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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8C2D4 it is the complementary color #573D2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8C2D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8C2D4 shade: #ADC2CF, #BED4E2, #CFE6F5, #E0F8FF and #F1FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8C2D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8C2D4 shade: #A8C2D4, #97B0C1, #869EAE, #758C9B and #647A88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8C2D4 shade: #A9C3D4, #A9B7D4, #A9ABD4, #B3A9D4 and #BEA9D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8C2D4 shade: #A9C3D4, #A9B7D4, #A9ABD4 and #A9A9D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8C2D4 shade matches the following richer shades: #A9C3D4, #9FC5DF, #94C6E9, #8AC8F3 and #80CAFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8C2D4 shade: #A9C3D4, #B3C1CA, #BEBFC0, #C8BDB5 and #D2BBAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8C2D4 shade: #A9D4CF, #A9CFD4, #A9C3D4, #A9B8D4 and #A9ACD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8C2D4 shade: #729CB9, #8DAFC7, #A9C3D4, #C5D6E2 and #E0E9F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8C2D4 shade: #A8C2D4, #C3A9D4 and #D4D4A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8C2D4 shade: #A8C2D4, #D4A9C3 and #C3D4A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8C2D4 shade: #A8C2D4, #C3A9D4, #D4BAA9 and #BAD4A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8C2D4 shade: #A8C2D4, #D0A9D4, #D4BAA9 and #ADD4A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 8 / 0 / 17

HEX #A8C2D4

RGB 168 194 212

HSL 204.55, 0.34%, 0.75%

LAB 77.08, -4.91, -11.94

 

Complementary color

CMYK 0 / 30 / 51 / 66

HEX #573D2B

RGB 87 61 43

HSL 24.55, 0.34%, 0.25%

LAB 28.22, 8.89, 15.58

 

CMYK 16 / 6 / 0 / 19

HEX #ADC2CF

RGB 173 194 207

HSL 202.94, 0.26%, 0.75%

LAB 77.26, -4.42, -8.92

 

CMYK 16 / 6 / 0 / 11

HEX #BED4E2

RGB 190 212 226

HSL 203.33, 0.38%, 0.82%

LAB 83.72, -4.49, -9.39

 

CMYK 16 / 6 / 0 / 4

HEX #CFE6F5

RGB 207 230 245

HSL 203.68, 0.66%, 0.89%

LAB 90.07, -4.56, -9.85

 

CMYK 12 / 3 / 0 / 0

HEX #E0F8FF

RGB 224 248 255

HSL 193.55, 1%, 0.94%

LAB 96.08, -6.43, -6.02

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 21 / 8 / 0 / 17

HEX #A8C2D4

RGB 168 194 212

HSL 204.55, 0.34%, 0.75%

LAB 77.08, -4.91, -11.94

 

CMYK 22 / 9 / 0 / 24

HEX #97B0C1

RGB 151 176 193

HSL 204.29, 0.25%, 0.67%

LAB 70.51, -4.83, -11.52

 

CMYK 23 / 9 / 0 / 32

HEX #869EAE

RGB 134 158 174

HSL 204, 0.2%, 0.6%

LAB 63.82, -4.75, -11.1

 

CMYK 25 / 10 / 0 / 39

HEX #758C9B

RGB 117 140 155

HSL 203.68, 0.16%, 0.53%

LAB 56.98, -4.68, -10.68

 

CMYK 26 / 10 / 0 / 47

HEX #647A88

RGB 100 122 136

HSL 203.33, 0.15%, 0.46%

LAB 49.98, -4.6, -10.26

 

CMYK 20 / 8 / 0 / 17

HEX #A9C3D4

RGB 169 195 212

HSL 203.72, 0.33%, 0.75%

LAB 77.41, -5.13, -11.44

 

CMYK 20 / 14 / 0 / 17

HEX #A9B7D4

RGB 169 183 212

HSL 220.47, 0.33%, 0.75%

LAB 74.23, 1.31, -16.22

 

CMYK 20 / 19 / 0 / 17

HEX #A9ABD4

RGB 169 171 212

HSL 237.21, 0.33%, 0.75%

LAB 71.09, 7.89, -20.97

 

CMYK 16 / 20 / 0 / 17

HEX #B3A9D4

RGB 179 169 212

HSL 253.95, 0.33%, 0.75%

LAB 71.36, 12.17, -20.48

 

CMYK 10 / 20 / 0 / 17

HEX #BEA9D4

RGB 190 169 212

HSL 269.3, 0.33%, 0.75%

LAB 72.28, 15.73, -19

 

CMYK 20 / 8 / 0 / 17

HEX #A9C3D4

RGB 169 195 212

HSL 203.72, 0.33%, 0.75%

LAB 77.41, -5.13, -11.44

 

CMYK 20 / 14 / 0 / 17

HEX #A9B7D4

RGB 169 183 212

HSL 220.47, 0.33%, 0.75%

LAB 74.23, 1.31, -16.22

 

CMYK 20 / 19 / 0 / 17

HEX #A9ABD4

RGB 169 171 212

HSL 237.21, 0.33%, 0.75%

LAB 71.09, 7.89, -20.97

 

CMYK 20 / 20 / 0 / 17

HEX #A9A9D4

RGB 169 169 212

HSL 240, 0.33%, 0.75%

LAB 70.57, 9, -21.76

 

CMYK 20 / 8 / 0 / 17

HEX #A9C3D4

RGB 169 195 212

HSL 203.72, 0.33%, 0.75%

LAB 77.41, -5.13, -11.44

 

CMYK 29 / 12 / 0 / 13

HEX #9FC5DF

RGB 159 197 223

HSL 204.38, 0.5%, 0.75%

LAB 77.66, -6.68, -17.07

 

CMYK 36 / 15 / 0 / 9

HEX #94C6E9

RGB 148 198 233

HSL 204.71, 0.66%, 0.75%

LAB 77.62, -7.82, -22.57

 

CMYK 43 / 18 / 0 / 5

HEX #8AC8F3

RGB 138 200 243

HSL 204.57, 0.81%, 0.75%

LAB 77.98, -8.83, -27.42

 

CMYK 50 / 20 / 0 / 0

HEX #80CAFE

RGB 128 202 254

HSL 204.76, 0.98%, 0.75%

LAB 78.45, -9.2, -32.63

 

CMYK 20 / 8 / 0 / 17

HEX #A9C3D4

RGB 169 195 212

HSL 203.72, 0.33%, 0.75%

LAB 77.41, -5.13, -11.44

 

CMYK 11 / 4 / 0 / 21

HEX #B3C1CA

RGB 179 193 202

HSL 203.48, 0.18%, 0.75%

LAB 77.27, -2.98, -6.16

 

CMYK 1 / 1 / 0 / 25

HEX #BEBFC0

RGB 190 191 192

HSL 210, 0.02%, 0.75%

LAB 77.29, -0.16, -0.63

 

CMYK 0 / 5 / 10 / 22

HEX #C8BDB5

RGB 200 189 181

HSL 25.26, 0.15%, 0.75%

LAB 77.29, 2.49, 5.42

 

CMYK 0 / 11 / 19 / 18

HEX #D2BBAB

RGB 210 187 171

HSL 24.62, 0.3%, 0.75%

LAB 77.39, 5.61, 11.08

 

CMYK 20 / 0 / 2 / 17

HEX #A9D4CF

RGB 169 212 207

HSL 173.02, 0.33%, 0.75%

LAB 81.85, -15.03, -2.18

 

CMYK 20 / 2 / 0 / 17

HEX #A9CFD4

RGB 169 207 212

HSL 186.98, 0.33%, 0.75%

LAB 80.64, -11.41, -6.64

 

CMYK 20 / 8 / 0 / 17

HEX #A9C3D4

RGB 169 195 212

HSL 203.72, 0.33%, 0.75%

LAB 77.41, -5.13, -11.44

 

CMYK 20 / 13 / 0 / 17

HEX #A9B8D4

RGB 169 184 212

HSL 219.07, 0.33%, 0.75%

LAB 74.49, 0.77, -15.82

 

CMYK 20 / 19 / 0 / 17

HEX #A9ACD4

RGB 169 172 212

HSL 235.81, 0.33%, 0.75%

LAB 71.35, 7.34, -20.58

 

CMYK 38 / 16 / 0 / 27

HEX #729CB9

RGB 114 156 185

HSL 204.51, 0.34%, 0.59%

LAB 62.39, -6.83, -19.56

 

CMYK 29 / 12 / 0 / 22

HEX #8DAFC7

RGB 141 175 199

HSL 204.83, 0.34%, 0.67%

LAB 69.79, -5.93, -15.98

 

CMYK 20 / 8 / 0 / 17

HEX #A9C3D4

RGB 169 195 212

HSL 203.72, 0.33%, 0.75%

LAB 77.41, -5.13, -11.44

 

CMYK 13 / 5 / 0 / 11

HEX #C5D6E2

RGB 197 214 226

HSL 204.83, 0.33%, 0.83%

LAB 84.72, -3.31, -7.85

 

CMYK 7 / 3 / 0 / 6

HEX #E0E9F0

RGB 224 233 240

HSL 206.25, 0.35%, 0.91%

LAB 91.87, -1.68, -4.44

 

CMYK 21 / 8 / 0 / 17

HEX #A8C2D4

RGB 168 194 212

HSL 204.55, 0.34%, 0.75%

LAB 77.08, -4.91, -11.94

 

CMYK 8 / 20 / 0 / 17

HEX #C3A9D4

RGB 195 169 212

HSL 276.28, 0.33%, 0.75%

LAB 72.71, 17.37, -18.3

 

CMYK 0 / 0 / 20 / 17

HEX #D4D4A9

RGB 212 212 169

HSL 60, 0.33%, 0.75%

LAB 83.94, -7.02, 21.34

 

CMYK 21 / 8 / 0 / 17

HEX #A8C2D4

RGB 168 194 212

HSL 204.55, 0.34%, 0.75%

LAB 77.08, -4.91, -11.94

 

CMYK 0 / 20 / 8 / 17

HEX #D4A9C3

RGB 212 169 195

HSL 323.72, 0.33%, 0.75%

LAB 73.75, 19.96, -7.27

 

CMYK 8 / 0 / 20 / 17

HEX #C3D4A9

RGB 195 212 169

HSL 83.72, 0.33%, 0.75%

LAB 82.68, -13.24, 19.4

 

CMYK 21 / 8 / 0 / 17

HEX #A8C2D4

RGB 168 194 212

HSL 204.55, 0.34%, 0.75%

LAB 77.08, -4.91, -11.94

 

CMYK 8 / 20 / 0 / 17

HEX #C3A9D4

RGB 195 169 212

HSL 276.28, 0.33%, 0.75%

LAB 72.71, 17.37, -18.3

 

CMYK 0 / 12 / 20 / 17

HEX #D4BAA9

RGB 212 186 169

HSL 23.72, 0.33%, 0.75%

LAB 77.27, 6.58, 12.01

 

CMYK 12 / 0 / 20 / 17

HEX #BAD4A9

RGB 186 212 169

HSL 96.28, 0.33%, 0.75%

LAB 82.05, -16.45, 18.43

 

CMYK 21 / 8 / 0 / 17

HEX #A8C2D4

RGB 168 194 212

HSL 204.55, 0.34%, 0.75%

LAB 77.08, -4.91, -11.94

 

CMYK 2 / 20 / 0 / 17

HEX #D0A9D4

RGB 208 169 212

HSL 294.42, 0.33%, 0.75%

LAB 73.89, 21.68, -16.4

 

CMYK 0 / 12 / 20 / 17

HEX #D4BAA9

RGB 212 186 169

HSL 23.72, 0.33%, 0.75%

LAB 77.27, 6.58, 12.01

 

CMYK 18 / 0 / 20 / 17

HEX #ADD4A9

RGB 173 212 169

HSL 114.42, 0.33%, 0.75%

LAB 81.2, -20.97, 17.12

 

Description

Color code: HEX #A8C2D4 | qconv.com Color code: HEX #A8C2D4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 194 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 194 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 8 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 8% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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