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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8C42E it is the complementary color #573BD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8C42E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8C42E shade: #ADC429, #BED63C, #CFE84F, #E0FA62 and #F1FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8C42E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8C42E shade: #A8C42E, #97B21B, #86A008, #758E00 and #647C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8C42E shade: #A6C22D, #C2B52D, #C28D2D, #C2652D and #C23D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8C42E shade: #A6C22D, #7EC22D, #56C22D, #2EC22D and #2DC254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8C42E shade matches the following richer shades: #A6C22D, #B2D51A and #BEE806

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8C42E shade: #A6C22D, #9AAE40, #8E9B54, #818767 and #75747B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8C42E shade: #C28E2D, #C2B52D, #A6C22D, #7FC22D and #57C22D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8C42E shade: #6D7F1D, #89A025, #A6C22D, #B8D345 and #C5DB66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8C42E shade: #A8C42E, #2DC266 and #A12DC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8C42E shade: #A8C42E, #2DA6C2 and #C22DA6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8C42E shade: #A8C42E, #2DC266, #482DC2 and #C22D89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8C42E shade: #A8C42E, #2DC293, #482DC2 and #C22D5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 77 / 23

HEX #A8C42E

RGB 168 196 46

HSL 71.2, 0.62%, 0.47%

LAB 74.83, -28.46, 66.56

 

Complementary color

CMYK 58 / 72 / 0 / 18

HEX #573BD1

RGB 87 59 209

HSL 251.2, 0.62%, 0.53%

LAB 37.4, 51.54, -73.08

 

CMYK 12 / 0 / 79 / 23

HEX #ADC429

RGB 173 196 41

HSL 68.9, 0.65%, 0.46%

LAB 75.15, -26.6, 68.48

 

CMYK 11 / 0 / 72 / 16

HEX #BED63C

RGB 190 214 60

HSL 69.35, 0.65%, 0.54%

LAB 81.49, -27.39, 68.85

 

CMYK 11 / 0 / 66 / 9

HEX #CFE84F

RGB 207 232 79

HSL 69.8, 0.77%, 0.61%

LAB 87.75, -28.02, 68.59

 

CMYK 10 / 0 / 61 / 2

HEX #E0FA62

RGB 224 250 98

HSL 70.26, 0.94%, 0.68%

LAB 93.93, -28.54, 67.98

 

CMYK 5 / 0 / 54 / 0

HEX #F1FF75

RGB 241 255 117

HSL 66.09, 1%, 0.73%

LAB 96.62, -22.88, 63.27

 

CMYK 14 / 0 / 77 / 23

HEX #A8C42E

RGB 168 196 46

HSL 71.2, 0.62%, 0.47%

LAB 74.83, -28.46, 66.56

 

CMYK 15 / 0 / 85 / 30

HEX #97B21B

RGB 151 178 27

HSL 70.73, 0.74%, 0.4%

LAB 68.39, -27.59, 65.58

 

CMYK 16 / 0 / 95 / 37

HEX #86A008

RGB 134 160 8

HSL 70.26, 0.9%, 0.33%

LAB 61.85, -26.5, 63.18

 

CMYK 18 / 0 / 100 / 44

HEX #758E00

RGB 117 142 0

HSL 70.56, 1%, 0.28%

LAB 55.2, -25.15, 58.77

 

CMYK 19 / 0 / 100 / 51

HEX #647C00

RGB 100 124 0

HSL 71.61, 1%, 0.24%

LAB 48.42, -23.64, 53.11

 

CMYK 14 / 0 / 77 / 24

HEX #A6C22D

RGB 166 194 45

HSL 71.28, 0.62%, 0.47%

LAB 74.11, -28.37, 66.16

 

CMYK 0 / 7 / 77 / 24

HEX #C2B52D

RGB 194 181 45

HSL 54.77, 0.62%, 0.47%

LAB 72.7, -10, 65.67

 

CMYK 0 / 27 / 77 / 24

HEX #C28D2D

RGB 194 141 45

HSL 38.66, 0.62%, 0.47%

LAB 62.26, 11.4, 55.93

 

CMYK 0 / 48 / 77 / 24

HEX #C2652D

RGB 194 101 45

HSL 22.55, 0.62%, 0.47%

LAB 52.91, 33.16, 46.78

 

CMYK 0 / 69 / 77 / 24

HEX #C23D2D

RGB 194 61 45

HSL 6.44, 0.62%, 0.47%

LAB 45.63, 52.09, 39.27

 

CMYK 14 / 0 / 77 / 24

HEX #A6C22D

RGB 166 194 45

HSL 71.28, 0.62%, 0.47%

LAB 74.11, -28.37, 66.16

 

CMYK 35 / 0 / 77 / 24

HEX #7EC22D

RGB 126 194 45

HSL 87.38, 0.62%, 0.47%

LAB 71.7, -43.85, 63.04

 

CMYK 56 / 0 / 77 / 24

HEX #56C22D

RGB 86 194 45

HSL 103.49, 0.62%, 0.47%

LAB 70, -56.42, 60.82

 

CMYK 76 / 0 / 77 / 24

HEX #2EC22D

RGB 46 194 45

HSL 119.6, 0.62%, 0.47%

LAB 69.01, -64.66, 59.51

 

CMYK 77 / 0 / 57 / 24

HEX #2DC254

RGB 45 194 84

HSL 135.7, 0.62%, 0.47%

LAB 69.31, -60.86, 44.01

 

CMYK 14 / 0 / 77 / 24

HEX #A6C22D

RGB 166 194 45

HSL 71.28, 0.62%, 0.47%

LAB 74.11, -28.37, 66.16

 

CMYK 16 / 0 / 88 / 16

HEX #B2D51A

RGB 178 213 26

HSL 71.23, 0.78%, 0.47%

LAB 80.25, -33.01, 76.41

 

CMYK 18 / 0 / 97 / 9

HEX #BEE806

RGB 190 232 6

HSL 71.15, 0.95%, 0.47%

LAB 86.34, -37.17, 83.91

 

CMYK 14 / 0 / 77 / 24

HEX #A6C22D

RGB 166 194 45

HSL 71.28, 0.62%, 0.47%

LAB 74.11, -28.37, 66.16

 

CMYK 11 / 0 / 63 / 32

HEX #9AAE40

RGB 154 174 64

HSL 70.91, 0.46%, 0.47%

LAB 67.66, -22.5, 52.4

 

CMYK 8 / 0 / 46 / 39

HEX #8E9B54

RGB 142 155 84

HSL 70.99, 0.3%, 0.47%

LAB 61.51, -15.99, 35.52

 

CMYK 4 / 0 / 24 / 47

HEX #818767

RGB 129 135 103

HSL 71.25, 0.13%, 0.47%

LAB 55.05, -8.02, 16.51

 

CMYK 5 / 6 / 0 / 52

HEX #75747B

RGB 117 116 123

HSL 248.57, 0.03%, 0.47%

LAB 49.13, 1.83, -3.71

 

CMYK 0 / 27 / 77 / 24

HEX #C28E2D

RGB 194 142 45

HSL 39.06, 0.62%, 0.47%

LAB 62.51, 10.85, 56.17

 

CMYK 0 / 7 / 77 / 24

HEX #C2B52D

RGB 194 181 45

HSL 54.77, 0.62%, 0.47%

LAB 72.7, -10, 65.67

 

CMYK 14 / 0 / 77 / 24

HEX #A6C22D

RGB 166 194 45

HSL 71.28, 0.62%, 0.47%

LAB 74.11, -28.37, 66.16

 

CMYK 35 / 0 / 77 / 24

HEX #7FC22D

RGB 127 194 45

HSL 86.98, 0.62%, 0.47%

LAB 71.75, -43.49, 63.1

 

CMYK 55 / 0 / 77 / 24

HEX #57C22D

RGB 87 194 45

HSL 103.09, 0.62%, 0.47%

LAB 70.04, -56.15, 60.87

 

CMYK 14 / 0 / 77 / 50

HEX #6D7F1D

RGB 109 127 29

HSL 71.02, 0.63%, 0.31%

LAB 50.12, -20.2, 47.55

 

CMYK 14 / 0 / 77 / 37

HEX #89A025

RGB 137 160 37

HSL 71.22, 0.62%, 0.39%

LAB 62.16, -24.34, 56.87

 

CMYK 14 / 0 / 77 / 24

HEX #A6C22D

RGB 166 194 45

HSL 71.28, 0.62%, 0.47%

LAB 74.11, -28.37, 66.16

 

CMYK 13 / 0 / 67 / 17

HEX #B8D345

RGB 184 211 69

HSL 71.41, 0.62%, 0.55%

LAB 80.3, -27.89, 64.26

 

CMYK 10 / 0 / 53 / 14

HEX #C5DB66

RGB 197 219 102

HSL 71.28, 0.62%, 0.63%

LAB 83.7, -24.09, 54.27

 

CMYK 14 / 0 / 77 / 23

HEX #A8C42E

RGB 168 196 46

HSL 71.2, 0.62%, 0.47%

LAB 74.83, -28.46, 66.56

 

CMYK 77 / 0 / 47 / 24

HEX #2DC266

RGB 45 194 102

HSL 142.95, 0.62%, 0.47%

LAB 69.54, -58.17, 35.51

 

CMYK 17 / 77 / 0 / 24

HEX #A12DC2

RGB 161 45 194

HSL 286.71, 0.62%, 0.47%

LAB 43.28, 66.41, -54.39

 

CMYK 14 / 0 / 77 / 23

HEX #A8C42E

RGB 168 196 46

HSL 71.2, 0.62%, 0.47%

LAB 74.83, -28.46, 66.56

 

CMYK 77 / 14 / 0 / 24

HEX #2DA6C2

RGB 45 166 194

HSL 191.28, 0.62%, 0.47%

LAB 63.12, -23, -23.71

 

CMYK 0 / 77 / 14 / 24

HEX #C22DA6

RGB 194 45 166

HSL 311.28, 0.62%, 0.47%

LAB 47.1, 68.69, -31.51

 

CMYK 14 / 0 / 77 / 23

HEX #A8C42E

RGB 168 196 46

HSL 71.2, 0.62%, 0.47%

LAB 74.83, -28.46, 66.56

 

CMYK 77 / 0 / 47 / 24

HEX #2DC266

RGB 45 194 102

HSL 142.95, 0.62%, 0.47%

LAB 69.54, -58.17, 35.51

 

CMYK 63 / 77 / 0 / 24

HEX #482DC2

RGB 72 45 194

HSL 250.87, 0.62%, 0.47%

LAB 32.14, 52.38, -73.04

 

CMYK 0 / 77 / 29 / 24

HEX #C22D89

RGB 194 45 137

HSL 322.95, 0.62%, 0.47%

LAB 45.84, 64.95, -16.06

 

CMYK 14 / 0 / 77 / 23

HEX #A8C42E

RGB 168 196 46

HSL 71.2, 0.62%, 0.47%

LAB 74.83, -28.46, 66.56

 

CMYK 77 / 0 / 24 / 24

HEX #2DC293

RGB 45 194 147

HSL 161.07, 0.62%, 0.47%

LAB 70.35, -49.12, 12.91

 

CMYK 63 / 77 / 0 / 24

HEX #482DC2

RGB 72 45 194

HSL 250.87, 0.62%, 0.47%

LAB 32.14, 52.38, -73.04

 

CMYK 0 / 77 / 53 / 24

HEX #C22D5C

RGB 194 45 92

HSL 341.07, 0.62%, 0.47%

LAB 44.4, 60.51, 9.53

 

Description

Color code: HEX #A8C42E | qconv.com Color code: HEX #A8C42E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 196 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 196 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 77 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 77% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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