 / 0 / 49 / 24

HEX #28C363

RGB 40 195 99

HSL 142.84, 0.66%, 0.46%

LAB 69.74, -59.62, 37.24

 

CMYK 17 / 79 / 0 / 24

HEX #A128C3

RGB 161 40 195

HSL 286.84, 0.66%, 0.46%

LAB 42.82, 68.15, -55.73

 

CMYK 15 / 0 / 80 / 23

HEX #A8C528

RGB 168 197 40

HSL 71.08, 0.66%, 0.46%

LAB 75.08, -29.18, 68.56

 

CMYK 79 / 15 / 0 / 24

HEX #28A6C3

RGB 40 166 195

HSL 191.23, 0.66%, 0.46%

LAB 63.06, -23.18, -24.36

 

CMYK 0 / 79 / 15 / 24

HEX #C328A6

RGB 195 40 166

HSL 311.23, 0.66%, 0.46%

LAB 46.81, 70.27, -31.97

 

CMYK 15 / 0 / 80 / 23

HEX #A8C528

RGB 168 197 40

HSL 71.08, 0.66%, 0.46%

LAB 75.08, -29.18, 68.56

 

CMYK 79 / 0 / 49 / 24

HEX #28C363

RGB 40 195 99

HSL 142.84, 0.66%, 0.46%

LAB 69.74, -59.62, 37.24

 

CMYK 65 / 79 / 0 / 24

HEX #4428C3

RGB 68 40 195

HSL 250.84, 0.66%, 0.46%

LAB 31.08, 54.63, -75.39

 

CMYK 0 / 79 / 31 / 24

HEX #C32887

RGB 195 40 135

HSL 323.23, 0.66%, 0.46%

LAB 45.45, 66.36, -15.42

 

CMYK 15 / 0 / 80 / 23

HEX #A8C528

RGB 168 197 40

HSL 71.08, 0.66%, 0.46%

LAB 75.08, -29.18, 68.56

 

CMYK 79 / 0 / 25 / 24

HEX #28C392

RGB 40 195 146

HSL 161.03, 0.66%, 0.46%

LAB 70.56, -50.31, 13.74

 

CMYK 65 / 79 / 0 / 24

HEX #4428C3

RGB 68 40 195

HSL 250.84, 0.66%, 0.46%

LAB 31.08, 54.63, -75.39

 

CMYK 0 / 79 / 54 / 24

HEX #C32859

RGB 195 40 89

HSL 341.03, 0.66%, 0.46%

LAB 44, 62.01, 10.87

 

Description

Color code: HEX #A8C528 | qconv.com Color code: HEX #A8C528 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 197 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 197 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 80 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 80% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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